Sunday, June 30, 2013

an evening in the park


Fr. Echeverría

[I can start, unless someone else is raring to.]

Lena Reilly

[[Go for it!]]

Jim

[ Do it. ]

Jim

[ We're so motivational. ]

Fr. Echeverría

Took him until halfway through the week to use the contact information left for him by a skittish Orphan. The information came with the caveat that the woman might drop in to properly introduce herself but Father Echeverría isn't terribly fond of waiting around for other people to act. He called Lena first.

He suggested they meet by the boathouse in City Park Sunday evening. Wasn't much of a suggestion--summers are busy for people in the business of baptizing babies and marrying and burying people.

And he may or may not have contacted Jim to be like Hey man meeting this Cultist you know her because he may or may not have Jim's info. His player doesn't remember.

Anyway here he is and he's wearing his usual stylish all-black getup and his aura is bright-as. Even if this is someone's first introduction to him the priest is difficult to miss.

Sid

[magidar is a go-go]

Dice: 6 d10 TN6 (1, 2, 3, 4, 7, 8) ( success x 2 )

Patience Mason

[Scanning]

Dice: 5 d10 TN6 (3, 4, 5, 6, 9) ( success x 2 )

Jim

[ Who-a-har-you. ]

Dice: 6 d10 TN6 (2, 4, 7, 7, 8, 10) ( success x 4 )

Fr. Echeverría

[fine...]

Dice: 7 d10 TN6 (1, 1, 2, 3, 3, 3, 6, 10, 10) ( success x 3 ) Re-rolls: 2

Lena Reilly

[[Spider-Sense Tingling? Spec: Uncanny Instincts]]

Dice: 7 d10 TN6 (1, 3, 4, 5, 5, 7, 9, 10, 10, 10) ( success x 5 ) Re-rolls: 3

Sid

It's a pretty okay night to walk and talk with new friends. The air is still a bit wet from the recent rainfall, the sky is darkening toward sunset, lights around the paths of the park are starting to come on.

There is an odd looking pair of women walking together, odd because, well, mostly because of the one. The extremely tall one. The woman in the clothes that look like they came from another era, but this poster will let that player describe that character's clothing. The woman walking beside her is shorter, with a fall of long red hair that spills over her shoulders. Sid is a bit frumpy looking as usual in a faded black tee over a pair of worn out jeans, brown messenger bag slung across her body to rest against her hip. She is aware as ever of her surroundings, though more than a bit distracted by her walking partner. She's listening more than she's speaking, which means she's getting better at understanding Patience's strange speech patterns.

Her head comes up, though, as they round a bend, senses picking up on the faint traces of other resonances, familiar ones at that. When she spots Pan she nudges Patience's arm and nods her head in that direction. If the good padre is going to be introduced to one new mage tonight, he might as well squeeze in another.

Jim

The Cultist makes his way through the park, flippity-flops-flapping and a'slapping on the paved path as he wanders his way over to the boathouse. He has an ice cream cone in one hand, and large strawberry scoop set on top of a jagged waffle cone that's threatening not to make it as melted sugar-cream runs down its sides and onto the napkin that wraps it up.

Jim is wearing a pair of red shorts, the crumple of fabric and bow of white drawstrings showing they're swimming trunks, and a dark grey v-neck that each drip threatens to stain. He walks stooped forward and face buried in the treat, working on getting as much of it as he can before the rest is lost to the heat and whatever bugs will find its remains.

His trail intersects with Sid and Patience, and he spies the one he knows almost eclipsed by the other. He shuts his phone, after firing of an Almost there text to Pan. Then he clears his throat, to get the two women's attention, smiling at Sid and nodding at Patience. He holds out the ice cream cone to them both, sputtering a, "Help," as he smacks the temple of his head like a bad case of brain freeze is setting in, eyes squinting closed as he joins them.

Patience Mason

The DMNS had been an interesting experience, as Patience often found whenever she visited science centers. She often described it an intriguing mixture of science and fiction, of course that wasn't necessarily the scientists fault, they weren't operating with a full understanding of the world around them, how could one postulate and formulate a suitable thesis without all of the data afterall?

Regardless of this the time spent with the younger woman named Sid had been refreshing, hell it had been downright fun. They had laughed, they had joked [in so much that Patience could manage a joke, and since the DMNS had closed they had wandered the park and enjoyed the evening air.

It was true that the woman who stood there like she was out of a movie poster or an old historical photo was tall. She topped out at an easy six feet, and that was without the extra inch or two added by the kitten heels she wore as they strode along at a casual pace. Her hair was an honest and dirty blonde, worn loose about her shoulders, but upon the top of her head rested a pair of victory curls which gave her the look of wearing laurels.

She wore an elegant frock which feel to her ankles in a dark blue with a lighter blue dress jacket covering her upper torso, upon her feet the kitten heels, much like the rest of her clothing looked old and hand made, a distinct lack of designer tags and machine stitching helped to make the woman seem...otherworldly.

When the man in his swim trunks walks up, and sputters help as he held out his ice cream Patience's sky blue eyes blinked and looked from Jim to Sid before asking.

"Inquiry, is this affirmed personage identifiable and itemized within your noospheric environment Sid?"

Lena Reilly

Lena was happy to hear from Father Echeverría and said she be happy to meet him. She agrees to the meeting place and time (after checking her calendar--okay Sunday, good, she rarely works then) and when that point rolls around she's making her way up. The girl is dressed casually; a silvery tank-top to avoid getting overheated and a pair of black jeans, just a little low at the hips. A pair of Docs complete the ensemble...oh, yeah, there's also the coffee. She has it so regularly you could almost consider it apparel.

She looks around as she comes up at the vicinity, but the caffeine appears to have hypersharpened her senses and she knows where to look before she glances around. She recognizes Pan and Jim very vaguely from the cabin, but they didn't talk. Sid and Patience she recognizes and actually knows, albeit Patience only once. She waves to them, a warm smile on her face, as she walks up toward Pan. He also gets a smile of greeting, more friendly than warm.

"Hi...thanks for meeting me." She reaches out a hand to the other. "I'm Lena."

Hawksley Rothschild

[perception + awareness]

Dice: 5 d10 TN6 (4, 4, 4, 7, 7) ( success x 2 )

Sid

Sid doesn't laugh, at least not in a loud, obvious, and boisterous way. But it's true, walking through the halls of the museum she had chuckled a few times, and her rare smiles had been not so rare in the presence of the scientist. It carried with her up to now, out in the open, seeing Pan in the distance and then having their trek interrupted by the appearance of Jim.

Help, he says, and she reaches out automatically for the cone. When she has it she just sort of holds it there, suddenly unsure of what the next step in this particular rescue was supposed to be.

She nods to Patience, though. "This is Jim. Jim, this is Patience."

Fr. Echeverría

As Lena draws closer she can make out details about the man she'd only seen from a distance several weeks ago: his hair was black and his build was solid once, both before Time got ahold of him, and he wears his cell phone clipped to his belt. He smokes a cigarillo and from that rolled cylinder of tobacco comes the resonance the others can pick up from a distance. He's Watching the Weaving.

He turns towards her when she's maybe ten feet from him and her smile begets another. With the cigarillo in his left hand he offers his right. No rings on any of his fingers, no jewelry but for the watch he wears on his right wrist. Plain stainless steel casing, banged-up links. His grip is firm but not overpowering.

"Lena," he says, and his voice is bright as his aura. His island accent's gone watery so far gone from its home. "Francisco. Very nice to meet you." He glances to the congregation not far from them about the time his cell phone buzzes.

Hawksley Rothschild

At the bandstand by Ferril lake, City Park Jazz is starting to wrap up. The majority of people in attendance are people who live in this neighborhood, across the street in the large houses, down Colorado Boulevard in the small apartments. Some have small children dozing on their laps or running around trying not to be bored by the music.

Over that-a-way, a group of magi are congregating gradually, an over this-a-way, there is another magi dragging a rented kayak up from the water. His boat shoes are well-worn, his shorts are made to wick water away but are not really intended for swimming properly, and he's wearing a yellow bandana like a sweatband. Other than the boat shoes and the shorts and the bandana and gold pendant in the shape of a single wing that hangs over his sternum, however, he's not wearing anything else.

He feels like sunlight. Or: like laying out in the sunlight, closing your eyes, letting it wash over you, soak through your skin, make you molten. The only thing cutting through that bright heat is the inexplicable feeling of flight, light as a feather that isn't made of gold, light as hollow-boned things are light, wafting on air currents in ever-ascending circles.

Straightening up after returning the kayak and its paddle, he looks over his shoulder. It isn't anything obvious. It's just a feeling, a clamor of sensations, all of them different. The people that are drifting towards one another, some here and some there, all have a strangeness about them, and that's before you get to the one very tall woman's victory curls. And then he sees Jim, and the quirk his mouth is taking burst into a full-on grin. He throws both arms in the air.

"HEY. JIM."

Patience Mason

The fact that Jim was awakened was not lost on Patience, the fact that so many people in one area were awakened was a bit of a revelation. To see so many awakened in one public place...was a rarity in these later days. Her lips pursed her lips gently as she took the ice cream cone from the man and gestured to him with her free hand.

"Positively aligned sociological and inter-personalized verbal approvals Jim. It is an acknowledgeable and indexable temporal juncture to affirm and categorize your existence." All of this is said with the warmth of a friendly hello and the offering of a hand to shake.

She watches him, her head tilted ever so slightly to the side as she considers his state, both of his clothing and of his current discomfort, how things change..and how things stay the same.

"Dermal application of thermally conductive materials to the internal and external jugular veins will allay the onset of the malady commonly referenced as 'Brain Freeze'." She offers helpfully, gesturing to his neck.

Jim

"Have...Some..." Finally he's remembered the trick. Always too late. Maybe always so late that by the time the brain freeze is wearing off you just convince yourself it's because you're pressing your tongue on the roof of your mouth like your friend told you that one time.

"Patience," straightening, taking back the cone if Sid or Patience in fact doesn't want some, though he looks at her like maybe the former has been replaced by a murderous robot if she doesn't. Especially after hearing the way Patience talks. And then Sid introduces her and he feels the familiar resonance. Knows it's her. A smile spreads on his face, first directed at Sid, and then at Patience. "Jim. That's me. I like your curls," a glance up at her hair, and then back down to her eyes. "And your words."

His name comes shouted from lakeside, finally, and Jim breaks his attention from the two women. He waves his hand at Hawksley, arm high and back and forth, then waves him over.

