Showing posts with label Dan. Show all posts
Showing posts with label Dan. Show all posts

Friday, November 20, 2015

Elephant


River

It is twenty-nine degrees outside. There is a light snow. There's a gentle breeze and it's starting to look a lot like an actual winter and not the kind of winter that people from southern California are accustomed to.

If winter is going to happen, they're going to do this right.

River's actually an old pro at setting things on fire in the most mundane of senses. She was the one who was in charge of the camp fire as a kid and she spent good chunks of her formative years burning various and sundry things outside in what she later determined was just what one did when you got cold and were bored and you didn't have an actual stove to cook dinner on. It's just a thing.

There's a ring of stones and pinecone-and-"you're late on the rent" notice kindling and whatever the fuck else one needs to start a fire. Text messages were sent out (recreating the Salem witch trials with marshmallows, want to come hang out?) and bags were set aside.

River took a hit off her flask and put it back in her gigantic purse. Exhales. Watches her breath take to the air. Tosses a sacrificial marshmallow on the pire to appease the camp fire gods.

Grace

Grace found out via Samir. Hanging out in the outside when it's below freezing isn't at the top of her list of great things to do, really. It's a good thing she likes Sam.

So she shows up, dressed in two pairs of jeans, her grey zip-up turtleneck on under her coat. Maybe overkill for 29 degrees, but you never know.

"Oh, nice. Fire's already started," she says, and rushes over, pulling her hands out of her pocket and warms herself at the fire.

"How's things?"

Sam Lakhani

Sam has been here for a few minutes by the time Grace arrives. That tendency of his to hemorrhage out of other folks' awareness is a pain in the ass sometimes. If he's going to be hanging out in the park when there's snow and it's colder than Hell then yes. Yes he did bring a bong inside of a backpack onto public transit.

The things he does for River.

He hasn't busted it out of his bag yet but it's sitting on a picnic table bench and unless he has a fully assembled clarinet in that thing there aren't a lot of objects that could drape the canvas like that.

"I told her we should wait until you got here to get it going," he says. Just because he's taken another step towards ascension doesn't mean he's going to stop busting Grace's balls.

Serafíne

Yeah, sure, alright, okay, thanks winter you fucking asshole, it is twenty-nine degrees outside and snowflakes are falling or not so much falling as drifting and drifting is okay too but: cold right? November and we've still forgotten how-to-be-in-the-cold, the things it does to us, body and breath, skin and blood and bone.

She must've forgotten. Little black dress that pretty much covers her ass and not-much-more. Long (the suggestion of length, the illusion of height) legs bare except for ripped fishnets and black heels wrapped in sharp metal studs, leather jacket framed in studs, zips, a marching line of oversized silver safety pins down the center of the back holds the damn coat together and suggests the elegant symmetry of a bare spine. So: not made for warmth any more than anything else she's wearing.

She doesn't seem to notice the cold though, or maybe each minute without shivering is another big fuck you to the cold front shivering flurries down over Denver at the moment.

--

Didn't get a text about a fire. Has: about a bazillion texts she has received and not returned but for god's sake her phone is working again which means every time it buzzes she can slip it out of her pocket and glance down at the screen and feel: alive, connected, earthbound, and strangely free.

--

And she's walking on the arm of a tall guy with blond hair and a trimmed blond beard and she's wearing those heels and he still has several inches on her, but there they are, walking together like old, old friends, this animated discussion back-and-forth between them. Coming from the city, circling the lake like it's a shortcut they know rather than a place-to-stroll.

Serafíne

(Awareness)

Dice: 7 d10 TN5 (2, 4, 6, 6, 6, 8, 8) ( success x 5 ) [Doubling Tens]

Serafíne

(Awareness -3)

Dice: 4 d10 TN5 (2, 5, 9, 9) ( success x 3 ) [Doubling Tens]

Ihsan Ghali

Ihsan was sitting nearer to River than anywhere else, with a blanket spread out on the grass beneath them both. She was from Los Angeles-- Southern California. She had been experiencing heat waves and drought for most of the time that she'd been in this country, and she'd spent the majority of her life in Cairo before that.

Ihsan didn't like the flurries because they made her chilled. She'd traveled, she'd experienced cold before, of course. She would just probably never get used to it. So she was bundled up with wool socks under her calf-high black boots, in dark jeans and a black coat. She wore a hat on her head and her hair was out in curls (flat, curling ironed curls) beneath it. No scarf, at least. No gloves either. She was warming herself near the fire, waiting to be able to shed the hat and open the coat.

She was leaned forward, toward the flame, reading some document or another off the screen of her iPhone with an expression of content-but-mild-boredom on her face.

When Grace arrived, Ihsan looked up and smiled fleetingly for a greeting to her. "Hey there, Grace. How are you? Any more murders for me to investigate yet?"

Because who the hell was eavesdropping on them out here, after all?

Kiara

[Spidey senses roll.]

Dice: 6 d10 TN6 (2, 2, 3, 4, 8, 9) ( success x 2 )

Grace

Grace squints at Ihsan. "No. I heard, finally, that your 'investigation' turned out well in the end, though. Good for you." There's a bit of exasperation in her tone, but she really means that last sentence. It turned out all right, at least.

"Oh, Sam, there you are," she says to him, gives a little wave. Truth be told, she didn't notice his presence until he spoke. Samir is like that, the fucking ghost... She moves over toward him, sitting on the opposite side of the obvious bong. At least there will come some good out of communing with nature or whatever the hell it is they're doing.

Grace can commune with some nature in the form of weed...

Kiara

So, here's the thing.

Kiara Woolfe, daughter of nature and walking manifestation of Spring (or so her presence feels like, so much pulsing, writhing life) actually rather enjoyed the coming of the cooler months. Less for the stagnancy of them, the way the world felt as if it slowed, preparing to enter a chrysalis before re-emerging on the other side of the dripping frost but for the progression of them. It meant change was (should always have been) coming. It meant that despite whatever happenings in the greater scheme - nature was not fooled, or halted.

She would (had to) find a way to survive.

Pattern and purpose to the cycle. An evening like this, after everything she's recently endured, felt cleansing. The air was crisp and flakes of snow are drifting in the air like a promise - landing only to melt in the Verbena's wild dark hair, the waves of which are loose and curling around her shoulders; over the (faux) fur lining of her coat. Hands folded into pockets, dark jeans and boots and that mouth, as ever, painted a brilliant, stark red.

She must have been sent an invitation - or perhaps River simply conjured her with the fire and mention of her ilk via text. Kiara Woolfe, a lean apparition leaning her weight against a tree with her eyes on the fire.

"If you're going to be faithful to the trials, that fire needs to be twice as large." Her voice curls out after a beat. "I could speak in tongues, though." A waspish tease. "To get things rolling."

River

[I totally notice people and resonances. Per+aware]

Dice: 5 d10 TN6 (1, 5, 7, 9, 10) ( success x 3 )

River

River has planted herself near Ihsan and, on occasion, gets up to poke the fire and check to make sure said sacrificial marshmallow knows it is in a place of honor- you must burn so that others after you may be delicious. Thus far, she's been pretty happy to just be around people, hair shoved under a hat and her coat isn't pretty but god damn it, it looks like the kind of thing that you would wear if you're going to go out and wander aimlessly through the wilderness.

Laughs when Sam pokes at Grace. Tries to laugh a little less at the bits of exasperation in her tone when Ihsan mentions wanting another murder investigation to paw through.

Then? Kiara is there- someone River hasn't seen in awhile and she waves- fingers uncovered but the rest of her hands seem pretty well shielded from the weather in what can only be described as mittens having an identity crisis.

"I tried to come up with something witty to say to that, but I've drawn a blank," she offers, laughs anyway, "nothing makes marshmallows tastier than the gross misappropriation of justice?"

And, with that, she offers Kiara a coat hanger.

Sam Lakhani

It's too cold for him to even think about sitting down. He may or may not have thermals on underneath his street clothes. He has swapped out the leather jacket for a peacoat and has a ski cap tugged over his hair. His fingerless gloves have a mitten-type option in the form of flaps. It's difficult to strike a lighter when you can't feel your fingers but it's even harder with wool covering your thumb.

"You should," he says to Kiara regarding using glossolalia. "Speaking in tongues is metal."

Ihsan Ghali

"Thank you," Ihsan answered Grace's congratulations in working with River and Mike to bring down the Nephandus that had been melding people into two and triggering a murdering spree from someone entirely different, in a surprise twist ending. She smiled and seemed pretty genuinely pleased with herself, then skewered a marshmallow and put it outside the reach of the fire to toast slowly.

Where this bundle of Mages sat must have felt like a goddamn magnet to other magical forces out there. That many rifts in the hard laws of "reality" would make some waves for sure. It was astounding that they hadn't brought trouble down upon their heads already (knock on wood).

Ihsan pulled her hat from her head and smoothed her hair with her palms, then unzipped her coat some to show the top of a charcoal colored shirt. The fire was warming her and the boots and wool socks were starting to feel pleasantly toasty.

Like the marshmallow.

River

"I thought I was speaking in tongues once, but then it turns out I apparently knew Sanskrit at one point," she said with a shrug, as though this is a completely... no, she knows this is not a normal thing for people but she passes it off like oh, yeah, sometimes you just remember crap from a past life and have no idea why you know how to do something. Just roll with it, NBD. Sigh. Chakravanti problems.

Grace

"I thought yelling while you're simultaneously trying to clear your throat was metal. The things I learn..."

Yes, this many Mages might be a goddamn magnet. If so, let them come. There must be a few more royally stupid things out there who'd like to shove shadows down her throat or something. They could have an actual burning. Fun for the whole family.

Well, okay. Maybe not fun.

She laughs at River, thinking that's a joke she just made. Who doesn't know jack shit about past lives? This Elite.

"Hey, Kiara."

Kiara

The Verbena is still standing off a ways when River holds out that coat hanger, her lip curled up at the edge in a smile that verged on a few things but her eyes: they seemed wholly honed in on her. Watching River with a sudden, total, focus as if by staring long enough she'd be able to tease loose a beat on the other female's mental state.

This is the first time Kiara Woolfe has seen her since news came of Farrah's demise.

It's there, somewhere, in that look and the slow, stretching beat of silence - on the tip of her tongue, to say something of it. A heavy awareness lingers as the brunette eventually kicks off her leaning point and moves into the gathering proper. Ihsan receives a lingering tick of Kiara's eyes as she makes progress and comes close enough to receive the coat hanger.

"Thanks." She accepts it with, and studies River's face again, the firelight drawing gold patterns over the Verbena's neck. The warmth melting snowflakes in her hair. Then there's Samir - and there's Grace and the latter gets a quick, bright smile, but the former -

The regard lingers there.

