Tuesday, February 25, 2014

Dinner Party


Shoshannah

Shoshannah's 'kosher' is not entirely so, these days - there's only one sink in the kitchen, only one oven, only one set of pots and pans, and so on. However, all her ingredients are and she doesn't mix dairy with meat, nor does she drink grape juice that hasn't been prepared in the proper way (and marked with the appropriate seal - one imagines this would extend to wine as well if she were to start imbibing). To the girls credit, she's a better than mediocre cook - not great, no, with no cause to be so, but she was well taught at some point. The spread! Amongst her teaching, it seems, was not how to temper one's meals to the size of one's audience. There will be leftovers for days, even if she can convince her guests to take some home.

Upon entering the house, the senses are assaulted; there's music from the living room there, to the right and down a step or three, turned into a common, true living room with its television, game console, couches and beanbags, bar. In the dining room, the table is set and a buffet along one wall is set with appetizers - a trio of dips (tehina, hummus, baba ganouj) and an array of crackers and flatbreads to go with them, a fatoosh salad, falafel, tabouli. And from the kitchen? Such smells! Freshly baked bread (challah, as they'll all find out soon enough), herbs and spices, everything. This girl, ill tempered as she is, apparently has learned how to entertain somewhere along her journey. There, though, she's singing along with the music that plays in the living room, just loud enough to be heard (or maybe is ported through a fancy speaker system in this fancy house, who knows?) as she puts the finishing touches on various dishes so she can be ready for her guests.

(And Sid, who isn't really a guest at all.)

Outside, though, that's first. The house is difficult to find even when one is provided with an address, as far back as it is, as much as it blends into the countryside around it, but once one sees it! It's a gorgeous modern-classic affair, all wood and glass and metal ranch-lodge, lots of windows, lots of space. There's a large field in front, and an arc of a driveway that allows people to park all along it and not have to mess around with backing up and all that. There's a door. And a bell. And all those house things . . .

And when said bell rings, there's Shoshannah. Her feet are bare, and she wears some sort of pretty-conservative (as in of good aesthetic, not an addendum meaning 'very') skirt and blouse outfit. It really is a party, to her. Even knowing that she invited these people here, and who (or what, or both) they are? She's wary, defensive. Her eyes are heavy and sharp, and while her voice is sweet? Her tone never is.

"Hi. Come in - there's food."

Alyssa Solomon

It isn't a particularly common sight to see Alyssa Solomon at the Chantry. Denver's most prevalent (and perhaps only) Hollow One isn't one for communal houses so far; she's told others that she has bad luck with them (meaning that they have a tendency to get blown up or burned down). Still, she has been by before and a recent conversation with Sid had revealed that the place isn't exactly the center of most of the mages' universe. That intrigued her, and so she makes a decision to stop by and get yet another lay of the land. She isn't here for a party, it absolutely MUST be pointed out. She just

The woman's car can be heard before it's seen. The red 1989 Acura Legend Coupe isn't the flashiest or most stylish of cars, and it's nearly as old as she is. It runs loud and some might wonder of the battered old vehicle is about to break down, but it's reliable and runs without problems. Still, it's announcing her presence with a barely muffled engine roaring along as she pulls up into the driveway of the building. She kills the engine and slips out of the car. Her style of dress is casual, with a black tee that sports a raven in a cage on the front. Her leather jacket has a print of blood-spattered angel wings on the back...her own little joke, since it fits perfectly with the Resonance that travels with her (the coppery taste of blood at the back of your tongue and the rustling of feathered wings on the edge of your hearing). A pair of black jeans and steel-toed boots complete her clothing, with a spiked bracelet on one wrist. Makeup today consists of a purple theme, around the lips and dusted into the eyeshadow. There's a bit of intricate black lattice work on the corner of her eye. And of course, she never goes anywhere unarmed if she doesn't have to.

She pauses as she stands outside her car, looking the place over. She's been here before, and she has met with Callisto. She was regarded by the bear Guardian spirit, then given leave as most are. She runs a hand through her midback-length hair and then makes her way toward the front door, knocking before she enters. It's just polite, after all.

And then Shoshannah opens the door, and says Hi. Come in - there's food. The Hollower blinks at that, and raises an eyebrow. "Wow. A girl could get used to that greeting. Did some little spirit spy say I was coming or something?"

Alyssa Solomon

[[Addendum to last sentence in first paragraph: "She just happened to come by at the right time."]]

Leonhard/Proclus

"Well then," says the Jerbiton, and nothing more, dropping the keys on the dashboard.

The heavy-set Ford had pulled up with a polite pace, delivering the two magi with a firm pull of the handbrake. Noting the large window, Leonhard had killed the truck's lights during the final yards of their approach, all the better for anybody inside to see them clearly and without dazzle. They park around a space or two from the Loupe and any other Fellows' cars.

Exiting the driver's side, the dark-haired magus delves into the rear door briefly, retrieving a tan leather drawstring pouch. From his handling of it and its dimensions, yes, that would be the bottle he promised. He smooths himself briefly, looking to The House for a wistful moment, and then to Adam.

"Colorado Camelot," he ruminates, referencing their conversation and taking in the sight as he makes to move towards the place.

Alyssa Solomon

[[Oh, and just because! Magedar! Per+Aware]]

Dice: 5 d10 TN6 (4, 6, 7, 8, 9) ( success x 4 )

Adam

[Also Mage-dar! Pre-post, take that!]

Dice: 8 d10 TN6 (1, 2, 2, 3, 4, 6, 9, 10) ( success x 3 )

Adam

His basic mysteriousness is touch-and-go with other willworkers but just in case and for now he remembers to suppress it when he climbs out've the passenger side of Leonhard's truck. He is still: a not impressive figure, gangling young man with a dark tousle of hair, which was, prior to a long drive, somewhat tamed (relative to usual) but is now sticking up more on the left side than the right. He could've modelled for Gaiman's Dream of the Endless with that hair. Or possibly been shown by an up-and-coming bird realtor to just-starting-out bird newlyweds trying to beat the spring rush for housing as a 'cozy fixer-upper.' He's wearing a warm woollen coat of some indeterminate but dark gray, a scarf also of grays, maybe he went wild and threw in a black, and he's pale with cold when he's getting out of the truck, reaches into the back of said truck in order to grab one of those little gift-bags you get at a grocery store on your way out. We do mean little: it's tiny, not much longer than hand-sized. He did not bring booze, but Leonhard already swore to bring some amazing wine (does grey wine count as kosher wine?), and that's Adam. He trimmed his beard so it's a dark lick of a thing, perfect for blackguards, although: he does not give off the impression of a blackguard, does he? Too soft. Too slouch-y, that bookreader's hunch like he'd be the illuminated manuscript illumination for 'C' in any Magi of Denver Alphabet Book for Novices. He tried to be presentable. He didn't do terribly.

And so. Adam has not been here before. He is as a matter of fact shamelessly hopskotching over Kalen's promise to take him. He looks at the House and its surroundings with curiousity, of course, because he truly does not know what to expect of it.

It's an adventure.

A quest.

Adam likes adventures and quests quite as much as any Peter Pan ever did, and so: there's Alyssa at the door, there's Shoshannah opening the door to invite Alyssa in, and here's a brace of Hermetics (slouching towards Bethlehem? Adam is slouching, anyway), the younger of the pair cocking his head at the Hollower's back and resonance and he recognizes her but doesn't yell her name or Shoshannah's name or anything that might approach jubilance or rudeness or holy shit some guy is yelling behind me --

Adam is also quiet

-- but when they're near enough he says, "Hello again!"

Leonhard/Proclus

[[More incidental than active: Mage-dar]]

Dice: 7 d10 TN6 (1, 4, 4, 5, 6, 8, 10) ( success x 3 )

Shoshannah

"Oh!" The girl says when she opens the door and it's Alyssa rather than someone she'd expected, invited - she's not bothered by this at all, obviously (except that she is for reasons that have little to do with the woman herself and more to do with the resonance that sets everything about Shoshannah to nervous, on edge), but rather surprised to find the Hollow One rather than someone else entirely. "No. I . . . Some people are coming over. For dinner."

It takes her a moment to realize how harsh and inhospitable that sounds, and to attempt to recover.

"There's plenty, if you're hungry. Adam, Lenny," she is capable of nicknames!, "and Sid are coming. And I cooked . . . well, a lot of things."

And then, not far behind Alyssa, the aforementioned Hermetics have arrived. It's Adam who speaks, all greeting, and him she smiles at first, not-quite-shyly, heart breakingly. "Hello. This is Alyssa. And hors d'ouvres are out."

Alyssa Solomon

She's always keeping her senses alert. The occultist has known since before she even had her supernatural sixth sense that you should always keep an eye out for Resonances; the result of a good Hermetic education. And so she feels Adam and Leonhard before she sees them. One of the two she knows--and she is far better at placing names to Resonance than she is names to faces, anyway. Faces can be changed. Resonance...that's not as easy to fake.

Leonard's helpful, supporting inspiration is new to her though, and it causes her to turn her head and snap those intricately made-up eyes to him. There's nothing suggesting wariness in her stance or posture; her muscles don't tense up. She just quirks that painted eyebrow again, head tilting to the right. "Well, lucky me. I stop by and get to meet someone new." She quirks a little half-grin and raises a hand, wiggling her fingers to the two before she nods to Shoshannah and steps inside. Introductions can wait until they're at least not all standing on the porch.

Leonhard/Proclus

"Snap," quirks Leonhard (Lenny...) in response to the half-grinned greeting from Alyssa, his accent in full evidence but his tone quite pleasant, even jovial for a second. His eyes quickly shift from the building at to hers as he says it.

He brandishes the bottle-bag for Shoshannah's benefit, this magus of three-quarter-lenght moleskin and denim and even a smile. Yes, as promised, within must be Marcusio's grey.

"Shoshannah," comes the warm nod as he enters, pulling off his scarf with the spare hand.

Adam

A woman without a reflection and a resonance of blood-drenched wings, a man without a shadow who feels valiant and relentless, a man who's a criminal served-his-time but has a magical signature like he's inspiring like he's supportive like he's somebody's Muse: of course, in Denver, they'd be hosted by an angry [defensive (riled)] girl who feels like creepy midnight ghosts running their fleshless bone-needle fingers in a tender caress up the back of your neck (witch, witch, witch). Ladies and gentlemen: The Principal Players.

In they go! It's cold outside! Adam looks cold. Adam, who is cold, wants to get inside, so there's no lingering, Alyssa then Leonhard then Adam, all inside now! And of course, Shoshannah's not-quite-shy smile is returned with smile of his own, having forgotten all about his little gift-bag. Skin around his eyes crinkles.

"Lucky us, you stop by and I get to see my prospective partner-in-crime less smoke and brimstone. Work treating you all right, Alyssa?"

"Shoshannah, erm," Adam, reach into your history, think about what you would have said if this were one of your mother's friends, "I'm faint with hunger, so lead the way. I implore you."

"Er! Proclus Vaduz bani Jerbiton, meet Alyssa Solomon bani... I do not know. Oh." The 'oh' is him mentally going 'whoops,' because Shoshannah's the hostess and he probably should've let her start the introduction ball go rolling. The 'whoops' is a muscle memory spasm of politeness.

Adam

ooc: WITHOUT THE SOLOMON

Adam

ooc: Because I don't think he knows that *grin*

Alyssa Solomon

[[No worries! Yeah, he doesn't have the last name yet. They didn't hit the "last name" stage of their relationship yet. =D ]]

Shoshannah

"Alyssa bani Hollower, isn't it?" Shoshannah squints a bit, sure she'd heard it at some point - the summer evening they first met, perhaps, or the fall afternoon she'd appeared at the Chantry for the first time. Or maybe it's just a good guess based on stereotypes and assumptions, who knows? Either way, this 'bani' stuff is a lot for the tall, thin, witch-ghost (or ghost-witch, except she's not dead . . . just Death's handmaiden) to remember and keep straight. Some types of formality come easily, naturally, but that isn't one of them. And she doesn't seem put out by Adam performing introductions in the slightest - it's fine, it means she doesn't have too.