Attention back on Patience and Sid, he points up at Pan. "The Padre's meeting with Lena up at the boathouse. It's a regular hootenanny. I know that guy. I'm going to go grab him." Leaving them, he jogs down to meet Hawksley halfway.

"We got..." Counting on his fingers, and then looking like he's lost count anyway, he throws his head over his shoulder, turning and expecting for Hawksley to follow. "A bunch of us. Let's just say if the mirrorshades were to show up they'd need a paddy wagon. Come on. Meet the group."

Serafine

Per + Awareness

Dice: 7 d10 TN5 (1, 2, 2, 4, 5, 6, 9) ( success x 3 )

Hawksley Rothschild

Hawksley is waved over, and does come over, shrugging into a dark blue knit belted sweater with a couple of thick horizontal stripes in red along the sides. He doesn't tie it up, but at least gives the illusion of some form of cover, some protection against a rising chill. Halfway, Jim meets up with him, and you'd think that Hawksley and he were old friends... at least according to how Hawksley behaves, throwing an arm around the guy and slapping his back a couple of times, a regular bro-hug if you ever did see one.

"Awesome," he says, looking from Jim to the redhead and the lady-giant. He doesn't ask for an exact number. Paddywagon makes him laugh. That grin just won't quit. He checks his pockets and makes sure he's not missing anything, then walks back over with Jim.

Sid

Sid took the cone first, and she did try it. She gave it a little experimental lick and pulled a face. Strawberry. No thank you. But she is still herself. More herself than the last time they saw each other, and more again besides. The quiet of her has no tension, in fact she seems more relaxed than she's been in his presence...ever.

Straightening a little, craning to look beyond him to the padre, she nods. "We saw him," she says, and her gaze shifts to the other Ecstatic. "And Lena," she says, and her voice is a touch brighter. Jim is going to grab that guy, and Sid turns a little to follow his gaze so that she can properly look at the newest with some concern. She looks up at Patience and nods her head over to the other two. "We should say hi."

Lena Reilly

She doesn't at all mind the smoking from Pan; its a habit that she engages in from time to time herself, after all. "Nice to meet you too, Francisco. I'm sorry we didn't get a chance to actually talk earlier...other things were obviously a bit of a priority, and I thought it would be best to hold off on pleasantries and the 'getting to know you' chit-chat until after the fact."

More people seem to be gathering in the location; a happy convergence of fate. Lena decides to hold off on getting too in-depth on conversation until everyone has intersected and instead chooses to engage in a bit of small talk. "I haven't had a chance to explore this particular part of the city yet. It's a nice area." She turns her sea-green eyes back to the Father, head cocking inquisitively. "Is this a common gathering point, or just happenstance?"

It's a question with nothing more than curiosity behind it; no apparent attempt to dig for more is evident in the way she asks.

Serafine

Today Sera is wearing: a short pink dress covered with a print of cartoon bumblebees over thigh-high fishnets held up by black garters. Which are deliberately visible, thank you very much, and although she was wearing heels, some hours in the park (the picnic, the sun and the grass and the grass and the box o' win later) have worn her down and when she gets that niggling little feeling that something's fucking afoot our heroine has long since given up wearing the heels. So: she's carrying them in one hand, walking in stocking feet through the grass toward the boathouse, waving goodbye to her friends as she wanders over in that direction.

Coming toward Pan and Lena from the opposite direction as Sid and Patience and Jim and now Hawksley. Sidles up behind Pan gives him a side-hug and reaches for the cigarello he's holding like it is the sort of smoke you puff and pass, rather than the sort one enjoys alone by the lakeside.

It was a hot day so her hair is all pulled back and collar of her dress has slipped off her left shoulder to show a black bra strap. We are always proud of her when she remembers conventional things like saying hello and wearing underwear. Listen, " - Hey," to Lena, a lazy (stoned. indulgent.) smile.

Holding on to Pan like they're old friends, her left arm snaked around the priest's waist. "Can't be happenstance. Gotta be like. Like." A deep sigh, like Serafíne takes pleasure even in the movement of her fucking lungs. Then another one, like the first was a fucking revelation. Is she gonna say convergence or fate? No. " - summer. Who wants to stay in the fucking house?"

Patience Mason

Patience had taken the cone after Sid had taken a taste, watching with curiosity as she pulled a face and shaken her head. The Etherite took a moment to examine the cone, turning it slowly in her hand, her head turned to the side as if to listen, and then briefly...she sniffed it. It seemed that in the end she took Sid's taste observation for what it was, and simply gave the cone back to Jim.

Jim the man who had offered her kind words, and which had brought a warm but small smile to her lips and a nod of her head. "Your verbal affirmatives are acknowledged and affirmed in a positively alligned category Jim." She said in thanks before the man ran off. As he did so the blonde levelled her gaze and took in the sight of the flock of magi that was steadily growing about them and turned her head slightly as Sid spoke of going to say hello.

She nods, but Sid might notice a slight tightening of her features as she began to stride forward, speaking as she went. "Such convergences of distinct and ideo-paradigmic individualized personages is of a statistical probability that at this temporal juncture un-correlatable, and quite infinitesimal. However the probability of opposing socio-political paradgmic amalgamations interfering in such circumstances is directly proportional in magnitude to the infinitesimal properties of the gathering." It is a warning, her tone says it is...but then her face brightens and she strides on.

"Statistical data points however are prone to inflexibility and a failure to account for auto-accumulative variables in the temporal equation...so...moot." She says with a shrug as her grin widens and she moves to join the others.

Fr. Echeverría

He excuses himself between one explanation and the other, as if he's actually stepping away from the conversation to attend to the text message. As quick as he can bring it up and read it, he's got the phone put away again. It claps shut like a door and he puts it back in its clip with inexpert stabbing motions. It's a wonder he remembered to bring it with him. He and the phone aren't extensions of each other.

Lena wants to know if it's a common gathering point and Pan's eyes are tracking the points of movement across the grass. Can't track what's behind him though he can feel her approach from an arbitrary enough distance. Her arm doesn't surprise him and he gives up the cigarillo without a fight. It's hers now. He puts his right arm around her shoulders and gives them a game squeeze, silent submission to sustained physical contact.

"Well, Sera," he says, "you do have a point." To Lena: "How are you finding the rest of the city?"

Jim

Jim's hand comes up to the shoulder closer to him as Hawksley loops his arm over, hooking on it to hold it there and steer them to the group, and when they finally meet up with the arrayed magi, his arm reaches up so that his index finger can point down at the crown of the other willworker's head.

"Everyone, this is Hawksley. Hawksley, this is everyone," like he might leave everyone to give their names. But he doesn't.

"We've got the Pan and Lena and Patience and Serafine and Sid," indicating each as he slaps the palm of his hand onto the top of Hawkley's head. As he gives the names his index finger snakes down from above his peripheral vision like an indicator on a heads up display, pointing to each name's possessor as he goes on.

"Hawksley seems alright. What do you think, Serafine? Oh, that's right, you know Serafine. Serafine, he's alright, right?" Looking to her like he expects a good joke for an answer.

Hawksley Rothschild

There's only one person here that Hawksley finds familiar, and that is Jim here. It doesn't seem to bother him. In fact, walking towards Sid and Patience, he looks positively delighted at the opportunity to meet them. This is the guy who randomly met two Cultists at Red Rocks and after the concert had a list of more than a dozen people to invite to his inevitable house party. When he gets a house. He can feel the convergence of energy, he looks lit up with it.

So he's shaking hands with Patience, shaking hands with Sid, and he's the sort who makes eye contact, who has a firm grip and warm hands with unfamiliar callouses here and there, but not the sort you get from working a single damn day in your life. "Hawksley Rothschild," he says to the two ladies, with hearty pumps of their hands, even though Jim already said his name. "A distinct pleasure," he says to Patience when her name is given. "An honor," he tells Sid, for the same. All grins, those pretty blue eyes of his full of the sort of light he seems to be made of, even after dark.

They're walking as they're talking, Jim is lifting a hand and Hawksley is neatly ducking away from being patted on the head, but looking where Jim points all the same. He doesn't make an issue of it. He doesn't snarl or glare or grow violent. The grin on his face turns briefly into a smirk, he swivels his head away, and takes in the names given as Jim is pointing out Pan and Lena and Sera as well. "Oh no," he tells the Cultist, "I remember that one."

They're there. And he's folding his arms over Jim's shoulder, resting his chin on his forearms, which puts his head right next to Jim's head as they settle in as a gang of seven. He gives a nod to Lena, Sera, Pan. "Hey." Another grin.

Lena Reilly

Lena takes the arrival of Sera without discomfort; she doesn't mind new people. Hell, she's a DJ; she's used to being in crowds, though admittedly those crowds aren't usually about the people around you and more their heartbeat, heat and energy joining yours in the dance. This is an altogether different kind of group and yet she isn't any the more anxious for it.

Well, almost any less. It's never that easy to be the newcomer in a group where most others seem to know each other, and when you're pretty much set apart from most of humanity (in at least some degree) by that strange feeling you give off, it's that much more important to know people. And now everyone is all together, and names are getting thrown about. That leaves Pan's question to her cut off, at least for the moment.

"Hi." She gives a wave all around. "Nice to meet everyone."

Sid

Sid does notice the tension in the taller mage, which echoes through her, as well. A month ago she would have seen a bunch of mages converging and said, Nope, not today, and she would have turned and walked away, hoping to avoid notice. Today she goes toward them willingly, if a touch nervously. She knows these people better than she would have thought, even likes a few, even gets defensive of one or two of them. One new face isn't enough to send her into a tailspin of fear that sends her running, right?

She reaches out to the woman and touches the tips of her fingers to the back of Patience's arm, once, very lightly as if to check to see...is this okay? Is this alright? Because Jim has already gone off and Sera's way over there and so is Lena. When the Etherite fails to react negatively to the touch, Sid relaxes her hand into the other woman's, wraps her fingers around hers and holds on gently. For support, really. And strength.

"Statistics don't take into account this park," she says in response, the corners of her mouth lifting in a faint smile. When they reach the others at last, Sid nods a slight greeting to those she knows, coupled with that slight-ish smile for Sera and Lena, who she knows better than Pan. Hawksley is greeted with a tightening of brows, but it's hard to stay terribly distrustful in the face of that energy, his resonance, his smile. She does not reach for his outstretched hand, but she does say, "Hi," as she averts her gaze from his direct look.

