Sunday, February 28, 2016

May as well make myself useful.


Serafíne

Is the sun out? The sun is out and it is 60 degrees and there's this strange crispness to the air: warmth slanting radiant down to the earth but still the cold seep of winter stored in the concrete and asphalt. Everything strange and dingy and brown and slushed and soggy and also: bright bright brighter. Promise, see: in every soggy step one takes.


Mind the interior of Bad Betty's is dark as fuck and no one has bothered yet to scrub down the few iron-worked chairs and tables on the patios and it is the Hour of Brunch and Bad Betty's has Brunch but is more known for its late-night food and drink. Whatever: a buzz but a slow one. This spare, scintillating creature pushes open the door and clunks in: heavy doc marten's, second-skin black denim slung low on her hips, secured with a two inch wide belt made black-leather, spikes and rivets, and a loose crop-top that does not-much to hide the curve of her breasts, and nothing to conceal the hourglass shape of her bare midriff. The hint of ink: there, beneath her right breast and along her left flank, on her hands, everywhere.


Oversized sunglasses cover her eyes and it's dark in here but she doesn't bother removing them. A waitress skimming by with an oversized plate of strangely egg-covered nachos eyes the hunting dog skimming at her calves with enough query that Sera favors her with a quick, neat little smirk/grin and says, "Service animal."


What the hell.


At the bar she orders a Bloody Mary with an extra shot of vodka. Requests Tito's Handmade instead of that well shit or any of the overpriced celebrity endorsed brands that line the walls of the nightclubs she never frequents.


Andrés

[perc + aware: just for shits +/- giggles]


Dice: 5 d10 TN6 (2, 5, 6, 7, 8) ( success x 3 )


Andrés

She isn't the only reality deviant in here right now and the rest of the bar has been doing a fine enough job ignoring the guy standing at the bar as they can considering he feels like the chill of an omen working its way up one's spine.


Omens can go either way. Doesn't make their presence any more pleasant.


At any rate: when Sera ambles in she does not take off her sunglasses. The Etherite has removed his eyeglasses though they're lain folded-up on the bar beside his left hand. Also at his left hand is what appears to be a Bloody Mary with a beer back. It is not a Bloody Mary. His has tequila in it.


They met in cursory fashion during less than favorable conditions. Grace introduced him to the collective but he would not be surprised if Serafíne did not remember him. He's wearing jeans and a striped button-down shirt underneath a bomber jacket. Standing at the bar instead of sitting down.


For a moment it seems as if he's going to stay where he is but that's just because he's halfway through eating his celery stick when Sera settles down. He's known she was there since she walked in and though it presents a difficulty he does not stare at her as she finds her way to the bar. Celery sticks are a commitment.


Serafíne

Per + Awareness


Dice: 7 d10 TN5 (1, 1, 1, 2, 6, 7, 10) ( success x 4 ) [Doubling Tens]


Serafíne

Sid's pretty well-behaved. Tucks herself up against the legs of Sera's stool, curls her tail around her body because she's been around hipsters and barstools long enough now that she understands instinctively that she must: make herself smaller when pulled into these places. Sera: well, hard to tell what the fuck she sees or hears. Something about her that seems both tuned in and tuned out, this strange confluence of aware and oblivious. Still, okay. This moment where she allows her senses to open up and then -


a very present, very immediate shiver. Because: cold.


And then she looks around and the sunglasses fix on Andres at the end of the bar. Linger there. By now her Bloody Mary + shot have arrived and she picks the shot up, neat between her tattooed fingers. Lifts it towards him in a silent toast.


Then tosses it back, all at once. Yeah, that seems right. She's an all-or-nothing kind of girl.


Andrés

Down the hatch. She picks up her shot and knocks it back. He picks up his beer to answer the toast and swallows down what's left of it. Which isn't much. And then he pushes away from the bar.


Open in front of him on the bar is a grid notebook covered in pencil scribblings. He doesn't appear too concerned with the notebook walking away before he does but it isn't as if he's going down the street and expecting his shit to stay where he left it. It's a dive bar on a Sunday. No one is going to steal a mad scientist's notebook.


Besides: the thing feels enchanted. That augural sense clinging to it like cigar smoke or heavy perfume.


Though he approaches Sera it is with a touch of wariness. The dog seems well-behaved but it never behooves a man to assume. Both hands are in his pockets as he comes to stand beside the neighboring school.


"You got a light?" he asks.


Serafíne

"Sure," the creature tosses back, quick-flash of her teeth behind her smile. At her feet, Sid's tail is thump-thump-thumping a greeting. HELLO! HELLO! HELLO! it says. " - but I don't think you can smoke in here. Patio?"


Andrés

Animals are a little easier to deal with than people. This animal, he gives the back of his left hand to let her sniff. Plenty of smells underneath the lingering smack of hand sanitizer and the only jewelry he wears is a wedding band.


"What?" We can't smoke in here? He processes this information with a flick of his brows and a, "Yeah, okay, sure. Patio."


If they're going to go outside he's going to loop back to his space at the bar and grab his drink. Everything else stays behind.


Once they're out in the sunlight and the fresh air he wrangles a soft-pack of Lucky Strike out of his jacket pocket and offers one to her. It's only fair. She's supplying the fire.


Serafíne

Our Sera takes her drink(s because as they are leaving she waves around her little shot glass and says how about a refill? and affixes that request with another quick, expectant smile. She wants, and therefore she asks and therefore she gets, isn't that the way it works? Spoiled creature.) and her hoodie and her everything else and her everything else is contained in a slim bag that is more evening than midday slung across her lean torso on a gunmetal chain because there's not an inch of room in those jeans for anything more than the lean curves of her hips and thighs. Doesn't need to snap her fingers to summon Sid because where Sera goes, the dog follows if she can.


Outside she takes up a perch on one of the ironworked tables, legs left to swing. Cool ,enough that she does shrug back into the hoodie and once they are outside and she has tested the limits of the sun's radiance which are still limited. It is, after all, still February and even if they are a mile closer to the sun than anyone at sea level.


Anyway, she digs the lighter out of the left pocket of her hoodie, shakes her head no to Lucky Strikes, doesn't seem inclined yet to light up on her own. Maybe she will soon.


"You came with Grace, the other morning, didn't you?" Casual-like. As if there were anything casual about it. "I don't remember your name."


Andrés

A refill never hurt anyone. Two of whatever she's having. They are willful creatures and if asking doesn't get them what they're after they can always just warp quintessence to do what they want it to do. Asking the bartender is easier.


He accepts the lighter and introduces the flame to the end of his cigarette. Is blowing out the inaugural plume of smoke when she asks her question. Handing her her lighter back as she confesses to not remembering his name.


"Andrés," he says. "I did."


Serafíne

Quick flash of her tattooed hand as she takes the lighter back, tucks it into the right pocket of her worn black hoodie. Sitting up like this on the table means that she's taller than he is. Hell, even in her low-heeled Doc Marten's Sera is taller than this virtual stranger. She seems to like that. Look at the lilt of her chin, the way the sun gleams off the surface of her glasses. Like a wink.


Fucking cheeky.


Still, tension in her posture, the hint of it. A forward-looking awareness.


"Weird, you know? That we never met before. New in town?"


Andrés

Even if she were barefoot Sera would not find too great a difference in their physical heights. He seems like a slight man underneath the layers of his clothing. The silver shot through his black hair and beard provides the world with a barometer for his age. Not an accurate one but it's something.


"Mm hmm." He's mid-drag as she asks and it seems as if he has to formulate his response and how he wants to frame it. "I was working for the Miami-Dade coroner's office, but, eh, I heard what was happening. With the old Chantry and the grove and all of that. My wife was Verbena, she would've wanted to be here now, but she died in April. I accepted a transfer, and now here I am, as of January. Not so weird, is it?"


Serafíne

"The grove was a long-ass time ago." Quiet, really. Almost matter-of-fact though there is a liminal stillness about the creature that charges the air around her. Gives her a quality that seems more fae than anything else. Not-of-this-world, or any other than one might meet.


"I'm sorry about your wife, though." A flick at his hand. Yes, she noticed the wedding ring, or perhaps yes, she does now notice the wedding ring. She does not wear anything like that, but there is a ring on her right index finger with a distinct resonance of its own: sundrenched, soaring. Old bronze, the sort that looks warm and burnished, like it had been baked in the sun and scoured by centuries of sand.


"You didn't come here to start a war or anything like that, did you? I mean, it's pretty ballsy to offer to walk into a place full of assholes who want to kill you to rescue some apprentice you've never met. Don't get me wrong, but - "


An arrest, the lift of her chin. She tosses back another shot, glorious in the not-quite-morning-anymore light, cascade of her curls all shot-through with sunlight, like a corona, like a halo.


Andrés

The grove was a long-ass time ago.


He waves his hand as if clearing away the smoke. If she's a Cultist then she must have an affinity for the Time Sphere and if she has an affinity for Time then she understands as well as any physicist does that time is relative and he barely even knows what year it is let alone how many years have passed since the Technocrats threw up the middle finger to his wife's tradition.


A flick at his hand. An apology. A question.


"Maybe I've got big balls," he says. Dry. Could be a joke and he seems friendly enough but that doesn't mean he has a healthy sense of humor. He flicks the growing trail of gray from the end of his cigarette and blows out another drenched breath. "But I don't have a vendetta. Fifteen years, the war's been done, and they're starting it up again. This is a place of importance, for whatever reason, and I'm here. I may as well make myself useful, yeah?"


Friday, February 19, 2016

Counsel/Council [In Progress]

Sera

Some morning some strange stupid ordinary morning; sunlight or maybe shadow-fall, dark clouds, the strange anemic light of a clouded wintry morning and a jeep (circa 1990s) with Colorado tags and nothing else to distinguish it pulls up outside a certain luxurious home set away from the others on its own acreage. Normally they'd come bearing gifts today there are no gifts. Gatorade and an acid hangover and a Sera and a Dan. He was able to sleep, a bit. She wasn't. Still has that jittery rawness that comes in after a certain kind of rush, sick-ache in the back of her throat, her head, her body. Sick-ache elsewhere, too, someone underneath her skin, enough that he has to coax her a bit down out of the Jeep's passenger door. Pulls her into a hug and kisses her on the crown of her head and she curses beneath her breath, resists because something in her was meant to resist.

They head inside. Sera and Dan find Annie and have a talk with her. Then maybe all of Trinity. Dan puts tea and coffee on and starts cooking something potato-y. Sera curls up in the kitchen while he cooks. She expects, hopes, that other mages will start arriving soon.

Grace

[OOC Note: If you are known to Grace yet (Except Alex, because she thinks he's mad at her and will instead tell Kalen to do it for her), you will get a text message at the very least with some nonchalant message like "What's up?" or the like, since the original Ginger message said that people should "Check on their friends and family". She knows Pen and Nick don't have Ginger yet, so would not follow that up with a line about having "Spoken to Ginger lately?" but the point of all this is to make sure that everyone she knows knows about the meeting. Sorry ALL YOU FREAKING NEW MAGES WHO ARRIVED WHILE SHE WAS IN AUSTRALIA. You get nothing. ;_;]

[[ Addendum OOC Note: Rolls for that Corr ward

Grace @ 12:06AM [Making a Corr ward about herself! Corr 2, Diff 5 - 1 for taking time.] Roll: 3 d10 TN4 (5, 5, 9) ( success x 3 ) Grace @ 12:07AM [Extending, with WP!] Roll: 3 d10 TN5 (3, 3, 7) ( success x 1 ) Grace @ 12:08AM [With Actual WP!] Roll: 3 d10 TN5 (3, 5, 6) ( success x 3 ) [WP] Denver @ 12:20AM ~♥~ Welcome to Dedicated Dicing Den, I love Vesta. ~♥~ Vesta @ 12:20AM [Witnessed!] ]]

Of course, Grace attends, but not until after she has texted everybody to check on them and generated a somewhat solid ward about her to keep the sneaky spies out. She knows all about that sort of thing, being a sneaky spy herself and all. The wording of that IMPORTANT message has her unnerved. Not too many things are of the type that can't be spoken of on Ginger. One of those things is the War.

