Showing posts with label Sid. Show all posts
Showing posts with label Sid. Show all posts

Monday, August 18, 2014

Double-you tee eff.


Elijah

[Nightmares]

Dice: 4 d10 TN7 (2, 3, 5, 6) ( fail )

Elijah

Live, live you bastard for tomorrow you die and it all begins anew.

Something to take up to every morning.

Something that stuck in his head while he was making copies and getting ready for classes and buying his textbooks as though buying something would make the walls stop rumbling. He considers seeing Eleanor to talk, to talk about anything really because her presence is calming but he determines that reliving the sensation of drowning, sinking, sundering ending (beginning) ending was too much today. There really only one thing that Elijah could think of to do to shake the impending feeling of dread that came when his dreams were too much.

Elijah Poirot was going to get himself completely trashed until he forgot the night was ever anything at all to worry about. He'd stoke his courage with coke and pepsi and rum and whatever else he could throw at his system and dance until the world stopped spinning and everything came down to a crawl. He would move and touch and taste until he was fairly certain that he could count the heartbeats of whomever he was closest to in hopes of recapturing that moment where he could feel everything breathing, beating, breaking alive because he needed alive today.

He'd had enough dying.

For now, he had to prepare. This was a ritual, and he needed more damned carbs in his system than a marathon runner because what he was about to do to himself was damnably exhausting and he needed fuel for that fire. Besides, he'd heard this place had some damn fine hot sauce, and quesadillas were looking fan-fucking-tastic. He took a cab here, would take a cab wherever it was he was going, and if he played his cards right it wouldn't be home tonight. He had a button down shirt on that was undone just enough that his collarbones were visible at the right angle. . He had pants that matched his vest and one could say he looked sharp, looked poised. He even had a damn tie on that was ever so obviously eskew. Business formal gone ever so awry.

He had a seat at the bar. It was immediate service, which was precisely what he wanted.

Sid

Elijah isn't the only one who arrives at the restaurant sans motorized vehicle. Sid's reason is less about her later plans for the evening and more about the fact she lives a mere four blocks to the south. That doesn't mean she comes with no wheels at all.

She opens the door to the establishment, dressed in new jeans, a pair of sneakers, and a gauzy navy blue blouse with sleeves rolled to her elbows. There is a messenger bag slung across her torso, and a skateboard carried beneath her right arm. Her long red hair has been plaited into a thick braid that drapes over her shoulder.

As soon as she walks in, sees a vaguely familiar figure leaned over at the bar - ah, her destination, thwarted! - her brow tightens and her mouth firms not quite into a line. Her tension comes from wariness, though not the sort some might expect.

Regardless, or perhaps deliberately in spite of that wariness, Sid weaves her way through to take up a place at the bar herself. Two seats away, of course, giving the kid his space in case...well she's not really sure what to expect from Elijah. She leans her skateboard against the wall of the bar, removes her bag to hold it more securely in place, then slides into one of the stools.

Elijah

Elijah smiles a smile at Sid that is not unlike the awkward smile of finding out your one-nighter was also your new supervisor. Awkward, yes, but mostly embarrassed. Then again, the only sleeping done on anyone's part in this equation was Elijah in Sid's truck in a completely platonic out-like-a-light fashion. Come to think of it, it hadn't been the worst sleep he's had.

So, very carefully, he scooted himself one barstool over.

"Hey, I ordered too many quesadillas," lies, he ordered as many as he had intended on ordering, "do you wanna split some with me?"

Hawksley

Hawksley comes out of the bathroom.

Hawksley is wearing a tank top that is striped thin and thick and thin and thin and thin and thick again, an ombre of yellow and green and blue. Hawksley is wearing Ray Bans with black frames, neon yellow arms. His hair is a mess. His skin is tanned to a particularly rich shade of gold. He is in knee-length tailored linen shorts that are wrinkled half to death, and he is wearing bright blue top-siders with gleaming white soles and laces. In one hand is a yellow hoodie. In his other hand is a paper towel he forgot he was holding.

For a moment he's standing there in the arch between bathrooms and restaurant, hands to each side, like he's willing the room to stop wobbling.

Then he lowers his arms, straightens his back, shakes his hair back, and struts like the room isn't fucking wobbling because his will is greater than the room, fills the room with sunlight, saturates everyone's skin with warmth and light and glowing, glowing glory. The building shakes off its moorings and lifts, slowly and then all at once, soaring into the air. Now everyone can feel a bit wobbly,

at least those who are scared of flying.

--

He has not seen Sid in the last year.

Almost to the day. Actually plus a few days. But it's been a year since the night in the park that ripped Pan to shreds and left Sera a sobbing mess, the night when he and Sid were the ones who laid down beside her and held her until it was morning, and the terrors of the night were a little easier to release back to their shadows.

And it's entirely possible that a thing or two has happened in the past year, but try telling Hawksley that. No one tells him anything because it is useless to tell him anything. Not really, but he tries to make it very clear how little he cares about anyone, anything, so no one thinks it's worth it to involve him. He's a selfish, narcissistic hedonist. Not someone you call when you're sick. Not someone you call when shit is going down. Not someone you call for anything but partying.

So this is probably why, upon seeing Sid who went to a crazy woman's house with him and knows stuff about science and shit and comforted the person who is ostensibly His Only Friend That Is Not Also On His Payroll, Hawksley thinks of nothing but to lift his Ray Bans in shock, stare at Sid, and say,

loudly:

"Oh. My. God. Becky. Look... at her butt."