One new face isn't enough to send her running for the hills, but it's enough to bring that shyness of hers to the surface.

Serafine

"I always have a point?" The statement turns into a question only because Sera has looped far enough around Pan to glance off port-side and identify: Jim and Hawskley and Sid and a strange and very tall woman and all their resonance hums around her like a cloud of feedback, the evening air seems to thrum with it. Identify them just as they are rolling up, with introductions and Jim and -

See: Serafíne in her little pink dress, stocking feet in the grass (or whatever), her eyes bloodshot, ridiculous heels hanging from the left arm wrapped around the priest who is (we will note) a solid nine inches taller than she is, so her head kinda comes up to his shoulder. Maybe.

She takes a lungful of the smoke from the cigarello then offers it to back to Pan, all thoughtful.

Exhales a cloud of smoke as Jim asks her if Hawksley's alright, right? She flashes them both a sudden, slashing sort of grin while the (tobacco, sorry) smoke is sort of wreathing around her head. "Dee's entire fucking roller derby team seemed to think so.

"Even the blockers. That's quite a fucking endorsement.

"HE," she goes on, pointing at Pan's head. " - is a fucking priest. With like confession and everything. And a roof.

"SID."

Not precisely an introvert, Sera. Give her five more minutes (or a bit more of some substance or other) and she'll probably flash her underwear.

Sid

[i like rolling dice for no good reason: ack! why am i getting yelled at!: paranoid awareness-empathy roll]

Dice: 6 d10 TN6 (2, 2, 3, 3, 6, 9) ( success x 2 )

Hawksley Rothschild

Dee's entire fucking roller derby team seemed to think so.

Hawksley's grin flashes anew, right at her, in answer to that. He remembers Dee's entire fucking roller derby team. And how that one, Emily (also known as Honey Bunches of Chokes of the Denver Red Ridin' Hoods), turned out to be a really good dancer. "Tell Dee I said hello," he says.

A few moments before, Sid ducking her eyes away from his gaze and refusing his hand caught his notice, those eyes sharpening on her with intrigue more than offense. He got over it quickly; curiosity may be chief among his sins, if one believes in sin, but he is not ruled by it.

He unfolds his arm from Jim's shoulder and reaches for Lena. Or Pan. Whoever gets to him first. "Hawksley Rothschild," he says, again unnecessarily. There's no flick of his brows at the fact that Pan is a priest, but then, he can feel the power coming off of him just as he does with Jim. There's something to that. When he gets a handshake from Pan -- please, please, let there be a handshake -- he looks him in the eye. He holds it a moment. He's smiling.

Patience Mason

The moments of movement between where they had been to where they were now involved an evolution of sorts for Patience and Sid, an expansion of trust and solidarity which served them both well. The tall women who stood over many but not over all took in the reactions and the responses, the stances and the smiles of all those who now stood together, a distinct sociological alloy of individuals of all stripes and walks. It has her silenced for a moment, the sky blue of her eyes seeming to deepen as Serafine speaks of the priest, and then to Sid.

Still she remains silent as she takes in Hawksley's resonance, a distinct similarity to her own luminous feel that has her watching him longer then most. When at last she has observed all she desired she responded in kind to all of them, though not accepting any hands, given hers is occupied.

"I have already postulated and extrapolated to my companion Sid upon the probabilities of such a unanticipated social convergence of ideo-paradgmic individualized personages in one geo-centric locality with no identifiable objective. This statement true and verifiable I must amend and apply an additional statement of distinct endorphin actualization." She looks at all of them with a smile.

"It would be necessary to subtract fifteen standard solar cyclical movements from this current temporal juncture to ascertain a distinct temporal unit in which this number of individualized paradgmic personages have been affirmed by my active senses. It is a categorically unprecedented sociological event, and I actualized each of your personages with distinct positivity." Its a mouthful to be certain...but man she seems happy to be here.

Fr. Echeverría

The priest's resonance is bright but to call it warm would be misleading. It has all the warmth of a floodlight, or a road flare. If the man himself is as clinical as the stain left behind by his Work it would stand to reason that he wouldn't be at ease with a slinky party-girl latched onto him but it's hard to judge someone in a matter of seconds.

Sera introduces him as a fucking priest and in this order he laughs, that by-surprise shouldn't-be-amused-by-this teeth-flashing laugh she thinks makes him look younger. It does make him look younger but life has had its way with him so it doesn't take much to pull off a reverse-aging on him.

When the handshake comes his way he takes his arm off Sera's shoulders but his reach is long enough he doesn't have to jostle her off his waist if she isn't ready to let go yet. Grips the other man's hand firm-like and meets his gaze.

"Francisco," he says, which is not Pan but which is what he gives everyone as a jumping-off point. "Nice to meet you, Hawksley."

Jim

"That is a dog pile I don't think anyone would mind being on the bottom of," he answers Serafine, extricating his arm from Hawksley as he does the same. He gravitates back toward his ice cream cone, which how now painted the crevices of his other hand a bubble gum pink. He's not long in finishing it, though slower and steadier to avoid being stricken by the freeze again.

As he's doing so Patience starts and his eyes slowly raise up until he'd practically chewing on the napkin he's so lost in her words. When she's finished his eyes are wide and interested. He looks to Sid, moving over to her, a bit closer as Hawksley starts shaking hands. And it also gets him closer to the tall woman with the awesomely technical verbiage.

"That long, huh?" He thinks he knows what she means, but doesn't dwell on it, instead focusing on how happy Patience is to meet them all.

Sid

Sera exclaims her name, hers and no one else's (yet), and Sid, jolting a little away from Patience, looks at her quickly. Eyes wide then narrow. Her brows tighten above the rims of her completely unstylish black glasses. Lips turning down into a slight frown that shifts almost immediately back upward. Just a little.

That Jim and Sera seem to know Hawksley, that they think he's okay, right? He's okay. This isn't lost to Sid. But while she sort of trusts the both of them more than most, she would rather make up her own mind about him. People can be cool to some and not cool to others. And as she's been reminded recently, those who seem gentle on the outside can harbor darker motivations beneath the surface.

"Do you," she starts quietly, looking at the padre when he introduces himself. "Should I call you Francisco?" she asks instead.

Serafine

Hawksley gets a grin right back and a - "You should come over, tell her yourself," sort of invitation when he offers his hellos via messenger to Dee, Dahlia, who plays bass and works in a bakery and owns the house Sera inhabits, somewhere in Denver.

Then Jim - the dogpile comment - has her laughing aloud, the bright flash of her teeth, suggests that she agrees with him, whole-fucking-heartedly.

And she's not inclined to let go of Pan yet it seems (perhaps he's holding her upright), so he reaches over her to shake hands with Hawksley and introduces himself as Franciso and Sid asks if she should call him Francisco and Sera's about to stay something else, but then Patience is -

Patience is -

- are those words?

Sera's gaze flashes from Patience to Jim and back again and she's wondering now if Patience is a shared fucking hallucination even though she has not taken any hallucinogens, not a fucking one, since the night in the woods with the ring of fire and the corpses and the summoning-of-nether-things and he seems to understand the -

- well, it if is an hallucination, it makes sense that Jim would understand it. When it talked.

--

Except, very quiet and mostly to Pan's flank (accompanied by just a hint of elbow to obtain and retain his attention) as he's giving and getting introductions and clarifying names and nicknames and titles, this from Serafíne, of the Most Sober Person She Knows. "Do you see her too?" Patience, she means. She's looking in the Etherite's direction.

Hawksley Rothschild

Hawksley hangs on Jim, Sera hangs on Pan, and it seems that both of the disciples are at least tolerant of this. He notes the shift in names, one given by Jim and one given by the priest himself, but he doesn't question it. After all, wasn't he handing out cards and calling himself Davie to Dee and her team after telling Jim and Sera to call him something else entirely? He was. He doesn't so much as quirk a brow at that. He shakes Pan's hand, he gives a nod, and he says: "Likewise."

He does, however, quirk a side-eye at Patience as he's drawing his hand back from the priest. He blinks, then laughs. "Awesome," he says, and that is all. His chin goes back to resting on his forearms which are resting on Jim's shoulder. It's a terribly close way to stand with someone you've only met once, particularly when your bare chest is aligned with their right arm, but Hawksley doesn't flinch away or seem shy. If Jim wanted him gone, he'd shrug him off. Or never would have let him settle there to begin with.

They do slip away and apart, however, as Jim is drawn towards the woman. He lowers his arms to his sides, slips his hands into the pockets of his shorts, and he smirks at Sera. It's a friendly smirk. His mastery of the friendly smirk with the twinkling eyes is second only to his mastery of the unabashed grin, also with twinkling eyes. "Don't think I won't," he says mildly. He glances at Patience again when Sera seems confused as to her existence and chuckles.

Fr. Echeverría

Sera's answer is a wordless hand atop her head, squeezing gentle like to say there's nothing wrong with what's inside her skull.

To Sid: "Nah, Pan's fine. The only people who call me Francisco are Rosa and the Bishop."

Serafine

Sera lifts her head up toward the priest's hand as he settles it on the crown of her skull. She's been in the park most of the afternoon and the heat of the sun is lingering in her hair and on her skin.

A beat or two or three and -

- dark blue eyes remain steady on Patience and okay. Not a hallucination, maybe.

Back to Hawksley, in belated response to his don't think I won't and his friendly smirk: the quick flash of one of her edgy little grins. Just a hint of rallying challenge, there.

Then to Sid, the edgy little grin lingering in the curve of her mouth. "You could call him Pancho." A quick little glimpse of the priest's profile. "Or Padre," and her pronunciation is not anglicized. There's just enough to suggest she's spoken Spanish in some form since she was very young. " - if you wanted, but if you go with Padre I think you're required to join the vestry and the ladies' league of Mary."

Then, as a segue to a farewell as it is past her player's bedtime. "Hold that thought. I gotta pee."

And finally she detaches herself from Pan's flank and peers at Patience and hugs Pan again and doesn't hug Sid but does sort of look like she wants to doesn't hug Hawksley not yet but does hug Jim when Jim isn't looking and while his hands are ice-cream sticky so maybe I gotta pee is Sera-speak for I think my friends still have some drugs I wanna take or something because she's still sober enough that she flashed no one, but no one, tonight.

Because you normally don't run around hugging people before heading to the restroom. Normally.