"I'll keep it mind for a party trick later." She looks at Samir for another moment, then drops down to her haunches and her eyes return to Ihsan. "I don't believe we've had the pleasure yet."

Kiara

[Ahem. "keep it in mind," tyvm typo.]

Sam Lakhani

Just about any other person looking at him the way Kiara looks at him would normally have him wondering what the hell she was staring at. But Kiara is Verbena and he knows what she's staring at besides. His resonance is noticeable now. He is more of a presence than he was the last time they saw each other.

Granted the fact that she is Verbena means she could be staring at a pissed-off spirit hovering behind him or a blight on his aura or something and he wouldn't know until she said something but Sam has a pretty good idea what has her attention.

He throws up a set of rock horns with the hand not holding onto the backpack and drops into a crouch by the Chakravanti as Ihsan and Kiara get themselves acquainted. Time to light this sucker.

Ihsan Ghali

"No," said the North African woman to Kiara. She'd watched the woman as people answered to speaking in tongues-- how it was metal and could be confused for Sanskrit. Ihsan was busy regarding the new dark-haired woman with the bright red lips. Watching her like a lion-- relaxed and assured but watchful none the less.

"I am Ihsan." She smiled and lifted her hand to show her palm in greeting. Hey, that kind of a wave said. Her accent was dense and interesting, different to an ear that's grown accustomed to the Western United States especially. Still, she spoke clearly and had a strong grasp of the English language. She wasn't that difficult to understand.

The marshmallow was brought back and tested with a squeeze of her fingers. It was a little underdone, but apparently that was how she liked them, for she plucked it with her fingers and popped it whole into her mouth. She then pulled her hat back on and zipped her coat back up and rose to her feet.

"I'm going back to make a run to the store for hot dogs and buns. Anyone wanna come with me?"

And whoever did or did not want to come with, so it would be. Ihsan was set on getting hot dogs and returning later with brats instead ("yes, hot dogs, right?").

[Sorry, but I need to roll out early. Bedtime comes quick when your alarm is set for 4:30am]

Grace

Oh, nice, Sam. Abandon Grace over there. Whatever. She looks over at Sam and River and gives him a little smirk.

Well, she knows how it is.

She turns her hands back and forth to the side of the fire, trying to warm the cold side (which is, of course, the side not nearest the fire at that second).

"Hot dogs too? Awesome," she says to Ihsan, but doesn't move to get up. Not going with.

River

She has good days, and she has bad days. There isn't much of a baseline for Kiara to work off of but today? Today seems like a good day. She seems alert and engaged and content to be aware of people. She hasn't punched anyone at work (in fact, she still has a job. The other dancers at the Diamond Cabaret are convinced she must be sleeping with the hiring manager, but realistically River came up in a couple of very positive Yelp reviews. She's a classy lady; classy ladies change the atmosphere enough that you attract clientel who spend more.)

River concludes that Samir is close enough to lean on for a minute, and so she does- it's a momentary breach of space until she realizes oh fuck, Samir is lighting stuff and she stops attempting to assert her manifest destiny on his space.

There is, however, something that stuck on her senses. Brows knit for a second as she remembers that there's a presence that she can't actually place. Though, in the way, she does happen to place its source and finds-

"I'm gonna yell at people," she warns. And then, does raise her voice enough that it carries-

"Dan! Tenemos malvaviscos! Come say hi!"

Sam Lakhani

Living in a trailer by himself in the middle of goddamn nowhere must be doing him some good. A few months ago River would not have leaned on Sam. A slew of variables make today a different day than one plucked random from several months back. He doesn't seem like an individual who would react strong to unprovoked physical contact.

Ihsan takes off to go buy hot dogs and Sam doesn't offer to go with her but he does hand her a twenty out of his billfold before she leaves. Then River is leaning on him and he goes still a moment with the novelty of it. But then she pulls away again and he goes back to packing the bowl.

I'm gonna yell at people.

"Uh oh," he says before he plants the bong in the dirt and covers his ears with his gloves.

Kiara

I am Ihsan.

That ignites a flicker of recognition. Apparently, the name meant something to the brunette and she returns the greeting with little nod. An affirmative sort of gesture. Kiara's eyes follow the other woman when she rises to her feet and makes her declaration of a store run. The coat hanger is still being held between Kiara's fingertips, her nails are painted the same shade of red as her lips.

The firelight reflects in the varnish as she twists the wire hanger around in her grasp.

It's a habit, perhaps, watching other people. It's certainly one that the brunette seems to be making an attempt at, the way her dark eyes follow Ihsan and then return to Samir long enough to catch the gesture he makes, long enough to witness the way he positions himself by River.

The way she leans into his space.

The Verbena's gaze drops away, then. This brief constriction of her brows and she drives the edge of the hanger into the hardening earth below, wedging it there as she rises to her feet. Drawing the hood of her coat up so her features all but vanish beneath the furred lining. "I'm going to make a quick circuit for more kindling. There's bound to be some leaves around here.

I'll be right back."

Hard to tell what the pagan's expression is in the moment before she starts moving again, leaning over periodically to kick up leaves being buried by drifts of snow. Shaking loose the less saturated ones.

Sam Lakhani

[challenge accepted]

Dice: 7 d10 TN6 (1, 1, 1, 4, 5, 8, 10) ( success x 3 ) [Doubling Tens]

Kiara

[I have a mighty 3 dice now. What? I'm inscrutable.]

Dice: 3 d10 TN6 (2, 7, 7) ( success x 2 )

Serafíne

Of course she's caught by the wild tangle of resonance surrounding the slow-growing (probably illegal but hey: world of darkness) campfire down by the lake and of course she stops, hooked (fish hook/open eye) right? and sometimes it makes her want to breathe: in and in and in and in like she could inhale the world, feel it bubbling in her lungs. Tonight, instead, she feels skewered like those marshmallows on that coathanger and that hook is an odd little interregnum in their coming-from-someplace and going-to-someplace, an arrest, if you will, an institial moment that feels quite as between-things (places, deeds, names, definitions) as she does.

It's a long-ass walk cutting through the park and the sun has set and the sky has that pillowed, shifting, dead-orange tinge from all the ugly lights reflecting off the close-cropped clouds, the fitful swirls of snow and in the midst of that walk is an exchange between them, all statement and query. Her statement; his query evidence in the way he pauses and glances down at her, face on to her profile, sharp against the darkness. Maybe it is that turn of his head that catches River's attention. The beard and hint of tattoos on his ungloved hands. Some lumpen shadow at his back that will resolve itself into a guitar case when he gets closer.

Which he will soon.

Because: River warns that she is gonna yell at people and then she yells at people and Dan lifts a hand by way of greeting (open palm, mildly ironic twist of his mouth) because what else can he do? Drops his mouth to her ear and bumps his forehead against her temple as he does so: so familiar, so close, so careful with her right now.

--

Takes them longer than you might think when they leave the path. Four inches of melting slush on muddy ground that has not yet been settled into a solid winter freeze and, you know, heels and bare legs do not mix very well but whatever. She's solid on those long legs. Knows how to walk on almost any surface in those heels, but here and there, he gives her a hand.

"Hey folks," Dan, when he gets there. Just a glance and a flash of his palm, as his attention returns to the girl-who-yelled, his mouth curves wider. "River." And his attention hangs there for a lingering beat. "I don't think you've met Sera, have you?"

Grace

"Hey, Dan," Grace says, through the fire's heat. He's a wavy-lined Dan to her. "Hey, Sera."

She smiles with her eyes at the newcomers to the circle of fire, but then returns her attention to the flames.

"You going to play for us?" she asks the fire. Obviously it's more for Dan than anyone, but who knows. Maybe she really does mean to ask the fire.

Sam Lakhani

Last time Sam saw Sera and Dan he was in Quiet. Which means the last time he actually remembers seeing them was at a house party. Which means he was stoned when he showed up and not in much better shape when he left around three o'clock in the morning.

Something in Kiara's gaze has him checking his own expression. He lowers his hands after River has yelled about marshmallows to the Cultist and her consor and lifts one to wave but it's an awkward sort of wave. A not-knowing-how-to-act-in-this-situation wave.

The bong is packed and ready to go. He is not the first one to light it. It sits like an offering beside the fire and then Sam stands from his crouch and takes a few steps back from the circle to light a cigarette.

River

"I have not," she carries things like she is used to carrying things because, well, this is just another social situation and River is a social creature. Sees a man with a guitar and his friend who is a spindly but striking creature.

She offers them a coat hanger, like this was a worthwhile offering.

"I told everybody that we were reenacting the Salem with trials with marshmallows, but I don't actually know how to hang a marshmallow so, uh, morbid joke completely lost."

Kiara

She does, in fact, return after a while with a handful of leaves cupped in her hands (trust the earth witch to deliver on such a promise) and carries them dutifully to the small fire; dropping them in a drift of crumbling pieces into the flames where they are greedily consumed and send up the vague, earthy aroma of foliage as it crackles and curls in on itself.

She's brushing her hands off when Dan and Sera make their approach and the Verbana's dark eyes, dramatized more-so by the liner she's applied to them turn to regard both, her hood pushed back far enough now that strands of dark hair are visible where they slither and curl at her neck, the thick waves of it half tamed by her coat.

"Good to see you, Dan. Sera." The latter's name offered with this quiet, delicate touch of meaning. The Verbena's supple mouth pulled into a little half-curl. She tosses the last handful of leaves toward the fire and and nudges at a stray, escaping one with a boot. Urging toward its demise.

A flicker of some darker, answering humor dawns in the Verbena's eyes as she watches the flames. "Burning them alive has always been a crowd favorite." There's this tiny shadow that falls over Kiara's face as she turns it into the treeline, as if searching for the source of a noise.

"Or so I've heard."

Serafíne

"Hey Grace," Dan-to-Grace, through the flames. This quirk, like a smile but checked a bit, framed by the beard. "We could, if you wanted. Couple songs, maybe. We've got a gig though, so we can't stay too long. Sort of a welcome-back thing for Sera, so it'd be pretty shitty if we didn't show. Any requests?"

--

Dan didn't see Sam when Sam was in Quiet. He was waiting in the van, engine off but still ticking in the heat of the day. Watched her leave and come back and knew something was hanging over her when she climbed back in the passenger door. Didn't know how bad it was until she collapsed. Took him forever to scrub the blood out of the upholstery, but he managed it.

Dan gives Sam the self-same quirk-of-a-smile-thing that Grace received and there's nothing awkward about it. Something: prompting, quiet, solicitous in the way he handles Sera in the moment though, cutting a lashed glance down at her profile.