And so, to the [sinister] left, into the dining room, they go; there, she indicates the buffet and names the dishes she's prepared. "Tehina, hummus, baba ganouj, tabouli, falafel, and fatoosh salad." The breads and crackers, she feels, are self explanatory. "I have a chicken matzoh ball soup, some Lokshen Kugel, some zucchini pritti. A challah loaf. Fig and cheese blintzes." She shrugs, as if to indicate 'no big deal'. "Sid's bringing cake, when she gets here."

Now, that series of pleasantries seen too, the girl is a bit awkward, uncertain. "You know each other, then?" She means Alyssa and Adam, obviously.

Alyssa Solomon

It's introduction time now, and Adam introduces Leonhard. The goth woman shows some recognition in the mention of the Liechtensteinian's House, and she seems a little surprised. "Jerbitron? Jesus, I haven't heard of many Jerbitrons this side of the Atlantic." She gives him a nod; there's no offered hand, though she will take a hand of one is offered to her. "Alyssa Solomon, bani Hollow Ones. Occultist by trade. Private Investigator to pay the majority of the bills, though."

Her attention turns to Adam now, her arms crossing over her chest. "We'll get to how work's treating me in a second. First, though...if we're doing bani this and what I have to assume is a Craft Name and such, what do I get to call you outside of just 'Adam?'" It's said with a little sparkle of tease in her eye, though the rest of her has the facade of You think you can get away with not introducing yourself, hmm? to it.

Shoshannah asks if they know each other, and Alyssa gives a little shrug as she follows along to the dining room. "We had a brief dalliance, I guess you could say. Not enough that I got more than a first name, but hey...that's the way it those strangers in the night things go sometimes, right?" There's no way she can't be unaware of the innuendo, but it's all part and parcel to the tease for not yet introducing himself.

Leonhard/Proclus

It is not Caer Moelis. There is no cell awaiting him. It is not Valnastium. It is not a burnt wreck in memory. It is not Cad Gadu. It is not Camelot. It is, however, pleasant enough, and it is certainly warmer by far than the truck.Hollower. He thinks of Gustav, wherever he is trudging, hopefully in the cold, and certainly better there than here. Ruining things...He pulls the bottle from its home. So often over the past years, he had taken it out. Held it to the light, watched it as if it might sing or perform. But, no, it is not Magick as such, simply different. Near extinction, rare. Unconsciously, he again holds up a little it to the light in the dining room, examining it, as if he hadn't done so earlier that evening before leaving. It is a splendid bottle, indeed, the work of the craftsmen of Trinite, but Mundane. Mere glass and the beautiful sweat that went into blowing it. Blown with the air of Concordia, a remnant in itself. Textured like an orange, it is the rival of Earth's best, but the work of consors, the Aware perhaps, but not a Master.That distinction lies within its clear skin. A grey wine beneath the textured glass and the label. Marcusio, 1976. Plain writing, plain message, surly Master. No doubt, it was written by one of his many suffering vineyard peasants. Marcusio, for all his divinity in matters grape and grain, was a bastard well known... but his wines... almost gone from this world, or any other... his wines!

His muted reverie at the sight of the wine is shunted from him by manners. He turns back from the bottle, though it remains aloft for the others to see.

"Oh, I expect, then, you've met about all of us in me, Alyssa," he smiles, more pleased than curious that somebody knows what a Jerbiton is. Meditate later, ask later, speak now. "Occultist. I'm more a... well, I suppose you could say I'm a professional interferer in the aesthetic Arts, but it's not so far removed, is it? It's very good to meet you and, Shoshannah, that certainly looks a filling feast. It looks lovely. If I wasn't hungry before, which I in fact was beginning to be, then I certainly would be now."

He passes the bottle to Adam, whether the Bonisagan expected it or not. Here, seems to be the message of passing it, enjoy this for yourself for a moment, Frere.

Adam

He has awkward moments. (We're about to witness one.) But he is far too self-possessed (or - proud? [arrogant?]) to feel awkward in social situations. Thus: Shoshannah's not quite sure what to do next. Adam knows what to do - or isn't worrying about it. He's looking at the table with rather wide eyes, and remembering that his stomach does exist and that he hasn't been feeding it as often as it would like. Were it a snake, it'd break through the glass and devour some hapless house-pet (like Ruse). Thankfully it is not a snake. It is a stomach. And it is not sentient. It is just growly.

First: he grins when Alyssa calls him out. It's coupled with a heh, the presentiment of one've his little inward slouch-shoulder laugh, animated by it, but his eyes are all for the food now, looking over the spread with polite (ravenous) interest, a cypher for his keen interest at the conjuring up of the Fake Tradition. Still. What do I get to call you outside of just 'Adam'?

"I do prefer," wait. He starts to look a little absent-minded, cocking his head to the side, just so, brow a-furrow, or the shadow of a furrow-to-come, and - wait. Did she - ? He - er. He drags his eyes away from the food and over to Alyssa - and he scruffs one hand through his hair, ruining the eastern view for any bird's looking to nest. He's a serious young man, Adam, in spite of the occasional banter. "…er…" yes, prefer became prefer---er--

"--prefer Adam. But it's Dominic Adam Julian Gallowglass bani Bonisagus, Initiate Exemptus, at all manner of service."

Brief self-reflective eye-squint there, too. Did that? No. There was no innuendo there. Damn you, ears. You better not be pink.

"We in Federal near the tarot reader Sibyl's shop." Yes. That saved it. Good job, serious Hermetic. He clears his thr--hey look, a bottle of wine. "Oh, er, did I seem to be needing this? Thank you, Proclus."

Adam

ooc: ahem, met in Federal. god damn, the typos and words.

Shoshannah

Shoshannah is just Shoshannah, at least as far as anyone knows - anything else is shoved down, back, inside somewhere behind those prickles and walls, behind that temper and aggressiveness - and so this talk of multiple names and fanciness is an amusement to her. It tinkles like wine glasses and chandeliers, like masques and laughter, and so the Dreamspeaker listens, watches, but doesn't participate. While she fully knows how to assert herself in most situations, this is not one and so she lets them banter around her.

Adam eyes the food, though, and so she gently nudges him (and her hand feels like the grave whether it touches cloth or skin - it seeps through, sucks away) towards the small plates she's set out for the appetizer spread. The touch is brief, but there, and only reinforces that general death-chill she puts out - unwittingly, for the most part. Certainly unwillingly.

"Eat. I'll bring out the soup in a little bit, if that's okay - what kind of wine is that, Proclus? My grandparents and mother are connoisseurs with extensive collections, but I've not seen that sort of bottle."

Alyssa Solomon

She can't lie (well, she can, but she can't at this moment): Alyssa is enjoying Adam's being flustered. It's a fairly good-natured mirth on the Hollower's part at this point; she's not taking it to a malicious level. There's just something about setting the Bonisagus on his heels that seemed like a fun thing to do at the moment, and it makes for a good ice breaker in her estimation to boot. Not many would use the false implication of Yeah, we totally boned in opening introductions as an ice breaker. Alyssa is one of those rare few. Poor Adam.

But he weathered through it well, or at least as well as can be expected. So she chuckles a little and nods, to confirm what Adam said instead of saying Oh, is that what Hermetics call it these days?. "It was a brief meeting, but an interesting one. Adam was trying to be subtle, as you do when sitting down to enjoy some good pho and have the ability for said subtlety."

Proclus says he's a professional interferer in the aesthetic Arts, and Alyssa's lips quirk in amusement at that, and the suggestion that it's similar to Occultist. "I suppose that depends there, Proclus. That's an impressive wording for a job description but doesn't say a lot about what exactly it is." It's not said with an intentional rudeness, though of course it may be taken that way. "After all, I could intepret that to imagine you get paid to do things like run up to peopple doing sculpture and break the work with a lead pipe, then run off. Or paint over graffiti art. Or stop people who try to use Mentis on others to their own gain."

The food certainly does catch her attention and she is impressed by the amount and specifics of it. She's not a connoisseur of food though; any chance she may have had to become such was cut off early in her youth. "Damn, Shoshannah. That's a lot of food." Of course, Shoshannah isn't just Shoshannah. She's a Dreamspeaker. Alyssa knows that much. That she doesn't use bani or her last name doesn't mean she's just her first name.

Leonhard/Proclus

He thinks, Adam, that would be its own answer. Oh, oh, no, don't blush; I met your Mater, and there stand Shoshannah, otherworldly in beauty. You're surely more used to women than that! The thirty-something elder Hermetic almost winks at his fellow guest, his manner towards him clearly (to the others) akin to that of a friendly cousin, but refrains. There is, after all, the drive back for any ribbing. (As well as the rest.) He does, however, smile to Alyssa. A "see what you've done" smile, a quiet smile, almost a wink in itself. Nothing sustained, nothing so much as aloof, but there, gentle, friendly.

Bonisagans. All genius, no caress. All work, and the wrong play. He imagines that, at a push, the Pointy Hat could name the grape but not the taste...

"That, Adam, ladies, is one of the very last bottles of Marcusio '76 in existence. At least, it was ten years ago so it may be the last. I have been saving it for... something like tonight, I suppose."

"I have burnt the odd canvas," he says in response to Alyssa's talk of smashing a sculpture, "But mostly my own. Fair point, that, though. I help others find their better intention, as artists. As souls, perhaps. Certainly, it's... Rewarding. Or, at least, can be. Finding those occluded invitations to the Muse that they might otherwise miss in themselves. The Occult, explored, shared."

He is quite happy to be told to eat, even clapping his hands and rubbing them agreeably. Helplessly drifting towards the food, he smoothly explains that the vineyard (and Master Marcusio bani Verditius) were, of course, lost along with the rest of Horizon, that the bottle had been a gift upon reaching the Fifth Degree (some time back before the Crimean War, he jokes, pinching at himself in words) and something that shall taste like a song. Although, he concludes, it is not Marcusio's '78 which could bring about temporary synaesthesia and literally taste like a song, "I expect it will taste quite, quite sublime. Marcusio was a... well, he was an oaf, a sour old shit by all recollections, who disdained red-with-meat, white-with-fish snobbery as he called it, so he created the grey to suit almost any meal. (Allegedly, the mauve he started with gave him the most appalling rash, so he went with the grey.) I'll miss it, but it has to be drunk sometime, doesn't it?"

Although he talks at some length, it is a smooth address, an inclusive cascade of words. An effusive sharing of things beyond himself with those around him. Shoshannah. Alyssa. Adam. They are all included in the enthusiasm with which he delivers his words of the wine. His words of pleasant company. Shoshannah certainly has her answer but he adds, "So, long to the short, grey wine, bit odd, good with this."

Adam

Grave-touch, warmth-leeching, la belle dame sans merci cold. That'll get Adam's attention sharped up. See? Any hint or danger of blush there-by fades (thank you), and there's a curious flick of a look for the Dreamspeaker. Natural response to a gentle arm-touch: attention drawn up. Makes some 'of course bringing the soup out later is fine' gesture.

Adam, being the current keeper of the wine, being bid to eat again, searches among the plates for a wine-bottle opener, but if and when he finds one hands it off to Proclus with an:

"The honor of opening this should be yours; it's your gift, and thank you." Even, that: even and steady and with an edge of curiousity again, sublimated, and subtle. Read it in the way he looks at the seal.

But there is also: heaping a plate full of food, and picking a seat at the table, and taking it for his own. Let's say it's right by the head or the foot, whichever's nearest the food. The little gift-bag of whatever has been abandoned next to the baba ghanouj.

Shoshannah

It does her good to see people eating - perhaps there's some truth to the stereotype about Jewish folk feeding people, though she's made no reference to Judaism beyond the fact that she keeps Kosher. She doesn't ask for prayer, or dress as an orthodox Jew might, no. And there is, indeed, a wine opener on the sideboard, along with a bottle of wine that may have been brought by Kalen, or Sera, or Hawksley, or Sid, or . . . well, by anyone, really, other than the girl who doesn't leave all that often, now, and isn't old enough to buy even if she did. There are also glasses of the generic sort - white or red or anything in between.

"Thanks for bringing it, My grandfather was insistent on red-wine-red-meat, but Nona always said life was too short to stand on such ridiculous ceremony. She'd be fascinated by this, I think, something that wasn't either and also wasn't that sacrilege called a blush or a rose." She says the last with audible quotations; it's clearly something she's heard many times before, and it amuses her.