She really vanished to Australia for almost a month to relax and try to forget anything that had to do with the return of the Technocracy (and Vampires and a band of Stupid Wizards) as an actual, pressing threat to everyone's continued existence. It wasn't fear that drove this, or avoidance (as if Australia were some mythical land without Technocrats, right?). It was preparation. In order to stand up and keep fighting, you have to occasionally indulge in self-care. For Grace, this meant doing a lot of penguin-watching. In other words, she had expected such a call to go out, in just such careful language for quite some time. Preparing for it only makes things slightly easier.

The first thing she does upon arrival is try to find somebody who will tell her, right now, what is actually up. What has changed the precarious balancing act Denver's been going at for months now? So of course she wanders into the kitchen. There was mention of breakfast, after all. Someone is cooking. Aha, that someone is Dan...

"Dan. I love a good breakfast potato and all, and I love you for making them," she says, and then turns her attention more toward Sera. "But what's going on?"

Sera

"Alexander was kidnapped by a technocratic agent." It is Dan who answers Grace, his voice low and steady over the sizzle of peppers, potatoes, onions. Sera's tired, quiet. Still the suggestion of hallucinations at the edges of her vision from the drugs she took to access Lakashim. Feels so strange to be back, anchored in her body, in a solid room. "right from his precinct, a few weeks ago. He didn't answer some texts or return a call, so Sera scryed for him. Thought he might've gotten lost or maybe hurt, hiking or whatever. When she couldn't locate him in the here-and-now, she searched for the last time she could find him in the timeline."

The consor looks up from the mildly meditative work of cooking.

"Let's see who else shows up. Probably best if she doesn't have to repeat the story too many times today, you know?"

Grace

Grace's eyes go wide and stay that way, before she raises a hand to her mouth, and those eyes start darting in different directions while she thinks of what to do. She knows people to talk to. She can hack the enemy. She can do things, and she wants to do them all right now immediately, except that nobody else knows.

"Oh."

Words just aren't the best, most easy thing right now. Her insides are churning too much. Wide, searching eyes find Sera, and she approaches slowly, reaches out with her arms. Sera may be still hallucinating at the edges. Maybe this might seem like one -- Grace willingly hugging another person? But yeah. Yeah.

Nicholas Hyde

Nicholas is in attendance, perhaps with Pen in tow.

He hadn't had occasion to go out to the chantry yet - though perhaps this is not exactly true. He has meant to go, in the way people mean to check out the cool art museum right across the street for months and months after they move in; and yet things have a way of coming up in the life of a busy mage. He is with Pen again! They have a new place in a new city! He has a new job! He is meeting new people! There are rumblings about Technocratic presence from everyone he has spoken to! So: chantry is on the backburner.

The smell of cooking breakfast and brewing coffee greets him, and his stomach rumbles. The sight of Grace and Sera, both among the few new people he knows, brings a slight smile to his face as soon as he has followed the sound of voices into the kitchen: there are hugs happening. Nick does not yet understand that the context of the hugs is terrible and potentially tragic. Dan he does not know: he catches the man's eye in one of the moments that he looks up from the stove, and nods to him.

It does not take him long to figure out that Sera is minimally responsive right now. His expression becomes concerned, questioning, as he looks between the three people present. He says nothing, preferring to take context from what they are doing; there is, after all, the tacit understanding with meetings like these that things will be explained.

Kiara

The front door opens and closes with a hushed urgency. As if even in doing this much, it was trying to play tribute to the reason for their gathering together like this. The sound of buckles and leather and boots and that sudden flutter in their bellies. The swoop and flush of inspiration anew; the bloom of hope - that's what the Verbena felt like, you know. That all was not lost because here, nature was still thriving. Here in narrow shoulders and a slim figure with long, wild hair as dark as her eyes.

She cuts an impressive sight, the Verbena known (and to a few, unknown) as Kiara Woolfe.

She's dressed in black boots that don't quite reach her knees and jeans and a flowing top; the material looping and gathering at one hip so it falls over the other; hangs against a shoulder. There's a rattle of jewellery that accompanies her - lips made up with a bright red shade part a little as she reaches the gathering; hand to the doorframe.

Overheard, perhaps. Some of that last.

"Sorry I'm late." She has eyes for Serafine, the pagan. They flicker over the others, though. Pause on Grace, Dan. Nicholas (and Pen) warranting a hitch of her eyebrows. Uncertainty. Surprise. She's somehow always surprised by newcomers, as if Denver should somehow have been impossible to discover.

Sera

Well, Grace is reaching out to hug her and Sera, who is now seated on a counter or a table or a stepladder, which is to say: seated, but seated on something that is definitely not a chair, opens her arms. What else would she ever do when approached with a hug? She smells likes cloves and ash and snow and orange juice (orange juice!) and the morning-after fumes of a long, long night. Dan might've napped while she was scrying, but Sera has not been to sleep.

Hell, that's usually the case if she's up at this hour: it simply means that she has not yet been to sleep.

Somewhere in there she kinda - rouses, right? Contact is so very necessary for the animal-in-her, and she presses her nose into Grace's hair. Something strangely bracing about the solidity of that contact, of her spare frame and the strange, undeniable strength if not of her frame, at least of her resonance. The promise of: magick beneath her skin.

--

Dan, cooking. He's a tall, skinny guy with blond hair and a blond beard and tattoos covering his arms. He's wearing skinny jeans and a plaid button-down with the sleeves rolled up his forearms. If he started yesterday evening with a bow-tie, he has since untied it. Gives Nick an appraising glance: up and down, you see. Just so, while still somehow managing to attend to the peppers, onions, and potatoes in the sautee pan in front of him.

"You must be Nick." With a glance, you know? Sera tells him everything. A quick smile, crisp and warm framed by the beard, and then: an apologetic shrug with a glance at the pan in explanation. "I'd offer you my hand, but - "

They're kinda full.

Then Kiara joins them, and Dan is pouring breakfast onto both a plate and a platter, and says, "Kiara. Have you met Nicholas or his wife, Pen?" Deftly making introductions all the while. "There's a loaf of ciabatta warming in the oven. One of your want to grab it? We can sit in the dining room and we'll fill you in."

As Sera disentangles herself from the unexpected Grace-hug, Dan steers her toward the Gatorade in the fridge. Electrolytes or something. Sera makes a face and grabs both Gatorade and whiskey, which Dan helpfully points out sounds like the world's most disgusting combination. Well then: Sera will put it in her tea and just skip the Gatorade, anyway. Who says it works? She thinks it's a myth. She prefers: magick, anyway, when the time comes to heal her hangovers.

Kalen

Kalen has been, also, in Australia.

He was, briefly, back in Denver to meet with other Hermetics. Stopped off in Santiago on his way back to Grace and penguins. There are pictures from those first few days, before he told her what he knew about the coming war. Not that she would not have known. There are many people in the world that Kalen will hide from and lie to when it suits him, but Grace is not among them.

Sun or no sun, Kalen is still pale. There is a little dusting of very faint freckles over his cheekbones. His eyes are, if anything, more haunted than when he left. Kalen Michael Holliday is as terrible at vacations as he is at being Flambeau; though, one of those is a more recent development than the other.

He is quiet as he surveys them. There are no warm, excited greetings. A faint dip of the head to each of them, and then he is getting coffee. He holds Grace's eyes perhaps a few seconds longer than anyone else's and he brushes against Kiara as he slips past her, and in that this is unlike the grim and withdrawn creature he was when he first arrived in Denver; still, this is Kalen a little guarded, and a little quiet, and entirely reminiscent of what he had been haunted.

Nicholas

Once Nick is there only a little longer, people he does not recognize (as though he'd recognize so many) start to filter in. He is standing near Grace and Serafine, his arms folded across his chest, his limbs loose in a way that belies his actual feelings about this meeting. See, he's picked up on the fact that Sera has been up too long, that there is some whisper of a Working that she wears in her hair, wound around and beneath her skin. These things in conjunction with a meeting everyone is invited to: they usually mean something.

Dan, the person who is in front of the stove, catches his attention with: You must be Nick. The Chakravanti appraises him then, perhaps searches his memory and the relatively few conversations he's had since arriving in Denver, before returning with, "You must be Dan."

He goes to grab the loaf of bread that is warming in the oven, after a momentary pause to cast around for a mitt. As much of an impressive (foolish) entrance it might make to grab it barehanded with nothing but magic as a barrier, Nick is not that sort of mage, in any sense. Mention of Kiara's name draws his eyes to the woman that entered shortly after he did, and there's a glimmer of recognition there.

The bread he sets on the counter, close enough to Dan for convenience but not so close that he'd risk inadvertantly burning himself on the pan. "Hello, Kiara. And - ?" This, to Kalen.

Kiara

The brunette's eyes are a very dark brown. They've been highlighted today with liner and the lashes that frame them and drop, briefly, against her cheeks as she feels Kalen sweep past behind her, are curling and long. A lovely creature, by all accounts, Kiara but the manner she cut a brief, bright appraising look Nick's way reads a fair amount into there being far more to her than a charming little heart shaped face and cheeks with a tendency to dimple when she smiled.

(Only honest smiles drew them out, that being said).

"Hello," it's a murmur as much as anything, a hand idling to bury itself in all that dark hair and cup the back of her neck. "Welcome to the party." A notch up of fine dark eyebrows; one wings just slightly higher than the other and while Dan assembles plates of food - the Verbena kicks off from her resting perch and sets herself up with a glass of red wine. Unhooks a glass and pours it out, delivering the rich aroma into the mixture Dan's efforts had already let loose.

"That," a gesture with her glass here, Kiara's rings gleaming, toward the man who had pressed in behind her upon entry. "Is Kalen. Can I interest anyone else?" She sets the bottle down, the Verbena and leans into a counter out of the stream of activity; holding the glass against her body without any particular fuss about sampling it. Her tone is light enough, but beneath the glamor of it (not even magickal, this time, just posturing, just brittle play-acting at some notion of normalcy from the earth-witch) there's a sense of tension; lacing into her shoulders, the set of them. Her fingers curled around the stem a little too forcefully.

"It sounds like the occasion for it."

Sepulveda

He is not late. He was invited only by association and his associate such as she is arrived ten minutes ago. Came into the kitchen and started garnering information and he traipsed the periphery of the property smoking a cigarette and having an argument under his breath with himself.

Maybe Nick saw him on the way in. Kiara may have. Kiara is attuned to this land in a way he will never understand. Tried to understand. Kiara may have known Hinata who went by Eloise when she went by anything but that's a story for another time. At this time the Etherite who came as Grace's plus-one is chain smoking.

He is a forensic pathologist. A medical examiner. A doctor. A Scientist. Shouldn't be smoking. Does anyway. That is irrelevant. In time he finishes his cigarette and does whatever it is that Disciples of Matter do with their cigarette butts and lets himself into the Chantry.

A short man. Five-foot-six in his shoes. Came from an inquest this morning so he's wearing a navy blue suit and a white shirt and a conservative tie even though he hates ties at all let alone ones with still patterns he had to comb his hair and trim his beard didn't have to but he chose to and he's wearing black-rimmed glasses and a wedding band on his left hand and soon as the door's shut he's surveying the room intruder that he must think he is.

Everyone is in the kitchen. He calls out as he walks. A deep voice belies a slight frame. Light accent.