"River this is Sera. Sera, River. So, now you've met."

Sera takes in this: bright, crisp inhale then. "Hey." And it is all very, strangely self-contained, though River has no real context for this, but maybe she's simply: stoned, already, somehow. When Kiara returns with her promised leaves, something a little more animate: warm, less constrained gets woven into her name, "Kiara."

"What about you, River. Any requests?"

That's Dan, he seems to think music is necessary right now and he's letting go of Sera long enough to lift the guitar case over his head and shoulders.

Sam Lakhani

As he traipses further from the fire he puts his back to it and the people around it. He meets Grace's gaze quick and continues his traipsing. They're all sitting around a fire that is giving off a good amount of heat and no small amount of smoke but he wants to keep his carcinogens to himself. What a guy.

He ends up over by Grace again anyway. She's the furthest away from the fire and she's sitting down and he's taller than her when she's standing up.

"You see that thing on Jitbit," he asks, "about the guy who would write cron-jobs for anything that took him more than ninety seconds?"

Grace

"Uhhh. No? Sorry. I'm terrible at music-y things," she says. "Something you like."

Her favorite 'song' at the moment is a guy screaming at people to install Gentoo over a throbbing beat, and there's no guitars in it. And if there were, you couldn't play it without a computer.

Samir saves her by talking nerdy at her. "Nope. Sounds fun though."

River

"Ukelele anthem!" because something with four chords was totally worth Dan's prowess as a musician. She has managed to piece together though that the bearded man is to music what she is to dancing.

River has made her way over to the communal bong, started on with the necessary prep work because she has no problems being the first person to take a hit for the evening.

"I have full intention of getting ripped and asking people to dance, so- does that inform your decision?"

Sam Lakhani

"You need to get a coffee maker with an SSHD. Then you could figure out how long it takes you to walk from the library to the kitchen and, like, have it start brewing and then wait before pouring it into a cup. The guy called it fuckingcoffee.sh or something equally poetic."

It's way colder over here than it is by the fire what the fuck Grace. He finds it difficult to bitch about the cold after the other night though so he digs his smartphone out of his jeans pocket and starts tapping buttons.

"Hang on, I'll send it to you."

Kiara

She moves a little closer to the Cultist, Kiara, her hands finding her coat pockets.

It's a dark navy form fitted thing that hugs in around her narrow waist with a zip and a hood that's lined with a mottled fur trim along the edges and sleeve-ends. The lining was synthetic but it cast the brunette with that twinge of something a little wilder none the less - something she seemed to be manifesting tonight. A certain aloofness in the way she held herself away from the others.

Standing rather than sitting as if her presence were as limited as the two en route to a gig.

She's watching the fire again, the pagan and there's something to that, the way the flames licking and curling into the air, the smoke and the tiny snaps and pops of burning debris, contain and hold her focus. They spoke enough of the Spirit Mages to allow for some assumptions to be made regarding the distraction of the Verbena. Perhaps she was meditating on the way the fire feels to her or senses some fluctuation in the Park itself.

It's the stillness, though. That makes it singular. Her eyes don't leave the fire to comment wryly: "As long as it's not Kumbaya."

Serafíne

Empathy + Perception - aloofness? Empathy Spec: Seeing Past the Mask.

Dice: 7 d10 TN5 (4, 5, 5, 6, 7, 8, 8) ( success x 6 ) [Doubling Tens]

Serafíne

"Couldn't even begin to compete with Amanda Palmer." Dan tosses back to River with another supple, subtle expression rising to the surface and sinking back beneath. "Plus I misplaced my goddamned ukelele somewhere between Raleigh and Denver - "

" - you left it in fucking Macon," Sera interrupts and Dan isn't expecting that and he cuts a sort of searching glance back down at her face and she's giving him a mildly pointed smirk that subsides as quickly as it arose in the first place, dark eyes cutting away from him. Lingering on Kiara as the Verbena circles the fire and starts watching the flames: that singular stillness.

"Apparently I left it in Macon, which isn't between Raleigh and Denver at all. Point is: never replaced. Closest I have is a mandolin and that's back at the house. How about a country song, since we've got a bonfire. Ever heard of Jason Isbell?"

Grace

Grace pulls out her own phone, and now -- true to stereotype -- the two Mercurial Elites of the party are staring into their phones in the great outdoors, communicating to each other with them while the rest get all sociable.

And it's about a shell script named fuckingcoffee.sh.

It is fucking hilarious though, and has Grace laughing at her phone. "Ohh, man. Kumar-asshole.sh. Lol," she says. And yes, she actually says the word lol as if it were one. In-jokes are a thing over here.

"He had a cron job for hangover excuses. I think I want to try that. Not that I need to call in at work, hah."

Sam Lakhani

By the time Grace receives the link Sam has moved onto other things. On his phone. They are living the dream over there.

"Yeah but still. You see the words 'vampire' or 'Washington Park' or 'police' on Ginger, you can just have that bad boy fire off and not have to deal with it."

He's joking. Hangovers aren't an excuse when you're BFF with a Verbena.

Kiara

There's clearly something on Kiara's mind. A certain ... it feels like the lingering aftermath of something. An emotional bruising she's nursing. Some unspoken trauma. There's almost an edge of something sharp and dismissive in the things she says tonight. The humor is there as always but it's flavored with a sort of punctuation.

She looks as if she's deliberating on whether or not to stay. And as if looking into the campfire is soothing to her, for whatever the reason. Unsettled, edgy. The impression that Sera is getting from Kiara Woolfe right now is that whatever is on her mind, distracting her, provoking a sharper tongue - it's not anything she wants to discuss.

At least, not here. Not with the gathered.

River

She's holding her breath while he's talking, nods. Pays attention because, no, one can't compete with Amanda Fucking Palmer. No, she has not heard of Jason Isbell and eventually she exhales. It's a long, slow breath like meditation because why the fuck shouldn't getting stoned be like meditation?

"We lived outside of Macon for two months during peach season," River clarifies, "you would think that I would have picked up something about country music in Georgia but it was all Willie Nelson."

Which is weirdly appropriate.

"So, you guys are in the same band?"

Grace

Grace snorts. "Yeah, that's what I need. A 'Handle Emergency' cron job. Just fire it off, and it will do everything that takes more than ninety seconds."

Which, you know, includes taking care of whatever the latest thing to happen in Washington Park is.

"I have never heard of Jason Isbell," she says, into her phone. If anyone were thinking she wasn't paying any attention...

Serafíne

"Willie Nelson is kind of a badass," Dan tosses back to River as she is getting high. "He did this cover of Pancho and Left that is one of the most perfect things on the planet. If that's what you took away from two months in Georgia outside of Macon, you could've done alot worse."

--

There's work to be done. Like, you know: tuning. The overtones of fingers-on-strings, that strange, patterned language, the internal tones as he listens to the acoustic he was carrying-through-the-park and it should've been an electric but: maybe magick? There's a fire and no outlets and Sera doesn't even really quite understand that she knows Forces magick and she has been capable of it for two fucking years.

"Afterparty at my place," this to Kiara. Supple, subtle thing, the invitation a coil of smoke from the strangely-reserved creature. (Maybe: to River she will always be like this: first.) " - when the bar closes. Two, two-thirty? You should stop by."

--

"Yeah, we're in the same band." Dan, to River. "Don't usually do country but he's a killer songwriter and we always have a few off-the-wall covers up our sleeves." Glances sidelong at Sera. "Elephant, then Super 8?"

"Fuck, Dan, that's like tearing someone's heart out, shredding it, then smoking a bowl of the remnants, getting so stoned you wander into traffic and figure out how to make the stars shut down."

He favors her with a quick, quiet smirk. Likes that spark of animation in her eyes and voice.

"Used to be with this band called the Drive-By Truckers," Dan-the-hipster tells Grace. "It's more alt-country than country. He doesn't sing about how sexy girls are when they hang out in trucks or how fun it is to hang out in trucks and get drunk in corn fields so he's probably not gonna get on commercial country radio."

Serafíne

(Hey I can has dice. Dan - guitarishness?)

Dice: 8 d10 TN5 (1, 3, 3, 4, 4, 5, 5, 6) ( success x 3 ) [Doubling Tens]

Serafíne

(This is for mah next post, and oh Dan. :( Sera: singing?)

Dice: 9 d10 TN6 (1, 1, 2, 5, 5, 6, 6, 7, 10) ( success x 5 ) [Doubling Tens]

Sam Lakhani

"You do. You need this so hard."

Break from reality over. Sam shoves the phone back into his pocket and wanders back over to the fire. That's where he left the bong and his backpack anyway. When he comes to stand beside River it's almost as if by coincidence. It's easy to forget he exists when he isn't talking.

"Hit me," he says and holds his hand out for the bong.

Kiara

It's been lightly snowing tonight, as if the weather hadn't quite settled on what it desired but the drifts of it come down, every so often. Can't penetrate far where the fire is of course, melt before they're close to that emanating source of heat but they find placement in hair, on sleeves. Kiss the edge of cheeks and it's after one of these finds Kiara's that her fingers emerge from her pockets and she sweeps a hand up.

Suddenly alert to the surroundings, tipping her chin up to stare up at the dark skies, at the clusters of trees. Touching her face as if she'd forgotten, momentarily, where the source was of the sudden dampness on her face.

She brushes it aside and turns her face, just slightly, at Grace and Samir's conversation. Her attention captured by the mention of vampires, by Ginger and Washington Park and handling situations. The Verbena's eyes drop away and she bends down to find a leaf, lashed to the side of her boot, pasted there by the snow. Squats there and peels it off, carefully uncurling the edges.

"They're amazing. You should hear them play a gig sometime." This, almost absently to River at her question as the Verbena twists the leaf around, sets it open on her palm and curls her fingers around it. Finds the other woman's gaze through the flames. Holds there a beat.

Pulls up, opens her fingers and crumbles up the leaf, smears it over the flames. Glances at Serafine as she offers an after-party at Corona Street. "Yeah." Those red lips quirk, give over to one of her smiles, the pagan. Flash of teeth. Curl at the corner that makes it that side of crooked.

"I'd like that." She doesn't offer more, say they should talk. Just - studies Serafine's face for a moment as if committing it to memory and then returns her eyes to the campfire.

Grace

Grace follows Sam, her face still stuck in her phone though. Light from the phone paints her face with blue, battling it out with the fire.

Well, maybe she won't be their chaperone or anything. Grace just wants a hit.

"I don't even know a thing about commercial country radio. Girls hanging out in trucks?" she shrugs. Whatever, to that.

River

"I'm not a pretty crier," she tells Dan and his cultist-friend, "Sam and Grace can attest."