"Can I get anything for anyone? There's a water pitcher there, on the table, and there's quite the selection of beers and sodas in the refrigerator. I need to stir and check, but can bring things back with me, if you'd like."

Alyssa Solomon

The discussion of the bottle of wine is heard, but disregarded. If she has any knowledge of fine vintages, she doesn't show it nor interest. There are more important and interesting things in the world than that. The important part is that it's the last. But then, it's not the only last of its kind here at the house today, so it isn't even unique in that, to Alyssa's mind.

"Ahh, musing." She nods a little bit to Leonard. "I guess that makes sense with your House. There are certainly worse things to do in this world, I suppose." It's a part of the world that Alyssa is aware of, but doesn't do much work in. Generally the only time she needs to go investigate the artistic side of the world is when a painting is cursed or a sculpture is haunted by its owner. Or, a little more commonly, someone stole a favorite art piece of book from their ex-spouse in a divorce and they need proof in order to sue.

"To be honest, I'm not hugely hungry, but thanks Shoshannah. I'll definitely hang and share some wine though. I'm good otherwise."

She makes a move to sit down somewhere near where the others are, taking the jacket off and settling it along the back of the chair just before she does. The others may take note of some things as she does so; first and foremost is the Smith & Wesson .45 ACP pistol toward the back of her beltline, on the right-hand side. It's a dark polish, kept in pristine condition in a clip holster. The other thing--which Shoshannah and Adam already know, but which may be noticed by Proclus among the reflections of the silverware, perhaps the window or other mirrored surfaces--is that she doesn't cast a reflection. Everyone else is there of course, but not her. The chair pulls itself out in that reflection, for no one to sit in even when Alyssa is there. And the last is the small collection of light scars and one or two still-healing scabs along her arms. One could accuse her of being a cutter--one of those emo teens who hurts themselves in order feel something--but it's different for her. She certainly doesn't seem like the morose, emo type at least.

Leonhard/Proclus

He aims himself to sits in clear view of (or, rather, for) Shoshannah. She of the Defensive resonance, but moreso she who invited them. Getting comfortable, he pauses, something catching his eye. Or not. Yes, he stalls for a moment, but it is the thinnest of moments. The glass. The silverware. Nowhere is Alyssa to be found but in the looking at her. Yet, it is to Adam that he glances, animated again as quickly as his stalling had hit him. Adam. He of no shadow. Alyssa. She of no reflection. Perhaps that's a hint of pleasure in his eye as it carefully oversees the opening of the possibly-probably last Marcusio '76. A pleasure. So long away from such company as have no shadows, no reflections, no Sleep in them...

However, shortly after sitting and receiving the bottle back from Adam, he gets up again and with bodily grace stands to deliver the first glass of the wine to the side of the Dreamspeaker. Hostess. Chef. Mage. Invitation. Chantry. Thankyou.

"I won't tell the police if you don't," he says spryly, returning to his seat and passing a glass to the others before pouring a fourth, almost the last the bottle will allow, for his own glass.

He smells the wine. Diligently, delighted. Transported, his eyes closed. Something on par with a sensory serenity sweeps across him.

"If I may, a toast..." he says, sharply adopting a pomposity and stiffness quite at odds with his previous manner. He raises his glass as if in the presence of monarchs and generals. But it doesn't last. He smiles. Grins, even, relaxed. His manner almost immediately loosens again, and the smile goes to Shoshannah. A warmth; an absolute lack of prim pomposity. "To Nona."

Adam

Can I get anything for anyone? I need to stir and check, etcetera, gets by way of reply from Gallowglass: "This is enough. Except for... You. Sit down, when the stove's not demanding." It's a gentle enough request, not jovial, not, hah hah, sit down, sit down, just: sit down. We're here for the company too, eh? That could be the subtext. "Or if you want help..."

He can stir. That thread's left dangling to be taken up and made into something, if Shoshannah wants. And onward. Scars and two healing scabs. Were she Verbena, he wouldn't wonder for a moment. His gaze wouldn't grow meditative, catching those signs of blood-letting, or not so deeply.

Leonhard's glance is met, of course; and Adam's response is a minicsule lift of an eyebrow, and then let that moment pass on. Adam's still meditative. Takes a bite of something delicious (tabbouleh, maybe), while wine's being poured, then gets up a half-a-beat after Leonhard in order to join in the toast.

"To Nona."

Shoshannah

"To Nona," she says with a sparkling smile that's genuine and startling all the same; it's not often people see her this way, see, all pleased and shimmering in her role as hostess, as chef du jour. Most often, when people are here, she's tucked into a corner of the Library, or her room, or the office, our outside somewhere, or generally out of the way. It's not that she minds being around the others terribly or anything, just that . . .

Well. We'll blame it all on stunted social growth, which is changing - slowly, though. These things take time.

"Oh, most things are done. It's just maintenance now, until we're ready to eat the meal. It starts with soup, you know? Then there's the main dish, then salad, then Sid's cake for dessert." And, if the amount of appetizers she's made is indication, the meal itself? Will be enough filling enough to keep them sated for a week, at least. "I can turn everything off, now, and it'll keep warm enough long enough. But it needs that last little bit of attention, and . . ." Here, it's her turn to blush a bit, flustered. Clearly, she's not accustomed to this much interaction, or this sort thereof. "You can help. If you'd like. It will only take a moment."

Leonhard/Proclus

[[Hi there. Good to 'see you' IC again. Maybe you've already got it sorted for bringing Serafine into the scene but... I think it's Alyssa next post before me but I'd be more than happy to hang back until after you bring Sera in if you'd like.]]

Serafíne

(hee, it is good to see you again too! and aww, thank you! I am working on a post / working out how she needs to react to alyssa's resonance and I appreciate the welcome and offer. (grins))

Leonhard/Proclus

[[Superb! Shall go after you, then.]]

Shoshannah

[And this is the point where Shoshannah deals with things in the kitchen for an hour and a half-ish of real time because I have choir. Back after that!]

Alyssa Solomon

Alyssa has no problem with the toast, and she raises her glass when she gets it. "To Nona, indeed." She titls her head a little to the side, watching Leonhard curiously when he interacts with Shoshannah. There's a slight raised eyebrow, but she doesn't say anything, just takes a drink of her wine.

"So, Proclus. What's a Jerbitron doing in Denver? Don't get me wrong, it's not a bad thing by any remote stretch. I'm just curious, it's not the place I would expect to find one." She sits back in her chair, smiling a bit to the Dreamspeaker as she heads off her own way and then looking back to the two Hermetics she remains in the dining room with. There's something curious and slightly amused to her about the three of them being in each other's company right now.

Adam

You can help. If you'd like. It will only take a moment.

This is what happens, then.

Adam, standing for the toast, takes a quaff of that rich and sweet wine out've some old Lord Dunsany tale, salt-sea wine, maybe, and he blinks in surprise. Mm.

"Don't forget," he tells Alyssa. "Your work stories. I think you said something about we'll leave how work is doing for now, and now's long, erm, since passed, and you seem to have such good stories..."

He has very little shame. Adam Gallowglass.

And then, as Alyssa asks Leonhard the question which will (perhaps? To a Hollower? Hmf) bring up the old story, he excuses himself and follows Shoshannah to help.

He reappears very, very shortly after, while the din and clamor kitchenwards becomes somewhat frantic, shrugging. Perhaps Proclus is still replying to Alyssa's question as he slips back into his seat, and perhaps he'll explain the kitchenward disaster afterward, but perhaps not.

Serafíne

The door leading from the garage into the kitchen swings open and that's the noise that heralds Sera's arrival. The door-opening noise and the door-swinging back too fast because of the force of its outward swing and the girl-kicking-it-further-open-with-her-mad-heels-to-keep-it-open-for-the-dude-coming-up-behind-her noise. That noise, those noises. The echo of a conversation begun outside at the liftgate of an old conversion van and brought inside along with a few brown paper bags' worth of booze-and-beer. Sera does not come bearing the possibly-probably last Marcusio '76; just Stranahan's and Kanon vodka and maybe some 4 Copas Tequila Esposado and a case or two or three or god-knows-what of various microbrews.

There's no real conversation between them; they're actually pretty quiet for a Sera-and-Dan entering the chantry. The rattle of bottles and rustle of boxes and paperbags, yeah. Dan inhales deeply and probably comments on all the food, all, someone's having a dinner party and Sera is all yeah? and wouldn't know enough to notice because she does nothing cooking-related in the kitchen except occasionally wake up and wonder how she got there, hung the fuck over and stirring the strangest things.

Shoshannah disappears into the kitchen to find that the kitchen table and one of the counters are piled-high with bottles of booze and two tattooed musicians are having a rather close conversation. Dan's hand on Sera's shoulder, his mouth against the shaved fringe of her hair, right over her right ear.

Sera is remarkably drunk to look so sober but there it is. Something in the air tonight, you know? Dan apologizes to Shoshannah for the mess, tells her he'll clear off the kitchen table if she needs it for staging, and she must wave him off or maybe there's enough counterspace because both Dan and Sera appear in the door between the kitchen and the dining room, following Adam. Sera doesn't sit down quite yet and Dan still has a hand on her shoulder, warm and familiar.

Somewhere in there she'll slip in another introduction, probably after Leonhard has responded to Alyssa's question. What she'll say after that, to Dan, is "This is the other dude from the bookstore," and to Leonhard, "This is Dan, he's cool," and to Alyssa, or maybe at first more Dan than Alyssa, "We haven't met," and then more to Alyssa than anyone else,

a smilem but a spare one. Names et cetera will come later. Sera is a little bit sobered by the sensation of blood in the back of her throat, but she joins the party then and probably doesn't slip into an empty seat so much as decide to perch her ridiculous ass right on the table, at the head or foot, as if she belonged there.

Adam

[let's see. IS adam percept-y? i will say he is anyway if this is somehow a botch but i wanna see how much otherwise! which is kind of cheating, blah.]

Dice: 8 d10 TN6 (1, 1, 4, 4, 5, 6, 9, 9, 10) ( success x 4 ) Re-rolls: 1

Leonhard/Proclus

"Precisely why I wound up here," the Hermetic explains, though without yet explaining. "To be honest, Boulder interests me perhaps more than Denver. Still, I'm glad to hear your, ah, professional thought there. I chose Colorado as a place to hide."

He finishes a mouthful. Enjoying it. Not avoiding the topic, but certainly not avoiding a good feed, either. Finished with the mouthful that had punctuated the reply, though only as conversation over a meal might in any other circumstance, he sips from the wine again. (Oh, that is bloody wonderful..!)

Adam's departure might have provided an opportunity to tread a different path, but no. Open secrets and public knowledge... There is a dry look after Adam as the Bonisagan heads out. A mechanical look, a political look...

"Sorry. Not trying to avoid this," he presages with a direct look to Alyssa. "You see, since 2004, I was.... Actually, you know what? You seem familiar with the Order; I'll use... Oh." Interrupted mid-sentence by the arrival of the woman he nearly spike-danced with so recently, he flicks a polite glance at Alyssa. He's not avoiding the telling of some story or other but clearly it would be even more rude to bulldozer through with it after Serafine's entry.His soup finished, his wine in hand, yes, it's the other dude from the bookstore. "Hello. I see you found somebody to dance with now you don't have those spikes." It's warm, breezy, but a little surprised. Ah. Ecstatic, surely. Surprised and pleased.

Alyssa Solomon

Adam tries to hold her to her promise to tell her work stories, and the goth girl gives a little grin and a shrug, as if to say We'll see. She turns her attention back to Leonhard then, ready to listen to his tale. The tale, as it turns out, takes a few moments to come and her interest doesn't perk up anymore than it already is (which, to be fair, is at a certain measurable level--she did ask, after all) until he stars to talk about trying to avoid things and her familiarity with the Order.

That's when Serafine and Dan come in, and the Hollower turns to give the two a curious look. Sera gets that feeling off of Alyssa of the taste of sticky copper at the back of her tongue and the rustling of feathered wings in her ear; the latter matches the back of her leather jacket and the former matches the marks on her arm. Alyssa, for her part, is drawn in by that compelling nature of the Ecstatics, at least to a degree. Sera introduces Dan and herself; the Hollower gives them both a nod. There's definitely some curiosity there, and some presumptions being made. Alyssa has been around the Awakened longer than her twenty-eight years might expect, and she never makes her assumptions to a point of certainty but there are assumptions that can be made for sure.