"Marco?" He follows the smell of food into the kitchen. Green eyes find Nick and then Grace. Eyebrows flick. Greeting in it and also expectation.

He expects Grace to introduce him since she's the one who ran his background check. He will absolutely take a glass of red wine. Breakfast be damned. He has two apprentices. They won't be joining the congregation. They have work and school and a propensity for freaking out at the slightest hint of impending doom.

Grace

Grace has been happy, up to the point where this call went out. Vacation agrees with her, when she's allowed to be somewhere very warm and work on her Work. Right now, though, she looks like she just got punched in the gut. When Kalen's gaze meets hers, she tries to hold on to it, tries to tell him with her eyes that everything will be okay. He's going to be... even less happy. Let us hope that the emotional outcome doesn't lead to doing anything rash. Not that she expects it of him, but still.

She's about to accept Kiara's offer of wine when Dr. Sepúlveda shows up in the entryway to the kitchen. For the life of her, she can't quite grasp that it's her 'job' to do introductions until a few painful seconds have passed. Maybe he has to look at her and cough.

"Oh, yeah. Um. This is Andrés Sepúlveda. Doctor. He's with the Society of Ether. Andrés, everybody. Everybody, Andrés," she says, with sweeping arm gestures in his general direction. Sorry, dude. Your invite to this shindig came courtesy of a Mercurial Elite with only the weakest grasp on what normal human interactions entail when she's on the scent like this.

"I could use some wine," she says to Kiara, and then seems to change her mind immediately. "No. Actually, no." She puts her thumb knuckles up to her eyes and leans on the counter like she's got the biggest headache. "I don't need to do everything that needs doing while drunk..."

Pen

Pen did arrive with Nick!

And then she was quiet, because there is a reason she is nursing a very strong cup of coffee as if the coffee'll have enough edge to scrape her into brightness. Quiet is relative. Chain-smoking Andrés got a what's up outside. Grace also got a what's up, probably coupled with big concerned eyes given how worn the Mercurial Elite looks. Pen's a softie. Serafíne and Dan, two Good Mornings, an incisive little this is really early isn't it? look for the former, but of course it is because 'meetings' like these are never good news you see that doesn't change one city from the other. Nick didn't get a what's up. Kalen got a wiggle of fingers, a half-smile.

There's a certain wistfulness to her regard of the wine, wine's as red as rubies in a fairy tale or it's the color of a gown the color of stars, but wine and coffee don't go together, do they? Then again, dare not!

Anybody she doesn't know gets the (semi-full) introduction, Penelope Sylvia Mercury Mars bani Flambeau ordo Hermes. There don't seem to be too many of those. Neat.

Pen is: mistress of languid aplomb, at least right now. Asks Dan if he needs help, chopping or any such thing, carrying plates into the dining room, c'mon people give her some busy work.

Sera

Dan wasn't really cooking for a (the) crowd, so the spread laid out in the dining room, or maybe the living room, is modest. He just wanted to get some solid food, some carbohydrates and potassium, some liquid other-than-booze, back into Sera's body as she is coming-down from whatever-it-is she uses to fuel her magick. The ciabatta, though, that's a good sized loaf, not exactly loaves-and-fishes but it's not exactly a loaves-and-fishes crowd.

It's Dan who starts,

"Alexander hadn't responded to a couple of voice mails or texts. Sera was concerned he might've gotten hurt while hiking or something, so last night she decided to scry him out. But she couldn't find him anywhere."

They're sitting close to each other, though at the moment Sera is not inviting touch the way she is often wont to do. No, something about her scrubbed-raw senses has her in want of: space, boundaries, singularity. Feels so strange to be one, when sometimes you can be: all, every, any.

"So I looked back," this is Sera, and if she looks as if she has not slept for quite some time, well: she has not slept. The edges of the room have a sort of brilliant smearinenss to them and everything from her temples to her fingertips aches. She doesn't mind the ache. In fact, she invites it. "Searched out the last time I could find him.

"Several weeks ago, Alex was approached at the police," a slight handwave. Unlike the rest of the western world, Sera has never watched a Law and Order marathon. She doesn't have a ready lexicon of crime-show language, " - thingy by a guy who said he was an FBI Agent named Paul Mason. Wanted to have a chat with Alexander.

"Took Alex into a room inside the place and started asking him about a 'case' he was investigating. Showed Alex a picture of Leah. Mason said he was investigating Leah for the murder of twelve people, and asked if Alex had seen her.

"Alex was pretty clever. He managed to answer without lying, without really answering, but Mason was not taken in. He kept questioning Alex, pushing him to give her up - or, well," this narrow hitch of the creature's spare shoulders. The movement framed with an elegant simplicity. "testing him, right? Weston asked Alex another direct question. Alex tried to leave.

"But Mason shot him with something: a tranquilizer, maybe. Alex tried to run, but the guy came after him and the drug he'd used was pretty fast-acting. Alex started to shout, and he went for his gun but they were grappling over it and he couldn't really get it out of the holster. He still managed to get a shot off that went into the floor before he passed out.

"These other cops came running. Mason convinced them that Alex had gone nuts while they were talking, that Alex started talking to someone who wasn't there and was going for his weapon and that Weston had to do tackle Alex to stop him from hurting himself, then Alex passed out. Mind magick, yeah? The cops believed Mason.

"They called an ambulance.

"The paramedics - two women - started toward the hospital, but changed course halfway there. Drove East instead, toward Aurora. Kept going until they ended up in one of those boring-ass looking developments with the low bland buildings and the sod and the fake ponds and shit. Dan says it sounds like a research park, and we put it together to be close to the UC Denver schools of public health and dentistry. That's where I lost track of him. The vision closed-off and I couldn't find him anytime, after."

Grace

After Sera's spiel, Grace chimes in, perhaps sooner than the impact of all that has really hit. She's been waiting to get a few things off her chest, although she's still speaking to the kitchen counter.

"So this means, if you knew Alex, you're in danger. He also knew where the Chantry is, and he had Ginger, so chances are they know we're having this meeting right now."

She doesn't stop to explain Ginger to those who don't have it. Priorities and all.

Her head comes up, and her eyes flit to people, but seem to pierce through them, until she settles on something non-living -- non-emoting.

"I know a guy. Mercurial Elite who has been watching the Technocrats in the area. I'm going to find out what he knows. And then I'm going to hack their shit to within an inch of it's life if I can. We'll find out what we need to get him back."

She says these things with conviction, like she is going to do them, and if anyone had any ideas about stopping her, they have another thing coming.

Sepulveda

Sepúlveda did in fact stare at Grace and give a bit of an open-armed You gonna introduce me or what? gesture when she didn't do so within about five seconds. File that one away under the Virtual Adept living up to her name.

He's silent during Dan-and-Sera's explanation and the clearing of things off Grace's chest. Keeps one hand in his pocket if he has been offered a glass of wine. Keeps both hands in his pockets and fails the Don't Make Music with the Random Coins and Other Jangly Junk test.

"So..." A hand leaves Sepúlveda's pocket to scratch at his beard before he goes on. He's a hand-talker. "If they know about all this, the Chantry and the Ginger and all that, how are you so sure they aren't expecting you to try to 'hack their shit'?"

Grace

It was a long drive to the Chantry with the doctor in tow. Grace has the feeling it's going to be even longer on the way back.

"By that logic, they're expecting everything, so we should do nothing. But I'm open to other ideas if you have them."

Sepulveda

He points at her.

"I'm going to ignore your unsound accusation of logical fallacy for the moment. We can discuss that later." Yes, Grace. Yes it is going to be a long ride back. "Other ideas!" He indicates their fellows with a sweep of an arm. "You have a room full of associates who I'm sure are very bright and more than capable of gathering data and contributing to a plan that's a little more nuanced than 'Go in the back door and hope they don't notice or do anything about it.' Like, where's your support? What are you gonna do if it does go wrong, and you don't find out shit, and now we gotta go after you and Alex? Where's this building they took him to? Can we use, eh, what do you call it, social hacking to get additional information? What about a two-pronged approach? Divide and conquer, eh? That's how they get new members, they pick off the ones who want to be cowboys."

Nicholas

Nick listens to the long explanation Sera offers, largely without expression: no surprise, and no fear. He is still digesting when she finishes, and when Sepúlveda and Grace begin their back-and-forth. He does not know Alex. Nicholas knows of Alex, but due to his and Pen's habit of rarely Naming those they run into even when they discuss - well, he doesn't know that yet.

"I think it's clear that this meeting was called because we have no intention of leaving a man to die," Nick says, and this is perhaps directed mostly to Grace. He did not miss her defiance of them, the lifted chin: and it's true, in many chantries there would be discussion of whether or not, in fact, they ought to retrieve Alex. "So I'm glad to skip ahead with you to planning." A pause. "It sounds like first we need to find out where he is. How much do we know about their operations in the area? Has anyone met or seen any of their operatives?"

Kalen

Kalen was expecting that the news would not be good. This is a different shade of horror from perhaps what he had thought that he would encounter. Still, this is Alexander. Whom he has referred to as both his brother and his griffon; among those in Denver, only Grace has also been referred to with any kind of possessive terms. His fox. His Virtual Adept. His partner in crime. And here she is, ready to charge in.

In these moments, he can remember a girl who did not yet know that she would be this marvelous creature. He has always known. Though, perhaps, not which of all the possible variants on that creature she would be. That, to him, is irrelevant. It is only all the blazing possibility crackling at the edges of his awareness ready to be made manifest he is drawn to. It plays out from there as it must.

There are other worlds and other lives and he does not believe any longer that any loss can be eternal. Love can be eternal. Hope can be eternal. Perhaps struggle and war and horror will also prove eternal. So:

His fingers tighten on the mug cradled in his hands and he is quiet at first. He listens. He breathes. And, let us be honest, he prays. Of course he does.

But then his attention is wrested away from divinity and faith and abstract concepts to a single moment, through a series of related moments, and then to this particular moment. Nick's cutting into the exchange between Grace and the doctor earns him a brief smile. It even hits his eyes for a second, because whatever is going on, Kalen can feel a dizzying array of emotions at once. Usually does, in fact.

"I can request a detailed report of the findings of another member of the Order who came here to assess the Technocratic threat and weigh our options for war. We can speak with one other contact I am aware of, others with have them, and reassess from there with the full whole of what we know from there. If he was dead, it would seem improbable that any such effort would be being made to hide that fact; so we may reasonably conclude that he is alive, at least, for the moment."

Kalen has to take a careful breath before he speaks again. Measured. Controlled. As though this control could possibly extend to his thoughts. To the too-fast pulse he can feel in the hollow of his throat. "What we cannot reasonably conclude, is that the person we reclaim from them will be the same person that they took." What he is not willing to conclude is apparently that they will be unsuccessful. Reason can be damned there, apparently.

"We will need to be prepared not only to find him and to go out and get him, but to handle whatever complications there might be." Whatever complications there might be. You know. In case Alexander's mind has been overwritten. His memories taken. Kalen does not elaborate there.

"If that is not something that we can do here, there is somewhere I can take him. Though, Alexander would prefer, undoubtedly, to remain here. This is our home."

Pen

Pen is alert and attentive. And sitting, now. Ankle on her knee, legs crossed like a man's, one hand on her ankle. Nicholas has heard about Alexander, Pen has met Alexander, but Pen doesn't connect Serafíne's story with anybody she's met.

"Two rumors going around could be factored in here.

"One, and I personally count this as confirmed fact because of its source. The Technocracy's lab in Denver has recently had a 'fairly sizable influx of personnel.' This could actually serve us quite well. New staff means unfamiliar faces, an unclear pecking order, and loads of paperwork. Even if the lab in Denver happens to be hyperefficient and without flaw, they can't all be untouched by the callous hand of human error and now there are some new guys. This provides us with a -- decent -- stage to enact a Daring Extraction. Send someone in, undercover, to rescue this fellow, outfitting this someone with all the advantage we can scrounge together. In and out. Difficult, yes. But… with the right information - " Naturally, flicker of her attention to the Mercurial Elite here. " - and enough gumption, not impossible."