Sid

Sid watches the movement from her left. Watches as it resolves into Elijah sitting a stool closer to her. Watches that with the quiet stillness of a...one wants to say deer but that doesn't quite describe it. A wild animal, though, or one that has been smacked too often for doing the wrong thing. That's how she watches Elijah as he moves closer.

A thing or two has happened in the last year. Sid didn't think to contact Hawksley about any of it. Sid doesn't think to reach out to someone unless that someone is Someone and these days there are hardly any Someones in her life. None of them are in Illegal Pete's tonight. So. Hawksley won't know about the trials or tribulations that have shaped and changed the quiet redhead, the one who tried to defend someone she considered a friend after he left the building, the one who filled Sera's bed with a warmth and vibrancy that felt like spring even before her resonance turned green and verdant.

She does not have much butt to speak of, not anymore. She is thinner than she was a year and a handful of days ago, cheeks less round, it makes the dark eyes behind her glasses seem sunken. There are splashes of freckles everywhere on her fair skin, signs that she's seen the sun but still seems shadowed.

Elijah lies about quesadillas and Sid opens her mouth, but before she can say anything someone is quoting a Sir Mix-A-Lot video. Sid wouldn't turn - she doesn't recognize the voice or realize that it's directed at her and not someone else in the restaurant - except for that feeling. That sensation of sunlight warming her already warmed skin despite being indoors and away from the sun. Twisting on her seat, Sid looks over her shoulder. There is a moment of confusion followed by recognition and a slight shifting of her mouth that hints at a smile.

"Hawksley."

Elijah

Hawksley had a feeling that was hard to ignore, followed by a presence that was incredibly fun to look at because jesus that man was made of sun kissed gloriousness. Elijah wasn't the type to be jealous, but he was the type to unabashedly give him a look (because it was hard not to look because oh my gawd) His attention was drawn between the two; Elijah did not approach any closer to Sid than their current distance. That seemed comfortable. That seemed to be about as close as he could possibly get with Sid, noting her tension. Noting her posture, not ing their history, he didn't want to press. He didn't want to invoke a retreat.

"Holy shit, Hawksley, you know everybody," he said with no small amount of surprise.

Serafíne

The doors open and Illegal Pete's doesn't have fucking chimes, thank you know, or if they do they are shaped like cacti and slightly mad and slightly absurd and someone ripped the clappers out of them because the actual bell part is fucking annoying but regardless:

- a door somewhere opens and maybe it is the door to the restroom and maybe it is a front door, maybe it is a door that you don't quite remember being there in the first place. One that leads away from something you were, toward something you may be becoming and -

Fuck it.

Sera walks in.

She is wearing these tiny little leather short-shorts and fishnets and an unbuttoned men's sportcoat with apparently nothing underneath it except for a wholly transparent black lace bra, handmade, French, these amazing fucking little scallops probably hand-stitched by the most elfin little hands in the most elegant atelier in all Paris, and despite the absolute beautiful sheerness of her underthings, some semblance of modesty is maintained because that suitjacket, more or less covers her breasts but wouldn't, you know, if she lifted her arms overhead or stretched or did anything active whatsoever.

She: walks in, and puts her arms Hawksley from behind and looks like she's about to set her teeth in his shoulder because why the fuck not when:

"Sid, fuck. Hey. Long time no see. You look - " the sunken eyes, you know? The tension; that edged glance, Sera cannot say that Sid looks Good because, well, dark circles and what-all, " - fuck, it's good to see you."

Hawksley

The redhead, to Hawksley, is just that. Not quiet nor sad, certainly not shy or retreating, and Amelia Who. He's never seen an iota of that person, even if it was the bulk of her personality at one given point or another. So he doesn't compare that one to this one, and to be honest:

he doesn't notice if she's thinner or not. He has a vague picture of her in his head from a year ago. Mostly it's red hair, warm hands. Mostly, right now, he's inhaling deeply as though he can smell resonance and noticing something else about her that has not diminished, but increased.

"Why you sly dog," he calls her, coming over and putting his hands on her shoulders, giving her a raucous shake like ARMAND YOU OLD SO-AND-SO. He is not that rough, though. He is super drunk. But cheerfully so. He smells a bit like limes and tequila. And even without the alcohol, fear of Sid being dismayed or angered by the touch does not occur to him. Fear of making her retreat would bewilder him. Fear of accidentally vomiting on her because she's so wobbly all of a sudden: that is something Hawksley attends to, and so he stops jiggling her and drops his hands.

This is after he has dropped the paper towel he forgot he was holding onto the floor. He does not drop his hoodie, but the muscles in his arms and his shoulders are pretty and nice to look at. The watch on his wrist that cost as much as some people's cars glints in the fading daylight, or is lit from within by his own never-fading light.

He notices Elijah! His sunglasses are atop his head now. He blinks. He stares. Then he's tries really hard to remember meeting Elijah. He decides to fake it, and grins. "I so do. How you been, man?" And is clapping his hand against Elijah's, pulling him in for a back-patting bro-hug.

Hawksley

[I TOTALLY KNOW WHO YOU ARE. -1 for drunk.]

Dice: 2 d10 TN6 (6, 9) ( success x 2 )

Hawksley

And then Sera is there, glomping him from behind while he's bro-glomping Elijah, and Hawksley just grins. He chuckles and twists, wrapping one arm around Sera, patting her back. And Elijah's. Patting. Rubbing slow circles on their backs. Massaging slightly. Laughing.