"We haven't." She reaches up and wiggles her fingers, then reaches over to offer the hand to Serafine. "I'm Alyssa Solomon, bani Hollow Ones." She looks at the Consor and throws him a smile. "Nice to meet you Dan."

Serafíne

Dan - Sera's consor - is a tall, rather lean hipster with a full blond beard wearing black skinny jeans and a blue-and-purple check-striped button-down flannel shirt. He wears glasses, sometimes, and knit beanies and his button-down shirt is rolled up to his elbows revealing a plethora of tattoos, colorwork mostly, in contrast to Sera's visible ink, which is all black and gray, and he stands beside her, or really, sort of behind her where she sits at the table's end.

"Leichtenstein, right?" This is Dan to Leonhard. See, he heard the story. He also saw a text about gerbal tron but he doesn't say a goddamned thing about that. Favors Leonhard with a flash of a grin, over the crown of Sera's head, white teeth framed by his beard. He gives her shoulders a squeeze.

A small wiggle of her feet, just for Leonhard. He's right: no spikes tonight. Just a pair of battered Doc Martens, wrapped 'round with leather straps secured with tarnishing silver buckles. Still, Sera avers, "He doesn't fucking dance. He sort of bobs mechanically to the rhythm. Sometimes he does the robot and doesn't mean to, you know? But he's a kick-ass guitarist."

Then a flash back up to Alyssa; Sera plants the flat of her left palm on the dining room table as ballast and reaches across all the delicious hors d'ouevres and shakes Alyssa's hand. She's wearing a beaten gold ring on her right index finger, and a larger ring on her left, covering the ring and middle fingers both, with an iron spike in the middle. Truthfully it is hard for Sera to look at Alyssa. It's probably just as hard for her to shake Alyssa's hand, but she does.

"Serafíne. Call me Sera."

Adam

Adam is: hungry. The wine is: good. He slips back into position like the shadow he does not have might; quietly, absorbant, ready for cues on what he missed. Serafíne and Dan's arrival just-after-him probably gives Alyssa and Leonhard an idea of what Shoshannah is doing now. Do you see? He is there when Leonhard says 'a certain familiarty with the Order'; he is there to give Alyssa a reflective look, while - er - he is young and hungry and starving and not in danger of losing his temper over somebody sitting on the table. Thankfully, it isn't his desk. Serafine. And Sid. Perhaps it is something in the letter S. S for sitting.

Dan is a kick-ass guitarist. "Were those monster-shoes for some kind of 'rock' , 'concert', then?"

There is a certain deliberate invoking of the archaic ingenue there - not quite a deadpan. An archaic ingenue. He did make the finger quotations, and then he swallowed some wine. Swallow. Ahh.

"Bet you'd have liked them, Alyssa."

The monster-shoes.

Leonhard/Proclus

"Not enough lately but, yes, Liechtenstein," he says to Dan, standing up. Ecstatics. It would appear that Alyssa is not the only one with an interest in that Tradition, and he offers his glass towards Sera and Dan. It's what he brought the wine for, after all. "You've got to try this. It's from the other side of the Gauntlet. Horizon. Here."Yes, the glass is offered forward to the ass-perched Ecstatic and Cool Consor Dan. The lack of the monster-shoes is... politely welcome. It's safe to move near Serafine tonight, he thinks, not that he's getting too close. Only close enough to offer the glass. "Guitar. Always liked guitar," he mentions kindly to Dan. He doesn't dance, but he does nod at the Martens. Almost seeming to miss that Adam is, indeed, enjoying the wine himself. Good. Good.

Leonhard/Proclus

[[Well... the formerly ass-perched Sera, that is. :) ]]

Leonhard/Proclus

[[Oh, hey, just in case you thought I missed it... loving the Gerbal Tron.]]

Alyssa Solomon

Dan has heard the story, and Alyssa knows the lore. They're both missing each other's pieces of knowledge, but it gets to the same place. But that's happening as Serafine reaches over and takes the Hollow One's hand. She isn't immune to noting the Ecstatic's lack of comfort around her. She may even guess at it.

"Sera, okay. I've heard your name mentioned a few times. Nice to finally have a face to put to it." She's not gentle or nuturing, but she also has no need to throw Sera's discomfort back in her face. So she makes the handshake brief and pulls back. "Surprised it's taken this long for us to come into contact."

She listens to Sera describe Dan's guitar skill, and Adam say she would have liked the shoes, and chuckles. "I am a bit of a monster shoe connoisseur. Not so much that I'm obsessive about it, though."

And then she's completing the circle, looking back to Leonhard who has so tantalizingly stumbled over trying to explain why he's in Denver but has now stopped discussing it. The look on the goth's face suggests that she's not letting it yet, as she gives him an expectant look.

Serafíne

Adam says 'rock' and 'concert' in quotes and Dan gives him a bit of smirk over Sera's head, but not enough of a smirk to erase the warmth behind his eyes or in his voice. "Naw," the man is saying, in the cross-talk. "Those were coming-to-visit-your-shop shoes. Here's a secret, they hurt her feet too much for her to get through an hour or two on stage in them."

That earns Dan a impolite-in-the-ribs from one Sera, as she is drawing back from that brief handshake with Alyssa. Who has heard Sera's name and is surprised they haven't met before.

"I'm not surprised," Sera to Alyssa, as she reaches for the wine Leonhard offers her, "I haven't been out much lately," which has been on the other side of the gauntlet and which is enough to release Sera from whatever passing and spare melancholy darkens her eyes just then.

To Leonhard, "Shit really?" - and brief ghost of a grin. Sera's too young; she's a new-made Disciple and she does not know the War except in stories. She's what's left: after. "I know I've never had anything like that. That's fucking amazing. Where the hell did you get it?

"They have alot of that shit in Liechtenstein? Also, Dan's a fucking liar. Those shoes do not hurt my feet."

And she takes it; and she sips, and she holds it back to Dan to taste, too, and he untangles a hand from her hand and accepts the glass and unlike Sera, he savors the wine properly. Swirling the glass and breathing it in before drinking.

Leonhard/Proclus

The Jerbiton imagines his own Consor-of-sorts getting something in his ribs...

"Those shoes would've hurt mine," he smiles. Either wearing them or getting too close to them, it's all much the same. "But, no, I don't think there's a lot of it left anywhere. Finish it. I'm... Honestly? If I finish it myself, I think I'll only think it a sin to have done so."

And, so, he leaves the glass with the Ecstatic. An inch of regret in not finishing it himself but a foot of... relief... in it finding a home that thinks it fucking amazing. Not that Marcusio would think anything of the sort. He would probably have slapped him for giving it away, or at least for passing it after starting it, but he's dead with his vineyards and new vineyards are needed.

"Oh, oh, yes, Alyssa," the Jerbiton reminds himself, finding something to eat. "I was Interdicted. And Ostracised from the Council for good measure. Ten years. Time served. Here I am. So, nothing so malignant as would require Requital; Consorting with the Interdicted, though for mitigating reasons. The tribunal... these are really good, aren't they?" He picks up something else to eat

"The tribunal noted that those I consorted with where framed by the Janissaries. Which, since they were consorted with... recruited, to put a word on it... by me to help resist those bastards' treason, well... Rather difficult killing me, but the politics were a bit... heightened. So. Interdiction."

Straightforward enough. Better out than in, Proclus.

Adam

[I'm calling it now, ooc, by the by. There is no order! *grin* Adam is quiet until he jumps in, and so on and so forth. Food in his face.]

Sid

[*dips in toe* is it okay to join?]

Alyssa Solomon

[[Yes!]]

Adam

[The Facts, ma'am, and Nothing But:

Sera and Dan at table-head.

Shoshannah fixing things in the kitchen.

Adam and Lenny sitting, like polite well-behaved boys.

Alyssa, also polite and well-behaved, but less boy-like.]

Sid

[awareness because what the hay]

Dice: 7 d10 TN6 (1, 1, 2, 3, 6, 7, 9) ( success x 3 )

Alyssa Solomon

Sera comments on the wine, and that is an area where she has apparently much more interest than Alyssa. The girl is the one who horrified Connor by having Corona in her fridge and claiming that she actually preferred that to other, higher-end beers. There was a time, perhaps, but not any more. Her attention is looking more toward Leonhard and his explanation, which does in fact come.

She listens. And she sits up a tiny bit when he explains that he was Interdicted. She's familiar with all the terms that he uses, and her eyes narrow a bit. "Wait, so let me see if I have this bullshit right. They got you on consorting, but didn't stop to consider the fact that inaction could have endangered the Order? Or did that part of the code not matter to them at that point in favor of fuckin' technicalities?"

She snorts. The sarcasm is dripping in that last sentence. "Not to mention that you say they were framed by the fucking Janissaries, of all people? Which would suggest that their Interdictions were bullshit anyway? What kind of Tribunal jargon bullshit did they use to justify that crap?"

She's not exactly angry on Leonhard's behalf, it must be noted. She just hates Tribunals not doing their job right.

Sid

[and just for funsies: dex+crafts]

Dice: 5 d10 TN6 (2, 4, 5, 9, 10) ( success x 2 )

Sid

There was meant to be another joining tonight's little dinner party. She'd been there the day it was suggested and she'd said that she would come, she would bake something, she would be there.

Truth is, though, Sid is late. Food's on the table, the guests are taking refreshment, and the hostess is in the kitchen fixing things. It's around this time that the door to the garage opens and in comes a sweep of fresh, cool evening air and on that air comes a whiff of blissful happiness mixed round and round with a sense of frantic desperation, the whole twist supported by a quiet, steady [static] sense that whoever is walking through that door is empowered.

Of course the first person to notice this swirl of magical imprint is also the first one to see Sid enter the house. Shoshannah's in the kitchen still, fixing things. Sid pauses to look around the room before she closes the door behind her. She's carrying a cloth bag that sags heavily but somewhat evenly, the contents of which are revealed when she sets the thing down on an empty counter with a quiet thmpmp bmp and lets the fabric fall. There are two circular pans inside and a small container. Before Sid does anything more with these things, however, she goes into the office to put her bag and remove her jacket. Then it's back into the kitchen.

She shares some words with Shoshannah, voices quiet and low and private, lost beneath the sound of water flowing from the faucet as Sid washes her hands. There's an offer to help Shoshannah with what she's doing, but isn't pressed if the teen declines it. Sid has something else to do, anyway, and that something is this: finalize the preparations of a cake. She finds a serving plate from the cupboard and a knife and spatula from the drawers. One of the pans is dumped onto the platter, where Sid leans over it and carefully shaves off the top so that its surface is flat. The small container proves to be full of homemade icing, which she slathers on some frosting. She asks Shoshannah who's in there even though she knows. She sensed them all before she entered the garage let alone the house itself. But it's conversation while she carefully sets the cake from the other pan atop the first and begins covering all of it with frosting. The recipe? Carrot, organic and gluten free and low in sugar and so on and so forth, covered with buttercream frosting that probably completely negates all the steps she took to lessen the cake's impact.

"Should I leave this in here?" she asks when finally she's finished with her little contribution to the dinner. She's not a pro or anything, but the presentation is better than decent. At least it's not crooked, and the icing is fairly evenly distributed.

Leonhard/Proclus

"They got me on Consorting and I'm not gibbet-meat," Proclus offers as summary. Alyssa's reaction does elicit his sharpest attention, but he offers no more. Instead, he picks up the empty bottle from beyond the Cataclysm and, stubbing the cork back in, replaces it in the bag it hadn't really left for ten years...

Serafíne

Sera, loose, shares that amazing fucking wine with Dan. The back and forth about the shoes passes but she keeps rolling her ankles a bit and admiring the movement of light across the buckles on the leather straps. Nevermind the cold Sera's legs are still mostly-bare. She's wearing some high-low skirt that would seem more modest than most of her get-ups on first blush but on second blush it is see-through so, not so much with the modesty. She has on lingerie beneath it and a leather jacket over it, so. Yes: Ecstatic, though she has never so introduced herself. Somewhere in the middle of Leonard's story about his Interdiction, Dan rests a skinny hip against the dining table and a tattooed hand on Sera's shoulder and as Leonhard remarks on how delicious one of the little savories is Sera reaches over and takes one-two and shares that with her consor and gives Leonhard this edge of a spare smile.