"Two. And this one really is a rumour. Possible allies on the inside now, the inside being the Technocratic Union, the rumor being there is a group made unhappy by the choices the Union is making… especially as relates to igniting another Ascension War. Now if this is the case -- be prepared, ladies and gentlemen, for heavy speculation! Obviously, this one would be a really nice rumour to confirm. If this is the case, and members of this faction are already in Denver, could we presume they would be interested in a Traditionalist taken in for questioning as this Alex was? And, presuming that, could we not presume they might be on his side? Or, if not on his side, open to persuasion?

"What I'm getting at here is IF we have Magi skilled in Entropy Time Correspondence, if we have friends of Alex's who might possess some meaningful personal effect could we not roll the dice practice some form of -omancy and, using Alex, or rather the idea of him and the fact of him, to sort-of boomerang find these potential allies and make contact with them.

"We can presume he is being held somewhere heavily warded," and this time her graylight eyes flicker-flame in acknowledgment of Serafíne. "I wouldn't be surprised if the Union's facility was in the UC Denver school of public health and dentristy, but this is because my prejudice says there cannot be a more thoroughly boring and yet also terrifying fortress for 'Reason.' The other member of the Order who Kalen mentioned should know."

Wandering, Pen. Refocus: "Anyway. Although Alex's person would be always heavily warded those we might contact will not be -- and thus vulnerable to a Find You Out spell."

"Be nice to have somebody already on the inside to help with that Daring Covert Extraction."

"As for his current state of mind, how much of a threat is the Union likely to deem this Alex? What is he like?"

Kiara

The Verbena frowns down at her glass as Dan begins.

That frown only intensifies when Serafine chimes in and by the time she's done the brunette's knuckles are almost white from the ferocity of her grip around her wineglass. There's voices, then. Grace and the Doctor and then over to others but all Kiara can truly hear is a ringing in her ears and the hot trickle of anger.

Worst fears can come true, too and this has (always) been one of hers. Only she had made certain assumptions regarding who would be the one taken. Perhaps that had been a gross sort of egotism on Kiara's behalf, to imagine she'd be the only one they'd target because of course they'd position the cross-hairs on someone like Alexander, with his connections and the ease of access to him.

Of course.

"Dionaea muscipula," she says quietly, after a sip of wine. "The Venus flytrap waits for insects to trigger not just one, but two tiny receptors before it springs shut. It waits for that exact moment. It's very clever." There's a sharp inhale, the Verbena lifts her eyes. "I agree with the Doc in that we need to be cautious about how we do this." A cut of dark eyes to Sepúlveda. She'd handed him off a glass of wine earlier - half the pagan's is already consumed though the flush that's risen to her cheeks doesn't seem entirely of its doing. There's a degree of anger in the Verbana, a tremor of unvoiced fury present there.

She pauses, waits for Kalen and Pen to speak, then, head tilted at the latter, says with the slow framing of forming speculation: "Advantage like altering their appearance. A new employee, a recent transfer. It would be incredibly risky, but - not impossible." A beat. Kiara's narrow shoulders curl in, she seems, momentarily, quite beaten down by the goings on, her fingers lifting to touch her temples, eyes closing briefly. "This building where we think he may be being held, it's possible that I can see into it from the other side. Step across and gain some insights.

I may be able to get some help from the spirits in the area, too. They see a lot more than we imagine."

Sepulveda

His wife was Verbena. Some of the gathered know this already. Some of the gathered know what befell that woman already.

Sepúlveda's anger is not Kiara's anger. Though his love belonged to her tradition their furies do not well from the same spring. The Etherite does not seem angered by this though by the sounds of it he is informed.

As Kiara speaks he listens. His glass is as emptied as is hers. His eyes flick to Pen's after she has finished speaking.

"This new laboratory." The fuck does he have to lose. "I'll go." For those who don't know: "I work for the county, as a medical examiner. I have some training in Mind. Say I go in after this Alexander, under official pretense. If I had another backing me up, I could gain some intelligence." A beat. Aimed towards Grace: "Do not mistake the Technocrats for gods, Gracia. They have the same hot blood as do we; they have no choice but to cooperate, though, eh?"

Sera

"Alex is an apprentice." Sera answers Pen's question, "He's an orphan and he's always seemed pretty straight-laced to me. His magick isn't strong enough to break reality. I can't imagine that he's a prime target for the Order. Ever. Kidnapping him and holding him - "

Flat-mouthed, here. Something sharp and angry cuts through the scrim of her exhaustion. Her small hands are fisted and there is something something something -

Dan cuts in. "The way we see it, there are two ways we get Alex back. One is go get in there somehow and take him back. The other is to get them to give him back, and hell, maybe to think it was their idea to give him back all along. If we have to do it the first way, it sounds like everyone here is willing to do whatever is necessary to make it happen.

"But if the second path is viable, it seems like it's the safest for everyone here, and especially for Alex. Hell, if they let him go, there's no reason he couldn't resume his own goddamned life and job. Now, I don't know much about the internal workings of the Technocratic Union, but I watched a helluva lot of the original X-files, so I am pretty convinced I have some idea about how shitty, controlling bureaucracies work. If we, somehow, get the less militant faction to frame this Agent Weston as a crazy Fox Mulder type, kidnapping innocent fucking apprentices who are suspected of nothing more than being wrong-place wrong-time wrong-day, maybe they can force his release."

Dan takes a deep breath: inhales through the nose. Exhales the same way. These little gears turning as he marshals his thoughts.

"We've got what, two - " a glance at Sera, " - maybe three ways back to them. That guy who contacted Will last summer. This - entity? - who's been in contact with Kalen. Which, I'm not sure I really understand? And Pen's idea, which I think Sera has the magick to pull off if no one else does."

"Grace, I think it's fair to conclude that Ginger is compromised, but they don't know that we know. Maybe you start putting your hacking skills and magick to work by making it seem as if we are still using it. If they've cracked our code and we know they've cracked it, we can use Ginger to feed them false info, or false leads, or hell, just string them along until we really need to feed them something. I'm also thinking that maybe you could do something with any compromised phone numbers: some kind of rote spell to replicate pre-compromise use. You know: make it seem like someone's still calling, texting, surfing the 'net just as much as ever. Amplify the noise they have to sift through to actually find us."

"Then there's Leah. If you haven't met her, you probably shouldn't. Best to be able to say, truthfully, that you don't have any goddamned idea who the girl in the picture is. But I don't know: maybe we take it another step. Maybe we fake her death far away from Denver, dramatically and convincing enough that the Order mothballs their investigation of her for another five years. That, I'm not sure if it's achievable, or what we'd need to make it real enough to convince the order. But it would give her - and us - and maybe Alex - some breathing room.

"I mean, if it has to be daring rescue, it'll be daring rescue. But maybe it doesn't have to be."

Kiara

Oh, she wants that. Dan is discussing going in and taking Alexander back by force and there's that scratch and illumination, like a match-head drawn against the side of the box. That flicker of fire that dances through Kiara's dark eyes where she stands cradling that wine glass against her chest. She's silent for much of this - the debate, the turning over of decisions and probable routes.

In her mind's eye she sees it: the reckoning.

The laboratory up in flames, Alexander freed and the others - fleeing like rats from a sinking sink. Cowering and ruined.

There's little room for mercy in the Verbena's fantasy, in the hot-blooded whiplash of it as blood and vengeance play out their pretty imaginings in her grim little tucked in expression; the fine pull in of her brows as she pours another glass of wine. It trickles out with a tidy little glug, droplets of dark red painting the sides of the glass.

Then she frames the bench with one hand. Lets the wine scrap away the edges; dull the roar of payback. The jangle of it against her nerves; pulsing in time with her heart.

It doesn't have to be a daring rescue - but part of Kiara Woolfe desperately wants for it to be. "Faking her death might not be impossible if it comes to that. With the right tools. Manipulating certain aspects. It just has to be convincing, not perfect." She lets her eyes tick to the Doctor, then Kalen. "There are ways we could probably pull that off." Kiara doesn't offer details on what that idea might require. DNA altering. Pattern changing on a base level.

"Especially since at least two of us have medical training." Her dark eyes tick away, she breathes in sharply. Says no more.

Grace

She squints at Doctor Sepúlveda. He must think her extremely stupid. She never claimed they were gods, so why is he telling her that? Except if it's to tell himself, even as he signs himself up for an undercover mission -- with his inability to say five sentences without pissing somebody off. Martyrdom complex? Maybe. He's also the one most likely to pass himself off as a scientist, because he, well, is one. If he's willing, Grace won't argue with that.

But, Gracia?

Nevermind. Arguing is a distraction.

Sera gets a quick nod. It was already in Grace's plans to use Ginger for whatever it could, be it passing messages to whichever person now holds Alex's phone, or spreading disinformation. Making it look like it's being used would be easy enough. Generate some fake threats, generate some fake messages about the fake threats.

"I can do that. I can also try to confirm if Ginger has been accessed, although if they're smart, they're hiding that. Anybody who has it, though? Might want to ditch your phone. At least, for a while. There's protections in place to keep the network from being sussed out, but anything's possible."

Usually, that is a good thing. Anything is possible! Go, ride your T-rex into the oceans of possibility! But it goes both ways.

"Kalen can provide you a replacement," she volunteers, for him, because she can, and because she knows him well enough to realize that's about as much an imposition as asking him to grab her a beer from the fridge.

She's not so much thinking about it when she wanders over in Kalen's direction. It's just a thing that happens. She bumps up against his side, like a cat showing affection. No arms, no hugs, just that. It'll be okay. It'll be okay -- that's the thing that she's trying to tell herself.

Pen

Kiara's head-cant and the slow dawn of speculation. Advantages like, the Verbena says, and the spark of some acknowledging light sifts up through Pen's serious eyes. Quiet thumb and middle-finger snap, ending in a Yes Like Those finger-gun point. Sepúlveda volunteers. Pen leans forward. Rests her elbow on her knee, chin on her thumb, forefinger curled around her mouth. Serafíne. Attentiveness. Dan. The bells of Ys are drowned and silver; they only peal-out sorrow, fog-drenched and soon-lost; shadow-dappled, salt-wave sea.

During all the listening, she takes the top off her coffee spares a quick glance into cup damn it empty puts cup back down on the table. Pulls a moleskine out of her coat pocket or a pencil out of her bag and makes a few illegible notes.

"Let's see. I have Andrés and Kiara - " Questioning flick of a glance. (?) " - interested in the physical role of going in to rescue Alex. I have Grace manipulating lines of communication we might now expect the Union to now have access to or be aware of to spread misinformation and miscommunication. Grace: might you also use your contacts to attempt to get information on Technocratic protocol in this city or elsewhere? Risky, but an appropriate use of 'hacking,' I think. And that goes for anyone who might have contacts with knowledge of the Union's ways. If we do send Andrés and Kiara or whomever in to the lab, we will want to arm them with the very best ability to spin bullshit into gleaming sterile badges of Technocratic union. That is, belonging. We also want the least danger possible, yes?"

"I believe with what we have discussed what IS most clear is that we should make a concerted push to see about ... well, if we have ourselves, or if we have more than ourselves. To that effect we have Kalen and a partner, or even better, two partners! exploring one avenue of information. Sera, and a partner or two, exploring another. Even if no one else has the power to pull off such a boomerang pow-chicka-plao Finding, surely there may be some who are not quite as advanced but are able to Work with you and lend their support to the ritual?"