Everyone is his friend right now. Tequila is his BEST friend, though.

Sid

[feelings what are feelings i certainly don't have those: manip+subt (hidden emotions)]

Dice: 6 d10 TN6 (1, 2, 2, 3, 4, 5, 10) ( success x 1 ) Re-rolls: 1

Serafíne

WHAT ARE YOU HIDING SID. (Perception + Awarempathy.)

Dice: 7 d10 TN5 (4, 5, 6, 9, 9, 10, 10) ( success x 6 )

Hawksley

[perception + awarempathy -1 TEQUILA]

Dice: 5 d10 TN6 (7, 7, 9, 10, 10) ( success x 5 )

Elijah

[I wanna roll things! -1]

Dice: 6 d10 TN6 (3, 4, 5, 6, 8, 9) ( success x 3 )

Sid

The tension in her increases as Hawksley draws nearer. It's been over a year since she last saw him, since they laid together in Sera's bed in Sera's house, Sera sandwiched between them. Back then she thought he was warm, that he gave good goods. He is more a stranger to her now than he ever was a year ago (they'd met before, see, in some other place in some Before time). She turns on the stool to face him, so that he's not coming up behind her, all drunk and smiles and smelling of tequila. Sid leans back when his hands reach for her shoulders and she frowns. That frown deepens when he has hold of her and starts to shake her and then Sid is shifting, "Don't," there is not even a note of pleading there is simply Don't. Then she's sliding off the stool, shaking his hands from her shoulders in the process as she bends to gather up her belongings.

Rising, she lifts her bag strap up and over her head and that's when she sees a familiar figure making her way from somewhere to there, to stand behind Hawksley. Sera greets her like nothing at all lies between them and Sid looks at her, all the warmth - both perceived and magically pulsing in her skin - drains away.

"Is it," she says, adjusting the weight of her bag's strap on her shoulder. "That's a surprise." She cannot keep a cold distance from her voice, from the way she looks at the Ecstatic.

Without another word, Sid darts around Sera and Hawksley. Hefting her skateboard under her arm, she makes for the exit. She'll get her quesadillas somewhere else tonight.

Sid

[Things:

Sid is very uncomfortable about strange drunk men approaching her and trying to touch her unexpectedly. She isn't afraid of Hawksley, at least, only upset and annoyed.

And then Sera. This is a vast gulf between Sid and Sera now. There is genuine surprise that Sera thinks it's good to see her, but she also genuinely doesn't want to be around her.]

Elijah

He totally buys it, laughs because laughter comes easily and perks up because Sera is there and as it turns out? Tonight seems to be pretty fucking fantabulous, and maybe that was what he needed to remember. The living part of things, but he isn't thinking about much because he's mostly caught in mid bro-glomp and then there's an arm over his shoulders and Elijah peeeeered over at Sera, and his attention swung over- all over the place because damned if there wasn't a lot of sensory input and he couldn't wipe the damned grin off his face.

But, of course, then this happens. there is shift in the air and he is perceptive enough to notice that… something isn't right here. Sid gets up, leaves, takes her things, and Elijah can't do much of anything except sit there with a dumbfounded expression on his face. He… he doesn't have context. He doesn't understand precisely what is going on, but for once he knows that it wasn't his fault that Sid was fleeing.

"…"

At about that time, Elijah was really hoping for an inordinate number of quesadillas.

"… I have no idea what just happened."

Hawksley

Whatever it's worth, even drunk Hawksley doesn't come up behind women and grab them. He approached Sid from her side, and saw the frown but didn't process it. Then he's like HEY YOU, all happy and such. That doesn't last long. Sid shifts away and isn't just shaking him off but taking her ball and going home. And Hawksley is left at a loss. He does not end up calling her a sly dog. He still smells like limes and tequila. It still does not occur to him that Sid might be dismayed by someone she knows giving her a playful greeting, and for a moment there his brain just spins, trying to figure out what else it might be that makes her snap that Don't at him and decide to leave.

He still drops the paper towel. He still does not drop his hoodie. His muscles are, as ever, quite pleasant to look at. His wristwatch is very expensive, but it always has been, and actually appreciates value over time because it's a work of art, as long as he takes care of it.

Which, perhaps surprisingly, he does.

Hawksley forgets quickly. Sid is in some kind of funk, he decides, and there's Elijah, so he's faking it, and EVERYONE IS TOTALLY BUYING IT and this delights him. He still, when he can, glomps on to two very attractive people and rubs their backs with a bit too much familiarity.

Tequila is still his best friend. But it hasn't always been, and later? Probably won't be.

--

He is not insensate, though he is drunk. He feels it when the room gets so cold all of a sudden that his balls just about shrivel up. He notices the way that Sid looks at Sera like she's about to claw her fucking eyes out. And he is now wondering WHAT THE SHIT was in that tequila because none of this makes sense to him.

Elijah has no idea what just happened. Hawksley is watching Sid storm out for a few seconds, a stitch between his brows, then he shakes his head. "Chalk it up to redheads, man, I don't know," he says. He doesn't try to get her to stop. 'Fleeing Sid' is not an animal in his journals, which makes it all the more confusing, but the reason he doesn't bother is because he wouldn't. For just about anyone.

For literally anyone but one person, who is not here, who made him hate chasing after anyone so much that he has taught himself to forget how to do it.