And it's true. though she isn't sure if Grace has seen her cry from underneath the mountain of blankets beyond the little giggling whimpter of a happy ending amidst the zombie apocalypse. River is pretty committed to her makeup staying on tonight, though, because it's cold and her face can feel it and somehow being freezing bakes on your foundation.

She's standing, has the bong in hand and hands it off to him like this is some sacred rite- like this was the passing of the Olympic torch instead of, you know, just hanging a guy a bong and calling it good.

"And hanging out of trucks and getting drunk in corn fields is fun if you can find a cornfield... does colorado have corn fields?"

Bonus points if it's not your corn field.

Serafíne

Sera isn't wrong about that pairing of songs and Dan needs space to move to play and she steps away from him, careful in her ridiculous goddamned heels but god she can move in them, even on the spongy, half-frozen ground.

The cold, the goddamned snow mean that Dan's bare fingers are stiff as they skim over the strings but he pulls the first evocative chords out of the instrument and there is something quite remarkably intimate about the way they balance each other; about the way they watch each other, rhythmic, familiar. This point where she takes in a breath like she's about to join him, but no, and he just repeats those opening bars, eyes on her face, the dance of reflected light in her eyes.

Elephant starts off all-quiet, reflective, nostalgic, but you get pretty early that the song's as close to a requiem as you can get for someone still alive. Unsentimental, ("If I'd fucked her before she got sick / I'd never heard the end of it") clear-eyed - goddamned sad. Sera sings it alternately watching Dan's hangs and staring into the fire and when her voice is supposed to soar, goddamned, it soars -

We'd burn these joints in effigy,
cry about what we used to be,
and try to ignore the elephant somehow.

I buried her a thousand times,
giving up my place in line,
but I don't give a damn about that now.

--

River is committed to keeping her make-up intact tonight but by the end of that there are tears in Sera's eyes and on her cheeks, and both her mascara and her eyeliner are waterproof but there's the eyeshadow too, which isn't. Maybe it just adds to her rock-star vibe and there's no time to dwell on the chord that strikes up in her or how deeply and feelingly she sings or whatever is happening in her or anyone else because: Super 8's a honky-tonk barn-burner and yes, River, you can dance to it. You could probably take off all your clothes to it, and there's not enough time to catch your breath between them:

Having such a sweet night
Audience is just right
Drinking like a pirate do
Don’t want to sleep yet
Buddy it’s a good bet
I’ll raise more hell than you -

And the song keeps going. There's paramedics, pedialyte, and maybe a defibrillator. Haven't we all had nights like that?

So, yeah. That's the impromptu concert. When it's wrapping up, Sera-and-Dan aren't hanging around for hits from the bong, they're packing up. Have somewhere to be: and soon.










Serafíne

(The songs:

Elephant: https://www.youtube.com/watch?v=Dg1oYRo9yVk

Super 8: https://www.youtube.com/watch?v=3Fr2Gv3HyqA )

River

[I'm totally good. Manip+sub]

Dice: 5 d10 TN6 (4, 5, 7, 7, 10) ( success x 3 )

River

She's a good audience member, though halfway through the first song she determines that she's going to need a second hit. There's silence, because she knows it isn't polite to applaud but eventually she does because it was really fucking good and she can appreciate a good performance regardless of the responses that it provokes out of her.

"Go have fun!" is what she says out of haze, eyes back to the fire for a moment.

Kiara

[Per + Empathy on River: is she?]

Dice: 5 d10 TN6 (1, 2, 3, 4, 6) ( success x 1 )

Kiara

Music has that way about it, of course. Good music can lift you. Inspire you. Tear you to pieces with nothing more impressive than the slow build of a guitar, a note sculpted and held. The Verbena's been witness to Serafine and Dan performing before - she knows they're that good.

She'd said about as much to River, only moments before.

Music has that way and at some point during the first song the Verbena's dark eyes place River's face again and she watches it; watches the way the firelight plays over it. Watches her the way she had when she first turned up, leaning against that tree in the shadows as if she were an interloper rather than one of the invited.

Whatever Kiara Woolfe does or doesn't see it takes until the end of the song for her to look down, to tip her chin down and draw her hood back up and bury her hands deep into her pockets. She's not inscrutable, the healer. Not accustomed to trying to be, to concealing whatever thoughts or feelings skim across her face.

She's only beginning to understand the ways she can protect her own mind from infiltration.

So maybe there's that glimpse before she draws it up, after she drags her eyes from River's face, where that's clear. What the music does to her. How it presses down on that bruise she's wearing, however deep it runs, however she's attempting to disguise it. A twist across her mouth, a haunted quality to fine dark eyes.

She stands there, hood drawn while the second number happens. That stillness settling back in. She doesn't applaud at the end of it but she does draw her hands out of her pockets, does move to press a hand against the Cultist's shoulder as she makes some bid for departure might not even understand how to articulate.

"You sounded great." She affirms and there's this brief glance back at the gathered. "I've gotta go guys. I'll catch you later."

Serafíne

Per + Empathy, River.

Dice: 7 d10 TN5 (2, 3, 3, 3, 5, 6, 10) ( success x 4 ) [Doubling Tens]

River

"See ya," she says. Smiles and gives a wave and she seems fine. She seems fine and of course she is fine, because River has never given any indication that she is not anything other than fine, even when she has to turn off large portions of her brain to keep up the ruse. She is committed, you see. She is committed to any number of things, but right now she is committed to the idea that she is not going to be emotionally wrought over the fact that there was a song that moved her in such a fashion that she's waxing close to nostalgic.

She wears it well, that denial. She wears it like it's a shield and she carries a sword and in some other life she was some brave gladiator. still is.

she'll process later.

"Graaaaace," she says, offers her a hand, "do you know how to tango?"

Grace

Grace gives River a squinty-eyed look, and then makes a grab at the bong. Tango? The fuck, River. Going to break the poor woman. She takes a hit, holds it, lets out a smokey, creaky "No."

But still, she adjusts herself, hands the bong over to Sam, and stands rather stiffly as she holds her arms out -- one of them positioned like it might hold on to somebody, the other in the air above her head like it might be holding another's hand.

She's never really cared about looking ridiculous, Grace.

"Show me?"

River

River looks at Grace and the look on her face can only be described as delight. She steps in, holds her up arms and preens like she's an instructor because, at her core, she can be an instructor of sorts. She's a good enough that she doesn't seem to have a problem.

She beams.

Moves her arms down a little.

"This is probably going to come up again with me. Just for reference."

Serafíne

"Stop by later, yeah?" Sera to Kiara, as Dan is packing up the guitar. A longer glance at River, then, sharper. This almost bruising awareness about her that gets honed in that moment until it gleams, and that's what she was made to be right there, bright, aching, in the moment. A hitch of awareness that hooks, catches, dissipates.
Lovely as the edge of an ever-elusive rainbow.

--

Had she been aware of recent history, she might not have chosen that song. She wasn't. Isn't. Couldn't've gotten on Ginger if she'd wanted to: her phone didn't fucking work. Dan checks it anyway and he couldn't see her, and he kept it up but mostly he was looking for anything from anyone about her. No dice.

All of that etches the air around them. Frames out both the intimacy of their interactions and that strange reserve that Sera breaks out of only in these odd flashes of awareness.

--

"You should drop by too."

And she could be saying that to anyone or everyone, but she's not. Mostly, she means River. Unspoken in there: no more sad songs tonight. "The Edgefield."

And off they go.


Wednesday, November 11, 2015

The Magic Flute


William

He was still in Boston, holed up in a room with a few recent-additions to the Tradition and William had gone through some effort to actually make friends and contacts that he can actually come back. He's got a legacy to uphold now, it's real. IT's really real, and he could have called any number of people and, perhaps with wishful thinking, he thought that maybe he could call Sera.

He should know better, knows that she's been unable to make calls. Knows that she's a spectre in the city, but he tries anyway, thinks that maybe he can leave her a voicemail. Leave her poetry and tidings and any number of things.

William misses Serafine. He's still having to get accustomed to which name he needs to sign when, but he calls her phone anyway.

Dan

Dinner has Dan sitting in a coffeehouse / cafe / bar called CASH ONLY with Rick and a few friends. There's a beer on the table in front of him that he's been nursing for an hour, and a half-decimated platter of "Irish Nachos" on the table between them. He sits back with enough of a view of the snow melting over the sidewalk, that strange, bright, burnt-orange blast of artificial light reflecting on snow that always feels like the first edge of a nuclear winter.

He's carrying two phones, these days, ignoring the constant little vibrations of texts sliding in in favor of sitting and having a conversation with friends he likes. The ringtone for a call is different, though. Is She Weird warbles Black Francis, which makes him shift his ass half-off the seat and pull out the phone, enough to glance at it and see who's calling. Then he stands up, waves an apology to friends and steps away, out into the chilly November night,

"Elijah." Male voice, baritone, too deep to be Sera. Affection wrapped up into the greeting, though. The suggestion of a beard brushing against the receiver. "What's up?"

William

The backdrop of Elijah's call seems pretty quiet, all things said. He hears the voice, the affection in it and while it isn't Serafine it is Dan, and Dan is a welcomed treat in and of itself. The smile is clear on his face, in his voice. There's the rustle of fabric, probably a blanket or a pillowcase or something to that effect.

"I'm in Boston! Got through all my sorting hat business and graduated from hogwarts or whatever freaking Harry Potter analogy you want to make," Dan can all but hear the young man wave something off.

"I'll be coming back pretty soon, do you want anything?"

Dan

"From Boston?" An inflected rise of the consor's voice, this quiet bemusement braided into his tone. It is only now that response to his question: what's up? has spilled into a breathless explanation that Dan can begin to decipher only because he has had years of deciphering Sera's fucked-up ramblings that he finds the tension in his spine starting to unknot.

And he tries, makes an effort, not to allow that tension to enter his voice. "Maybe snowboots. Not for me but for you. Winter's made an appearance."

A short breath out, which sounds like a smoker's exhale but Dan isn't smoking today. "So that means you're official? They give you a scarf and a coat-of-arms and everything? Anyone ask you to try out for the quidditch team?"

William

"Yeah, I've got the scarf and everything. I have been tagged, Named, and thrust upon the world. God have mercy on us all," he's excited. It's obvious he's excited because he's rambling and, frankly, unless someone was there with him it was a little difficult to catch what he was actually talking about.

"Turns out I'm shit on a broom, though," he laughs, "on a more realistic note I'm kind of sad winter has shown up, I thought it was just happening up north so I was vehemently trying to wish it away because it's fucking cold."

It dawns on him that Serafine isn't the one who answered the phone. There's a bit of silence there before-

"Hey, you holding up okay? If you're out with people I can call you back."