She understands less than a fucking quarter of what he's saying but she's watching him more than she's listening to him. Brows drawn together, her eyes - dark in this light - tracing his profile.

"Hey," to Leonhard, and it is quiet but there's no ignoring it. When Sera wants her voice to carry, it carries, compelling, right? There's compassion there; the living sort. She still has that glass of wine - from Horizon, the other side of the gauntlet - in hand, back from Dan, and she lifts in a wordless toast to Leonhard. "That sounds like a long fucking time. Welcome back, yeah?"

Adam

The Hollower's reaction also drags Adam's gaze across the whettstone and sharps it right up. The eyes themselves don't change, of course, and there is a certain distance - just: water, shadows-on-water, that sort've stillness. His regard is questing, and light, and as often seems to be the case, Adam looks as if his thoughts are turned inward (like he is: abstracted [distracted]) when he is at his most attentive. He even rests his elbow on the table (whoops), rests his chin on his first (get your head out of the clouds, boy), like the posture of contemplation knows no boundaries.

Hmmm.

He chooses to say: "Yes. Welcome back. I'd toast again, but alas, we're out of the special stuff." Faint hint of a smile, followed by the realization his elbow is on the table. He does not take it off yet.

"Did you," and he sounds: perplexed, maybe, "want once to be a lawyer, Alyssa?"

Shoshannah

And, look, there's Shoshannah with soup. She'd heard new people arrive, maybe poked her head out to nod solemn greeting to Serafine and Dan when Adam went out to join everyone, but mostly she's been making herself busy in the kitchen for the last however-long. But there's soup. And a moment later, after a trip back to the kitchen, a loaf of challah bread to go with it, as well as extra dishes for Sera and Dan if they haven't already been provided.

"It's chicken matzoh ball," she says for those who didn't get the menu listed to them earlier, and perhaps it's noted that she's more uptight now, that she's on less solid footing, until her eyes light on Sid and she lights up again. "Oh, good. Hi. Cake can go there by the appetizers for now, if you'd like."

The outfit, a modest-but-reasonably-fashionable, pretty and fine, skirt-and-blouse thing, the feet bare, the dark maybe-black-maybe-deep-brown hair caught back just enough to not cause trouble in the cooking and serving. The eyes, as ever, are heavy, sharp, and a crystalline, piercing blue. The skin is winter pale, as may be expected, but shows hints of olive underneath. And the accent is a mish mash of herethereeverywhere that's a bit more heavy on the middle eastern and southern American than anything else.

Except that she falls quiet again now, watching as the tureen travels around the table, or doesn't. As the case may be - there's conversation, after all, and as well as that goes with food? Not everyone necessarily thinks the same way.

Leonhard/Proclus

Shoshannah returns as his voice cracks, breaks, he coughs, "Thankyou," to the toast. It isn't the toast. It isn't the phrase welcome back. It is, of course, the Empathy, and he thinks of the little he knows of the Cult's Sacred Passions.

Although there remains something compelling about Sera (as well, he expects, Dan can attest), it is to Adam that he finds himself looking. Briefly. "I'm sure we can find something to replace it, Adam."

Alyssa Solomon

Proclus defends the ruling, and the Hollow One isn't exactly pacified. "Yeah, fuck that. Just like any set of laws, the Code isn't a map but a globe. With mountains and valleys and some places that are just more important than others."

While Alyssa burns over Leonhard's story, Sera focuses on the important part...welcoming him back. It snaps her attention back for a moment but she's not able to snap herself out of her self-righteous anger. It's a definite fault in the Hollow One, her certainty of right and wrong in certain things. But it's not an uncommon fault, especially under those who can alter reality. Hubris has caused many a fall, and being certain of things is the first step to hubris.

Adam asks his question, and Alyssa looks at him. She regards the question a moment, as if she's not sure how to answer. It's that area between I don't want to make this about me and I don't want to stop being angry. She's talked about it before, but somehow this feels a bit different, because her outburst means that it's turned attention on her in a way that she didn't intend, as opposed to her talking on her own terms. "Is it so wrong to want Quaesitors to be able to do their job right?" is what she finally settles on.

Adam

[>.> A subterfuge roll.]

Dice: 5 d10 TN6 (1, 2, 3, 5, 10) ( success x 1 )

Shoshannah

[[Pfft, Per + Awarepathy -3 cos Arcane? Is that still a thing?]]

Dice: 3 d10 TN6 (5, 9, 10) ( success x 2 )

Alyssa Solomon

[[Arcane doesn't help against Empathy rolls or the like. Just FYI.]]

Alyssa Solomon

[[Awarepathy, rather.]]

Shoshannah

[[Well then, for good measure, here's the other three dice!]]

Dice: 3 d10 TN6 (2, 4, 5) ( fail )

Sid

Sid leaves the cake wherever makes sense for a cake to be left before finally walking over to the door that leads into the formal dining room. She pauses just inside of it, pushing the rolled up cuff of her shirt a little higher on her forearm. The shirt is white with blue watercolored flowers and butterflies all over it. The fabric is sheer, but it looks like she's wearing a camisole beneath it. Her jeans are dark-washed and slim-fitting and tucked into a pair of knee-high dark brown boots. Her long red hair has been pulled gently back in a loose braid that wraps around the curve of her skull. Those with a clear view of her standing just inside the dining room, taking in the atmosphere and also looking for the likeliest place to sit, can see a long straight scar on the outside of her left forearm.

If anyone greets her she responds with a wordless nod. Otherwise, she is weighing her options. Shoshannah is playing hostess and so may not get to sit for long periods of time. Between those remaining she would rather not sit next to Leonhard who she's only just met, or Adam who is also still fairly new (but so sweet, if the only place left is by him it wouldn't be a hardship). As it so happens, the closest empty chair puts her next to Alyssa, so that's where Sid goes.

Just in time, apparently, for Adam to ask the Hollower a question and receive a reply. She has no idea what they're talking about, but she looks to Adam because the only place to look between volleys is from one social tennis player to the other.

[and I just got here but what's that Adam? Are you trying to be subterfugey??: awarepathy]

Dice: 7 d10 TN6 (1, 4, 5, 5, 8, 8, 10) ( success x 3 )

Serafíne

Truthfully in this moment, neither Sera nor Shoshannah receive much of Sera's attention. Dan turns and looks and maybe gives Shoshannah a hand with the soup tureen and the new brush of Sid's resonance against her senses is enough to make Sera lift her chin vaguely in Sid's direction. Adam receives an actual glance, which is rather spare and thoughtful for someone so instinct driven or perhaps that edge of reserve is instinct tonight.

Maybe it is just the new resonance about Sera. Which Shoshannah and Sid will know to be new-and-not-old, that sense of hallways; of thresholds, of windows and doors - liminal. No longer what-was, not yet what-will be.

"We brought booze," to Leonhard, or Adam, or Leonhard and Adam. They can find something to replace it, right? "Colorado whiskey, really great vodka and tequila and how much beer?"

" - two cases," Dan supplies. And Sera's already slipping from her perch and tugging him along behind her to find something to replace that brilliant vintage.

"Any preferences?"

Mostly to Leonhard. He is, after all, the man being welcomed back.

Alyssa Solomon

[[Ah what the fuck? Per+Subterfuge]]

Dice: 4 d10 TN6 (2, 4, 7, 8) ( success x 2 )

Leonhard/Proclus

"Oh, I'm driving," Leonhard explains quietly to Sera with his hands up as if in surrender, a little playfully but more regretfully. "But maybe I'll take you up on one of those beers, Dan, when I've had something to soak it up."He tucks in, with a warm nod to Sid, clearly pleased that she has joined them.

Adam

He will, later, absolutely blame the wine for being rather easy to read in spite of -- an effort. Let's call it 'an effort,' for it is not his best. Enter, Sid, who gets a nod and the faint suggestion of a smile he might remember to do when he isn't quite so distracted. Like this:

He looks to the side, eyebrows raised. He takes a last sip of his wine. The look to the side could have been constrewed as considering, but it isn't considering really; it's simply poised, simply, I shan't say anything bad about that House you just mentioned, even though I am thinking it.

"Suppose it isn't," he says, and then both forearms on the dining room table, a bright-eyed smile for Sera and Dan, then Shoshannah and Sid, who've come out with food foooood more foooood see how he breathes in the smell of that soup, thin chest expanding, sitting up again. "Guess we're saving that toast for later," to Sera, when Proclus demures on choosing.

"This does all smell really good Shoshannah. Hi, Sid! If I'd known you were going to make this much, I would've brought, erm, something more than what I did. How often do people eat big dinners here at The House? I mean, erm, are there rules I should be aware of, since here I am in its belly?"

Serafíne

"I never drive," Sera informs Leonhard, in an equal aside as he declines her whiskey and her vodka and her tequila and likely any and all of the other intoxicants she is likely to have on her person at any giving time. A jerk of her left thumb at Dan, though her fingers are drawn together in a way that mostly obscures the tattoo on her palm, the shark's tale does extend down to her wrist. "That's what he's for.

"You should get yourself a Dan. Or a Collins."

--

Then poof, Sera has not yet finished her wine but is determined to retrieve something. Beers all around and maybe a bottle of Stranahan's of her very own, or what the hell ever. "Hey Sid," in passing, and an echo of Adam's compliment to Shoshannah, " - fucking delicious, man." Not that Sera ate more than a morsel. Not that she looks like she ever eats more than a morsel. But hey, she's been harrowed, hasn't she?

And then Adam asks about the rules and Sera, like a goddamned anarchist hears him from the kitchen and shouts back, "Rules? there are no fucking rules. Don't be an asshole! That's the fucking rule."

Shoshannah

Sera pays no attention to newcomers in the room (except Shoshannah isn't new, not really - see, that's her barely-touched half-glass of wine there, her place setting, her spread of food, her decorations. There are many people in and out of the house, some who spend significant amounts of time there, or are only there sporadically, but Shoshannah's the one who lives there. It feels like her, this place, like it's curved its homey, modern classic bones around her to keep her well and warm.), and Shoshannah notes this; her eyes land on the Cultist briefly, her expression shifts, but then there's a nearly realized shrug and her own attention shifts to the other guests.

Two can pay no mind to each other, you see.

"There . . . aren't really big formal dinners or anything. I cook when I feel like it, and leave notes on things about when they were made and what's available for leftovers. And Kalen takes things to shelters and soup kitchens and places like that if people don't eat it fast enough." Then there's Sera shouting and Shoshannah doesn't even bother to try to ignore that; her face twists in distaste and disagreement, but she doesn't counter. Each to their own, different strokes. Look. Duck's back, no more water. "Sometimes we do things for solstices or equinoxes or holidays. There was going to be a Halloween thing, but then there was craziness going on and it got sidelined."

Sid

So, a nod for Adam and a nod for Leonhard, and a nod and slight but warm smile for Sera, and then Sid is settling into her seat next to the Hollow One.

Sid entered the conversation late enough that she's missed the story that causes Alyssa to burn so much, or explain why Adam is suggesting toasts.

Presumably she has a plate before her, and she fills it with a little bit of a few of the things that she can reach, whatever they happen to be. Anything out that she hasn't had before she goes for first, but just a little. Her appetite is not hardy, but she's not peckish, either, and not finicky about her food options. Once, when she reaches to her left, she exposes her own marks of black inked forever into the skin. Sera has sharkscissors that trail into her palm. Sid has words and a couple of circles.

"What are we toasting?" she asks, her voice quiet but her expression interested, first to Adam, then a brief shift of her eyes toward Leonhard before she turns toward Alyssa. These people are the ones still in the room at the moment, they're the ones who know what's going on.

Rules, Leonhard asks, and before Sid can answer (not that she was planning to, but she couldn't even if she'd wanted) Sera and Shoshannah supply him. There is a moment's pause between Sid lifting her hand and that hand resting on a fork when the Dreamspeaker mentions Halloween, but it's only a momentary thing.