Elijah

There is a glorious, relief-giving moment when Elijah's quesadillas finally get there. Not in time for anyone else to eat them, but there is enough food there for a marathon runner (or for a recently-not-a-teenager) to sate themselves on. Perhaps he went a little overboard. Perhaps it would have been a good call, but the smell of tequila and the scent of food had his stomach rumbling and something reminded Elijah that it was cheaper to pre-party here than it was to go to the club and actually get toasted.

Knowing, of course, that tequila makes his clothes come off, Elijah decided to dress in layers.

"Lady and gentleman, I am too fucking sober right now," and with that, he ordered a shot of tequila. Gotta start somewhere.

Serafíne

Sera is half-smiling and muttering, happily you understand, "God you're so drunk," to Hawksley and she wrinkles her nose and kinda waves this TWEE LITTLE WAVE to Elijah and allows herself to be twisted 'round so that Hawksley can slip an arm around her waist and settle a hand on her spine, and her head slants so that she can rest her ear against Hawksley's shoulder or maybe his chest and absorb the beating drum of his heart into her body. She inhales. Breathing like she takes pleasure from even so simple an act because she does take pleasure from so simple an act except -

- her eyes are dark, the liner perfect though the shadow is smuged a bit and she has so much breath in her lungs and she's smiling at Sid, not precisely benevolently mind and not without some degree of awareness that it has been awhile but the pleasure she voices is so genuine, written all over her face and lambent in her eyes and tangled with a different sort of awareness, a certain specificity that she also cannot help breathing in.

That first is it has Sera so goddamned startled that she hardly understands what the pain in her chest is, and so she's balanced against Hawksley, her golden head all aslant, looking not wholly unlike a golden retriever with an ear infection, an animal who has just heard one of those sounds, like a dog whistle, and she doesn't precisely understand where it is coming from, just that it is in the air all around her.

Sera's breath is coming harder than she realizes and she just stands there, breating hard, and she doesn't quite hear Elijah's comment that he doesn't know what happened and more or less ignores Hawksley's redheads, man, her brows all drawn together.

Then she is: squaring her shoulders and rising to her tiptoes to kiss Hawksley quite precisely on his temple with an admonishment to Elijah and Hawksley that sounds like "You boys have fun tonight," and disentangling herself from Hawksley in a way that naturally makes the suitjacket swing open and lo, her lovely, transparent bra beneath, the brief suggestion of yet-another-tattoo on her ribs beneath her right breast and unlikely Hawksley she is following Sid out of the goddamned diner and she's not exactly chasing Sid or even trying to stop her and you must understand that the hang-time between that

stutterstep

of reaction and the actual action is both endless and infinitessimal because she is a Disciple of Time, because she is liminal and magickal and there is that space and then there is this one.

Sid walks out of the diner. Sera walks out after her, stepping out of her heels half-way because they are ridiculous and Sid is taller and what the fuck, it feels like a night to be barefoot on warm pavement in the fading daylight.

--

Outside: "Sid. SID."

And this is either pointlessly poured into the darkness or who knows what but: whatever. Sera says it. "I don't know what the fuck that was - but if you can't stand to be around me, then I'm gonna go.

"And I think you should turn around and go back inside and try to be happy to see people who are happy to see you. Be nice. Make fucking friends. Say, I'm fucking sorry, you guys, I overreacted. Bad day. Let me buy you another fucking tequila - because these walls are bullshit. They're fucking bullshit - "

Whatever else Sera was going to say, well. She inhales that too. Swallows it back and - yeah.

She genuinely does not understand what the fuck that was, or where it came from. She really was happy to see Sid. She really was astonished, hurt, in pain in the aftermath, and she really does actually give a fuck and genuinely thinks that Sid should turn around, go be social, do something with strangers.

Serafíne

(okay guys, it is my bedtime!)

Friday, May 16, 2014

Quicksilver.


Quicksilver

Spring was an ephemeral season in places like Denver. It came and went with the flow of the weather's whim, bursting into vibrant bloom, only to be licked with winter's last bitter frost. It was not that long ago that these woods were blanketed in a dusting of snow, but by now the last traces of winter's breath were gone and the landscape was thriving with life. Up above, the sky was a cool wash of grey, but the air was a pleasant 57 degrees, and one could hardly blame the local mages (or anyone else, for that matter) for wanting to spend the end of a long week soaking up some of that life.

Maybe they'd all met at the chantry. Maybe somewhere along the line, someone had said: "Hey, let's go exploring." Because it was that kind of a day. The air outside felt charged with a kind of luminous anticipation. Like the beginning of a story.

(Anything could happen.)

(And perhaps anything would.)

Sera, in particular, would be feeling the prickle of it on the back of her neck. Not a proper vision this time, but a nagging instinct. Something was going to happen tonight in those woods. Something crawling along the edge of the periphery of he land - far out into the wilderness. Just beyond the reach of the chantry's effects.

So maybe they all came together. Or maybe they just happened to have the same idea at the same time. Either way, they were all there: Grace, Lena, Sid and Sera. Walking down a path that led through a grove of tall pines.

Sid

It's Lena who gets the first message sent from Sid's personal cell phone in over a month. It doesn't really sound like Sid much, but then Sid hasn't felt much like herself (who is that, anyway? who is she anymore?), and besides. There were anti-axiety medications coursing through her system for the hours and hours it took for to get from one side of the world to the other.

"Trapped in planes for too much time. Need go outside. See grass? Sunshine? Et cetera?"