Dan

"I'm cool," Dan assures him, in that low-rumble, and these are things that one says. Over the phone, over wires or ether or whatever strange and agreed-upon magick allows us to be everywhere at once. He straightens up, takes in the street. Doesn't think the call will be long but he doesn't seem to be in a hurry to get back to the folks inside. Lets the music stay behind him, dulled to a low but present hum by the windowglass.

"Congratulations, though. You doing anything to celebrate? Have anyone to celebrate with?"

--

Doesn't ask the new Name.

Knows enough not to. Doesn't believe in that particular power but Elijah's belief in this matters more than Dan's.

William

"I've been trying to cram about as much partying in with my new housemates as possible- it's... We're not a giant house, but we're supposed to be diplomats, you know? So, like, actually interacting with each other and building a working relationship seems like a pretty good idea and thus far I've figured out I kinda like these people."

He asks if there's anyone he has celebrated with, and it makes William laugh a little at it, "so I did shots with a chick named Holly we've exchanged numbers and shit. I've actually been good, I'm trying to be a grown up and now... you know... promoting Hermetic good will by trying to get into my tradition mate's pants."

Even though, by the sound of it, he would really, really like to.

"It's pretty fucking hard. It's like I walked into a freaking American Apparel catalog or something."

Dan

This quiet noise, something close to gruff bemusement. The whole conversation would be better if the snow were still falling, but that storm has moved onward to ravage the east coast, to remind everyone in its path that winter means more than earlier, more spectacular sunsets. More than the Santa Claus house at the mall.

He focuses - his eyes anyway - on the closed headshop across the street. The patterned, maw-like reflections of hookahs lined up in the picture window. Gauges how much and how far he should-maybe caution a now-full-fledged member of the Order of Hermes, unAwakened friend of a low-penny mystic that he is.

Thinks about diplomacy, its meanings and its iterations. Thinks about the boundaries of nations ringing the world.

"Naw, man. You ever see the Magic Flute?"

Mozart. Dan means: the Mozart opera.

William

Has he seen the Magic Flute?

He actually has to think about this, though the reference isn't lost on him. Pulls through his memories and tries to think of the various times he's actually been to the opera and comes back with-

"Yeah," he replies, the lilt in his voice says that he's listening to Dan. That he's paying attention, that perhaps he isn't cut out to be a full fledged Hermetic because he's he hasn't ever given the indication that he thinks less of how Serafine and Dan view the world.

She'd said something about it once. He'd been shocked to say the least.

Dan

"It's like you've just walked out of the overture into the opera proper. The bells are starting to ring, everything's strange and it's up to you to figure out what all of this shit means. I mean, it's spectacular, right? But all that weird Masonic symbolism trips me out."

A short breath out, affection this crackle in his voice.

"So, celebrate. Seriously. Do. But remember that you're at the very beginning, and you have fuck-all of an idea of who's what and when and where. Caution, man. Especially now, when you're with your housemates, I think you need to have your wits about you at every step."

William

There has never been an instance where the young man has not listened to Dan. Dan knows what he's talking bout; the man has seen the world. He's seen what happens and seen more of the magical world and how people interact than Elijah has and now the young man is having to brave the world.

He pauses, nods and it's almost like Dan can hear the newly-minted Hermetic nodding.

"I've gotta make it through the whole opera, I'm feeling hoepful," purses his lips but smiles anyway.

"Thanks, man. I'll... you're pretty fuckin' smart, I kinda dig that about you."

Dan

"Cheers, kid." The low back of a laugh, still that scrawl of affection underlying it. Strain, too, sure, but only if you really listen for it.

"Be safe. Talk to you later."

Click.

--

He drops the phone from his ear, glances down at it in his hand. Rubs his thumb over the screen and watches as the icons shift and shiver. Glances at the unanswered texts, then thumbs them away. He thinks about lighting a cigarette, wouldn't mind the burn in his throat conjoined with the bright, belting cold.

But he doesn't have one, so he just breathes. In, out.

In, out. The only way to get into or out of this world.

Thursday, August 6, 2015

Almost dying to get into Hawksley's pants.


Dan

Cooking the steaks from frozen takes forever. Long enough to search out a pair of neatly frozen and portioned sides. French green beans, long and slender, dressed lightly with olive oil, garlic, pine nuts, brought back to life with a quick, hot stir-fry on one of the many burners on that huge, professional stove. Takes a while to find the everyday silver, the napkins (linen, not paper), neatly pressed and tucked away with a refreshing sachet of something subtle, bright and clean so that they do not smell like mothballs but rather like: summer, somehow.

Outside, then, with the both of them and a bottle of red and a pair of purpose-made red wine glasses, through the dark, quiet house to the back courtyard. Low voltage lights define the still-well-groomed garden. There's an iron-work table on a brick patio overlooking the low-gleam of the outdoor pool, two chairs tipped forward, resting against the table so garden detritus does not accumulate in the seats. A trip or two, in and out, sees them settled: filet mignon, green beans, caviar and Triscuits, a small dish of olives and marinated artichoke hearts and other shelf-stable delicacies.

They look like strange refugees in a fairytale palace, something like it.

Elijah

"So," he announces, because that is how one begins these types of conversations. With a hearty so and thus one will spring into action. Start talking about whatever it is they were saying. It was a punctuated so, not a drawn out type. Not the type that is expecting someone to fill in the answer, make muddy waters clear. Not that type of so.

"I have no idea whose pants I'm wearing."

An announcement. His gaze goes from Dan and briefly over to the pool. He's content to let it stay over there and he's going to stay over here and they will both be just fine, thank you very much. It's pretty, though. He can't help but find the place they're staying overwhelmingly pretty, the kind of place that you rent for a wedding- and he doesn't even know about the ballroom.

Dan

Dan breathes out something not-quite-a-laugh. He has half a glass of wine (not drinking much, figures he'll need to give Elijah a ride home) and half-a-filet left on his plate and doesn't give much thought to the prettiness of the enormous-empty-mansion. Or weddings: Dan doesn't much think about weddings, either. But Elijah says so and it is a meaningful so and that has the other man's blond brows spiking up in inquiry before the rest of it all comes down.

Then that not-quite-a-laugh.

Thought he might get out of all this without that question, right? I mean: so far, so good.

"I'm pretty sure they're Hawksley's."

Elijah

"Oh," he says, as though this is no big deal. He takes a second, as if he was going to say something, but he laughs under his breath and refrains from taking a bite of green beans, "this is proof that I would have to literally almost die to get into Hawksley's pants. And innuendo aside, these are really fucking comfortable pants."

He shakes his head, takes a bite of food and chews, swallows, "is he, like, on vacation or something? This place is a ghost town."

He has no idea that this is a bad line of questioning, but it hits him that it is once he asks. There's the awkward moment, too, the dawning on his face when Elijah figures out I probably shouldn't have asked that. He doesn't have a lot of experience with Hawksley, just a couple nights out partying- a hand full of interactions at best. Enough to know that he's young, attractive, and has enough money to have a driver. He hadn't figured that the man lived in a freaking castle, but eh? What do you do.

Dan

Dan does not respond to the innuendo. Maybe a smirk, but a supple, elastic one that hardly breaks the shadow of his beard. He's still sitting back now, but there's something - clipped about his expression that seems reined in somehow. Leashed.

This tick of his gaze back to Elijah when the younger man asks if he's on vacation or something.

"I don't know that he's lived here for a good nine months. Last time I saw him was Thanksgiving."

Elijah

[Per+empathy - waaaitaminute, what happened?]

Dice: 7 d10 TN6 (3, 6, 6, 7, 8, 9, 10) ( success x 6 )

Dan

Dan does not like Hawksley.

He's trying to be diplomatic because he's a fucking diplomat but he's just angry with the dude. That anger has had some time to change and not-precisely-soften but tenderize - like circumstances yadda but he still can't help it. He's plain old angry with Hawksley.

--

And Elijah isn't reading his mind so he doesn't really know what happened but what he gets - clear and raw and immediate - is that Dan is angry with Hawksley and it obvs has to do with Sera, and also: Dan is trying very hard to be careful with that and get a handle on that, also because of: Sera.

But fuck: right now, Dan cannot stand the guy.

Elijah

"Ah," a brief, punctuated answer peppered with the realization that this is a line of questioning that could go very bad, very quickly and he knows that Dan is diplomatic. He knows that Dan is pissed off at Hawksley, but he doesn't quite know the reason. Doesn't know how to ask where he went, but the guy literally just up and left his house to do something and-

"Sera's holding up okay, right?"

It's clear, at that juncture, that the question means two different things. He's leaning less on the fact that Sera is upstairs and probably sleeping off what the universe did as retribution for her actions (was it worth it? Not Elijah's question to answer), and more on the fact that something clearly happened between Hawksley and Sera that was bad enough to even make Dan- who is arguably one of the most non angry people Elijah knows- furious with the owner of the house.

"What happened?"

Just because Elijah shouldn't ask doesn't mean that he won't, though.

Dan

Dan breathes out hard, once. Straightens and flicks a glance back at the young man who very nearly died tonight. Threw himself in front of a strange as a damned human shield. Dan thinks: maybe Elijah shouldn't've done that, but he's said it once already tonight. Doesn't need to say it again.

This deliberative moment, a kind of weighing-of-things, and Dan has put down his fork and picked up his glass. Maybe he'll drink more than one glass of red wine. Maybe they'll get Elijah a taxi home.

Considers. Grimaces, this little spasm of something wry and strange.

(Elijah, keyed in as he is to every nuance of expression that beard is capable of, also gets that: outside of the anger, separate and apart from the anger (because they are separate things), Dan also: sympathizes, empathizes, something for Hawksley too. Doesn't shift away his anger, though. Doesn't really dent it at all.)

--

"Sera had a hard year," sharp breath out, "But yeah, she's okay."

(The last bit is both: true and not-true, and Dan is perfectly aware of both the truth of it and the not-truth of it and that awareness of Dan's is plain as everything else Elijah has seen in him tonight.)

"Sorry, I'm trying to figure out - how much to say, really. The short story is: Alicia disappeared and he spent some time looking for her, then family obligations pulled him back east. What happened is - he didn't fucking tell Sera.

"Just disappeared. Maybe he'd respond to a text now and then - but fuck. One day he was here, the next he was gone.

"She was pretty broken-up about it. Even if she was trying not to be."

Elijah

He gets the basic run down, and is keyed in. Paying attention to the little twitches in expression, the nuance of it all. There are truths there, layers there because nothing is ever clear cut and dry. Nothing is ever straightforward and he knows it. Sometimes, Elijah has a good sense for people, and something it lets him know that things are a lot more complicated than he can really fathom.