Patience Mason

It is to Jim that Patience turns first, he had drawn closer, obviously interested in what she had to say and it surprised her that he understood what she said so easily. She nodded at his inquiry, a look of momentary discomfort interlacing with the congenial smile upon her face.

"Your inquiry for affirmation of the afformentioned data is acknowledged Jim, fifteen standardized solar cyclical traversals is correct. Albeit a fraction of the sum total of this physicalities temporal biological progression it is still substancial when applied via its own points of interest." She turned back when Sera inquired ever so discreetly as to wether Patience existed in her mind or in reality and the tall woman laughed gently before nodding.

"A profound and astute inquiry as to the generalized perceptive notions of this actualized physical plane Sera, however according to most theorum and thesis, this physical-noospheric personage." She says pointing to herself. "Exists with as much statistical certainty as the existence of yourself." She seems delighted at the idea, perhaps she see's it as a debate of some kind, if others can misunderstand her...surely the same might be the same for her.

She looks around then scanning the area about them in momentary thought and seems to consider before inquiring to Jim, and in general. "From which physical structure in this generalized geographical locality is it theoretically possible to obtain an appropriate nutritional serving of a non toxin laced variety of the mammary secretive derivative identified commonly as 'iced cream'?"

Sid

Sid frowns at Sera's reaction to Patience, the look a little sorrowful, but more for the woman whose hand she's holding than the reaction itself. She gives that hand a little reassuring squeeze.

"She's real," Sid affirms quietly.

At the mention of ice cream, though, she tugs gently on Patience's arm. "I can find us some. I don't want an appropriate nutritional serving, though." Turning back to the others, she gives a little nod that passes for her farewell.

Hawksley Rothschild

Pan. Pancho. Francisco.

Sera is giving everyone a hug, or at least a few of them. Well, two of them: the priest and the other cultist. Hawksley catches her eye for a moment there, when she's caught up deciding who to hug or just doing it without deciding anything and maybe she's too high to see anything in that glance at all and maybe she's not. But he gives her a nod as she's headed off, his hands still in his pockets. He is hanging back, observing more than interacting, even as he seems unshy about what interactions he does engage in.

He makes his guesses. He knows about Jim and Sera. He's reasonably certain about Pan-Pancho-Francisco. He's got a damn good guess about Patience. Not sure about Lena, but he barely met her. Not sure at all about Sid. What he does know, what he can tell, is this: none of his own tradition. If any of them turned out to be, he'd be stunned. And that wouldn't be the worst thing to happen to him, but he's rarely stunned.

If Jim lets him, he takes a taste of the strawberry ice cream himself, but then he's glancing past the group to someone over at the bandstand. He gives a sigh. If anyone follows his gaze, he's looking at a tall, older gentleman with black hair and a gray beard in dark clothes who is waving him over: palm up, fingers beckoning. "I apologize," he says, returning his attention to the group he's with, "but I think I have to go be introduced to a conductor. If any of you want to get in touch, Sera and Jim have my number."

With a strangely formal bow of his head, he smiles again at the gathered and excuses himself, heading towards the bandstand, toward the dispersing wealthy in their summery garb enjoying the last lingering notes of jazz.

Jim

Where Patience was talking to a woman who is going to pop a squat, Jim seems more than happy to segue into the conversation as Serafine goes to find someplace private. Especially when he hears her ask about iced cream.

"I know a guy," he says, winking at her and chuckling at his own joke as he does so, joining Sid and Patience to show them the way. "I could use seconds as well."

He gives the polite goodbyes, even gives Hawksley a hug, and calls out into the darkness where Serafine had disappeared to. "We're going to get iced cream whenever you're done."

And that is all he wrote for Jim.

Fr. Echeverría

[THANK YOU FOR SCENE PEOPLE GOODNIGHT <3]

Saturday, June 29, 2013

Dick Fairchild


Serafine

The stranger (who-was-not-a-stranger) left the place; slid back into the warm, smokey night. Sera turned with a stiff, almost military straight-posture and headed back to the bar. Shoved the glass from her drink back at the 'tender and ordered two shots of tequila. He laid them out one and one, in front of Sera, then Justin, but she herded them back over the bar, the dull, tinctured music of glass on old wood. Threw back the first one with the full ceremony - salt, tequila, wedge-of-lime, eyes closed with the stark acid of the lime juice cutting through the burn of the booze.

Then just sat brooding over her second shot, swirling it around the glass. Watching the thread and spill of her reflection over its oilslick surface. The pattern of her own fingerprints on the glass, her dark nails flecked with irridescent glitter and the bands of light gleaming in the polished surface of the bar.

"How long?" Five fucking minutes later. More or maybe less, but the question feels like a non-sequitor because it is. Because it has nothing to do with What Just Happened. She lifts her attention from the shot then, cuts a sharp look aslant at the Verbena. Registers what is likely the confusion on his face as a slow-crawling half-smile asserts itself across her mouth. "How long'd you have to think about it before answering my text?

"Me, I thought about sending it for fifteen fucking minutes."

The edge of her gaze then, this rich, wry, self-aware look shining through the haze of alcohol and hashish. Justin doesn't know her well, but can easily guess that fifteen minutes may well be an eternity for someone like Sera, who does not think about things. She just fucking does them. As she does now, tossing back the second shot of tequila with no salt beyond the salt on her lips. Already signaling the bartender back for another shot, oh and this time leave the bottle.

--

They have a quiet conversation then. Not precisely oblique - but oh, some details are papered over. Still, both of them saw the fading threads of Work around the woman's head, as much as they saw her run-down-to-the-dregs-and-then-some addict's demeanor. Sera supplies the pertinent details gleaned from her vision, admitting that maybe she-and-Kelsey have some acquaintances in common, with a breezy, brazen front. Because you know how it is. A girl like Sera meets more people than she will ever have time to remember.

With that, the slash of her familiar grin, and Justin has grace enough that he pretends not to notice the haunted edge behind it.

While he's sitting there with her, she texts one Richard Fairchild. To-wit: Hey. I wanna come over tomorrow. Cool? Justin wants to go so Sera promises the Verbena that she'll give him a call when the dealer texts her back and they'll make a date of it. He can think of himself as a field researcher into the lives of cultists.

Except now: Justin is no longer interested in the pub-crawl they had planned and fucking Serafíne is more interested in it than ever. He's still nursing that whiskey he ordered when he walked in the bar, and she looks like she's never heard of moderation as an abstract concept, let alone a way of life.

Still, he's concerned enough about her that he hangs out a while longer, waiting for the cavalry. Which arrives in the form of Dee and two or three girls from her rollerderby teammaybe half an hour later: or Deedee, as Sera greets her, already sliding off the barstool and opening her arms and wrapping them around her housemate and bassist with this easy and liquid familiarity. We found the place for your fucking party.

And so Justin is relieved of any Cultist-sitting responsibility. Easily able to extricate himself from the group. If he stops to remind her of their plans for the morrow, Sera gives him a weaving, glassy-eyed smile over Dahlia's shoulder. They're already planning where to go next. This place is too damned quiet, and Serafíne wants live music and a crowd that pulses in time to it like the chambers of a stutter-stopped and plosive heart.

--

The next day, Justin receives a text from Sera, proof that she apparently survived her night:

4:30. My place. You can drive but we'll take my Jeep.

She's waiting for him on the sidewalk in front of that nice home with the overgrown garden, sitting on the front step with Dan, sharing a cigarette. When Justin pulls up and climbs out, Dan tosses him keys to the Jeep. It's an old model, mid-90s, still with temporary tags on it and, most importantly, can't be traced back to Justin. There's that sketchy transparency to her demeanor, a certain care she takes when she stands up to suggest that she's under the lingering threads of what may have been a monstrous hangover this morning. Sera hands off the cigarette to Dan as he stands up behind her, kisses his bearded cheek, and directs Justin to the Jeep parked further down the street. Climbs into the passenger's seat and gives the Verbena the address Fairchild gave her, looking out through the window as they drive. Wait, what's that scent threaded through her hair? Maybe it wasn't just a cigarette she and Dan were sharing, after all.

Justin

How long?

Serafine asked how long it'd taken him to answer her text. Justin responded with a grudging smile and a (slightly guilty) lift of his eyebrows. "More than fifteen minutes."

He watched while Sera drank her tequila shots, gazing pensively at her face as though he'd forgotten about his own drink. His manner now was entirely different from what it had been only minutes ago. Watching someone (a friend? is that what they were? did fighting alongside a person and sleeping with them mean that you got to skip the small talk and the casual social outings?) fall apart in front of you had a tendency to do that.

There was a moment, between the shots and the conversation, when Justin leaned into her space and put his arms around her - slowly and carefully like winding ivy. He leaned his forehead against her own and breathed soft puffs of air against her cheek and stood there silently for as long as she wished it. And maybe for that moment they forgot that things between them were supposed to be awkward, or that they didn't really know each other beyond the shape and fit of their bodies, or that lately they'd both been holding themselves together against a world intent on finding and fraying apart their every vulnerability.

Because hey - they were still here. Vibrant and strong and still so very alive.

So they broke apart. And they talked. And Justin didn't acknowledge the haunted edge to Sera's smile, but neither did it surprise him. He told her he wanted to go with her to see the dealer, less because he thought he'd be useful and more because he didn't want her to deal with this - whatever this was - alone.

They parted ways not long after that, as Sera found companions more suited to her needs and Justin went home to his apartment. And then for a long run. And then probably to sleep.

-----------------------

The next day he showed up at her place, as requested, at precisely 4:30. He caught the keys that Dan tossed him and nodded to the consor with a friendly (if a little reserved) smile. Justin's voice and posture were relaxed, but he had a gun holster clipped to his belt.

When they climbed into the Jeep, Justin started the engine and pulled away from the curb without much delay, following Sera's directions to the dealer's address. He was quiet on the way there, but flipped on the radio at a low volume so they'd have something to listen to, cycling through the still-unfamiliar channels until he landed on one that was playing Ocean Breathes Salty by Modest Mouse.

When they hit the right street, Justin parked the Jeep a few buildings down from their intended destination and jumped to the sidewalk. "So how well do you know this guy, exactly? What should we be expecting?"

Serafine

In the interstitial space between the shots and the conversation, there's no telling how long Serafíne sat there at the edge of her barstool, elbows braced on the lip of the bar, eyes closed. Justin's arms around her and his breath warm against her cheek. Just still. Well: Serafíne's a seer, so perhaps she could tell. Perhaps she could measure it out in heartbeats and breaths, in the firing of neurons and the movement of the hidden stars in the smoke-filled sky. Longer than you'd expect, not so long as it seemed, and when she finally roused and moved to shrug him off, well. Maybe she was steadier for it.