That was last night. In the morning as Sid attempted to recover from jet lag, she fired off another message.

"I want to see how what I did at the house is doing."

She will get her sunshine, her lush green grass, her flowers caught in perpetual bloom. Maybe she spent some time in the Node first, letting the warmth of the water soak into her muscles, letting the magic flow through her.

No. No, as soon as her old blue-and-cream-and-rusty truck pulled into the drive, Sid spilled out and set off across the grounds, with Lena in tow or waiting to met along the way. Maybe Grace was there, too, waiting to be swept off toward the edge. Soon as she saw that house, soon as she saw the thick carpet of verdant grass, the corners of Sid's mouth relaxed. She was here, she was home, she was in a place where she belonged.

They walk the grounds for a little while, Sid heading for one of the edges. She felt how far she'd stretched her magic and now she wants to see it. See if it's still holding. The edge of the magic is a sharp and abrupt thing. There is one step left of a thick carpet of green. Then the next is out onto ordinary Denver grasses. These are paler, a little more parched. The ground is patchy in places where the clay of the earth is visible.

Do they talk along the way? Maybe. About travel and flight and Sid's need to stretch her legs. At the edge of the green Sid pauses. Closes her eyes. Let's her senses be open again in this place that is familiar.

[percept+awareness]

Dice: 7 d10 TN6 (1, 5, 5, 6, 9, 9, 9) ( success x 4 )

Lena Reilly

They didn't all come together, as it turned out. Lena was meeting up with Sid after she had landed in Denver, and the latter had suggested that they get out into the wilderness. The great wide forests of the world aren't Lena's bag but she completely understands Sid's want to get out into the fresh air and nature here in Denver, knowing how the Verbena appreciates it.

And so that's why they're out here. Lena is walking alongside Sid, dressed...not warmly, but not in summer clothes either. She's in a hunter green long-sleeved shirt and a pair of jeans with a bomber jacket for a little extra weather protection, sneakers on her feet and hair unbound. Out here she doesn't smoke out of respect for a side of the world she doesn't visit often. She is relatively at ease, despite being out of her element because she is with Sid and trusts her. Besides, pushing past your comfort zones is the lifeblood of a Cultist.

And so she's here, walking alongside Sid and Grace and letting the Verbena soak it in.

[[Per+Aware, Uncanny Instincts]]

Dice: 7 d10 TN6 (1, 1, 2, 4, 6, 7, 9) ( success x 3 )

Grace

Today Grace dresses as she usually does, in jeans and sneakers and that gray turtleneck jacket that is pretty much her ubiquitous outer shell. Also similarly routine is her laptop bag slung over her shoulder. Even on a walk through the woods, yes, she has the laptop.

It had been a relatively peaceful day until Sid (Sid!) showed up at the Chantry with Lena, and Sid emphatically did not want to stay cooped up inside. It has been months since Grace saw Sid last. Months.

So, she agreed to be swept up in their rush to go explore outside, if only to catch up.

"Hey Sid, how was Russia? Did you do anything really cool? I quit school, did you know? Also, I went and had a Seeking while you were gone -- why did nobody tell me about that? Oh, but it was pretty cool though..."

And Grace, never quite one to go and chatter quite that much just goes on and on after seeing her friend for the first time in so long. If there is anything else out in these woods, they hear her -- unless she's told to shut it.

Serafíne

Sera follows the trail without thinking about; almost without noticing the change in the texture and color of the grass beneath her feet when she leaves the circle of the effect cast at the chantry. She is a slim figure against the landscape, but still somehow both dark and vivid. Wearing cut-off denim shorts over her thigh-high fishnets, with a black hoodie over that, zipped half-way up. Hands in her pockets, her shoulders forward, the hood drawn over the crown of her head, her blond curls all tangled around her face and neck as she climbs, following a feeling beneath her skin without ever quite knowing, precisely, where she is going or why she is going there, or what she might find when she gets there.

Somehow, she is only half-here. Somehow, she is then-and-now, where-and-when, each second staccato beneath her skin.

Breathing, just breathing, as she climbs.

Elsewise, neverwhen. No wonder she does not feel the other young women behind her as she climbs.

Sid

Sid, despite her desire to get out into the world, is not really dressed for a hike. She is wearing a bland, nondescript hooded sweatshirt (which number is this now?), jeans, and black and white Vaans. Unlike Grace she left her belongings behind. Her bag is still in the front seat of her truck, along with her only weapon.

Her only physical weapon, at any rate.

As they walk, Sid keeping the pace brisk but not going so fast that anyone must jog to keep up, she listens to Grace without interrupting. Does not tell her about Russia, or Shanghai, or Sydney, or the airports she's seen. Or the people she met. Or the things she's done. She merely listens quietly.

Until they get to the edge of her Working and she pauses and she stretches out her mind to feel the world, the universe that is in her, in the particles of her blood, the fabrics of her clothing, the wind in her hair. And then she feels-

Opening her eyes, she turns to look at Lena. That look is a wordless question as she lifts her hand to Grace for quiet. Does Lena sense that? Something moves and her eyes dart to the lone figure moving ahead of them. There is no question in her mind of who that willworker is. Sid frowns. And then she makes a quiet hmm, low enough for her ears only, a quiet but shifting single-note tune that seeks out and eventually finds a harmony that Sid can feel in her bones.