"Huge help in case of daring rescue, huge help in case of daring rescue that involves lying and getting them to 'give' us your Alex. I'll be honest here: I don't believe we can convince the Union in Denver to just release Alex back to his old life sorry old boy about that misunderstanding dust-off dust-off. I'd like to be flexible here: if it looks like we can arrange something to that effect, great! But there are no 'innocent fucking apprentices' to the Union. There are potential recruits, there are Sleepers, and then there are those who are dangerous. I believe we are to them what Nepha - no. What Marauders are to us. Or rampaging Spirits. Too dangerous… a problem to be solved."

Her spine straightens a little: oh! Struck by remembrance! Right!

"Speaking of problems to be solved and spirits, earlier you - " (Kiara) " - mentioned talking to spirits and potentially going over to the Other Side in order to get perspective on the area in question. I don't know if I'd personally recommend going across just in case one got stuck in -- I don't know: I don't know what kind of anti-spirit Magick wards the Conventionalists might have put up. But I like the idea of knowing what they know or having some sort of spirit ally on tap to distract the Union with at a key moment or, or, well in reserve for later if needed.

"Nicholas here is adroit when it comes to dealings with spirits. Perhaps you two can come up with something together?"

"As for Leah, I like where the discussion is going. I have let's see hmm Andrés, Kiara, and Kalen? on 'fake a body' duty. Leah and her cabal should probably be told about that plan and they can probably, should - certainly, help with the faking of some outrageous magickal - " Pen wiggles her fingers " - Leah catastrophic burn-out elsewhere."

Her forehead crinkles: concerned and her mouth slants to the side. Fingers go tap-tap on her ankle.

"What are we neglecting to think of...?"

Glance around.

Nicholas

Kiara's head-cant and the slow dawn of speculation. Advantages like, the Verbena says, and the spark of some acknowledging light sifts up through Pen's serious eyes. Quiet thumb and middle-finger snap, ending in a Yes Like Those finger-gun point. Sepúlveda volunteers. Pen leans forward. Rests her elbow on her knee, chin on her thumb, forefinger curled around her mouth. Serafíne. Attentiveness. Dan. The bells of Ys are drowned and silver; they only peal-out sorrow, fog-drenched and soon-lost; shadow-dappled, salt-wave sea.

During all the listening, she takes the top off her coffee spares a quick glance into cup damn it empty puts cup back down on the table. Pulls a moleskine out of her coat pocket or a pencil out of her bag and makes a few illegible notes.

"Let's see. I have Andrés and Kiara - " Questioning flick of a glance. (?) " - interested in the physical role of going in to rescue Alex. I have Grace manipulating lines of communication we might now expect the Union to now have access to or be aware of to spread misinformation and miscommunication. Grace: might you also use your contacts to attempt to get information on Technocratic protocol in this city or elsewhere? Risky, but an appropriate use of 'hacking,' I think. And that goes for anyone who might have contacts with knowledge of the Union's ways. If we do send Andrés and Kiara or whomever in to the lab, we will want to arm them with the very best ability to spin bullshit into gleaming sterile badges of Technocratic union. That is, belonging. We also want the least danger possible, yes?"

"I believe with what we have discussed what IS most clear is that we should make a concerted push to see about ... well, if we have ourselves, or if we have more than ourselves. To that effect we have Kalen and a partner, or even better, two partners! exploring one avenue of information. Sera, and a partner or two, exploring another. Even if no one else has the power to pull off such a boomerang pow-chicka-plao Finding, surely there may be some who are not quite as advanced but are able to Work with you and lend their support to the ritual?"

"Huge help in case of daring rescue, huge help in case of daring rescue that involves lying and getting them to 'give' us your Alex. I'll be honest here: I don't believe we can convince the Union in Denver to just release Alex back to his old life sorry old boy about that misunderstanding dust-off dust-off. I'd like to be flexible here: if it looks like we can arrange something to that effect, great! But there are no 'innocent fucking apprentices' to the Union. There are potential recruits, there are Sleepers, and then there are those who are dangerous. I believe we are to them what Nepha - no. What Marauders are to us. Or rampaging Spirits. Too dangerous… a problem to be solved."

Her spine straightens a little: oh! Struck by remembrance! Right!

"Speaking of problems to be solved and spirits, earlier you - " (Kiara) " - mentioned talking to spirits and potentially going over to the Other Side in order to get perspective on the area in question. I don't know if I'd personally recommend going across just in case one got stuck in -- I don't know: I don't know what kind of anti-spirit Magick wards the Conventionalists might have put up. But I like the idea of knowing what they know or having some sort of spirit ally on tap to distract the Union with at a key moment or, or, well in reserve for later if needed.

"Nicholas here is adroit when it comes to dealings with spirits. Perhaps you two can come up with something together?"

"As for Leah, I like where the discussion is going. I have let's see hmm Andrés, Kiara, and Kalen? on 'fake a body' duty. Leah and her cabal should probably be told about that plan and they can probably, should - certainly, help with the faking of some outrageous magickal - " Pen wiggles her fingers " - Leah catastrophic burn-out elsewhere."

Her forehead crinkles: concerned and her mouth slants to the side. Fingers go tap-tap on her ankle.

"What are we neglecting to think of...?"

Glance around.


Saturday, February 13, 2016

ten a.m. is SLEEP TIME [in progress]

mercury

[aw, undisclosed location <3]

mercury

Mercury is the trickster god of messages delivered (divination sought, divination received), of luck, of psychopompous travel, and of Poetic Eloquence. On the day only a short while after a certain gathering of minds has occurred Pen sets out to find Serafíne she settles a pair of sunglasses on the bridge of her nose and there is, on the interior of the side arm a meticulously graven symbol of the messenger with wingéd sandals. Penelope (patience, weaving and unweaving) makes a stop, before showing up at 719 Corona Street. The door's always open but at ten am in the morning Pen doesn't yet try it. She does show up unannounced, brashful instead of bashful: a striking red-haired creature, concerned and here to fulfill her name's ordinance before it is too too late. Money where her mouth is, always. Almost always; nobody is perfect. Certainly not the headstrong, sometimes heedless (oh, but one tries) Wizard.

She'd have come earlier in the day but that she wanted to bring something and still doesn't know Denver as well as she'd like; she has a brown paper bag under one arm. And she knocks, or rings a bell.

Serafíne

Ten a.m. is a perfectly ordinary hour at which to come calling but for some of the seraphim is it the middle of the goddamned night. Out on the front porch a collection of implements that belong to winter. Snowshovel and covered tin full of salt and an old flexible flyer and a single ski on one end and two mismatched ski poles on the other, three flyers for area pizzarias and one for a head shop and two for edibles!!!!!!111!! and a little circular with coupons for the strange sort of fast(ish) food places that accumulate at the edges of a neighborhood in flux, like this one. The porch swing stripped bare of its cushions and drifting in the breeze and the planters bare and dry or swirled with snow and Pen knocks or rings the ebell or both and there is a brief interregnum until - eventually, eventually - the front door opens and there is a tall gentleman in a pair of jeans and a band t-shirt, barefoot, the blast of furious warmth all around him, and something else, bread, baking or rising, sweet-tinged, cinnamon scent in the air.

He looks her over, Dan. Kind of smiles through the beard, but wry, you know. Brows lofted.

"I take it you're here to see Sera?"

mercury

There is, usually, a faint intimation of the ardent about Pen; the archaic meaning of the word ardent, when the other meanings aren't applicable. But winter is still cold, and Denver winter is different from New England winter for reasons she hasn't quite put her finger on yet.

From the paper bag, there is the faint whiff of some savory smell, garlicky-onions, potatoes; something which curls beneath the cinnamon bread warmth. The crumple of tinfoil.

Pen smiles at Dan. Her eyes are visible through the lenses of her sunglasses, because the lenses are pale pink (rose-tinted, one might say), and so are the lines which spring out around them and her mouth in the smile.

"I am; is she in now? If not I'll quest after her - where ever."

This gesture in the air; an expression of vibrant energy.

Serafíne

He: gives a quick little smirk. The edges of the expression are softened by the frame of the beard and there is something alight and fond in his eyes. Dan glances down, her rose-tinted eyes to the paper-bag, and steps back, allowing her entry. Inside: warm warm warm, an impression of wood and antiques and a pile of shoes of the sort that well-loved and well-lived-in houses acquire in the wintertime. Salt on the hardwoods, tracked in from without. An old wardrobe and art art art on the walls and a long-hallwall leading back toward: a warm and bright kitchen, all white. A view through to the garden, the impression of a tree. The clackclackclack of a dog's nails on the wood as Sid comes loping up.

"She's here. Upstairs. Come on in. I'll show you."

And so saying: he disappears down the hall. Headed toward the stairs, and he seems to think that she: will follow.

mercury

"I have brought the household breakfast tacos," Pen says by way of defining the moment, or at least the paper bag. "Some are steak, some are vegetarian, and some are vegan; a couple may be Greek fusion. I did not pay very dear attention, but I know mango salsa and eggs went into a couple of them, garlicky yucca and, hm, beans."

Inside warm warm warm and Pen unbuttons her snow-brushed coat, flakes already melting into darker splotches on the stiff nappy fabric. Wipes her boots against the hardwood by the door, pausing to allow Sid the dog to smell her hand and guarded against any dog-leaping-up shenanigans.

And she does follow Dan.

Serafíne

So: Sid doesn't leap but she does wag and she does head-bump and she does wind around between legs and beneath feet. Huffs a breath out on Pen's palm but spares more attention to the bag-of-breakfast tacos, circling, circling, wagging her tail, hoping and perhaps expecting that something exciting!! is going to happen soon. Then: Sid is always hoping that something exciting!! is going to happen soon, because it usually does. BIRD or BALL or SQUIRREL or FOOD or ALMOST FOOD or SOCK! and as they are leaving the foyer there is a mild tangle of oh your coat and I can hang that up and the discussion (with as few contractions, Dan does note, as possible) of breakfast tacos has him pausing part-way to the second-floor landing (a black and white photo of Amelia Earhart, a spider-plant with baby-plants cascading down in an old macrame holder.

"I dunno how much privacy you'll need. Kitchen's that way if you wanna wait, but we have roommates, you know? Or you can follow me up to Sera's room. We'll surprise her with breakfast tacos."

mercury

"I'll follow you to Sera's room," Pen says, with a dawn-light on fog wreathing a fairy hill sort of smile, this glancing brightness. Pen is a swashbuckler; swashbuckler's like surprising people. She is looking at the pictures or furniture or what-have-you knickknacks on the walls.

"And I do want to speak to her privately; another time, I will drop by to be purely social. Are you baking bread or is it one of the other roommates?"

Serafíne

"Dee made cinnamon rolls last night. I just had them in the oven warming up."

The quick, crisp suggestion of his eyes over his shoulder, and then they are turning, turning, turning, like the interior of a nautilus, before they are spilled out into the second floor hallway: all dark, flanked by wooden doors on all sides, the hardwood floors softened by a threadbare Persian rug. One of them he goes to: knocks, gently. Opens or rather: cracks open, a hand still braced against the door itself. Inside: well, a certain sense of compelling chaos. Windows again, the gray light of the prairie morning, great-big-room and a great-big-bed and a cool-ass vanity and a lump beneath the windows that could be a monster-made-of-animate clothing or could simply be a chair, covered in laundry.