"That had to be hard," he says, "someone you care about just being there one minute and being gone the next. Things were pretty messed up back in November, I would have been worried out of my damn mind."

He's learning- things are always pretty messed up.

"I'm guessing he's not coming back any time soon," and he can guess that he and Sera must have been pretty damn close, given that she had the key to his house. Can come and go at will. That implies a fair degree of familiarity. Perhaps he assumes they were (are- because it's Sera, he can't imagine her writing people off) friends. The kind of friends that he and Jenn are, puts it into perspective. (Perhaps some introspection of some of the less-than-considerate things Elijah had done to Jenn. She moves halfway across the country for him, and he shuts her out for six months. Said she was fine, that things are good now because they're being open and honest but... he imagines, briefly, what that must have felt like.)

"That's pretty messed up." Finality, that.

Dan

"She was abandoned by her folks when she was a kid," Dan doesn't really - remember what was messed up about November. What was really messed up about his November was that: Sera was gone, off to London and quite on her own, for reasons he knows perfectly well, which he isn't sharing now, even when he is sharing so much else.

"They sent her off to boarding school overseas. The first couple years they brought her back for winter break, maybe a bit of summer vacation, but those visits home kinda fell by the wayside. So being treated like that by the man she loves - "

He breaks off. Said too much, probably. Maybe it's the brush with his own damn mortality. That sort of thing will do it to you.

"They made up." That much Elijah could easily guess. Sera wears a ring with Hawksley's resonance written into the substance of the metal. Consecrated. "Or what the fuck ever."

Elijah

"Makes it just kinda par for the course," he says, like that makes it make sense. Like maybe he understands on some conceptual level- that this could be what Sera expects from people who are supposed to love her. They're supposed to see you when they think it's convenient, they're supposed to flitter in and out of your life like you're an accessory. A car. A house. Serafíne.

But, he doesn't know. Doesn't know if it hurts to think about, if she feels like she's lost or abandoned or floating out in the wilderness. Doesn't know if she would open the door wide open- except he does. Except he suspects that she would, because they made up. Or what the fuck ever. She carries a piece of Hawksley around with her so he's always there, so it's not like he left, so it's not like he just ran off and did what the fuck ever it was he was doing without telling her.

Yeah.

Elijah can kind of figure how Dan would be pissed.

He takes a drink of wine, not the kind of drink that one does when they're just tasting it and certainly not the kind of drink one takes when they're drinking a bottle of wine that cost as much as a crappy car. No, that's a drink to wash a taste out of his mouth. He's a book, and an easily read book at that. The wheels turn and there's pauses in his thoughts. The pauses in his speech and the way that he occasionally pins things with his gaze and thinks. Gets lost in thought.

"That's fucking bullshit," he says, and there's actual frustration, actual, legitimate anger that hints at the edges and rides there. The kind of anger that comes when you find out something and your brain is trying to process it and the only response you can have is to be angry, "she's not a fucking show pony or hood ornament or whatever."

Wednesday, July 30, 2014

Mermaids


Elijah

[how did I sleep?]

Dice: 4 d10 TN7 (4, 4, 5, 9) ( success x 1 )

Elijah

[Is this going to freak me smooth the fuck out? Willpower]

Dice: 4 d10 TN6 (4, 9, 10, 10) ( success x 3 )

Elijah

[Entropy 1: find the weak spot]

Dice: 1 d10 TN4 (9) ( success x 1 )

Elijah

OMG Max. There are mermaids at the aquarium.

It was what had spurred all of this. Elijah had a fascination with mermaids. Real, fake, it didn't matter, he knew they weren't real but he had a fascination with mermaids none the less because of the underwater grace and the skill of the performers to keep smiling while they were surrounded by a substance that was more than content to choke the life out of someone. Water was an intense thing, and this was bordering on good ol' fashioned exposure therapy.

It was a hard trade off, because Elijah had a fascination with mermaids but a genuine, seething, gripping something when it came to water. Every fiber of his being tensed up and wanted to be anywhere but inside of a place where he could literally tell each place on the glass that might potentially crack if someone pushed too hard or tried to tap one-two-three-four-forty seven times. Forty seven because that would cause a chain reaction that would piss off the-

"Oh fuck Chili!"

Which was about when Elijah remembered that he couldn't wait for Max inside of the aquarium because she had a dog and they had a problem- they couldn't leave chili inside, and the dog was too big to fit in a backpack… maybe. It was a hasty retreat to the parking lot.

"I'llbeback!"

Maxine

I'm so down. That was the text message that Elijah had received back. From there, a time and date was set-- possibly even later that very same day because whatever it was Maxine did it probably wasn't hold down a real job and make an effort at a typical life because by now Elijah had to have figured out that the girl slept out of her van. He'll have seen the back of it by now, seen the fact that there's a hammock strung up and a few of those plastic mini-dressers stuffed with essentials.

He knew that the little black dog ("A schipperke," Maxine had informed helpfully if Elijah had ever wondered aloud) was never far from her or that van. A faithful little transient animal with its transient mistress. So it occurred to Elijah soon after cash had exchanged hands, that Maxine may still be trying to figure out what to do with Chili, and he fled to go greet them in the parking lot.

The big orange VW van is impossible to miss, parked near the front of the lot but as far off to the side as possible, with nose to a chainlink fence that had weeds and bushes creating green overgrowth through the wire crosshatch. Maxine was standing outside with the passenger door open, cradling a lit cigarette to her face with one hand and holding the other hand on a slim hip. She dressed in a bleach-bright white tank-top that cut off just above the navel and hung loose on her slender frame, and a pair of cargo shorts that were slung low on hips, held in place by a belt that probably sold along with the shorts themselves. She wore pins in her hair to keep it from her forehead and face and had chalk dust dying patches gray-white where she'd touched with chalky fingers. Marks on her shorts suggested she'd tried to dust them off rather than waste water actually washing them.

When Elijah strode up, Maxine puffed her smoke toward the green-grown fence and cast the tall blonde lad a smile. "Well howdy, pard'ner. You came to join us."

Us, being Maxine and Chili both. The dog was standing in the passenger seat with her chin resting on the open window ledge. She perked ears and watched Elijah's approach, but was far too middle-aged and crotchety to get excited over his approach.

Elijah

Thus far, his friends seemed to live out of suitcases. Elijah was an anomaly because he had an apartment he slept at somewhat regularly, if only because he was prone to escapades that required him to have some place to lay down and sleep afterwards. Or, you know, because he had the looming parental threat and couldn't very well sleep inside of Jenn's civic indefinitely.

Not that he hadn't tried before. During the great oh fuck if we are moving into a place with bed bugs debacle, they'd spent a few nights in the civic before determining that they needed to live in a hotel instead. That was an experience he would have rather not relived.

"We should totally get Chili one of those little vests that says hi, I'm a service animal or something," Elijah said. he even reached out to pet the dog when he came over because… well… because Chili was awesome and gave precisely zero fucks about much of anything.

Maxine

Elijah's suggestion caused Maxine to blink big dark eyes at him through the miasma shroud that sprouted from the end of the cigarette she was keeping near her face. It looked like she was trying to smoke it quickly so she could snub it out and get inside with him to see some goddamn mermaids.

"That's actually a really good idea. Do you know where to get one?" Her head tipped to the side, and the question was presented earnestly.

Either way, she'd wave her hand and hold the cigarette in her lips, freeing her hands so she could nudge Chili back away from the window. The dog scrunched her nose but complied because she was left without much choice since her mistress's hand-heel was up against her snout. The dog backed up onto the seat and Maxine swung the door open. She stood then like a chauffeur, holding the door open for her boss, and swept a hand to gesture the little dog to exit. With a huff she trotted on the seat a couple of times in place, then hopped down. With a wheeze-groan, the stout little dog landed and walked away with a calm clackity-clack of claws to nestle into overgrown weeds and grass in the shade of the tree that Maxine had parked under (intentionally, hence the spot against the fence).

A final drag was pulled, and Maxine snubbed the butt out against her shoe and put it into a cup-holder ashtray that was sticky-glued onto the dashboard of the van. She cranked the window back up to about 3/4ths the way up, then closed the door and said with a stage smile: "Well, what are you keeping me waiting for? Let's go see some fucking mermaids."

Elijah

Where could they get one?

"We could probably Google it? I have no idea, but then we could get Chili into all sorts of places, and just tell people she has to come with you in case we need to make sure you don't have, like, a seizure or something. Chili looks like she could smell seizures."

Because, apparently, that was a thing.

Elijah offered Max a grin, big and bright and his constant companion while he went to go and storm the castle with his current companion. Of course, that castle was full of water and the incredible possibility of drowning and the world would end right there but there were mermaids, so why would there not be a little peril when you were dealing with something that could be potentially awesome. He offered Maxine an art, all faux gentleman.

"Let's rock this shit," he replied.

And into the fray with them.

Maxine

An untraditional yet obvious solution to not letting your dog bake inside of a hot car was to let her out of the car. Maxine trusted that Chili wouldn't go far because Chili was a faithful navigator and constant buddy. She was an untraditional thing as a whole, Maxine, and though she hadn't shared this information yet were Elijah to know that she was aligned with a Tradition and to find which it was, she'd strike a whole new resonance of Abnormal.

The offered arm was looked at for a moment before being accepted with a one-sided grin. Her small hand tucked into the crook of his elbow, and she kept pace alongside him, carried on a pair of (chalk)dusty Chuck Taylors.

"Hey, is Alicia meeting us too?"

Because, of course, she would ultimately have to ask.

Elijah

Was Alicia meeting them?

Elijah shook his head, no, and heaved a half-hearted sigh, "nah, she's been hard to get ahold of. We're square now, but we kind of had a falling out about her dad and me doing stupid shit."

Who knew why the sigh was half hearted, but the mention of Alicia kept the grin on his face. He was content to keep pace along with her, and even paid for them to get in (well, paid for Maxine because he already paid and it was rude to invite your friend who lived in her van out somewhere to do things when you weren't entirely certain she had the cash flow to live somewhere). Besides, Groupon is the shit and he did this with Jenn all the time.

We digress, "but, I texted a whole bunch of people so you might get to meet other people. So, it's kind of a plus."

but a minus, because no Alicia.

Maxine

"I didn't even know there was a falling out to begin with. What'd ya do?" She posed her questions in a way that were just so sincere and harmless that sometimes it was easy to forget that she was actually getting very out of line with her prying. She smiled brightly at the girl who took Elijah's money, and onward and into the aquarium they went.

But other people might be coming too, and to hear that the petite example of androgyny perked right back up -- she'd seemed only slightly sombered to have heard that Elijah'd said something about Alicia's dad that had pissed her off (or that's what Maxine took away from the explanation, anyways).