[Prime 1: Watch the Weaving, coincidental, practiced]

Dice: 3 d10 TN3 (3, 6, 7) ( success x 3 )

Lena Reilly

She picks up on several things, of course. There's the presence of her two fellows here: Sid's multiple Resonances, Grace's two. But there's something else out there; she feels Serafine and the sudden realization of these combined auras take her to a place that she had left behind recently...a place she'd rather forget. There would be a time later when she'll be more okay with it but this is the first time all of them have been on one spot and with that other, new feel permeating her senses, she freezes.

"There's something wrong here. And Sera, too." She's tense. Like any good Mage she believes in Fate, even if as a mutable quality. And there is something that doesn't seem right about this.

She begins to drum a beat against the side of her leg with her fingers. She concentrates until her eyes unfocus, letting that rhythm find her way. Sid's checking for Prime; Lena knows the Verbena's modus operandi by this point. Lena, for her part, starts scanning the area for Spiritual anomalies.

[[Spirit 1, Corr 1, WP]]

Dice: 2 d10 TN4 (2, 5) ( success x 2 ) [WP]

Grace

[Awareness + Perception!]

Dice: 5 d10 TN6 (3, 4, 6, 8, 10) ( success x 3 )

Grace

Grace is asking all those questions, and Sid is being silent until she lifts that hand to bring the quiet. Grace feels the tension in the air rise slightly, feels their surge of resonance as they begin to Work.

"Sera too?" she whispers, perhaps feeling a bit of the same unnerving that Lena does.

All of them, back again, with something wrong here.

Serafíne

So many things are lodged in Sera's throat. She lifts her face to the wind and finds herself in a grove of trees without quite understanding how or when she left the sunlight for the shadow.

Her head tips back, though, back and back and back and back, following the graceful lines of the evergreen all the way to its swaying top. The hood falls, unleashing the wind on her tangled blond hair, which whips across her face, filling her mouth as she opens it to take a breath. Stops, stills for a moment in the stippled shadows, rocking her left foot heel to toe, toe to heel, heel to toe, over the fulcrum of a rock that was here as before -

as now, as always.

Perception + awareness.

Dice: 7 d10 TN5 (2, 2, 3, 3, 6, 7, 8) ( success x 3 )

Quicksilver

There was something out there. They felt it already - those telltale notes of resonance drifting down on the breeze like an animal's scent. Sera was on her own, climbing a part of the trail that began to ascend a long sloping hill. As lost as she was in time (there and yet somewhere - somewhen - else) she may not have noticed the drawing presence of her friends behind her. But surely they noticed her.

And because Sera was in the lead, it was her who first saw the flash of brilliant red and the bob of a white-tipped tail as the fox bounded over a rocky outcropping and came to a stop just a few feet away, mouth agape as it panted for breath.

"Hello? Can you help me?"

The fox was... speaking?

Yes, it was. It was a talking fox.

(And this creature, see, this was the quicksilver flash of swift and clever resonance that Sid and Lena had felt approaching.)

The fox shifted its attention to the rest of the group, calling out with a loud, clear voice so they could all hear. "Hello! I need your help! It's quite urgent, I'm afraid!"

Sid and Lena began to open their senses, searching the nearby surroundings for signs of Willworking. As of yet, there was little for them to find, but still there was that draw of something... something... just beyond the edge of their awareness.

Serafíne

Oh, see. Sera can taste it on the tip of her tongue. Whatever it is. Whatever is uncertain or longing or strange inside her. Whatever has her caught between breaths and breaks and the stitched spaces the ordinary inhabit; whereever she holds herself, however she keeps herself in place.

Somehow, the presences behind her feel as much like hallucination as the fox in front of her, and Sera feels this brief ticking note of panic inside her - (not because the fox is speaking, no. because she does not quite remember something, some necessary doorway, some opening to the underworld) - even as she sinks to her haunches and opens her hand to the fox.

Of course it speaks.

She is on drugs, remember?

"What do you need?"

Even as she glances off beyond it, toward the horizon. This tangled awareness, almost-seeking.

Grace

Grace blinks at the fox. It's not like she doesn't believe in the impossible. Not after Thakinyan and the scarecrow and the mummy. It's just odd what the universe will throw your way, isn't it?

She walks up, because where the fox is, Sera is. It's not quite like leaping ahead of the others. Sera gets a little quirk of a smile, but it's obvious Grace is distracted. Well, who wouldn't be?

"Uhh. Right. Talking fox. Hi?" she asks, and looks around for... whatever.

Sid

Sera, too?

Sid does not turn her head to look at Grace, nor does she look to her other side to Lena. Her eyes are on Sera as she disappears beyond the line of the trees and begins her upward climb.

"I don't know," she says. Sera feels like Sera, but what is Sera doing out here all alone? There is something very, very strange going on here. She sensed that prickle of Paradox, but no working to cause it? Only the after-effect?

She would like to consider it, and if she had time she would. But Sera is moving on all alone and there is something quicksilver moving toward her, and there is something else out there as well.

"But we're not leaving her alone." Without another word, Sid carries forward. Either the others will follow her, or they won't. She is going after her...she's going after Sera. This time her steps are quicker, her long legs striding long. She does not break into a trot, but she does not slow herself for the others to keep pace - if they come with her.

Instead, as she walks she scratches at her arm, the fingernails of her right hand digging and digging at the flesh of her left wrist, just beneath the ink there. She scratches until the skin breaks and a bead of bright red blood oozes up, scarlet against the paper-whiteness of her skin. She is searching for something else now. As she nears she catches sight of the flash of red, low to the earth. Her brows furrow, but she does not slow, and she does not stop when the fox turns to look at her (at them) and speak.