Otherwise, she didn't fucking acknowledge the moment at all.

---

So, the next day. Justin parks the Jeep and jumps out. Sera is slightly less vigorous than he today, treats the world as if it were (or should be) coated in cotton wool. She sliiides out of the passenger's seat, and meets Justin on the sidewalk. If you imagine that she is half-clothed, you are correct sir!

Today: a white Jesus and Mary Chain t-shirt that has been altered with scissors to be a cut-off tank. PSYCHOCANDY in crawling black block letters just above the improvised hem, that shows an inch or three of skin above the waistband of her skirt. Black bra visible beneath the white t-shirt and a thin black hoodie slung over it, sleeves pushed up to her elbows because hey, it's hot, the hood drawn up over her hair.

Fishnets (natch) and hey! she's short today. Those are practical shoes she's wearing, old, broken in and beaten up Doc Martens in lieu of heels.

"He's a WASP and a dealer and that means he's kind of a shit," Sera returns, quiet as they walk. Hands in her pockets. She's got cash on her. She's always got cash on her, though. A weavering shrug. " - but I've never really had a problem with him."

Quiet a moment, then, " - he might call me by a different fucking name. If he does just ignore him. I knew him a while back and he's just being an ass, trying to get under my skin. Sometimes though, he's solicitous." Trying to get into her pants. "Never know which one you'll find."

Guess they're gonna find out.

blues

The text came back after about 20 minutes, and it came back thusly:

ICE COLD. WHAT TIME.

Dick Fairchild texts in all caps. That's all Justin probably really needs to know about him.

-----

He's kind of a shit but at least he's quiet. Quiet dealers don't tend to have the cops roll up to their place near as often as the loud dealers. All his neighbors like as not assume he deals drugs because otherwise the only thing they know him to do all day is sit on the couch and play Xbox until an acquaintance comes by.

Like now.

The name Dick Fairchild conjures up all sorts of interesting mental images, and the man belonging to it falls fairly short of most of them. He's in that amorphous area between his late twenties and mid-thirties where his physique hasn't yet fallen off with the force of his metabolism slowing down, has swarthy skin and curly hair and probably gets asked "What are you?" a lot. Serafíne knows he's one of those dealers who doesn't partake in any of the crap he sells and thinks this makes him intelligent. His personality presents itself unaltered by substances controlled or otherwise.

Might drink and do a little nose candy if I'm off the clock. A man can't go through his whole life without indulging a little, amirite? -- is the Dick Fairchild philosophy. He's joked about framing that shit and putting it in his living room. Which he calls his office. The last time Serafíne was here all he had on the office walls were maps, framed one-hour-photo photographs of him and people she's never met, drink recipe posters. Nothing remotely philosophical.

Anyway: he throws open the door before she has a chance to knock and they can hear the soothing sounds of Grand Theft Auto or some other loud video game whose sole objective is to drive real fast and kill lots of people while blaring loud music. He wears pajama bottoms and a white A-shirt and a day's worth of beard, looks like he's either been up all goddamn night or just woke up.

"He-eyyy!" he says. "Chastity, babygirl, how you livin'? Long time, no." Justin, who he's never met before, is afforded a high five all the same. "Hello, hello, New Person. You're not a cop, are you?"

Serafíne

"Dick. You magnificent fat bastard," Serafíne gives him her razor grin and full on eye contact, walking into Fairchild's 'office' in a way that has her walking not-quite-into him but close, without giving an inch or a beat or a flinch over the fucking name he fucking calls her. They all wear different ones sometimes, right? She's standing there framed in the doorway, Justin behind her and the two of them sort of high-five over her head and then she's just sauntering in, dark eyes flicking him up and down. " - still hiding a six pack under there?" With a faint, purse-lipped smirk and a direct, challenging stare at the bottom hem of his fucking A-shirt. "Or are you spending too much time killing hookers and delivering fucking pizzas to get your ass to the gym these days."

"Course New Person's not a fucking cop. He's just my fucking ride." And Justin comes in behind her and she tips her head aaalll the way back so she can sort of see upside-down Verbena behind her and gives him this faintly high, noodling sort of grin. The hood of her light jacket falls back, of course, followed by a few long coils of her curling hair. "Are you, New Person?"

Brows lifted in arch and upside-down query, this fucking light just gleaming in her eyes. Hard to imagine that she could ever fall apart the way she did the other night just briefly, entirely undone.

Then, she rights herself, hands in the pockets of her hoodie, stretching it out as she saunters into the room. Spreading out to take in the space and the walls and the blare of the video game console and soak in the general aura of a guy who texts ICE COLD in ALL CAPS. Back to the dealer, then a glance at Justin, her mouth crawling wry.

"I could frisk him for you though, Dick. If you wanted. Just to be safe."

And lo, Justin and Sera waltz the fuck into the apartment of Dick Fairchild, Philosophe.

"So, fuck. You'll never guess who I saw last night, right?" This only once the door is firmly closed and shut and latched, depending on how paranoid Dick is feeling at just this moment. Only once Sera's had a chance to amble into the room, "Fucking Kelsey. She said you had something new, man. Or was it fucking Byron? Maybe it was fucking Byron, was she looking for Byron?" another tip of her head toward Justin, all lazy, "do you remember New Person?"

[OOC: startin' some magicks here. Will FPM and roll later!

Addendum with first roll!

liz @ 10:10AM
Sera: Watching the Weaving Dif 4-1 (focus)
Roll: 2 d10 TN3 (3, 7) ( success x 2 ) VALID

niko @ 10:10AM
I can witness all the things

niko @ 10:10AM
Witness@]

blues

Dick is not nor will he ever be Awakened. That isn't his purpose in life and he doesn't tend to hang around people cut from Sera's cloth. Without possessing knowledge of what sort of cloth produced Sera he goes around believing himself to be. But their mutual appreciation for inappropriate fashion choices and the life-enhancing effects of pharmaceuticals doesn't translate to anything other than a fruitful business arrangement.

So he invites them into his house and Justin passes muster whether or not he responds. Maybe he trusts Sera. It's a dangerous thing for him to do but then so is selling controlled substances when he doesn't possess a pharmacist's license.

"Hey, man," he says as he saunters deeper into his abode, where locked cabinets hide scales and translucent orange bottles and bags upon bags of things meant to alter a person's consciousness, "frisk away. This is a free country."

And then he'll never guess who she saw last night. Fucking Kelsey.

"Kelsey?" Astonished for thinking that girl had surely shot herself up for the last time by now. She's still alive? astonishment mingling in with admiration. Good for her, man. Keep on keepin' on. And then the matter of Byron comes up, and Dick sighs and flops back down on the couch where his wireless controller sits alight and ignored. "Man, fuck Byron. That googly-eyed cocksucker still owes me a G. You see him, tell him I'm not moving any more of his smurf shit until he spots me."

And nothing comes of her glimpsing into the Tapestry. This place is about as magical as a state police evidence room.

Serafíne

"Yeah, well. What I wanna know," Serafíne circles to the back of the couch, boosts herself up so her skinny ass is sitting on the spine of the couch, then spins around. Her fucking boots on the couch cushions, her fishnet-clad thighs more or less on the level with Dick Fairchild's eyes, if he turns his fucking head twenty degrees to his right. The forgotten X-box controller slips down between the cushions as the weight of her boots depresses them.

" - is whether you're still holding any of that smurf shit. Because you fucking know," she is close enough to him that he can smell the scent of marijuana in her hair, on her skin. The joint that she and Dan were sharing between them right out on the sidewalk when Justin rolled up to accompany her on this outing. "I have always. Always, had a thing for papa smurf."

Asshole knows no such thing but assholes like this are nearly always inclined to agree with girls like her. Part of the job description. Sera's head tips aslant and she regards Dick Fairchild from above, humming beneath her breath, pulling her focus back into her body, finding the cushion of that high in her veins, the way it wraps up her sense of her body while opening her back up to -

"When the fuck was the last time you saw him, anyway?"

- maybe Justin will feel it. Maybe he'll see it in her eyes, sense it in the way her breath catches in the back of her throat. Her attention just - slips, then. She cannot keep pursuing the effect and banter with a shit of a WASP drug dealer, and Sera just - checks out, spaces out, leaving whatever conversation she had started hanging.

[ROLLS. Denver @ 6:57PM

How YOU doin', jamie

Sera @ 7:10PM
Time 2 / Mind 2. Dif 5 +1 fast casting +3 distracted -2 (Merit) -1 (specialty focus)
Roll: 2 d10 TN6 (3, 6) ( success x 2 ) [WP] VALID

Sera @ 7:15PM
Extending: Time 2 / Mind 2. Dif 5 +1 (fast casting) +1(extending) NO LONGER DISTRACTED -2 (merit) -1 (focus)
Roll: 2 d10 TN5 (6, 6) ( success x 2 ) VALID

Sera @ 7:22PM
Extending: Time 2 / Mind 2. Dif 5 +1 (fast casting) +1(extending) SPACED OUT YO -2 (merit) -1 (focus)
Roll: 2 d10 TN5 (5, 7) ( success x 2 ) VALID

jamie @ 7:25PM
AWYEAH WITNESSED NOW I HAVE TO WRITE STUFF

jamie @ 7:25PM
<3]

Justin

It wasn't the first time Justin had been to see a dealer, and truth be told, Fairchild was pretty much exactly what he'd expected. All the same, he had an eye on the man's body language when Fairchild appeared at the door, watching for signs of trouble (suspicion, aggression, subterfuge.) Justin saw the high-five coming before it manifested, and although he hesitated a moment before returning it, he managed not to make it look too awkward. "Hey man," he offered by way of greeting before walking through the door. Sera answered the man's question for him, and Justin rolled with it, giving a little smirk. "Not a cop," he reaffirmed. He didn't address the subject of frisking, either because he didn't think it necessary or maybe because he was hoping they'd drop it.

So Sera did her thing and told Fairchild about Kelsey, and when she deferred to Justin for specifics, he nodded and said, "She was looking for Byron." Fairchild seemed surprised by the news. Maybe he was, or maybe he was faking it. Hard to tell. So they talked, and Justin watched. Now and then his eyes would slide over the apartment casually, taking note of their surroundings. After a moment he pulled something out of his pocket and popped it in his mouth - bit down until a sharp burst of mint seeped onto his tongue.