"By a 'whole bunch of people', do you mean ones that Know? I hope so."

It wasn't that Maxine was an elitist or anything, she just understood that nobody else really wanted them around anyways.

Grace

[Perception + Awareness!]

Dice: 5 d10 TN6 (3, 4, 10, 10, 10) ( success x 3 )

Grace

When Elijah sent Grace a text reading "OMG Grace, there are mermaids at the aquarium," the first thing she did was check the aquarium's website to see if the place was putting on a special mermaid show. He could have meant that actual mermaids had shown up at the aquarium, and that would be cause for a rescue mission of massive proportions.

Luckily for everyone involved, there was, indeed, a mermaid show in progress.

Mermaids eh? Sounds like an advertising stunt that has the puppy-like young Mage all worked up. Put some poorly-paid girls in revealing outfits, give them air hoses and fancy tails, and call it a windfall. It would be more interesting and less depressing if there were actual mermaids...

But she goes anyway, because Elijah is there and he thinks that this sort of thing is neat, and Elijah is a magical creature after all -- merman or no.

She gives the woman at the front her money and walks inside, and she can feel them. There's someone else here. Someone bright. She has to blink a couple times until she convinces herself it isn't actual brightness, but something else...

Maxine

[Perception + Awareness: Good idea]

Dice: 6 d10 TN6 (3, 4, 6, 6, 6, 8) ( success x 4 )

Elijah

[are there people?]

Dice: 7 d10 TN6 (2, 3, 3, 3, 4, 5, 8) ( success x 1 )

Elijah

The question of what he did made him laugh the kind of laugh that indicated that there was a whole rabbit hole worth of disaster to delve into. It wasn't so much mirth as… something. Everyone's laughed that laugh. We know how it feels in the pit of your stomach.

"Iiii didn't answer my phone for, like, two days. I passed out in a chick's truck and Jenn couldn't find me. Jenn called Alicia. Both of them kind of freaked. When I called Alicia back, we ended up talking and I said I needed to see her and she said she needed to see her dad but she couldn't and she wasn't dying but I called bullshit and, anyway, I was kind of an asshole and now I'm trying to get people to help rescue her dad from a super secret quasi governmental organization."

Ah, that was the laugh that one can place. The one that you have because it keeps you form feeling utterly helpless and lost at sea. Or maybe that was all the water talking. he wasn't having any panic attacks at that juncture. he wasn't trying to flee in utter terror. No, instead, he was more interested in looking at a blue tang that looked remarkably like Dori. he feels something, but he's just a little too busy being distracted by the blue tang and the abundance of anemones.

"I texted a bunch of people who Know. And Jenn, but Jenn is cool… but not cool like that, but I think Jenn has a date."

Maxine

"Did I hear you say that Alicia said she wasn't dying but you call bullshit on that?" Maxine looked up to Elijah with both eyebrows raised on her forehead. She looked skeptical more than concerned, like she wasn't certain that he'd spoken correctly. "Because if so, you just told me that you think she's dying."

She let go of his arm once they were past the counter where you pay for admission and instead folded her arms together at the small of her back. Whatever the first tank was, she'd wander over and peer inside. Maxine was the sort to take advantage of the establishment's air conditioner and take her time visiting each display if allowed. She wasn't sure what time the mermaid show started, and figured Elijah would keep her on track in that regard.

Some freshwater animal was peering back at her through the glass when she sensed (she couldn't say felt, it was sort of like smelling bright lights and colors to try and explain) some other force, something stronger and shifting and bold. Maxine straightened up and lifted her chin, turned her head to look in the direction that Grace would be coming around the corner from.

"A friend?" As though she was going to just shift gears and let her attention be diverted from the topic of Alicia and her life expectancy.

Dan

Mermaids at the aquarium and god knows whether Serafíne was one of the people whom Elijah might have texted but she's not here. Not in the country or perhaps not sufficiently back in the country to respond but:

Dan does.

With a mild smirk and an "Oh really?" via text and later something about We might drop by. later and Elijah doesn't know whom Dan means by we but: he means Dee and a couple of Dee's roller derby friends and Rick who is in the band and This Guy Named Eddie whom everyone somehow knows - people meeting at the Aquarium before drinks or after, one or the other.

Dan has a lanky arm flung comfortably around Dee's shoulder and he might be willing to let that group envelope Elijah and Maxine without much of a second thought but then he sees Grace and sort of detaches himself from Dee with a kiss on her shoulder, pulls away from his larger group of friends and heads on over toward Elijah and Maxine alone, holding out a hand to Elijah to shake, with a "Hey man - " and a "Grace, hey," when the Virtual Adept is within earshot,

and then a glance at Maxine, the brief crest of a smile breaking through his blond beard. "I don't think we've met."

Elijah

"Not, like, literally dying, more like she is figuratively- it's so complicated, basically I was a jackass and said she was realy messed up over her dad even if she said she wasn't, she totally was. Is. Still is, anyway, it's not like she's got cancer or something," that he knows of. Holy shit, what if she had cancer? That would be horrible. But, we digress, "anyway, she's not dying at a rate that is faster than the current rate we're all dying at. Blahblahblah gothkidrant."

was that a friend of his?

Elijah perked up, tearing his eyes away from the fish and turning just in time to see-

"Grace! Dan! Hey man," he said with a smile, bright and pleased, "Max, this is Dan, he's cool. Dan, this is Maxine, Maxine is also cool."

Because apparently being cool was slang for magical people.

Grace

Grace pops around that corner, and she's not really looking where she's going. She's looking at the walls of fish, not the people here to see the fish. But she knows that Elijah and Maxine are roughly in the direction she's headed, so eventually...

"Grace, hey," says Dan, and suddenly she's paying attention.

"Oh hey, Dan," she says, waves, and then notices he's here with Elijah and someone she hasn't a name for. She gets a wave too. And then Grace makes her way over.

She's wearing a red shirt with a screen-printed fish on it today. The fish is wearing a snorkel. It seemed appropriate.

"I see you have picked up the 'they're cool' thing from Sera, huh?" she remarks to Elijah, talking about the code word they seem to have for those in the Know.

"Also, hey Maxine. I haven't seen you around."

Dan

Grace greets Dan and he returns oh hey/i> with a mildly ironic smile. He has, after all, just rocked up on an extended goth kid-style rant involving Alicia and whether or not she is dying at a rate any faster than the rest of us, which interests him enough that his eyes linger on Elijah's expression a beat or two or perhaps even three longer than necessary, even as Elijah is introducing Dan (who is Tall) to Maxine (who is very much Not Tall), and then Dan holds out a hand and though he's wearing a long-sleeved button-down shirt tonight fastened to the wrists hints of his tattoos creep up over his hands and his knuckles, peek up over the collar (and the bow-tie, he is hipster enough to wear a bow-tie with or without irony. That's how he rolls.)

"Maxine," Dan repeats, because repeating the name of the person you just met helps you to remember it. Because Dan doesn't have magic to help him remember this shit. "Nice to meet you. Also a fan of mermaids or did you just stumble on each other in an ordinary fit of mild coincidence?"

Dan

stop!

Maxine

All at once, two new people round the corner. For a moment it was a hell of a lot more than that, and Maxine had made a 'Hmm' noise to see the posse that came around with Dan. He peeled away from them, though, and joined the display of bland local freshwater pond fish (you know they love to put the local stuff up front). Soon after came a woman with dark hair, not a hell of a lot taller than Maxine. Not like how Elijah and Dan both were.

She smiled first to Grace, the expression genuine but not bubbly-- it was a little bit too sharp, too knowing to carry the sort of innocent mirth that typically brought 'bubbly' into the equation. "Oh, well, I go where the wind goes. There's just been a tunnel caught this side of the mountains the last few months."

Her arms had unfolded from behind her back, gone to her sides when she'd turned away from the fish to face the others that had come to see mermaids as well. Dan had extended a hand that peeked hints of ink and design from under a shirt cuff, and it was accepted with an enthusiastic squeeze from a rather small hand.

"Mermaids are assholes. But Elijah's alright." She'd been summoned by a text, by someone else's idea. Her acquiescence was on account of the company promised.

Elijah

"It totally works, too, I can say they're cool and people who are cool? Totally get what you're talking about. It's just precise and not precise enough that it works fantastically," he replied. And he was content to beam, yes beam, at the mention of people. there was a little bit of pride in that, and somehow he had managed to deliver exactly what it was that he said he would deliver- people. He'd told Maxine he would introduce her to people and now, with the promise of mermaids, he had delivered people.

He kind of wished they were real mermaids. At the same time, he hoped there weren't real mermaids at an aquarium. Quietly, he wondered if there was such a thing. If he could see them and if they did exist. if that would be the last sight he saw before plunging deep, down, downward into all of the water and being moored off and stuck in the water never to be seen again. Perhaps he was confusing mermaids with sirens.

Either way, it seemed dangerous.

"I may or may not have mass texted every cool person I know about mermaids and aquariums."

Grace

"Everyone? Geez, Elijah, you just do not know how to think small, do you?" Grace says, but she's not exactly chiding, just giving him a hard time because it's fun. "If Patience comes by with a net and trident because she misunderstood, I am blaming you, for the record."

Grace is not all that impatient to see mermaids. The local pond fish are pretty enough, as far as she's concerned. No, seems she's more than content to stand here talking to the cool people who are the true lure to this visit.

"Mermaids aren't assholes, it's the guys who don't pay the mermaids enough to swim around and get stared at by assholes who are assholes," Grace says, with a sniff. "Mermaids are just doing their job, yanno."

Dan

There is a sort of cross-conversation here. Maxine goes where the wind blows and Dan - who is not just taller but who is also older than the rest - gives her the briefest of grins. The spark of it slicing through his beard. "Where the wind blows, eh?"

It is a subtle, and supple invitation to Maxine to elaborate, if she wants to elaborate. Or to let it go, if she wants to let it go. Easy as fuck.

--

Then, encompassing Grace and Maxine and Elijah all at once, Dan asks - quietly, "You ever seen a real one?" Mermaids, he means.

Elijah

"I want to," he said with no small amount of awe. No small amount of wonder at the prospect of mermaids being real and genuine and even if there was the potential that it could mean his untimely demise, he wanted ever so desperately to see something magnificent. Unicorns were out. From what Elijah understood, they weren't keen on people who weren't exactly pure and while Elijah Poirot was pure as driven snow, that was more like snow that has been driven on instead of its actual intention. "Water freaks me out, though."

He says in the middle of an aquarium surrounded by water and aquatic things.