Dan leaves Pen to find a place to sit or stand (the vanity might be attractive) while he circles to the bed. There is no evidence of Sera in the room other than her resonance until he somehow finds her, unearths her from among the pile of white sheets and white comforter in the center of the bed. Cups the back of her head, leaning over, murmuring something to wake her, gently, gently, while Sid barrels up the stairs and in behind.

mercury

Are there books? Because if there are books, Pen gravitates toward the books and stands near them, running her eyes over titles. Even if it is just some haphazzard stack. If there is any poetry book at all she gives a startled pleased impulsive involuntary cry of recognition because Pen likes poetry, and maybe she reaches to flip through it. Is there art? Because if there is art, Pen gravitates toward the art in the absence of books, and studies that. Eyes turned away from the bed is deliberate, perhaps because she herself would hate to be surprised like this in bed (or would she?) by a guest (or would she?), and Pen's decorum is falsified and learned dragged over her bones like a fashionable robe of embroidered satin but she has it.

Looking around at Serafíne's bedroom, the Cultist's resonance seeped into the hardwood floors, seeped into threadbare rug, woven into the walls itself, enthralling, visceral, incandescent, a heady brew a potent concoction, Pen holds her sunglasses up between thumb and forefinger, studies even the cracks on the ceiling before her glance cuts back to Sera and Dan. Quizzical.

The brown paper bag is held tucked under her elbow, beside her messenger back, some old leather thing that looks as if it should contain a traveling alchemist's traveling shop: and perhaps it does. Scarred old leather, oxblood and clasped by some meaningful metal, something which remembers being transformed once upon a time.

Serafíne

There are indeed books: one slender bookshelf-full of books wedged against the wall between an antique chest of drawers and a stack of canvases (there is: you understand, Art as well) and the somewhat overflowing closet. Every last volume is a collection of poetry. Our Sera gravitates toward the French symbolists, the chaotic absinthe drinkers, the florid madmen of two centuries past, but she cannot read French so has them in translation: usually side by side. There are others, though, innumerable others, everything from Blake and Shakespeare to chapbooks self-published three weeks ago and sold on the street by a guy starting a drumcircle with nothing but three plastic construction bottles and these rough segments of rebar. One of the shelves is somewhat more empty than the others, but hey. That one doesn't belong to her.

And Pen is carefully looking away because she would not want to be surprised like this. Perhaps would not want to seem so damned vulnerable: sleeping, right? Sera - well - she might not care. Vulnerability - deliberate, invited, welcomed - is part and parcel of her magick, isn't it?

Here and now she is sleeping like an animal. Waking like one, too: all warm and half-blind instinct, uncurling from the nest she has created in the center of the bed, inhaling, asking questions that don't quite get answered with the noises she makes. She has only been asleep for a very little while and the disorientation that trails a vivid dream follows her into the waking world.

Finally, though: she's awake. Sitting up, nearly swallowed by the comforter, reaching for a t-shirt because, you know: naked, pulling it up and over so that Sera and her tangled mane are briefly eclipsed and then reappear again.

Dan takes his leave then, promising tea. Sera gives Pen a quizzical, hung-over look.

"Uhm. Hi. It's so fucking early."

Serafíne

There are indeed books: one slender bookshelf-full of books wedged against the wall between an antique chest of drawers and a stack of canvases (there is: you understand, Art as well) and the somewhat overflowing closet. Every last volume is a collection of poetry. Our Sera gravitates toward the French symbolists, the chaotic absinthe drinkers, the florid madmen of two centuries past, but she cannot read French so has them in translation: usually side by side. There are others, though, innumerable others, everything from Blake and Shakespeare to chapbooks self-published three weeks ago and sold on the street by a guy starting a drumcircle with nothing but three plastic construction bottles and these rough segments of rebar. One of the shelves is somewhat more empty than the others, but hey. That one doesn't belong to her.

And Pen is carefully looking away because she would not want to be surprised like this. Perhaps would not want to seem so damned vulnerable: sleeping, right? Sera - well - she might not care. Vulnerability - deliberate, invited, welcomed - is part and parcel of her magick, isn't it?

Here and now she is sleeping like an animal. Waking like one, too: all warm and half-blind instinct, uncurling from the nest she has created in the center of the bed, inhaling, asking questions that don't quite get answered with the noises she makes. She has only been asleep for a very little while and the disorientation that trails a vivid dream follows her into the waking world.

Finally, though: she's awake. Sitting up, nearly swallowed by the comforter, reaching for a t-shirt because, you know: naked, pulling it up and over so that Sera and her tangled mane are briefly eclipsed and then reappear again.

Dan takes his leave then, promising tea. Sera gives Pen a quizzical, hung-over look.

"Uhm. Hi. It's so fucking early."

mercury

"I had no guess for the best time. I would've at daybreak as the dawn was pinking the horizon, but I - "

Pen is apologetic behind her rose-tinted sunglasses with her red red bangs swept in swashbuckling rakishness off her shoulder and curling in at her cheekbone. They give her eyes a tawny darkness, those sunglasses. Perhaps Serafíne doesn't require the apology, but Pen is still apologetic. Not sorry, because there are different connotations for that word: sorry, bedraggled, pathetic, in the wrong. Apologetic is: regretful, wishful of otherways.

Deepbreath. Penelope strides 'cross the room to Serafíne's bed and holds out the brown paper bag, combining both assurance and uncertainty in the gesture. Paradox, well: don't Hermetics just attract paradox as a lightning rod attracts lightning?

" - brought some breakfast tacos. For the whole household, but first pick is yours. I hope you don't mind me dropping by so early. Next time I will try for the night. I love your book collection."

Pen, you see, is earnest; even when she is being a little solemn.

Serafíne

"Mmmph," murmurs Sera, this rough sleep-bound noise that is not dismissive but rather: indulgent. Some old meaning of indulgence, too. The pardons peddled by the popes, perhaps. There is absolution of all fault wrapped right around her tongue. So, "mmph" and a neat little shrug, the spare frame beneath the tee, her shoulders, narrow, her body lost in the warm wallow of her bedclothes, and for all that she is oh, perfectly at ease. Reaches to take the bag as if it were perfectly natural for her to wake up of a morning in a room as if she were being attended to by a Mucha piece, some personification of flame come to life, who has brought her tacos. Or at least: first pick.

"Thanks," for the tacos. For the comment on her book collection. "I tell people the door's always open, but truth is if you wanna catch me sober, afternoon's the best. Later, though. I don't usually get up until - fuck. Later than this."

Then she's unwrapping the bag. Peering inside. "What the fuck's in a breakfast taco, anyway?"

mercury

"Mn. Are you a vegetarian or vegan? If not, there are some Greek fusion tacos; eggs, feta, spiced steak. Then there are pulled pork, pineapple, melted cheese, eggs - really now that I think about it I think it is the eggs that make them 'breakfast' tacos. There's something with a cilantro sriracha sauce and fried avocados, my personal favourite, but they're all delightful. From this little taquéria down in Federal, across from a psychic reader's house. The warm butter yellow one."

There are more 'normal' breakfast tacos too. Pen brought quite a lot of them; the bag is rather heavy, the silver foil most of the tacos are wrapped in glinting like knight'shelms crumpled at the bottom of some dragon's chasm.

"I will remember that in the future. My hours are all over the place, too." For different reasons than the lifestyle that Serafíne lives, but still. Modern day wizards still do things by certain hours, sometimes.

"May I sit?" on the edge of Serafíne's bed. If given no indication one way or another, she sits; if Serafíne says yes, waves her down, she sits. Otherwise, the opposite: standing, the continuance! But in sitting, Pen is an intent acolyte; could've been the portrait for any waiting Pre-Raphaelite angel, damosel, Maenad-crowd: that hair, that face, a certain sweet intensity.

"I was telling Dan I'd like to drop by sometime just to be social, but this isn't exactly a social visit: at least, it is not a social visit for pleasure. My preference! This is a social visit for messages of news, probably unwelcome."

Serafíne

Sera's housemates would be perfectly happy talking about Greek fusion tacos and cilantro sriracha and hand-made maize tortillas and artisan this-and-that and housemade free-range activated whatever. Sprouted things, maybe, ground back into other things: the origins and the pleasure of food, as a fetish for something like an authentic experience of the world. Sera is far less picky. She favors Pen with an interested and perhaps indulgent sort of half-smile as the other woman lists out the many iterations of tacos in the heavy bag and likes the combinations: of sounds, the certainty, the intent, the meaning, but doesn't really listen much to the many possibilities of breakfast taco. Shakes her head NO when asked if she is vegetarian or vegan and kinda glances down at the tacos and kinda pokes through them. Hmm.

Cant of her head then, all animal. Doesn't usually eat much, doesn't usually eat this early, but she gets that a gift must be accepted and without reservation, that there is a kind of ritual there, so when Pen asks if she can sit Sera nods er, yeah? and continues to listen and eventually finds one (truth: doesn't matter which) that she claims for herself. Nudges the bag over to Pen to take one if she wants one, takes a napkin too and wraps it around the foil and doesn't open the breakfast taco. Crumbs in the sheets, you know?

Ghosting smile on her neat little mouth (still sleepy) as Pen says she wants to drop by sometime just to be social and Sera would remind Pen that she and Nicholas have an open invitation to a party! pretty much anytime but: somehow Sera listens, absorbs, everything drifting over her features like water, right up to the quick narrowing of her brows, the quizzical bird-cant of her golden head.
"Oh. What's the news?"

mercury

Pen takes a taco too. The silver foil glints takes on a vibrant hint of color where it reflects Pen's clothing or perhaps Serafíne's bedspread, and she uncrumples it enough to fish out a small feta-crumple with her thumb nail and put it on her tongue, just a ritual taste. Because it is about the gift. The willworkers who meet Pen [Wizard-Enchantress About Town] out of context never get her name until they've asked. In context is different. There're rules.

There're a lot of rules. Some of them bind her fast, and she couldn't break from them without deep consequence.

Pen tucks one leg beneath herself, but the casual pose in no way detracts from a certain steady poise; there is an attenuated alertness to her eyes, lake dark usually bright bright now behind the soft-rose lenses, and red her mouth and red her hair and snow her skin. Fairy messenger, except that she is solid. Bone and blood, weight at the foot of Serafíne's bed, near Serafíne's knees (perhaps; who can tell under the bedclothes?).

"It seems apparent that the Union is about to make a push in Denver, and elsewhere; it is elsewhere that the push has already been felt most strongly, I am told. But Denver in particular is about to become quite important for the Union, and for those who are going to fight against it: which includes my Tradition. Have you met Orrin?"

There is more, but of course Pen isn't just going to talk and talk and talk and talk and talk over Serafíne. Her reactions or nonreactions are important; Pen is earnest.

Serafíne

So. So.

Pen says that something is apparent about the Union and a push and Denver and elsewhere and Sera, you see, breathes in. Her mouth is closed, this is all through her nostrils, something about the breath, the way she samples the air, seems as deliberate as every-other-thing about morning. Her head - well - aches, but it is a dull ache, a bit distant, enough to remind her that her body can hurt as well as it can heal. She would like a cigarette but she doesn't smoke indoors.

This is news, and it is news, honestly, that something in Sera quite suddenly does not want to receive while she's still In Bed, wrapped up in her fluff and down with her favorite stuffed rabbit stuffed somewhat unceremoniously beneath a pillow somewhere in the middle of the night/morning. There's an ear flopping out, and Sera pulls the rather small stuffed animal out from beneath her pillow and curl-slides her legs from beneath the bedclothes. She's getting up. No worries, Pen, the t-shirt she pulled over her head (The Ramones) is long enough to cover her ass. Her legs are bare. Long and a bit pink from the sleepwarmth, muscle evident beneath the skin when she moves, but only because there is so little fat to her.

"I haven't met Orrin. Maybe I've heard of him? Wanted to start a war on his own or something, Leah told me last summer. Sharks versus Jets with vampires and technocrats.

"Far as I can tell they've known we were here for years, haven't bothered us yet. Why now?"

Asks Sera, who is headed toward the bathroom. It's morning: her teeth need brushing.

mercury

"I don't know," simply, and without despair or heaviness. Not knowing does not fill Pen with a sense of helplessness, or vulnerability. Not knowing makes Pen want to act, to consider. To quest.