She is reaching out, looking to see if maybe, just maybe, there are other signs of Life in this place. Something Other. Something unstable, but ardent and imaginative all the same. Something mad mad mad. Does it belong to a person, is it a resonance? Or is it something else?

[Life 1 scan, also practiced and such!: Looking for other life patterns]

Dice: 3 d10 TN3 (4, 5, 8) ( success x 3 )

Lena Reilly

[[Int+Occult: Do I know about these things?]]

Dice: 4 d10 TN6 (2, 3, 4, 5) ( fail )

Lena Reilly

"It's...a Bygone, maybe?" She hasn't encountered something like this before, but she does know about those. Most Mages with any level of experience are familiar with the concepts of Bygones, and certainly ones with Spirit.

She frowns and moves to head to the fox. She's not naively blundering ahead, but she's also not hesitant or wary either. This is a different Lena than the other three are likely used to. It's more like what Lena used to be.

Quicksilver

The fox's body shivered lightly as it stood there, muscles quaking with tension and energy. Its ears pricked forward when the others approached. Its eyes were a glow of brilliant amber as it took them all in - alive and intelligent. Something more than a simple fox, surely. (After all, it could speak.)

"Yes, a talking fox. Whatever will the universe throw at you next?" There was a hint of tired sarcasm in the creature's tone.

To Sera then, it said: "Henry, my friend. He was messing about with this book. And it summoned something. Ah... spiders, actually. It summoned spiders. Very big ones. Three of them. One of them bit him and wrapped him up for a snack and I'd really, really love it if we could do something about it before it decides to eat him."

And see, here. The fox? It was a clever creature. It gave them all such a wide-eyed, plaintive look... like a lost puppy begging for food. Surely a difficult thing to say no to. But for all that it may have been trying to play on their empathy, its desperate concern seemed quite genuine.

"Can you help us? Please?"

Serafíne

Sera reaches up to wrap her left hand around the length of her hair and pull it to one side, tugs up the hoodie again whilst she is crouched there, the diamonds of her fishnets digging in to the flesh of her thighs. Her weight is finely balanced on the balls of her Doc Marten's. From somewhere inside the pockets of her hoodie she fishes out a pack of kreteks and she's still playing with that idly, almost thoughtlessly, her body functioning on some level of automatic pilot.

A glance over her shoulder, at Grace and Sid and Lena. She may think they are as much hallucination as the talking fox.

"'That's what your friend gets for messing about with books. Course we can help. Let's go - " Not merely idly, with those cigarettes. Sera lights one. Inhales, see. " - how far is it?

Lena Reilly

Great. A snarky talking fox. That's all they need. She frowns, but not out of irritation. She couldn't give a shit less if the fox is sarcastic. It could talk in a British accent and wear a monacle for all she was concerned. What's important is that a friend was messing with a book and there are spiders.

"Which way?" she asks, without hesitation. If someone's in trouble, she's here to help. And when they get to the person they can assess the situation and see if help isn't quite an option.

Grace

Grace's eyes widen a bit. "Okay, a talking fox who can also read minds."

Perhaps not for real. She didn't exactly sense the thing digging into her brain or anything. But whatever.

She looks over at the others, "I have no giant boot with which to de-arachnid the forest. I can take a look maybe?"

With that, she unloads the laptop from her bag and sits down on the damp needles of the forest floor, to try to follow a fox's trail through the place.

[Corr 2, Life 1, diff 5 = Trace the fox back... to spiders? Spending WP!]

Dice: 2 d10 TN5 (3, 5) ( success x 2 ) [WP]

Sid

Bygone. Sid's brow shadows, she's heard that word. She's read it somewhere. After the thing in the alley, the peryton Leonhard said. She looks at the fox and she understands now. Paradox with no effect, of course.

The fox is sarcastic and then pleading. His friend is hurt and Sera tells him that's what his friend gets for messing with books. Sid can't help but agree, but her concern really is with large spiders and a person who has been caught up by them, bitten by them, could right now be feeling his insides melting away in preparation for a spider's dinner.

Sid senses around them for other living creatures, but all she feels is them and the other things in the woods around them. Sera says let's go, Lena asks which way, Grace opens up her laptop and looks.

Sid is quiet, letting the sleeve of her sweatshirt fall back over her wrist.

Grace

She boots up her laptop and (quickly enough) gets to work. It's a fast machine, made to silently, suddenly start. And her fingers do fly over the keyboard once it's come to.

Wherever one goes, one leaves behind the chemicals of life. Some are apt to be dragged along with the wind, but where the fox has stepped across the pine needles, there Grace follows. Sweat gripping its paws, a hair here and there, it's all enough to track.

On her screen, the others can watch it like a camera attached to a heli-drone as she progresses, quicker than even the fox through the forest, retracing its steps, until...

There is the fox's friend, unconscious on the forest floor, guarded by a single, extremely large spider.

"Found it. It's about a half-mile away from here. That way," she says, and points. "There's only one spider, though, Mr. Fox."

Quicksilver

A wash of relief flooded the fox's expressive eyes. "Thank you, truly. If we get out of this I'll make Henry give you some of our stash."

It wasn't clear what, exactly, he meant by that. Who knew what sort of 'stash' a talking fox and his friend might have.