Alyssa Solomon

Alyssa does pick up that specific neutrality from Adam and it makes her brow raise a little. The curiosity is enough to calm her down...that and the fact that the conversation appears to have been moved on. She frowns a little bit, the usually-confident and easy-going girl now looking and giving off a sense that is more similar to Shoshannah than the snarky, sometimes abrasive occult investigator that she usually projects.

There's shouting about rules and there's talk about the quality of food and the drinks available and more. These aren't things Alyssa has anything to contribute to, and she stands up, grabbing her jacket to throw back on. The wings on the back of the jacket settle against her back and smooth into place. "Going out for a cigarette." She says it with a bit of an affected smile, before she heads for the door.

Leonhard/Proclus

"Oh, dear, Adam," come the words between mouthfuls. "A laxity of rules at a Traditionalist Chantry. We'll clearly never fit in. You being so damnably stuffy and me being a... oh, this is lovely... Euro-trash."

Adam

"I am stuffy," Adam says, quite seriously, and without missing a beat. There may be a hint of a smile, one of those just-beneath-the-surface things, but that does nothing to the gravity of his answer.

"We were going to toast Proclus's return to civilization - Awakened, that is. Ta, Alyssa," when she gets up and heads out to smoke. He watches her until she's gone, thoughtful, or - well, perhaps he's thinking about something else. He begins to look vague, again, rubs the back of his neck, and then realizes he is still wearing his coat.

Adam, Adam.

"Anything on, erm, planned, for the next holiday?"

Serafíne

"Adam? He's not stuffy." This when Sera's back in the room; she misses Shoshannah's expression over her declaration that there are no rules, and maybe overhears Shoshannah's statement of the rules, about meals or something, about leaving notes on things, and deliberate or otherwise misses the lacuna around the idea of Halloween. Halloween was Denver's loss, really. The things Serafíne would've worn. She has three bottles of various microbrews caught between the fingers of her right hand and a bottle of whiskey she will be claming for herself in the left.

"Lured me upstairs the first day we met. Cheeky fucker."

Maybe she's needling him, assuredly she's needling him and she starts setting out bottles and Dan follows her back in with another handful.

"Pan has the deed to the place. You might wanna say hi to him. He didn't judge me for asking him to make-out in his confessional the first day we met, so I bet he'll keep his opinions on Euro-trash to himself, too. You can find him at the Church of the Good Shepherd, usually. Off Federal."

Sid

Alyssa is rising, leaving almost as soon as Sid sits. Some might wonder what they'd done to cause such offense (does Sid smell? does Alyssa not like the feel of empowered euphoric desperation? does she somehow sense the healthy choices Sid made when baking that cake and is leaving in disgust before it can be presented to her?) Sid only watches her go.

And then she's looking back at the Hermetics. They're toasting Proclus and for a moment Sid looks confused before she remembers. That's Leonhard's weird other name. The confusion returns, though, because Adam? Stuffy? That must be a joke, but Leonhard, Eurotrash? That has to be a joke, but Sid has obviously missed something there.

"What?"

Leonhard/Proclus

"Apparently," Leonhard... Proclus... whatever-the-hell says to Sid, amused, a napkin dabbed at his lip, "Adam isn't stuffy at all and I might get away with being from Europe. Not that you'll find me complaining."He smirks openly at Adam, if softly, before continuing to eat. "He is a cheeky fucker, though."

Shoshannah

"You're from Europe. I'm from Israel," she says with a smirk, and for some it's the first they've heard it, others know, she's lost track at this point who's in which camp. "I'll bring out the rest of the food, if we're done with soup. Ready?"

And, assuming answer in the affirmative, she does so - there are the fig-and-cheese blintzes, the whatever-she'd-called-it with the Yiddish name that turns out to be a sort of . . . pudding-souffle-casserole-thing with wide noodles and more cheese and raisins and eggs, and there's a different kind of salad than the tabbouleh and fatoosh that had been out with the appetizers. She wasn't kidding when she said she cooks a lot when she cooks.

From then on, for the most part, she's quietly observant. This isn't to say she doesn't answer questions she's asked, but it is to say she doesn't volunteer. Or butt in. She's very clearly there, but reserved and both in her element and completely out of it.

Shoshannah

[[Thanks for the scene, guys - sorry for the abrupt exit. Those of you who may want me in the future know how to find me! =D ]]

Leonhard/Proclus

Sabra. Prickly. Sweet. He smiles at Shoshannah, continuing, "And so am I, sitting here scoffing and not helping."He rises, bowing to Adam, demurely, and gently insists on helping Shoshannah. As he heads to do so, he pinches two fingers together as if holding a thought. "Thanks, Sera. I'll be down that way soon for some supplies. I'll be sure to introduce myself."

Serafíne

"Cool," Sera remarks quietly to Leonhard, as the full load of beer-and-sundries is distributed and the creature sort of leans back instead of reclaiming her corner of the dining room table, smiling up at Dan. "I get away with a helluva lot more than being from Europe. And Pan's fucking amazing." She does have an unrequited crush, doesn't she.

Tapping two fingers against her mouth to indicate that she wants a cigarette. The consor glances up in the direction that Alyssa took, his glance a kind of question, but Sera jerks her head a bit the other way.

She needs the burn of the cigarette to get the taste of blood out of her mouth.

"Ciao."

Sunday, February 23, 2014

Quantum mechanics


Grace

[Nightmares!]

Dice: 6 d10 TN7 (2, 5, 7, 7, 9, 10) ( success x 4 )

Grace

[Perception+Awareness!]

Dice: 5 d10 TN6 (4, 5, 5, 7, 9) ( success x 2 )

Grace

Grace is expected, or should be. Who knows though, with Sera -- could have caught her during a time when time makes so little sense that 'expected' doesn't either. Or maybe she expects everyone at any time, and therefore it doesn't matter.

In any case, it's Grace at the door, knocking, in her jeans, black coat, sneakers ensemble, looking very much like someone who doesn't want to be looked at. Stares just don't stick to her, like the very opposite of a Sera whose very nature demands one to stare.

She can feel that need to be enthralled by Sera, just standing on the house's porch waiting to be let inside (probably doesn't have to knock or wait, but whatever, Grace is Grace).

Serafíne

Perception + Awareness

Dice: 7 d10 TN5 (3, 3, 4, 6, 7, 8, 9, 10) ( success x 5 ) Re-rolls: 1

Serafíne

Usually one of the housemates or hangers-on opens the front door when it requires opening, and it requires opening tonight because Grace is the sort who knocks, no matter how many times other people have wandered on in. It is a rather remarkably warm weeknight and although Colorado seems to recall that it is still February when the sun goes down and Sera does very little until the sun goes down so Grace, standing on the porch, likely gets a bit chilled out there, waiting. She can hear the rumble of bass from a stereo or something inside and the rush of traffic and the laughter of a couple all bright and sharp in the air, half a block away or more on this residential street and she can feel Sera all familiar in there and something else, too, which might remind one of thresholds, of places where things change.

So, usually one of the housemates, but tonight it is Sera herself who pulls open the door. She's wearing this complex combination of a cropped leather jacket and something that seems to be silky and sheer beneath it and a floaty, hi-low black skirt that hits her a few inches above her knees in front and then cuts downward to be a bit longer in the back and really rather conservative for a Sera, Grace might note, until that Sera opens her arms, as she does, and hugs Grace, as she does, and murmurs some greeting into Grace's hair, and smells like cigarettes and pot and has some of that bright cold clinging to her skin-and-hair because she was out back smoking, not in the house, and as Sera pulls away and the embrace skims from embrace to hand-holding Grace can see why Sera is wearing such a conservative skirt -

- it is entirely sheer.

Beneath Sera has on these calf-high combat boots wrapped in leather straps and buckles and bare legs and she grabs Grace's left hand with her right and Grace can see the glint of a small ring of beaten gold on her right index finger and lo Sera leads Grace down the hall and into the kitchen and through the kitchen to the living room and asks her if she wants a drink and procures any such drink as necessary and the housemates have already shooed or perhaps they just aren't around and that is why Sera is playing at being the butler in her very-own-house.

Grace

You never really know what to expect in Sera's house. There could be a party going. Or just a grouping of the regulars -- the band, the closer friends -- all bending over backwards to please Sera at the center of it all, whether they realize that they're doing it or not.

But tonight, there is just the Sera, in a sheer skirt and combat boots that are wholly unsuited to combat (all of which Grace ignores as being someone else's fashion sense, as if she understood fashion to begin with). Harder to ignore is the hug, which Grace accepts in that stiff, unbending, robotic way. Yes, hello, Sera, ye of the hugs and hair ruffles.

It's easy to smile, even though she's not here to speak of happy things.

She waves off the question of a drink, though this will probably make Sera sad. "Nah, I'm just here to talk," she says. "I saw Lena the other day..."

And she lets that last sentence hang in the air. The sadness on her face must declare about how well that went.

Serafíne

Grace might wave off the offer of a drink but that does not mean that Sera is teetotaling. Far from it. Sera deposits Grace in the living room, full of artfully mismatched furnishing, where Grace can choose to curl up in a papasan chair, or on a slightly threadbare green velvet sofa with scrolled arms and artfully carved wooden feet, or in this delicious wingbacked chair, or so on. Deposits Grace and decamps for the kitchen and returns with a reuseable Nalgene water bottle for Grace and then both a cup-and-saucer for herself and a pot of freshly, fragrantly brewed Darjeeling for herself.

Spiked liberally with Stranahans, because this is Sera.

There is a hearth in this room and an actual fire crackling therein and that new-feeling sense of places-where-things-change is also in the room. It comes and goes when Sera comes and goes, recedes and rolls back in like the tide. Sera circles past the fire and pours herself a teacup full of her spiked tea and settles into the embrace of one of the corners of the sofa and listens as Grace tells her that she saw Lena.

Sera can read the sadness hanging like an aura about Grace, of course she can, but she does not comment specifically on that. Just lifts the mug to her mouth and murmurs, quietly, with that wholeness of attention that so often defines her, "What happened?"

Grace

Grace takes the water bottle, despite not really being thirsty, and then? Well, let's not look at Sera. The fire, let's look at that. It's easier, isn't it? And fires provide such great excuses to stare into them.

"I went to one of her shows. She makes great music, you know? And afterward, we went to a bar, and we talked, and she seemed very happy that I wanted to know how she wanted to be helped."

Grace sighs then, because well, that's the good news...

"But how she wanted to be helped was for me and everybody else to stay the hell away from her."

Serafíne

"I'm sure she's good. She's always moving, you know? She feels like music, too. A bit: the beat? Though electronica has never really been my thing. I wanna hear skin against guitar strings. I want people to play until they fucking bleed."

The teacup in Sera's hand is the old fashioned sort. Bone china, painted with a delicate spray of roses, gilded around the lip and handled, meant to be elegantly sipped. Sera settles the saucer on her left knee and holds the teacup by its base rather than its handle and watches Grace watching the fire. This is how it goes: Sera's dark eyes and Grace's sigh. Sera's warmth and the warmth of the alcohol in Sera's veins and Grace's sorrow. Quiet, as Grace tells what she tells of the encounter, and then, just as quiet -

"What do you think about that?

Grace

"It's not going to help?" Grace offers.

She runs fingers through her messy hair, not to try to un-mess it, just it's a way to defuse the frustration a bit. "I told her that she wants two things that can't happen at the same time, you know? She wants people to know her and care about her and she also wants everybody to stay away from her.

"Then, she just got mad and told me never to track her down again."

Serafíne

Sera lifts her tea-cup to her mouth and inhales the fragrant scent. The whiskey mostly-overwhelms delicate notes of the steeped tea, but whiskey is a good scent. All smoke and amber, a supple sort of imbibing fire. The gesture is quite nearly meditative which is strange because Sera isn't the sort given to meditating and her eyes are shadowed by half-lowered lashes and the surface of the tea vibrates with her exhaled breath.

She is just thinking, quite internally, her mouth quirked upward at one corner, the leather of her little cropped jacket creaking a bit when she shifts her left leg and upsets the saucer but not the mug.

"So." Quiet. Strangely steady, Sera. "What are you gonna do?"