Justin @ 12:23AM
[First thing's first - Alertness. Does he notice anything weird or interesting in the apartment?]
Roll: 6 d10 TN4 (1, 1, 2, 2, 3, 7) ( success x 1 ) VALID

Justin @ 12:24AM
[Probably not, with rolls like that. Ok, second roll, Awareness - any resonance anywhere?]
Roll: 5 d10 TN6 (3, 6, 7, 9, 9) ( success x 4 ) VALID

Justin @ 12:26AM
[Third roll - Per+Subterfuge on Fairchild. Be he lying about anything?]
Roll: 5 d10 TN6 (6, 8, 8, 10, 10) ( success x 5 ) VALID

Justin @ 12:30AM
[Fourth roll - scanning for all the things. Life (anyone else here?) Prime (we sure there's no magic?) and Forces (no hidden cameras right?) base diff 4 - 1 (practiced, yadda yadda,) needs 4 successes]
Roll: 2 d10 TN3 (2, 6) ( success x 2 ) [WP] VALID

Justin @ 12:30AM
[extending +1]
Roll: 2 d10 TN4 (8, 10) ( success x 2 ) VALID

Tithe, The Witness @ 12:34AM
[This thing: it has been seen.]

blues

Unfortunately, for both of them, nothing immediately apparent or interesting throws itself at them. The place doesn't have the appearance of belonging to an inhabitant who takes time out of his busy schedule to hide things from either the Sleeper police or potential magically-inclined invaders.

"Therein lies the motherfucking problem," he asks, picking up the controller so he can make progress in his game if Sera is just here to shoot the shit before coming up with something she knows he has, maybe to maintain the appearance of having enough self control not to stare at the thigh a few inches from his eye line, "is people want to buy the shit, but Byron's flaky ass won't pick up his phone."

They're both so distracted of a sudden that what he says, now, doesn't matter, only whether what he says has any truth or ulterior motive to it. Other than the Working of the young woman on the couch, Justin cannot feel anything of their world in the room. He can tell that whatever else Dick Fairchild may be, he isn't lying about thinking Byron is a flake who owes him money.

Sera meanwhile has to cast her attention onto the man himself and reach back through his timeline. And Justin becomes distracted a moment later scanning for everything in the fucking place. Luckily they've so thoroughly rustled his jimmies that Dick starts ranting while driving a souped-up car through the glistening streets of Liberty City.

"Man, every-fucking-body is looking for Byron. That cocksucker went off the map like... I don't even know, what day is it?--yeah I ain't seen him since he came by all hopped-up on whatever-the-fuck looking to offload all this shit on me. He was all hey man you know people right can you move this stuff and I was like uh-duh? and you're really just wasting your time looking for him. I mean he pulls shit like this all the time, he finds some new thing and he gets all psyched thinking he's going to turn into the Tony Montana of designer drugs and guess what, man, if you want to turn into the Tony Montana of snorting mountains of your own product, congrats, you're it, dude. You're the Pacino of drugs."

By now Justin is beginning to return to cognizance. Nothing to see here. There's a cat prowling around and the cat has had all its shots and is well-fed and well-loved and isn't going to come out into the living room as long as there are people there. If there are hidden cameras - there aren't, but if there were - Dick Fairchild would have been arrested already.

Sera, on the other hand...

Yeah the last time Dick saw Byron was back in June. He showed up for a minute and then he and Dick went out somewhere and then when they came back they sat in Byron's car in the garage for a bit and Byron pulled out a vial of blue stuff and offered it to Dick but Dick was like nah man I'm good and Byron was like alright but trust me it's good shit like ketamine on acid and he pulled out a first aid kit that had like ten vials of the stuff in it.

Dick was like uhhhh and Byron was like yeah I just need you to move what I've got and Dick said he'd see which of his patchouli-loving customers will want it how much is he charging and Byron was like yo move what I gave you and I'll spot you a grand later and Dick's like WTF you don't want me charging people for it and Bryon's like first hit's free, right man? And Dick's like uhhhhhh okay and Byron was all call me when you've moved the stuff and Dick was like okay?

And that was the last time Dick saw Byron.

Serafíne

Sera is spaced out rather longer than Justin. She's high, just enough, humming with it, her muscles feel like taffy when she thinks about them. Not taffy no but stretchy and fibrous and the porous boundaries of her body are opening up. Her skin full of light. This is an ordinary room and the X-box and the blare from the game as Dick takes it up again and starts ranting but she misses that, humming the way she is so thoughtlessly, her spine sliding from upright to something not quite sidelong. Not quite sidewinder.

And Serafíne slips her hands into Dick fucking Fairchild's hair without realizing or thinking about it and boundaries, Sera, boundaries. The strands slip through her fingers but it helps her find the proper channel, her head cocked, tuning through static, all the cross-hatched signal-noise, all the ordinary days, all the deals, all the dead hookers on that fucking game. Like navigating a raft by feel through some river delta, sensing where the current runs and where it eddies and where it sucks you in and -

- she's smiling a bit at poor Dick, whom she likes only so far as his utility. And perhaps the texture of his hair, but not the glassine stare at the game on the screen. Christ if she actually sold drugs the way three-fifths of her acquaintances assume she does to fund her lifestyle she would find a better way to spend her time between deals than playing that fucking game, but if she sold drugs she would be, yeah. The Pacino of drugs too. But see her: smiling, far away, notes vibrant in the back of her throat, some humming awareness that tunes into the frequency of the universe because that is how it works, and there's something a little off about that smile beyond the way she's elected for the moment to drop out of this particular point in the timestream and find some other one to study but you'd have to know her and the way she smiles to see it.

Then she comes back to the present, all at once. It's like rising from some great depth, bubbles rushing up and bursting all around you, erupting to the surface and breathing again and hey, she's here. Her fucking hand in Dick fucking Fairchild's fucking hair.

So that part stops.

Pretty much immediately.

But then she slides from the back of the couch onto the half-displaced cushions planting her ass right next to him and bumping him with her left arm to get his attention, all companionable now.

"How about this." A lift of her gaze past the screen to Justin. Then a cutting glance back to Dick Fairchild. "I'll pay you what Byron fucking owes you. His debt, right? Then you two'll be all square.

"But in exchange, you'll give me his number. And that fucking first aid kit he was carrying the shit in, and you'll text me the minute his ass turns up, if he turns up.

"Oh, and. Throw in the names of the people you sold that shit to, and I'll give you a finder's fee on top of that. Because maybe they got paranoid about the smurfs, and maybe they're still holding. Because I wanna try that shit." A precise, fucked up little pause. "Dick." And a lazy sideswipe of a grin. "You know me. I'll try anything twice."

Which is probably true.

Justin

Sera seemed to have things pretty well under control, truth be told. Justin probably didn't need to be there, but if he'd known that in advance he probably still would have come. That was just the kind of person he was. (Better to be over-prepared than unprepared.) When he came back to himself, he looked at Sera and saw the glassy sheen in her eyes and that odd not-quite-herself smile and her hand in Fairchild's hair and had to repress the urge to walk over and see if she was ok. To make sure she was still there (still Sera.)

Instead he ambled over slowly and leaned against the arm of the sofa, lending the familiar stability of his presence without being obtrusive. He glanced between the other two while they spoke, then at the screen, pretending to watch the game that Fairchild was playing.

If Sera's offer to pay off Byron's debts surprised him at all, he didn't show it.

Resolution: Sera obtains two hits of the drug from the dealer.

Thursday, June 27, 2013

Never can be too close.


Jim

Jim's got a sweatband on his forehead, but it can't catch all the drops making their way down his face. He isn't dancing. Well, it depends on your definition.

He's jumping up and down, mostly, bopping his head. Jim isn't as young as many of the kids around him, but he isn't as old as some of the hippies either. He's somewhere in the middle, which is to say, old enough to not seem entirely like a creep. Despite his mustache and stubble. He's wearing a pair of short khaki shorts that come halfway up his thigh and a v-neck t-shirt.

In all honestly Jim looks like he could've just entered the hipster Olympics, especially with those aviator sunglasses he has pulled on. At night.

He takes a break from hoping around and decides he wants to get closer. That or his companions decide. Walking down the amphitheater steps with a beer in one hand and a friend's hand in the other. A tall blonde woman (taller than his six foot frame) who has her own hand in another man's, and they're making a little beeline toward the stage between sets, trying to find someplace where they can disappear into the music.

Someplace a little closer.

You can never be too close.

Serafine

(Perception + awareness.)

Dice: 7 d10 TN5 (1, 2, 4, 5, 8, 8, 8, 10) ( success x 5 ) Re-rolls: 1

Jim

[ Ditto. Because I said so. ]

Dice: 6 d10 TN6 (1, 2, 2, 4, 4, 5) ( fail )

Serafine

Serafíne felt Jim's resonance from the parking lot, soon as she slipped out of the van, boots hitting the asphalt with a solid sound. Already a little bit high, she breathed in the smokey air and the vast dry heat and linked arms with Dee and Dan and waited while Dee's friends from roller derby clomped out of the back and got themselves sorted and arranged. The view of the city is brilliant but all hazed out and damped by the smoke, but Sera was not looking much a the view by then, just vibing on the crowd and feeling her way toward the other Cultist. Something in her like a lodestone, right, and she's known no one else like him, addled, psychedelic, and stoic so it'd be no one else.

Those weeks at the cabin she came out almost every day. Followed Jim out on those hikes he took Leah on, listening at the edges of his circle of instruction, sometimes coming closer and watching the pair of them, contributing little enough on her own, sometimes meditating or trying to meditate, but just as often crawling up some outcropping within close-to-earshot and just sunning herself on the rocks or watching the movement of the clouds through the sky and the scrub pines in the wind.

Since then, though. Nada. Maybe she saw him with a few others at the funeral held for the dead cabal at the chantry. If so she didn't stay long, just stood with Jake and was spare and still gave the others a stiff spare smile before retreating as far the hell away as she could from the fucking idea of fucking funerals.

Now though, whatever it was that kept from looking for him after that one, singular, bloody night (she drove Pan home, Serafíne, when she saw that Jim was bloodied but breathing) three weeks ago may still be there but she's learned to live with the way it lodges beneath her skin, in the striations of her muscular heart, and there's got to be some fucking reason they're both here, on a smokey Wednesday night.