Pen will wait until the sound of running water is off before continuing.

"Perhaps they have been preparing quietly for a while, after the last time. Perhaps there is someone new in power, and this new person wishes to make a point or sees some advantage. Perhaps there is something else going on, something Other." Slender pause. "Who stands to gain? I mean, I believe both sides benefit more from ...at least a cold war instead of a hot one."

This is offered quietly, but steadily; musing, though it is nothing she hasn't thought before and since the meeting with her tradition mates.

"And yes, that was probably Orrin you heard about. He was considering using the vampires as a distraction for the Union, but it doesn't look tactically viable now." Brief pause. She smooths a hand over the bedsheets, and if it seems like she should wait for Serafíne to return from bathroom before saying any more, this is when she does it. "Leah; of the Trinity cabal? What is she like?"

Serafíne

Water runs and then does not. That's the way of water. There's a pocket door between the rooms and a cut of light from one into the other and Sera is perfectly content to brush her teeth in front of a stranger. See: she reappears in the doorway, leaning one shoulder against the frame, the sleepy tangle of her hair and the froth of paste in her mouth, brushing brushing brushing, and though she does not neglect the task, there is something subversively lazy about the way she goes about it. As if she had all the time in the world.

She lets Pen talk; and she listens. No need to pause but oh see: through the scrum of her hangover a kind of narrowing focus as Pen says that she believes both sides benefit from a cold war, not a hot one. Strange little thread of -

oh.

Then she disappears, back into the bathroom, this time closing the door behind her, to spit and rinse and run the water and pee and all the usually morning things and when she reappears she has added a pair of boyshorts to the t-shirt that is her morning ensemble. Black beneath the white tee.

"Leah's never really had the chance to be a girl. And I don't think she ever will, but if she's strong enough to survive her awakening, she can handle that."

There is a frown again, bisecting her dark brows. A step back, to some earlier thought. "How do I know that they're doing the gearing up? And not, this Orrin. And you, maybe?"

mercury

That's a good question. Pen accepts it, doesn't quicksilver flash back with a retort; just accepts the question, and clasps her hands, forearms on her knees, leaning forward. Gravitas.

"You don't." Up go her eyebrows, as if to punctuate the truth of it. "I am from a house known for its martial prowess: I believe that it is important to fight. Because you love something - " Here Pen's brows draw together, an ardent tenderness, see, a care. " - something in the world, its people. As they are and as they might be." This faint smile: not helpless, because no. But aching, maybe: bittersweet. "But I don't believe in poking sleeping leviathans, just because somebody wants to get their exercise in. That's no good.

"So - right. You don't; I don't either, really. Know who began the gearing up, or who began the ball's rolling. What I do know is back in New York City and Boston there have been incidents, and the Order has declared a state of war for those areas. They expect it to spill over in Denver because Denver's an important location to the Union. Their laboratories here make one-third of the medical supplies for the organic soldiers. They've recently had a huge influx of personnel."

Brief hesitation. "There is - urgh. I don't suppose it would mean anything to you if I referenced a 'Manifestation from a mindscape'? Which knows Grace and Kalen?"

Serafíne

There is a knock at the door right about -

oh, there. Firm, not unassuming. Sera with this rather undulant hitching motion picks herself up from the frame of the bathroom door and ambles her way past the haphazard, strangely elegant vanity (the framed photo of frida kahlo prominent) to open it. A hand on the wood, this small opening. Just to see, you understand.

Then, Dan. Who is carrying a little tray with a pot of tea and two teacups. The kind with wedgewood roses and gilt edging and saucers, of course saucers.

She lets him in, naturally. He goes to set the tray with tea-things on a bare place atop the armoire, not before sliding a cork-pad beneath it to insulate it from the heat.

A beat of attention, strangely sober, strangely steady, cuts back to Pen. The same note as when Pen admits that yes: Sera doesn't know. Can't know. But: she listens. That framed sobriety, a neat concern.

"I know of a spirit - " Sera returns. Dan is still in the room, though he is leaving. If their closeness was not an indication of his awareness-of-magick-in-the-world, then certainly her casual address of things-other in front of him is. " - a sending of a Singer whom Kalen, at least, knows. But somehow I don't think that's what you mean right now?"

mercury

"I don't believe so." Pen's forehead wrinkles.

"This Manifestation came from a - Mindscape, or was created by a Mindscape and then came from it - and has some sort of Technocratic connections. It warned Boston about the 'crats next moves and it seems as though it came to warn Denver, too, through Kalen and Grace. I'm not too clear about that. But apparently it spoke of a faction within the Technocracy which is at odds with the faction pushing for a resumption of the old bad violent vulgar hostilities."

"I'd really like to talk to somebody on the inside," she sounds wishful, wistful even. "Kalen's planning on trying to get in contact with it - him? The Manifestation identifies as male - again about it."

Serafíne

A - rather long - beat, as Pen explains the Manifestation from a Mindscape and something about the technocrats and some unclear warning. The thread of tension in Sera's mouth and body, cutting through the skean of her present awareness, her hung-over morning. While Pen talks, Sera pours tea. A cup for herself. Another for the Hermetic, if she makes a sign that she'd like some. Then Sera wanders back across her room to the vanity where she unearths a half-empty bottle of Stranahan's and douses her Darjeeling with Colorado whiskey.

Yum.

William had contact from a technicat summer before last, when he googled the Technocracy. Someone calling himself White Knight, said he wanted to talk. I don't think anybody god back in touch with him. Mostly we made William stop googling the technocracy.

"Still. It might be a different way - " Pause. Tongue in her cheek. "In. If that's what you really want."

mercury

"That's interesting," Pen says, and it is, to her. Avid creature of story gathering, as anybody with the winged messenger god for a namesake should be. She forgets herself, sometimes, forgets the details; but desire for tea does rouse her; some sign is a neat nod, yes please, and she'll cup her fingers around the teacup. "I'll ask him about it. He triggered this White Knight guy just by googling?" skeptical, not of the story but of the framework behind the story: must be more beneath the surface. "Must've got very lucky or very unlucky."

"Do you know Richard?"

Serafíne

"Henry's son?" Sera waits for some non-verbal sign of acknowledgment. She's sitting on the edge of the vanity, now, her ass in Frida Kahlo's face, bare feet on the seat of the vanity stool, sipping tea-and-whiskey from the cup. "Met him once. At a Christmas party, or Yule or whatever the fuck it is the Verbena celebrate. He was being all broody and anti-social and staring out the window, so I asked him to dance.

"Apparently, he doesn't fucking dance." Quick little shrug, this spare elegance to it. All at once, you understand: over and done.



Friday, February 12, 2016

Scrying

A phone call, a voice mail.

Nothing.

Okay, fine. Another one, a few days later.

Weird.

A text: simply -

????

Nope. De nada. That's enough, though. Enough for Sera to forgo a half-dozen different invitations to Prohibition or Delancy's or Public House or where-the-fuck ever and find Dan and loop her arm through his and tell him: they are going to Hogwarts. Tonight.

--

She explains in the car on the way. Just a bit of scrying. I mean, who knows. Maybe he's off hiking in the back country, trying to find himself. Scaling some iced-over waterfall, sleeping in caves, opening himself up to the sun, moon, stars, anything. Everything: inviting whatever comes. No alarm, nothing particular, nothing remarkable right? A quiet evening getting stoned and opening herself up and feeling the substance of herself thinning, thinning, thinning, bright against undaunted thoroughness of the sky, the welted weight of the world beneath her. Groundlings, spiked with steel, threaded by flame. Always feels like she's falling apart, submerging, merging, drowning, the outflung pieces of her awareness returning to the -

Nothing. Nothing. Nothing. Nothing.

"Fuck."

--

"Huh?" Dan rouses himself from Netflix. He's half-wearing headphones, but has one ear slightly off so that he can hear her when she needs him. The house is empty, creepily silent and when she tells him what she tells him, he breathes out, constricted, sharp. Controlled. Has a moment of threading something, but then: controls it. "Lemme get you some Gatorade something to eat, before, okay?"

So it goes. They start: again.

[The back-up:]

Serafíne

Mind 1: Mind Shield Difficulty 4 - 1 (using an unnecessary focus)

Dice: 4 d10 TN3 (4, 4, 5, 7) ( success x 4 )

Serafíne

Extending: +1

Dice: 4 d10 TN4 (1, 1, 1, 5) ( success x 1 )

Serafíne

Extending Again.

Dice: 4 d10 TN4 (2, 2, 4, 7) ( success x 2 )

Serafíne

One more time.

Dice: 4 d10 TN4 (3, 5, 7, 9) ( success x 3 )

Serafíne

Correspondence 2/Life 1 / Prime 1: Scrying for Alexander. Difficulty 5: -1 (taking time)

Dice: 4 d10 TN4 (1, 1, 6, 10) ( success x 2 )

Serafíne

Extending:

Dice: 4 d10 TN5 (1, 4, 4, 7) ( success x 2 ) [WP]

Serafíne

Extending:

Dice: 4 d10 TN5 (4, 8, 8, 9) ( success x 4 ) [WP]

Serafíne

So: he's nowhere to be found? Okay. Last time he was find-able?

Time 2 / Correspondence 2 / Entropy 2 / Life 1 / Prime 1

Difficulty: 5 -2 (merit).

Dice: 4 d10 TN3 (1, 1, 4, 7) ( success x 2 )

Serafíne

Extending: +1 (extension) -1 (taking time)

Dice: 4 d10 TN3 (1, 4, 9, 9) ( success x 3 )

Serafíne

Extending:

Dice: 4 d10 TN3 (2, 3, 5, 9) ( success x 4 ) [WP]

Serafíne

Extending:

Dice: 4 d10 TN3 (2, 4, 5, 9) ( success x 3 )]

Tuesday, February 9, 2016

marlinspike [in progress]

Serafíne

There's a parking lot flanking the imposing Cathedral Basilica of the Immaculate Conception and framing said parking lot a little bit of greenspace: young trees planted in an artless row on a grassy little knoll where homeless men like to hangout on hot summer afternoons. You don't see as many men there on cold snowy evenings. If anyone's out there, the sexton at the Cathedral tries to open the doors. Across the street: a McDonald's. The world being what it is: catty-corner from the homeless-knoll, a 1920s-inspired steakhouse / tavern called Prohibition serves up cocktails and dishes celebrating an age of dizzying wealth about to be followed by one of abject poverty.


Oh, irony.


There is, as always, a girl-creature in the frame and the girl-creature has worn her combat boots instead of her Alexander McQueen heels, and this is her only concession to the weather. Thigh-high fishnets, a cling-y little red cocktail dress, this old leather coat, shearling lined for warmth but un-fucking-buttoned because: style. Spiked black leather choker around her neck, golden hair a tangled, dancing flag around her head, which is ducked low against the wind. The sign from the Fillmore glows dull in the distance, but there's no show on the schedule tonight and the snow has cut down on the Thursday crowd. Whoever is out is: hurrying.


Hell, she is, too, but she's taking advantage of the walk and smoking one of her clove cigarette. Ash and tobacco and spiked-spiced-sweetness drifting back from her in a cloud.


marlinspike

There is a young girl, thirteen perhaps or fourteen, with light brown skin of a flawless sort, kinky curls the color of soot, and atop the kinky curls a beanie shaped to look like an owl, the flaps which cover her ears. The owl eyes are staring, starveling felt; they peer at Serafíne before the girl does. The girl does just after and her jaw unhinges a little: open-mouthed staring, because Serafíne has that effect on people sometimes, especially the sensitives. The young girl is dressed in a worn coat, not quite warm enough for the weather and judging by a certain bitten-ruddiness to her skin she has been out a little too long.