Maxine

"I've read about real ones. Watched that shitty discovery channel 'exclusive', too-- which isn't the real ones, mind you, but it's not really that far off base." Maxine looked the youngest by miles, even if she and Elijah were the same age. He had the benefit of height and facial hair to help him out. Maxine was petite, with the big eyes and narrow chin that wasn't uncommon down her heritage line. She probably got carded every time she wanted to buy her cigarettes.

As for the wind: "'Wind' is a figurative. I'm no meteorologist, don't mistake me. A 'current' is the better word for it." She smiled up at the older man with the tattoos and black beard and jammed her hands into the pockets of her cargo shorts, where they remained up only by the grace of the belt having caught on her hip bones. Her shoulders bunched up modestly as she went on.

"Y'know, put the feelers out, catch a vibration and go check it out."

And, following that, she glanced down at her naked wrist to check time on what must be an invisible watch. She wondered aloud to anyone, but mostly to Elijah since he was the one that rallied them together: "When does this thing start?"

Grace

Grace grins at Dan, and lowers her voice. "Nope. Never a real one. But I have ridden a dragon."

Granted, that occasion wasn't the best of times. She shot down a fighter pilot while riding said dragon. But there are still some good memories there.

"Maybe you don't really want to see one, Elijah, if the water scares you."

And, my word, could this guy be any more like Kalen? Probably not.

Dan

"How badly does it freak you out?" Dan asks Elijah, rather thoughtfully. "Does it rise to the level of I can't deal with the world right now freak out? Or is it more cats and baths. It doesn't matter much, really. I doubt you'd see real ones anywhere these days. This world would be harder for them than you - right? Reality would snap its jaws closed on them so hard.

"Where they'd go or come from, I don't know. But think about it - every myth you've ever heard about is real - someway, somewhere, somewhen. Because, once upon a time, people believed in that shit."

--

A down at Maxine, white teeth in his blond beard. This quiet huff of laughter when she explains that she meant figuritively, and that laughter crinkles the corners of his eyes.

"I didn't think you were deploying a windsock. What sort of vibrations? I mean, I get drifting, don't get me wrong. I guess I'm asking whether you know what you're looking for, or if that question is part of the equation, too."

Then to Grace: "A dragon, huh? And you weren't stoned at the time?"

Elijah

When did this thing start, anyway? "I think it starts on the hour," he said as he flipped through his phone. He had things to go through, and despite the cracked screen Elijah was trying to give the expensive phone a try again. he was going to have to figure out some way to replace the glass before his parents came to visit, presuming they ever came to visit, to try and give the impression that he was doing whatever it was. He nodded again.

"And it's somewhere between cat and fuck my life I can't deal with this shit, I mean I'll shower and stuff it's just.. y'know... anyway, mermaids. I'm sure there's somewhere that people still believe n them, somewhere that they would still exist, maybe in the amazon or something. there are places that haven't seen the modern world so there's probably still places where people believe in mermaids."

Did he sound... wistful?

Why yes, ladies and gentlemen, yes he did.

Maxine

Dan gets a raised eyebrow at first, and then a wry, slow and crawling sort of a smirk. He asked what kind of vibrations and what she was looking for, and she answered by shaking her head (though she may as well be wagging her finger, given the tone of voice she answers in).

"Maybe it's not so much that I'm looking for something in particular, as much as it is that I want to just see everything."

But then, Elijah answered with the time and by flipping his phone out of his pocket, and Maxine leaned to the side to peek curiously at the screen to see the time. Sure, she could See Time, better and more purely than most people in the world would ever be able to, but that didn't mean she couldn't suffice for checking a lit phone screen on occasion as well.

"There's a shit ton of people who believe in mermaids that live here in this city, thanks to that documentary. A depressing amount of people believed it."

Though the rubber soles of her shoes stayed in place, spread apart from one another on the tile floor that ran throughout the place, Maxine twisted about at the waist and glanced over her shoulder at the fish through the glass behind her. Eyes flicked quick to Grace's face on the way there, though. That moment of interest was followed by a question:

"Where was the dragon? And where'd it go?"

Grace

Oh, Grace had started something. Something about dragons.

"They're all far away from here. Catch me another not so public time, and I'll tell you all about it. And no drugs, Dan. You know I just say no," she says, sly and full of snark. She does not actually say no.

"I don't know if it's such a bad thing that people are willing to believe in the impossible. Sounds kinda promising, that."

Dan

"Yeah?" to Maxine, quietly. The yeah is simple inquiry. There is not a shred of challenge in it, not a soupçon of doubt. "You looking high? Or low." The question has room in it. Space to breathe.

--

A glance at Elijah, then. "I think it's less Tinkerbell, you know? It all has more to do with the genuine elasticity of experience - whether or not there's room for it all," and back to Grace, encompassing Maxine. "But she's right, you know. The more folks are willing to believe in miracles that have nothing to do with this rigidly defined, experiential world, well. The more space there is within which people who are just a bit outside that rigidly defined, experiential world can work.

Maxine

Conversations to be saved for times when there were fewer ears about, and Maxine nodded her agreement to Grace's recommendation that they avoid the subject of her dragon mount for the time being. She didn't think that people were paying what they had to say to one another too much attention, after all.

But then, Maxine didn't have a whole hell of a lot of experience with ears being all around-- the ones that were specifically listening for them, and would come for them if they knew they were out here to knock things out of balance and screw around with what wasn't meant to be screwed about with. The slender-framed young woman turned back to face the man and woman standing ahead of her (she'd remained beside Elijah without being against his side-- she didn't need his protection or anything, she just knew him while the other two she'd just met).

"High," she answered, and flashed teeth bright for Dan when she did. "Always and forever, High and Above." Then, when it came to the subject of what people were willing to believe and if it was a good thing that they did, she wrinkled her nose just a little bit and shook her head. "It's depressing when they believe schlock. It's fucking elating when they believe The Truth."

Somewhere in the middle of her statement, Maxine's attention had shifted downward. Her left hand pulled a small, simple, outdated cellphone out of her shorts pocket and she glanced down to the screen-- it was buzzing noisily and persistently, she was receiving a call. How her mouth pursed when she registered the name on the screen was a peek into how (not) excited she was to take the call. Apparently she couldn't ignore it-- the pursed lips betrayed that too.

"I'll meet you all at the mermaid tanks-- gotta take this."

And she parted from the trio to do exactly that, phone coming to her ear as she rounded the corner to go back out to the front of the building.

Eleanor

Eleanor has not heard from Elijah in some time. He hasn't dropped by her office to chat about the nature of things both ephemereal and seemingly corporeal. He hasn't run into her in the hallways, or at another bar. Last time he saw her, she was making breakfast in her kitchen, and her enormously tall apprentice was helping her, and Elijah was most likely seeing them blearily as he woke up on her couch. There were no sausages or bacon with breakfast, but there were avocados and eggs and yogurt and bright vegetables and, for good measure, piles of greasy hashbrowns to help with the hangover.

Eleanor drinks tea, but Eleanor makes good coffee.

--

Then he texts her to tell her there are mermaids in the aquarium. And when Eleanor shows up, it is still raining outside, has been raining all day. She is wearing thin jeans the color of a charcoal-rubbed twilight, and they follow her legs which seem longer when she is not in the company of a seven-foot-tall swimmer. Over whatever shirt she has on she is wearing... well, it's sort of a jacket, and a bit of a cape, and it has a hood. It flows loosely, and it is hard to tell where her arms are. Her hair is in a braid, sweeping down her scalp and curving over her shoulder.

She has found him. And whomever he's with.

Her eyes skip from Dan, who she saw the other night, to Grace, who she knows or has at least met a few times. Then to Elijah.

"Mermaids?"

Grace

Schlock or not, it's the willingness that has Grace happy. Well, happy until the sudden sensation of drowning comes over her, and then...

Okay, so the walls are not crashing down and suffocating her. It's just Eleanor. She shakes her head as if to clear it, and then turns to see the expected woman.

"Mermaids. Because Elijah wanted to," Grace says, and shrugs. "Hi, Eleanor."

Elijah

[Awfuck!]

Dice: 4 d10 TN6 (1, 3, 9, 10) ( success x 2 )

Eleanor

[that reminds me]

Dice: 7 d10 TN6 (1, 1, 5, 5, 5, 8, 10) ( success x 2 )

Elijah

Mermaids?

"They're not real mermaids," he laments, yes laments, but he is old enough that someone must have told him by now that there were not going to be real mermaids at an aquarium, but there was the feeling of cold and ice and drowning and instead of being terrified (because it was so very, very scary to feel), he smiled and it was bright and pleased and, "hey Eleanor! Glad you could make it. You missed Maxine, but you might meet again at some point, because she's pretty freaking awesome."

Dan

Dan has a raw but oddly bemused little grin settled over his mouth as Maxine gives him that answer, that bright flash of her teeth. Always and forever, High and Above - and there is the passion skimming beneath it, as she announces that it is depressing when people believe schlock, elating when they believe The Truth.

"Somehow," he says, and he says this - really - to no one at all. "I don't think her truths are my truths." Then, a glance at Grace. "Tell me someone has introduced that girl to Pan. I don't know why she reminds me of fucking Joan of Arc."

Mermaids? Eleanor asks, and, "Swimmers in fishtails," Dan explains, though she must surely know that. Glances at Elijah, next, "Shows are every hour on the hour. There's a restaurant down in Florida that has had them since the 1950s. We had a gig nearby back when we were living in North Carolina. Sera couldn't get enough of them."

Of course she couldn't.

They were wriggling around in the water half-naked.

But someone somewhere in the crowd is signaling to him and Dan makes his goodbyes, telling them all that he has to go see what Dee wants, exhorting them to enjoy the mermaids. He'll see them around.

Grace

"Joan of Arc? Huh, maybe. She sure is bright like Pan is. Pan does not remind me of Joan of Arc, though," Grace says, and grins at a fish.

She waves to Dan when he leaves, but her eyes don't really leave the fish.

"I could believe that Sera would love watching mermaids, fake or real," she says, to no one in particular. "Shall we go gaze at the fish women then?"

Eleanor

In a place full of water, where there is much glass to break and rooms where there are sharks, there are turtles, there are even tigers, no one wants to feel anything sundering. No one wants to feel like they are drowning, slowly sinking, suffocating not because there is no oxygen, but because that air is rushing into your lungs with a couple of hydrogen hangers-on in every molecule.

Dan departs. Eleanor looks at Elijah as he explains they aren't real.

She sighs. She seems to understand the disappointment.

"You had me worried," is all she says, and slides her hands into the pockets of her cape-jacket, hidden as they are in the folds. She shakes her head, nods in some general direction. "Let's go watch the not-real mermaids. May as well get our money's worth."