Sera's companions could give Jim for a run for it in the hipster Olympics but she herself looks like she's dressed up in post-punk drag. Whatever the band on stage and never mind the heat she's got on a tiny leather skirt and torn lace stockings and a cropped Public Image Limited t-shirt, John Lyndon's ugly face transparent over the little black bra she wears beneath. Yes you can see it and yes that is deliberate. Her only concession to the venue and the crowd, maybe, are her boots. No heels, no platforms. So she can't see for shit when she gets close to the pit because you never remember it when she's wandering around on 4" or 5" heels but she's short and fuck.

"I'll share if you will." That's a voice from just behind his left shoulder as he's descending the steps, his friends on his right and just ahead of him, and there are enough people here that he might pretty easily assume that whoever it is is talking to someone else because people and pushing through up and down while they're setting up the stage for the next band but no:

A silver flask bumped against his left tricep becomes an offer of a drink and the hand offering it has long-fingers and short, painted-black nails and a fucking spiked leather-and-metal bracelet and a tattoo of: scissors on the the inside of her hand, blades on her index and middle fingers, the handle on her palm being eaten by or turning into a fucking shark.

Marijuana scent curling through her hair, tobacco and whiskey on her breath. Can't be anyone else even if he didn't feel her coming up behind him until she was there.

Jim

Serafine is very suddenly there and he forgets the other two - Michael and Brie, their names given as they begin introducing themselves to Serafine's own entourage.

But as has already been said, he forgets about them, those he had come here with, as Serafine's presence is suddenly behind then before him when he whips around. Jim forgets the music, if that is possible with the speakers hanging right overhead, tilted down to consume with sound.

For one with his mindfulness is both is and isn't possible at the very same time. Jim forgets everything, but her. Even that flask. Jim throws his arms around her, one over her shoulder and the other under her armpit, to wrap her up in them.

There is nothing overtly carnal about the closeness he engages her in. He lets her go, holding her shoulders to look at her through the bug bubbles of the aviator shades, smiling the whole time. And then hugs her deeply again.

By the next time he lets her go, though, it has settled in. Perhaps what he had come here to forget. Perhaps what he admonishes himself for trying to forget. He's solemn for a moment, but can't help by smile again as he takes her in. "You're here!" A statement that is fact, they both know it, but he makes it anyway.

"I'm so glad you're here." He takes the flask, finally, holding it high like he's toasting the sky, and then tipping it to catch what of its contents fall out (a small but healthy stream) in his mouth. And then he hands it back to her.

Hawksley

If you smoke a cigarette in the stands at Red Rocks, a dozen angry people all around you snap at you to go to the goddamn steps, man, Jesus. Smoking other things, however, is a communal, friendly affair. People share beers, cans of Sunshine or Coors and, yes, flasks of this or that, coolers of this and that. It's part picnic and part rave and when it gets darker than it is even now, truly dark enough to see it all clearly, the moon and the stars will be the only ceiling the ampitheater has ever needed. By then, though, the opening act will be a long-gone memory and the headliner will own them like a god owns worshippers. There are nights when they could call for a human sacrifice on that stage and get it. Bloody and moonlit, til the rain comes to wash it all away overnight.

Hawksley stands at the top of the ampitheater, way in back, looking down the side steps and the masses of people and the stage, at the city in the distance, at every view and how they're all framed by ancient, orange-red stone. He's not looking for anyone, though he has that seeming. He's dressed simply, and he's dressed comfortably, but even then he's dressed well: the shorts he's in are tailored, even if they are rumpled. The v-necked white shirt he has on is also tailored, but who tailors white t-shirts, I ask you. He is not the sort who is going to be painfully awkward every time he runs into someone else wearing mirrored aviators. He's in loafers, with one hand in his pocket, a beer in his hand, and a field watch on his wrist, the hands of which glow in the dark ever so slightly.

Blond. Tan. Probably went to -- or is still going, he only looks to be somewhere in his twenties -- some place like DU. Laxbro. Also possibly: douchebro.

After he gets a good look at the ampitheater and all the people in it who he is not looking for, he starts to shuffle his way down the steps, lazily athletic about the way he side-steps other people who are going to have a smoke where they won't disturb the people in the crowd having a smokesmoke.

Serafine

This conflicted cascade of emotions on her face as he turns around, back to the stage, all mediated by a sort of hushed - well, it's not quite wariness and it's not quite expectancy and there's not really time enough to define it, whatever it is, but call it an alertness, a sort of attenuation she has chosen not to attend until now and even so -

- all that dissolves as he wraps her up in that hug. Sera hugs him back, wraps her arms around his neck and rests the sharp point of her chin on his shoulder and hugs him back just as thoroughly and just as tightly as Jim hugs her. Takes in a deep breath, inhaling his sweat and the beer he's had tonight, the dust and smoke of the crowd, all of it, and releases him a moment after he releases and stares up at him, or - really, her distorted reflections in those aviator glasses and cross-your-fingers that he's so pleased to see her or that the lenses at night sufficiently fuck with his visual acuity that he misses the line between her brows or the brief not of apprehension there because it's already smoothing itself out of her brow as he wraps her up in the second hug and this time her arms around him are tighter than his around her.

I'm so glad you're here.

That before he tips back the flask. Which is full of Stranahan's Colorado Whiskey.

"Yeah well," her smile, sudden, not quite full but crawling and familiar and brick. She takes back the flask and takes a somewhat-less-moderate drink herself. And if her eyes are shining then hey, there's the burn of the whiskey in the back of her throat. There's the smoke from the forest fires in the air. "That's fucking two of us."

He has no idea that of all of them - of every last one of the awakened she's met in Denver, his good opinion matters to her the most. Even she doesn't really know that she's been afraid that she lost it that night three weeks ago and that's why she hasn't been able to face him, since.

"Hey," a moment later, while the introductions and connections and questions linger on or peter out among their groups of friends, and this quiet because most of their friends don't know. Can't really know. " - feel that?" Sera's turning around then, long hair swinging down her spine, frowning up the steps through the dusky twilit crowd. Then supplies, if Jim answers in the negative - "Someone new."

Hawksley

Jim can't feel a good gosh-darned thing. But even when she's at the pit of the formation and Hawksley is at the top, Sera feels someone else out there whose resonance is not her own, and not Jim's. Not familiar, either, unless some previous life of hers knew him, or someone like him. It seems right, when she senses him, that he should be up so very high, that when her eyes find him, they should find him framed against a sky.

Someone up there is soaring, the way she soars sometimes when certain substances interact in certain ways with certain parts of her nervous system. Soaring not like Icharus, not like the Wright Brothers, not like any being that must inevitably and quickly return to earth, but soaring. Always, as though their flight circles and encircles the world, makes the world itself circle.

For a heart-thudding moment, she is soaring, too, to feel that. Following the rise and set of the moon, following the earth around the sun.

Oh, the sun. It won't melt those wings, either. It soaks her skin even when it's after dark. This is like laying out in the heat of this very summer, letting it drench her flesh. They call sunbathers sun-worshippers, and they call sun-worshippers pagans but why not, why not when it feels like this, when your own body becomes molten with it, motionless with it, transcendant with it?

That's what he feels like. Like flying in the sunlight,

never burnt, never falling.

Jim

All that he's felt it worn pretty plainly on his face, and he hasn't felt that, but still shakes his head no to give her and answer. Then he mouths it, the first echo. Then he says it aloud, "No," the final echo through their little square yard of the amphitheater. And then she says what she feels, and he looks down at her, then back up where she's looking into the crowd.

Something to take both their minds off the past few weeks. He reaches out to take her hand, just as he'd taken that tall blonde woman's to get into this mess of a crowd, and looks up again.

"Well, we shouldn't leave them like that, should we?" Trusting in her senses, that had sought him out so easily, judging by how the momentum of Dan and Dee and the roller derby team is just now starting to grow. Yes, they'd just got here, he didn't think Serafine would leave him unfound for long.

"Let's go find 'em." He. Her. It's the royal them that Jim uses to describe the stranger-he-doesn't-want-to-keep-that-way.

"Lead the way, sunshine," trailing behind her once she does so, but still gripping her hands in his knobby knuckled (too many fistfights, if she can believe that) fingers.

Hawksley

Let's be truthful and just get it all out in the open: Hawksley is a damn handsome bastard. He's tall and he's athletic and yes, dude, he probably lifts. Part of the tailoring of that shirt is to make sure each sleeve neatly hugs one of those well-formed, golden-tanned biceps. There's a lazy, elegant stylishness to the way he wears what would be schlubby on... well, a schlubb. And all of that, sweet children, is before we get to his face.

When he's closer, or even half an ampitheater above them, it's plain to see that it's a rather nice face, with a fashionable amount of stubble above a cleanshaven neck. He's clearly of the mind that there is no excuse for a man who, if he chooses to wear facial hair, does not keep it tidy. His hair did not take him very long, but he does know that 'shampoo' does not count as 'product'.

More than that, though, he has a distinctly aquiline look about him. Something about his nose, or his mouth, or simply everything about him, is rather avian. It calls to mind heavy raptors, though, more than the curious head-tilt of a sparrow. Depending on who is looking, it comes as a flash of an eagle pulling trout from a river mid-flight, a falcon holding down meat with a talon while tearing at it with their beak.

They're going to laugh when they hear his name. That's what he looks like.

Serafine

No and no and no. Jim shakes his head and her reflection weaves in his glasses; then it mouths it, then says the word fucking aloud and she doesn't really precisely understand what it was he read in her expression or even what it was underneath that kept her away, but somehow still. It's an answer to that unspoken and unacknowledged thing inside her since that night. Which she does not think about any more but which does not leave her, or him, or any of them.

Even so: she gets it, right. The precise vibration of his denial as it thrums through her the way the stranger's resonance does. She can feel him in the air all around her and the knot does not dissolve but oh, it eases. Her breath catches in the back of her throat and she squeezes Jim's knobby knuckled hand when he takes her own and she's already moving, slipping her flash into a little holster she's carrying at her waist, climbing back up the steps against the press of the crowd and the press of her friends and their friends and waving hey! and waving we'll catch up and lifting her head to the evening sky, her hair blowing back in a sweaty tangle with the first gust of wind.

"Feels like they're fucking flying," Sera confides in Jim half-way up the steps, when some bottleneck has them both on the same step. With a slash of her familiar grin and a laugh. "Just fucking soaring."