"Scuse me maam scuse me," she says, and her teeth chatter together a little on the first word give her breathy voice a bit of a waver. She's speaking more loudly than she has to, a shock to the system.


Cold, cold, and people hurrying, but there is a food truck parked on the street regardless; the awning is a cheerful peppermint swirl color, and there is a gigantic Wolf and Three Pigs on top of it as advertisement.


Serafíne

She has that effect even on the oblivious. Doesn't she? The sharp features, the something-arresting, the goddamned way she dresses, nevermind the weather. And then: the everything else, the millon other things, gut-punch, giddy, fall-in-love, fall-in-something brilliance of everything else about her. And lo, listen:


(because she does: listen. to strange girls, and starveling owls and whatever else crosses her path)


"Yeah?" Arrest again. Not precisely stutter-stop but her momentum is cut and then she pulls up short, holds her cigarette a bit out of the way so the stream of smoke unfurls behind her like a flag. This quick little searchlight of a glance.



(Per + Empathy: hello little girl, are you okay?)


Dice: 7 d10 TN5 (3, 4, 4, 5, 6, 8, 8) ( success x 4 ) [Doubling Tens]


marlinspike

"You know the clubs around here, don't you?"


The too too loud voice is bravado, is brashness and determination; to fit in, to make this play she is about to make stick, some desperation wrapped around the yarn - strengthening it; lending to the volume and the sharpness. Serafíne does not look like she listens. If you looked like Serafíne, if you felt like Serafíne, why would you ever listen to anything else, why would you look outside yourself, why would you you're too fucking cool. But she does listen, and sees things people would not expect too. That brashness and determination, yes, and how false it is - but how true the desperation is: how deeply-rooted in panic simmering below the surface. No; not okay.


"I think I've seen you around before." Lie lie lie lie little girl. Little liar. Like that'll give her cred.


Serafíne

And that attention lingers, simmers, sharpens. The quick spread of her mouth, see, juxtaposed one against the other. "Not the nightclubs. I mean, I might end up in one sometimes, but I don't really give a fuck about some goddamned DJ playing about with records, or VIP areas or bottle fucking service. Too many douchebags. The bars, though."


"Anyplace with a live band." Sera's philosophy about Going Out in a nutshell. So, she sees: the lie and the desperation and the bravado around the lie and god who does that look like? how does that seem?


"I might've seen you around, too." Not simply dignifying the lie: endorsing it. Giving it back.
"You wanna grab something to eat? I'm all about food trucks but it's fucking cold. McDonald's or Prohibition?"



marlinspike

To the girl's credit(?) even though she is surprised that she's gotten this far she doesn't act like she's surprised, or perhaps she's just too desperate and just too panicked to wonder at her success. "Cool," to Sera might've seen her around too. She hugs herself and approaches Serafíne direct, hauling herself up from her watchful spot, a furtive glance up and down the street and toward the food truck; the despair grows keener.


She says, "Pro-prohibition would be cool." Because if anybody can get her into such a place it would be Serafíne, right. "So you know the bars but not the nightclubs."


The statement has a queer little ripple to it: like, she was going to ask what the difference between a nightclub and a bar is, then thought better of it.


Serafíne

"Yeah," that little ripple, oh my fucking god, it cracks Sera's too-soft heart ike an egg, all jagged, " - nightclubs, see, are where asshole douchebags go to pick each other up and listen to pre-canned and heavily autotuned and remixed pop while the richest among them lurk behind red velvet ropes. Bars,"


a simple, spreading grin. Sera kinda unhooks her hand from one of those deep (warm) pockets of her and lifts it up like: hey, she's gonna pull-the-girl in, loop an arm around her shoulder. If she'll allow herself to be so pulled-in. " - are like the best living room ever. With booze. Prohibition it is."


--


Up close Sera smells like smoke and cloves and burnt, burning sugar. Like booze and a bit of that musty odor of marijuana and a very slight hint of a very expensive perfume. Leather, and snow. They cross the street to the half-empty cocktail bar / tavern / steakhouse. The sudden blast of warmth, the blissome noise, and no one stops them and no one cards them and the bartender waves a 'seat yourself' sort of gesture.


marlinspike

The girl goes suspicious, alarmed, and a little pleased when Sera goes to loop an arm around the girl's shoulder. Nothing is simple when you're thirteen or fourteen, nothing is simple when you're in trouble and you're doing something you're not supposed to be doing. The girl's nose prickles and she sneezes, but says with a put-on air of wisdom, "Yeah. Autotuned and remixed pop is bullshit, I like it to be vinyl if it's not live." That's the right thing to say, right? maybe. "Douchebags though. I, I mean. Is there a club that is fullest of asshole douchebags?"


Inside the Prohibition the girl goes up on her tiptoes and peers around, hopefully, only to look crestfallen in the next moment. She turns her attention back to Serafíne, "Uuh... so what's your name. I mean, sorry if I heard it I forgot. I got a bad memory sometimes."


Serafíne

"See?" Returns Sera, full of encouragement and camaraderie for all that she herself does not care if it is vinyl but: yes, my child. That is the right answer. You will make some hipster a very fine girlfriend, someday. "You'd fit right in with my housemates. Dan and Rick geek the fuck out over records. Me, I'm not that fucking smart, to remember all that shit they get into."


--


Sera picks out a booth at least one booth away from the next occupied booth and sits. Lets the girl choose her own place: across or beside. Gives her space to make her own decision. Don't we all need space to make our own decisions? And when they are sitting down:


"I'm Sera. What's your name?"


marlinspike

"Heh; cool," to fitting in with Sera's roommates. The girl wants to sit across and she drags off her owl hat as soon as they have, carelessly leaving it on the table. There are little hot pink rhinestone earrings in her lobes, the kind of fake-pink only strawberry dreams are. One of her legs is bouncing up and down up and down and she slouches in a way that only a thirteen or fourteen year old can as she looks around again, peering hard into the corners.


"It's Jaylo, my friends call me Lo-lo. You go on lots of dates right?"


Serafíne

"I wouldn't say I go on alot of dates, precisely. That's a little too fucking specific for me. But I like people and I like going out so sometimes the two things end up happening at the same goddamned time."



There are menus already on the table, tucked between the napkin dispenser and the wall. Sera: pulls out two. Hands one to Lo-lo.



"Why? You waiting to meet someone tonight? You've been looking like you're waiting for someone, you know?"



(START MAGICK: Mind 2/Entropy 1: to pick up on the girl's most important surface thoughts, Difficult: 5 -1 (personalized instrument) )


Dice: 4 d10 TN4 (3, 4, 5, 10) ( success x 3 )


marlinspike

"No I'm not meeting someone in partickular. I like to keep it loose but I am, like. I guess I'm - "


This while she takes the menu and bends it, folding it so the light ripples over cheap laminate and letting it boing back straight in shape. Jaylo is thinking: fuck fuck fuck what if Ivy is dead what if she is fucking dead this was so so so so so stupid.


" - you know, I just kinda wanna scope out what it's like for. Like do a report on, I mean, you know tinder right? I thought I'd see what it looks like to be on a tinder date, get a laugh or something."


She is annoyed at herself too, over the panic (what if Ivy is dead right now what if she is dying I have her phone what do I do), for messing up her story.


Serafíne

"Tinder sucks. All assholes, see? They just wanna fuck, and not the way you wanna fuck. You know? You gotta be wary of guys who swipe this way for boobs and that way for ass. You're more than that, you know? Dude, I hate that shit.


"But, wait," - sharp skimming look: this infinite edge, the supple thread of: awareness, compassion knotted with a hint of query between her brows. " - where's Ivy? Your friend, right? I'm pretty sure I've seen you together. Were you supposed to meet her?"


(Mind 3/Entropy 1) - that is a totally plausible thing for me to ask, I am awesome AND super trustworthy. Dif 6 -1 (personalized instrument)


Dice: 4 d10 TN5 (1, 4, 6, 6) ( success x 3 ) [WP]


marlinspike

Her chest is rising and falling rapidly, her pupils little pinpricks of shock and her hands little claws little talons of hope on the side of the table. No. Not hope; because Serafíne asked where Ivy was, didn't say -


"Yeah I was but girl went to some club I forget the name can't find it in my text messages was hoping to see her, she's got some good dope right now," because yeah, 'good dope' is a reason to be really intensely invested in meeting up with your friend. "Also she's just really cool we're bffs you know." There's some solemnity in the archaic sentence; we're bffs you know.


Because they totally are.


Serafíne

"If you've got her phone, I can probably find her. I mean, that's a big fucking if - "



The cigarette is long gone. The scent clings, though. Her hair, her skin. The smeary brightness of her eyes. The intensity, the tattooed hand on the table: open, open.



" - but if you had it, I bet we could track her down."


marlinspike

Lo-lo gives Serafíne an up-and-down look, skeptical and pure in her skepticism. This is the kind of skepticism that strengthens the Pogrom, makes it necessary for sleight of hand and reasoning.


"You could? What you some kind of cool chick hacker?"


Serafíne

"You know that find-my-iPhone shit?" Blatancy? Fucking blatancy. "Friend of mine created a reverse-loop-up version of it. If someone's had their phone long enough, you can use it to reverse-track them down.



"Doesn't work from any old phone, though. There's some kinda fucking algorithm, right? Some stupid math shit. Takes all the coordinates and even the 'net searches and puts together a pretty-goddamned accurate map 75% of the fucking time."


marlinspike

"That doesn't sound like it's real," Lo-lo insists. Blatancy, or no. Even silver-tongued, Mind-stamped; this is where Lo-lo's particular mind digs its heels in, stands firm: and yet. "That doesn't sound like it's real at all but I guess other shit doesn't sound like it's real too. The Simpsons predickin the president or whatever." She unzips her jacket, sniffing a cold-is-on-its-way sniff broad nostrils flaring, and she has a tiny canary yellow purse tucked against her side there. The canary yellow matches some of the patterns on her knit owl hat. She takes an iphone out of the purse and slides it across the table toward Serafíne, and her eyes have gone big.


Serafíne

"Maybe it's not real," Sera concedes, reaching across the table for the iPhone. Oh, her hands, teh scrim-and-scroll of her tattooes, the flash of her many rings. Somehow the combination of obscure script and spike and sheen seems very much like the edge of an obscured treasure map. See, an edge to her smile then. That skepticism brings out everything in her that refuses it, that will not be contained. And oh: she wants to clash, not with a panicked girl, but with everything and everyone who tells her: no, can't, won't, should, shouldn't. Fuck them. "Maybe it's magick."


And Sera flags down a waitress and turns the iPhone over in her hand and knows enough to slide it on and there's a passcode but she's not a goddamned actual hacker so she keeps it in one hand and picks up her own and orders a round, no wait, two, of tequila shots and she'll let Lo-lo have one of the four, but the other three will belong to her. She takes two in this quick succession, belts them back, licks the salt, bites the limes. Feels that first buzz because fuck -


The third shot she sort of contemplates and keeps close. The 13 year old isn't getting that one. She's allowed: one. If she wants to get drunk she can steal communion wine and get drunk in the sacristy like EVERYONE FUCKING ELSE.


Meantime: magick. Starts. Corr 2 / Entropy 1 / Life 1. Where are you Ivy? (So: Dif is either: coincidental or vulgar-with-witness. -1 (time) -1 (personalized instrument) +1 (distracted by tring to pretend she is fucking around with phones)


Serafíne

Vulgar with witnesses: Difficulty: 7 -2 +1


Dice: 4 d10 TN6 (1, 4, 5, 6) ( success x 2 ) [WP]


Serafíne

Extending + 1 spending quint. (-1)


Dice: 4 d10 TN6 (4, 7, 8, 9) ( success x 4 ) [WP]