Grace

Grace's eyes start dancing from coal to coal. "It was a mistake, me ever going there, trying to talk to her. I'm the worst possible person for that sort of thing. I just, I don't understand people sometimes, and I can't..."

But that really wasn't the question asked was it? What are you going to do about it eh? Grace turns to look at Sera. "I'm going to stay away from her. I just don't want to fuck things up worse."

Serafíne

"Grace."

There's a certain command in the way that Sera says Grace's name. A certain substantiality, a certain quiet weight. Something in the tone that wraps around the spine and requires attention, because this is Sera and this is how Sera is. Beneath that, an open and rather unrequited compassion - the dark yaw of it damp in Sera's eyes and Sera shifts on the couch and the saucer is now lost between cushions and spine and someone else will find it three weeks hence, perhaps Dee, and then she will know why one of the teacups has been without its saucer for weeks.

But,

"Grace."

And Sera sets her more-than-half-finished tea aside on the coffee table and shifts herself up to one knee and edges closer to the Virtual Adept-to-be.

"People are always fucking opaque. No one really knows what's going on behind someone else's eyes. We're as much mysteries to ourselves as we are to each other, and that's okay. And I don't know what the hell is going on with Lena, but it wasn't a mistake for you to try to talk to her.

"You're saying that right now because you think that it didn't work, that you didn't fix it, that you didn't fix her, that you didn't turn her around."

A small lilt of her shoulders beneath the leather.

" - but you know, people aren't things-that-get-fixed. We're just people, and we're all fucked up. We get things wrong and we get them right and we get them in the middle and we get turned around and sometimes - most of the time - those definitions hardly matter.

"Tell me this. Why'd you go see Lena in the first place?"

Grace

"Because, I... I don't know. Just, all of the rest of us, we've had people watching out for us. I've had Kalen -- you know he still makes sure I eat?

"But she's so alone, and it's not fair. I just wanted her to know that she didn't have to be. But I guess she wants to be. Or, I don't know, maybe she wants to be alone because everyone keeps fucking it all up when it comes to her."

Grace returns attention to the fire. Forgets for a moment, in the dance of flames. But it's only a moment's reprieve. But yes, there is that sense that Sera is so likely to pick up on, that Grace feels in some way responsible for the current loneliness of Lena. If only she could be what Lena needs, but no...

Serafíne

"So you went because you wanted to tell her that you were there if she needed you, and she didn't have to be alone?"

So Sera quietly interpolates, listening to the crackle of the flames and the pulse of guilt beneath Grace's skin.

The edge of a smile ghosting across Sera's mouth.

"Did you tell her that?"

Grace

"Yeah. I did. Maybe not in those exact words, but yeah," Grace says. She curls up in her chair, looks into the fire. "You think she's going to be okay?"

The words have hardly left her mouth before she's certain it's not the right thing to say. If Lena's not going to be okay, what could anyone even do about it anyway?

Serafíne

"I think she's magic."

Sera doesn't speculate on whether or not Lena's going to be okay. On some level, Sera might not even believe in okay as a reasonable generalized state of being for a mage and a Cultist of Ecstasy. Isn't okay a middling sort of ground, a flat and undifferentiated plane of existance full of even-keeled ships and second-rate lunchs in third-rate cardboard followed by an afternoon of paperwork and fourth-rate sex in a worn and familiar bed. The sort of flat and undifferentiated ground where the magic inherent in any of those things; the miracle of sunlight, the gravity defying power of a goddamned elevator, the quiet comfort of sex with someone you love, in space that you have created together, is lost to the dulled sameness of the rote.

So,

it hardly matters whether or not Lena is going to be okay, right? Though Sera knows what Grace means and gives Grace a smile and a look and exhales.

"And I think she has the right to a will; she gets to make her own choices. She has to work her way through them. You know?

"You are not responsible for the choices she makes. Just the ones you make. You have the right to keep making them.

"I think you should respect her wishes. You shouldn't track her down. But if you want to talk to her, see how she's doing, you should give her a call."

Grace

"Oh I'm not going to take away her right to choice. She's chosen. But choices don't happen in a vacuum. It's not like there's Lena over there, and everyone else over here, and we don't affect her at all when she goes and makes choices. Environments matter.

It's like... ugh," Grace starts to say, stops, keeps going (because Sera's unlikely to completely understand this part, but whatever). "It's like quantum mechanics. You can't just isolate yourself completely from the outside, because all interactions entangle you with the rest of the universe. I mean, you'd like to think that you are just you and you're all in control of you. But you're not you. You're everything. And entangled with everything else.

"Something like that virus, man that's an interaction for you right? We're entangled. No matter what I do, I can't stop affecting her, or she me. I just don't know if I'm affecting her in the right way."

Serafíne

"I have no fucking idea what quantum mechanics are," returns Sera, with this slow-curving smile that feels full and ripe and on the edge; on the edge of something, right? Maybe even something new. "And if it's science shit, man. I don't think I wanna know."

Like she's holding something on her tongue.

Like she's holding some secret everyone in the world knows in and on and under her tongue.

The smile spreads like molasses, slow and rich, and she moves her head on the fulcrum of her neck like a drunk girl does: keen to the pleasure of movement. "But you're right. We're all entangled and everything's connected and there's no fucking way to sever yourself; to build a wall and cut those ties because even the act of fucking excision is different sort of connection. You, Grace, you just can't know what the right way is." A small shrug. "Even if you were a seer. Even if you were a prophet. The future's this smear of shifting possibilities and now's now and then's then. Sometimes you just have to accept uncertainty."

Grace

A sad smile forms on Grace's lips. "Don't wanna. Accept uncertainty. But then, there's another piece of science shit for you. It's a fundamental principle of the universe that things are uncertain, that there are some things that you can't know."

Unless, of course, you cheat.

Gadfly used to do that, with her even. He sometimes didn't have the social wherewithal to know what to say to another person without gleaning clues from their brainwaves. A little creepy perhaps, but Grace understood. If there were anyone who would understand, it would be her. Loneliness can become self-regulating after a time. You forget (or never learned) how to interact with people and so when you do, it ends in disaster. And the cycle continues.

"Some people are better at knowing what the right way is than others, though. I'm not one of those people, Sera. I can be downright oblivious, and I know that. I didn't pick up at all that Lena thought I was pitying her and hated it. Hell, every time I saw her, I ended up happy, thinking it was a great time and we had a nice talk. I was such an idiot."

Serafíne

"Uncertainty makes us possible."

And Sera tastes like it now; the new resonance in the air since last Grace saw her is almost wholly defined by uncertainty. The space between, right? One definition and another; one identity and another; one space and another. The threshold.

The open door.

Passion in Sera's voice is painted and vivid and there's something about it that feels, well: unbounded and unbound. The edge of a smile and the coiling of Sera's bare legs and those heavy boots wrapped around her calves as she shifts position on the other side of the couch and drains her cup of tea-and-whiskey nearly at a go, and then she sets aside cup and saucer on the coffee table and settles back on the couch, the heavy boots tucked beneath her rather small frame, an arm flung across the back of the couch, this open energy about her that reads as masculine to most of the western world because Sera expects to be able to take up as much space as she wants, and a certain species of compassion in her eyes.

"Isn't that three-quarters of what's wrong with everyone out there? All that certainty. The loss of mystery. Refusing the challenge of not knowing what the fuck you're doing.

"Near as I can tell, Lena would've thought that no matter what you did. You've gotta let that go. Misunderstandings are part of the territory of being human, you know?"

Grace

"Perhaps she would have," Grace says. Perhaps Lena would have seen pity everywhere in anyone, and no matter their actual state of mind. "I didn't really think about it like that."

There is something to blaming yourself, isn't there? We do it because we'd like to think we could do something about a situation that's not actually in our hands. We'd like to think we have control over our lives, or even other people's lives. Blaming oneself, even if it hurts to do, is a way of grabbing at power that was never handed over.

Lena certainly didn't want to hand that power over to Grace, nor to anyone. Maybe that was the point.

"Uncertainty. Hmm. Yes. Part of the territory of being human. Right," Grace says, repeating words, off in thought. "Sometimes, I don't know. I write a lot of stories with questions about what that really means -- being human. I guess I never really figured that one out."

Serafíne

Sera is leaning back into the embrace of her couch now. Lounging, with her feet in those heavy boots curled beneath her ass. Which has to be uncomfortable, although she does not really appear to be uncomfortable. The fire is in her periphery. She can see it through the scrim of her lashes when she turns her head aslant. She can hear the pop and crackle as the flames find some bit of resin in the old dry wood. She can smell the sharp, rather clean scent of the dead wood burning, burning.

The house is mostly-quiet but there is music somewhere. There is music from-somewhere and the sound is low, background. Sera might not talk quiet so openly about magic and mage-things if Dee and Rick were around, so it must be Dan somewhere in the house. Working, maybe.

Rather unconsciously, Sera thumbs the ring on her index finger, rests her head cushioned against the spine of the couch. Watches Grace, through half-closed eyes. Listening as Grace repeats her words; watching the thoughts drift across Grace's features like clouds against the sky.

"Who really has?" Sera asks her, rather quietly. "Figured it all out." Her eyes a sort of sloe-dark, full of something. "Tell me about one of your stories."

Grace

"Okay, sure... There was this one -- I wrote it for Eleanor, but that was a mistake. I figured something out though. I should never write stores for a person. Should just write them for everyone. You write a story for a person and... well, it's out of your hands what they do with it," she says, stares off into the fire for a bit. "I mean, that's always the case with stories, but you don't want to make it personal."

"Right, so about it. I wanted to write something about reincarnation. So I wrote about life extension technology, removal of the aging process. What happens when people are granted the ability to live forever? Something totally unnatural to the human condition, right? How they'd sense, at some point, that a reset is necessary. To keep everything new and exciting and interesting, and keep people going in good directions, they need to have... Uncertainty. Yeah. Which is why we forget everything when we die."

Serafíne

Sera listens; see? Her head turned a bit away, so that she can see the fire in the grate, the leaping shadows it casts over the hearthstone, which is old and scuffed but clean and well-polished, and which sits a neat inch-or-so above the level of the old hardwoods. There are Persian rugs scattered about, beneath the furniture, warm underfoot. Deep burgundies and blues, and they are worn, the fringe messy and incomplete, eaten up by errant vacuum cleaners one too many times to remain intact. Art on the walls, all around, though this is something Grace may remember about Sera's home and Sera's room: how many things she collects, nearly all of which someone, somewhere, made with his or her own two hands.

There are curtains and the curtains are velvet and they are a rather rich brown instead of the crimson Sera wanted, only because Dee objected that crimson curtains with a green couch would look like Christmas all year long. Some of the Christmas lights are still wound around the curtain rod. Short, squat little Edison bulbs, and as the darkness deepens outside the rather cheery strand of lights seems all the more present. The visible filaments glowing against the dusk outside.

"I know fuck-all about writing stories. Dan and I write songs, but they're not story-songs. Even so, I just write them for me. And I figure, maybe as a side effect, they'll mean something to someone else, and once they're outta you that's all you have.

"It's always outta your hands what they do with it. What they get from it. What they hear in it. Why they love it. Why they hate it. Every bit of it, no matter whom you write it for, or why or when.

"That's pretty okay with me. But I'm a fucking weirdo.

"Anyway, we can live forever. Or close to it. Hawksley has this book, written two hundred years ago by an Ecstatic born in the 1960s, who may or may not have been a hermaphrodite. Which may or may not have been deliberate choice.

"I can stop time.

"Slow it down. Rewind it. Live it again. Want to see?"

Grace

Sera talks about an Ecstatic born in the 60's who wrote a book two hundred years ago, and the thing that immediately jumps to Grace's mind is Dr. Who. Because of course it would. Speaking of immortals who 'reset' every now and then, and leap around in time...

And she's about to respond, when Sera says she can stop time. And asks if Grace wants to see. Grace's eyes bug out.

"Yes. Yes of course I want to see!"

Serafíne

Sera is one of those rare individuals who has managed to befriend a nerd and/or geek who has never heard of Dr. Who so she can hardly begin to read Grace's reactions, to consider the leylines of awareness and cultural references and so on that spring from Sera's brief description of that particular book in that particular Hermetic's library.