Then they're moving again, against the crowd and when the stranger comes in view, Sera waits for Jim to draw up alongside her and points him out with a lift of her chin and a " - there he is."

Apparently it's the Disciple's job to greet the stranger tonight, because Sera leads him closer but waits for Jim to be the first to speak.

Doesn't she fucking always?

Jim

Jim's fishing a thin-pointed sharpie out of his pocket as they go along. It's actually attached to his keys on a ring, the they jingle as he trails behind her, catching up a step now and then, though sometimes their arms stretch and they almost are (but refuse to be) separated. Both of them seem to know their way through a crowd, even if it's only Sarafine who knows where they're going. She points him out and Jim doesn't miss a beat. He smiles. He looks down at his hand. He starts writing long lines, then smaller ones, then filling in others. It takes a few moments.

A few moments in which Hawksley can probably - easily, if he has eyes like his name and his look and his everything, according to Serafine - tell they're looking at him. Jim does look up every once in a while, like he's sketching the man on the palm of his hand with the little writing instrument.

But he's not. And he finally takes a few steps forward and up to Hawksley, though he tosses his head for her to come along as they finally present themselves before him.

He speaks loudly and clearly, without shouting like he's practiced at it, over the music.

"My friend and I need help finishing our crossword," turning his palm toward the man, almost like a fan looking for an autograph. It is indeed a makeshift crossword puzzle, laid out quickly and with words written into it, though no legend of clues. It has a number of words completed, amongst them,

WE

ARE

ECSTATIC

TO

GREET

YOU

These falling down or laid out from the top, some horizontal, others vertical, to complete still other words.

ISN'T

AWESOME

Yes, he's managed to work in contractions. And is probably coming off like he has lost his mind if Serafine is wrong about this. But they're at Red Rocks. And that makes it all okay.

And the word he has yet to finish? The one he is pointing at, asking for help on, other words coming in to meet it, but not complete it? Between ISN'T and AWESOME?

"M_G_C"

Hawksley

Flying. Just fucking soaring.

It makes sense when Jim and Hawksley come face to face, each in their aviators, each tall. Something about his face, something about even the way he carries himself. He looks like he should be soaring. Maybe he's secretly a fighter pilot. Or not secretly. Maybe he has more right to those aviator shades than Jim. Regardless: something about him does seem to inspire flight, reflect warmth. Even if, at the moment, the expression what they can see of his face is bewilderment.

He's trying to get to a decent seat. It's not hard, when there's only one of you, as he seems to have no friends -- unless he's trying to get to them somewhere in the ampitheater. And suddenly he's got two strangers in front of him. One looks a little bit punk rock, a little bit bluesy-avant-garde ingenue, and one of them is mind-alteringly beautiful, and that's not just her face it's the way she's put together, everything from how her legs slope up to her hips and how her torso curves above that and the lines of her shoulders and the crushing longing to just kiss her, you fool! when he makes the mistake of looking at her.

The other one is holding up what he says is a crossword puzzle. One that, had Hawksley been watching as they approached, he would have seen was being made as they walked over. It's not hard to tell once it's presented. The other one is nearly as tall as Hawksley himself, is... sort of weird looking, if we want to be fair, with a way he occasionally sets his mouth so that it looks like it's carved from oak. Hawksley would know that he also has terribly serious eyes, too, underneath it all, if he could see through the shades. But he doesn't remove his, and Jim doesn't remove his either. And, faced with a woman who makes his head spin a bit just to look at her and a man showing him a makeshift crossword puzzle on his palm, Hawksley does what any sane man of his character would do.

He steps forward, says a mild "May I?" to Jim, then takes the man's wrist and hand in his own -- which do have callouses, here and there, but not from hard labour -- and lifts his sunglasses to perch atop his head as he examines the puzzle. His eyes are pale, the pupils blown to take in as much light as they can in the dim light, and without the shades the avian seeming of his appearance is only intensified. Those eyes skim over the surface of Jim's hand, and then his lips curve at one corner.

It's the sort of smile you give a clever child being sassy. Or an old friend telling the story you've heard a hundred times to a new group of people because they just love telling it so much, and you can't really blame them, they're so happy when they get the big laugh at the end. That is: the smile is sort of fond, and amused, and indulgent, and familiar.

"Thank you," Hawksley makes sure to add, when he lets go of Jim. He doesn't flip his shades down again. He looks between the two of them and says: "So which one of you picked me out of the crowd? Or was it a joint effort?"

He blinks. "I swear that wasn't some kind of sad attempt at a pun or a backhand at your tradition," he says rapidly, putting up his hands.

Serafine

While Jim's writing out that crossword puzzle, Serafíne's watching Hawksley, not out of the corner of her eye, but fucking openly, because neither the word subtle nor the word subterfuge are in her vocabulary. When she's not watching Hawksley, her head is canted so the buzzed part of her side-cut is up and her long hand spills sweeping down, checking out Jim's hand, frowning all quizzical at first then opening her mouth in a laugh made soundless by the sound system, but one rich enough to show her teeth, not just incisors but also molars. Checking out Hawksley, again, then glancing back down the moving mass of people on the steps and up toward the horizon.

She looks like she should be taller than she is, but when Jim unfolds again he has a solid six inches on her since she left her heels either at home or in the van and any illusion of height she has comes solely from the fact that she is basically wearing clothing that is proportioned to her frame and as little of that as possible.

Between hither and yon Sera unholsters her flask against and takes a nip and offers Jim a nip but is careful of the pièce de résistance on his hand, pushing the flask into the uninscribed palm.

Takes the flask back as they get to Hawksley and stands there holding it, the cap hanging on a little chain over her knuckles.

"That was me," an edgy little grin that twists into a smirk not for the potential pun but instead as he walks its backwards. "Serafíne. Call-me-Sera." A lift of her chin and a fond smile up at the other Cultist. "This is Jim."

She doesn't offer Hawksley a hand or any part of her body, Sera.

But she does offer him that fucking flask, mouth twisting wry.

"New in town?"

Jim

Jim's arm goes limp except for the few muscles that twist, relax or pull to make it easier for Hawksley to get a closer look at his palm and what's written on it. Once he lets it go, Jim takes a look at it himself, and his lips purse, like he's finally realizing he's been left with a hand covered in sharpie and nothing he can do about it just yet. He gives a resigned shrug and shifts his focus back to the now-not-a-stranger.

"That's disappointing! It would've been a good joke," Jim says, laughing out loud, the scent off of Serafine telling it could also have been true.

He takes a pull of the quickly-emptying flask when it's offered. Serafine gives both of their names, and Jim nods when his own is giving, that writ-upon hand rising again at his elbow to give a simple wave Hello. The other Ecstatic goes about holding out the flask to Hawksley, and Jim looks to see if he'll take it, passing the time with his own couple words. "I was new-ish a month or two back. Don't worry, we won't hold it against you.

Around that time he starts to look curious. His eyebrows and the other expanses of flesh and muscle around his aviators tense with interest, as he realizes they're running their mouths and Hawksley has yet to really share anything of a concrete nature about himself. It isn't accusatory, but he seems to be quieting a bit, as if waiting for an information exchange to occur.

Hawksley

So as they approached, perhaps he noticed the beautiful one watching him. It was dark, though, and there's so many people; he would truly have to have the eyes of his as-of-yet unmentioned namesake in order to notice anyone looking at him. Maybe, even, he's used to it. Being watched. Being looked at.

He should be used to checking his drink before he takes it. They say they're Ecstatics; they could be anything. But he takes the flask as he gives Serafine-Call-Me-Sera a little upward nod, then Jim-Who-Is. "Quite," is his answer to Sera, before he lifts, sniffs, and then tips the flask. He doesn't close his mouth around it, though; he pours himself a mouthful and blinks at the taste, inhaling deeply after he swallows, exhaling, feeling the movement of air changing the taste on his tongue.

"Now that is interesting," he says, of the whiskey, handing it back. "Thank you," he says. Again. And always so sincere, so meeting-the-eyes, so earnest. He smiles. "I'm Hawksley," he says, before he's noticed -- if he ever would have noticed -- the subtle tension ratcheting up in Jim's realization. Then a wry twist of his mouth: "There's a lot more to it than that, as names go, but hopefully you won't fault me for foregoing some of the more specialized formalities." His hands in front of him spread, palms up, the gesture inexplicably reminiscent of a magician showing the audience that he has nothing, nothing at all, up his sleeves. They flip over again, then drop to his sides.

He's noticed the scent of her hair. Or the scent lingering in her clothes. He looks at Sera curiously. "You holding?"

Serafine

That's it for the whiskey. Serafíne's player failed to sneak a flask-of-holding onto her Ecstatic's equipment list and therefore Hawksley gets the last or second-to-last mouthful and one of the Ecstatics finishes it off. Or both of them, splitting the last mouthful as if they might expect to eke a biblical loaves-and-fishes miracle out of the remaining few drops of booze.

"Did he just ask if I'm holding?" Serafíne asks Jim, as if Hawksley were still potentially a shared hallucination they had conjured up between them. Or: she had conjured up for him. There's that crawling grin, the flash of her teeth behind her glossed lips, the gleam of her eyes in the darkness as she laughs and asks again, " - am I fucking holding." All rhetorical, to Jim.

Gives Hawksley this up and down, this quick once-over right, head to toe and toe to head and takes in all those perfectly pointed details about her appearance and this time her amusement is also physical, a coil of her spine in a slow-motion whiplash movement that ends with a closed mouthed grin and a steady study of the new comer.

"Hawksley, let me be frank," the name gives her a weird sort of pleasure, like she's just walked into some rich British soap opera or period drama and is the addressing the stiff and mannered butler or lord the domain. " - you don't look the type."

But in answer to his question: yes. Oh, yes.

There's a chain slung across her body, bisecting Lydon's crossed eyes, and she grabs it to sling her little bag around her lean torso. The bag is leather, covered in little metal studs, and snaps easily open. There's not much inside and the thing cannot hold much but: she pulls out a small, carved pipe with a cover on the bowl. Offers it to him and tosses him a cheap plastic lighter a moment later if he accepts it, ready and willing to share not just with Hawksley and Jim, but with whoever else is close enough to get in on the passing of the pipe.

The set change is over by then. The main act is taking stage, announced by a scream of feedback through the speakers. No chance of further conversation, so they just finish off that bowl standing at the top of the ampitheater, passing it back and forth, the smoke from their lungs joining the smoke from the forest fires hanging in a pall over the city.