And she is likely going to escape her initiation into the world of Dr. Who because yes, of course Grace wants to see. So yes, of course Sera - smiling rather indulgently - is going to show her.

Not here, apparently, since Sera is uncurling her bare legs and shaking out that see-through high-low skirt and nudging that teacup on the coffee table a bit back from the dangerous edge and standing and opening her hand to Grace and it appears that Grace is meant to follow.

As Sera is not wearing heels tonight, Grace and Sera are nearly of a height. Naturally, bare-footed Sera would have no more than an inch on Grace. The combat boots probably add another inch but still: they are closely matched. Sera opens her left hand and it is sort of trailing behind her and Grace can take it or not, at her leisure. She has known Sera long enough to guess that Sera would not likely be offended by a refusal.

And anyway Sera is on the move; sliding past the spot Grace occupies on the couch, expecting Grace to rise and follow her out of the living room, through the kitchen to the sliders from the breakfast room facing onto the patio. There's a hardly-singed joint in an ashtray parked on a parquet plantstand just inside the sliding glass doors, and the bright burst of cold from the winter evening outside, and Sera explains on the way that she probably needs to be a bit more high in order to do it.

By then they are in the kitchen and even if Grace took her hand in the first place they have stopped holding hands because of the layout if nothing else, and Sera explains that she needs to get stoned to do magic and glances over her shoulder at Grace, this lashed and sweeping look, and says, "Unless you wanted to make out with me, but I didn't think you'd volunteer."

This smile. She's at the door between the kitchen and the breakfast room then then, has unlatched the slider grabbed joint-and-lighter and opened the slider just enough for the two of them to slip outside.

Where Sera lights the joint, takes a long, deep drag that crackles her lungs, and holds it, and holds it, and holds it -

- then exhales, and passes the joint to Grace, while they huddle in the leeside of the building, watch the dark and quiet garden.

Maybe they share the joint in silence.

Or maybe Grace gives her an education in the ways of Dr. Who after all.

Grace

Grace takes the hand offered by Sera. Grace isn't exactly afraid of touch, just doesn't so much like it when people do it unexpectedly. When they get grabby hands and when those touches are laced with social meaning that she cannot fathom. Like handshakes and hugs and all those other human rituals. Like making out, for example -- a thing that has only ever felt to Grace like she's being eaten by whatever highly unskilled amorous person she's allowed to try.

And she has. For the sheer need to understand what humanity is. To try to be normal. It wasn't the right reason.

She never did it because she wanted to.

Still, the comment about making out with Sera brings a smile to Grace's face. Maybe she's just happy to have the subject changed to magic, away from how horribly bungled the whole Lena thing went. "Let's just get high. No offense."

The first hit brings the tickle of cough to her lungs, with the mix of sharp cold air and smoke. But this time she holds it down (okay, maybe with a leetle cough or two at the end). "So this is part of the process huh? Have to get stoned first?"

Serafíne

"The easiest way," Sera returns, and there's an it's that is sort of elided at the beginning of the sentence. Swallowed with the smoke and held inside her lungs and kept there, as blood flows through and picks up the intoxicant along with the oxygen her body requires, and carries it out, and out, and out. Sometimes Sera imagines she can feel them, each little - what the fuck ever, molecule, nascent and bright with possibility. All these connections inside her body; all these connections in the universe.

She's smiling and it's a sidelong smile as she takes another drag; a deep one, because that is the way she works. She doesn't say anything to Grace about the cough though she does stand ready to pat Grace on the back or the shoulder if the spasms come too hard and too fast and become too eyewatering. Just some steady reminder to the body of its functions, right?

" - it's like it zips open your brain. When I'm playing with time." Sera is smiling in a way that feels like it hurts; she can feel the muscles in her cheeks, the way they move and the way they curve and right now she is just very simply and very plainly happy. "Helps to remind me that my skin is just a membrane. Pourous, you know?

"Other pieces seem to work better with other focii. Mind's always been music for me. Life is touch."

Sera's standing there with her arms crossed, goosebumps on her limbs, teeth set against chattering when she's not taking another hit and passing it back but still: see the lazy way she swings her head back toward Grace, using the glass door as a sort of sliding fulcrum, this drunken arc of movement that has her looking at Grace all slantwise and unfocused, eyes gleaming in the darkness.

"Maybe a little more - " a supple shrug, wry and a bit aware. " - sensual than just plain touch. It's like, a frame that you harness yourself to - it just, I don't fucking know. Any of them can work. Pain. Pleasure.

"Some things just fit," and her eyes fall; and Sera looks a little bit far away. " - like a needle in the groove of a record. You know?"

Grace

Grace lets out a little huff of laughter, like already things are getting a little too just-this-side of funny. "No, I don't know. Honestly, for all you try to recruit me, I cannot even fathom how all that works."

She takes another hit when it's offered, of course, and lets it soothe the tired mind, well worn out in worry and guilt. "I use my computer, but honestly if I think about it, it's more that I use the computer to do all the math. I know you don't want to know about all the science, but it's so beautiful, Sera," she says, passes the joint back.

"The first time I saw my little desk plant thinking about where to store its little pieces of captured sun. Thinking. With green pigments all superpositioned on top of one another, making little amazing calculations.

"And then, you know, you can see the connection between everything in the code. In the math. It shows you just how close we are. Like, I could know what it is to be that plant if I tried hard enough, because in some ways I already am a part of it, and it of me. Well, you know. If you wanted to know what a plant feels like, I suppose."

A little sigh there, watching the smoke in the air. "Just so... beautiful."

Serafíne

Time 3. Difficulty: 7 (Vulgar without witnesses). -1 (focus); -1 (taking time); -1 (resonance).

Dice: 3 d10 TN4 (4, 4, 5) ( success x 4 ) [WP]

Serafíne

"That's what I do," Sera is telling Grace, with this silly, liquid smile. The joint is spent or near it and while she doesn't waste that shit is legal now in the state of Colorado. More legal than the clove-spiced cigarettes she favors, certaintly. So, there's no searching about for a roach clip or struggling to smoke the last bits of seed trapped inside the last slips of rolling paper because Sera takes one last inhale and then opens her hand and lets the last miniscule less-than-an-eighth-of-an-inch of the joint drift down to the damp pavers of the patio.

Then Sera slings an around around Grace's shoulder, and the gesture has these limits that are not parabolic but maybe Grace can see the math in them; the motion of the arm, the limits of the movement, the ricochet that is built in from the drugs they have consumed.

Sera's smokey mouth against the fringe of Grace's hair, and Sera rolls her into a bit of a hug and Sera's smiling and cold, so COLD, but her breath is warm as she laughs against Grace's temple. "I just don't need fucking math to do it.

"Come on."

Grace is released. Sera pulls open the door and there is a blast of warmth inside and they dash in and close the door behind them and stand there bright and high and shivering and Sera is stamping her feet a bit to get warm and then she is just stamping her feet to feel her thighs move and somehow they are sliding all sinuous back through the kitchen and oh hey, there's the bottle of whiskey and here's a bag of organic pretzel crisps and does Grace want anything they can make chocolate later.

They can get someone to make them hot chocolate later because Sera does not cook when high (or anytime, really. Not her wheelhouse), and Sera's leading Grace back into the living room, holding the bottle of whiskey in one hand and this whole time they've been winding their way back in through the house Grace has felt Sera's magic at the back of her throat; against her skin. The rising resonance - and what is strongest just now is the new resonance that stamps Sera - and they are just inside the door of the living room and Sera takes that bag of pretzel crisps and tosses it across the room, see. Another arc of movement that Grace can calculate, can see, can know -

- which is arrested. Abruptly. The bag of pretzels is frozen midair. The fire does not move. The music barely audible drifting from someplace up the familiar stairs is - well, it's just a droning not now, isn't it. Like a needle stuck on a certain groove, the record unmoving.

Sera still has her fingers wrapped around the neck of her bottle of whiskey, neat and loose. It swings a bit as she reaches back for Grace's hand. They are moving; the both of them. Their hearts are beating.

Everything, everything around them, is

just

stopped.

Grace

"Fucking math," Grace giggles into Sera's hair. "Rigid body mechanics," she says, and there's another giggle at a joke that Sera's unlikely to get.

Grace is high, and forgetting and looking forward to the show that Sera's planning, and everything is so much less sad and more funny now. They go inside, and there's a burst of warmth which is nice oh yes.

Sera beams with something in-between, something not quite there, doesn't she? And why hadn't Grace picked up on that before, but yes there is something different today about the way Sera feels, as she fills the surrounding space with herself literally and figuratively.

And then stops time, just to show Grace how that works. And it's all so silly and wonderful, that she laughs -- barely even registers it when Sera's hand slips into hers. "Oh, wow Sera! This is awesome!" Grace says in the most honest of ways. Couldn't change the way she said those words if she'd tried, so excited and awed and... "Can we touch stuff? Like, rearrange the pretzels into a happy face or something?"

Serafíne

"I don't know," Sera returns, inhaling deeply and satisfyingly through her nostrils. The world feels strange and each second is accumulating beneath her skin, isn't it? She can feel everything shearing outside of her, where the thousand tender hooks that connect her to the ordinary forward movement of things are beginning to pull in the wrong direction.

Sera's thumb skims across Grace's knuckles and Sera is still smiling as she draws Grace into movement, tugging her forward to walk toward and around the frozen pretzels. "You can try."

A small squeeze, Sera's hand to Grace's.

"Everything'll start up again. I can only do this for so long. But if you wanna make a smiley face in the pretzels - "

Well, go ahead Grace. Go ahead.

Serafíne

Extending. Difficulty +1

Dice: 3 d10 TN5 (2, 9, 9) ( success x 3 ) [WP]

Grace

Grace -- gleeful, oblivious Grace -- she works fast (extremely fast, considering all this is truly happening in a blink's span) at taking pretzels, frozen in time, and making a little smiley out of them. Two eyes, a little curve of a mouth. Laughs at her work, doesn't she? Oh yes.

And also, thinks about what some passive observer might see. Two blurs, perhaps? Instantaneous pretzel and human teleportation? When it stops, will the frozen snacks continue to have the same momentum, or will they just drop to the floor? So many questions, and none of them being: is this the right way to use our power over the universe? To have a little fun with it? And she doesn't question how Sera's doing either, pulling the threads of fate such that they might snap and hurt her back.

Grace just doesn't have all that much experience with the universe's ire.

No, she just points at her little smiley masterpiece and says, "That's so cool."

Serafíne

Paradox.

Dice: 3 d10 TN6 (1, 5, 6) ( success x 1 )

Serafíne

Soak!

Dice: 3 d10 TN6 (1, 5, 8) ( success x 1 )

Serafíne

Sera watches Grace with an obvious and rather indulgent pleasure. Sera is high. She is fucking stoned and the world moves around her like a wheel and now she is stopping the wheel, arresting its movement. No, no. Here.

It feels right to her, correct and natural, that she should be divorced from the proceedings of ordinarily. The future and the past have always, always come to her, unmoored, for quite as long as she remembers, though the truth is - and here is another truth that Grace does not know - that Sera has not remembered for long.

But here; her living room. Time stops and a would-be Virtual Adept apprentice is re-arranging pretzel crisps into a smiley face. Sera breathes out, bright and bemused and follows and ruffles fingers through Grace's hair and all too soon the moment ends. Perhaps even Grace can sense it at the farthest edge of her awareness: the kinetic energy of reality snapping itself back into shape. The paradox blow.

It hits Sera like an uppercut; her head jerks back from the force, but her body absorbs it. And then they are in time again. The pretzels are falling and there's likely not enough time to figure out how. Did they remember their momentum from before? or shift - or fall. Everything in a blur so it is almost impossible to say.

Grace

There's another giggle when the world blurs itself back into place, the whole snap-shut-slipping feeling of sliding back into time. But then, Sera's head snaps back, her body jerking with it, and seriousness washes over Grace again.

"Woah... you okay?" she asks, lazily.

Serafíne

"Course I am, Grace," Sera demurs, with this half-lazy smile. "That's just Paradox. You do something - obvious, it all snaps back at you. Find a way to slip it beneath the skin of things, to explain it to ordinary mortals, and you're fine.

"Now c'mon. I bet you're gonna get the munchies soon, and some of these pretzels are still in the bag."