"It's this way." The fox turned and angled its head back in the direction it had come. The same direction that Grace's effect would inevitably lead her while she ran her calculations - finding that thread of connection that bound the fox to the unconscious mage it had left behind. The fox seemed about to elaborate further, but then Grace beat him to the punch, and he gave a quick little nod of his head to show that she was correct.

"Only one? Then the other two must have wandered off. Which is... both good and bad, I suspect. And my name is Red. Not 'Mr. Fox.'"

And then, because it was clearly in a hurry, the fox turned and began to trot back up the path, pausing only long enough to give the others time to catch up.

"I'm not a bygone either. But I believe they are."

(They: as in the spiders.)

Lena Reilly

She looks to the others and then pauses to grab a decent-sized branch off the ground...some sort of weapon against giant spiders...before she moves to follow. Lena doesn't come combat-ready...in fact, she's just about the opposite of combat-ready as a rule. But that's not going to stop her.

"Fair enough, Red. Let's go."

She makes to follow, keeping herself alert for the other spiders. She's mostly pointing her attention up to the trees...she knows enough about spiders to know that if there's an attack, it could well come from above. Luckily her shows are well-suited for moving quickly and she's walking along with the fox (and Sera, Sid and Grace, of course) as she does. She's keeping closer to Grace since she's paying attention to her laptop, so that nothing drops down on the Virtual Adept.

"So if not a Bygone, then...what are you, if I can ask?"

Sid

A half mile away, eh? Well, Sid does not simply seek out other Patterns and then release the search. She keeps feeling out as she follows along, the rote passive enough that she almost doesn't have to think about it at all as she goes. And though she's spent the better part of the last twenty-four hours cooped up in an airplane, Sid is athletic. For her part, she keeps to the rear of the company, though. She'll watch their backs, in case anything should happen to surprise them, or slip through her search.

Grace

Once she's found the spot, Grace packs up again and stands to follow the rest. Lena's got a good idea with that big stick, and Grace follows suit with her own improvised weaponry -- another big stick.

Hey, you do what you can, right? She hasn't the ability to do much else than see things.

She gives a glance to Sera. "I usually like spiders, you know? They usually eat bugs, not people though."

Serafíne

The fox, the feeling in the back of her throat, the then-and-now, which is strange and lovely and terrible in its own way - all of it feels hallucinatory to Sera. Imperfect, unreconciled, as if the edges of the moment has started to become frayed.

Perforated,

and something else is seeping in.

It isn't the talking fox that gives her that feeling of both strangeness and impermanence and absurdity, though. It is Grace with her laptop in the midst of it all, sitting on the pine needles -

- and she thinks, not, perhaps, absurdly, of a boy named Jake instead of spiders and where they might come from and how and why and all that. And Grace says that she usually likes spiders, they eat bugs, and Sera gives her a spare glance and the edge of a smile that is inexplicably on the verge of tears or maybe that is the wind in her eyes, the sharp edge of it, as she shadows the fox, striding rather than jogging, this surefooted ease about her.

Weapons?

None but her Will.

Quicksilver

"I'm a fox, clearly."

Red kept trotting up the path, leading them toward the source of the disturbance. Every now and then he'd have to slow his swift-footed steps in order to allow the others to keep pace with him, and this seemed to frustrate him a little, but he knew enough to be polite about it.

"I used to live on the other side of the Gauntlet, but then I met Henry, and he brought me back here. We have a sort of... partnership." He refused to use the word 'familiar.' Perhaps it offended him. "I'm a spirit given flesh, if you really want to look at it that way. But I prefer Red. Who I am is more important than what, wouldn't you say?"

He glanced back at Grace and Lena, eyeing their improvised weaponry. And then it gave this wearied little sigh. Like maybe it wished it had come upon a more well-armed group of mages. But then, beggers couldn't exactly be choosers, could they?

Besides, they had other weapons - the kind that did not require anything more than a waking mind.

(And cleverness, hopefully.)

They moved through the pine forest at a quick pace, drawing ever nearer their destination, and eventually the fox turned off of the trail and led them through the trees, its feet padding silently along the bed of needles. It wasn't long after this when Sid and Lena would begin to sense what was ahead.

Sid

Sid is quiet, bringing up the rear, listening to Lena carry on a conversation with a fox. A fox. There was a time when she would have found that strange. Then her eyes were opened to the wonders of the world around her.

Or maybe the part of her that used to wonder and that used to be amazed is crushed inside of her. Maybe it's gone altogether. She is not the person she was a year ago. Sometimes she wonders if she was ever the person she was before that.

Grace and Lena gather what they can for weapons. Sid and Sera do not. This is the lot that Red found, or that Fate drew together for Red to find. These four are stronger than they seem. They have their minds, their wills. They have their ability to alter reality on a whim.

Suddenly Sid's head comes up, sharp and somehow animal. The way her chin lifts, the way her neck stretches, the way her body seems to lenghen into something larger, something barely contained within the cloak of her skin.

"We're close," she says, and she pauses. "I can feel your...I can feel Henry. He's alive. If this thing. If these things were summoned," she continues. "Can they be sent back? Or do we have to end them?" She is asking all of them because she does not know. All that power at her disposal and there are still all those years when she was on her own, on the run, refusing the closeness of others, the friendship, the help. There is still so much left for her to learn, and among that is anything to do with the summoning of spirits and the like.

Quicksilver

[Edit: "And then he gave this wearied little sigh. Like maybe he wished he had come upon a more well-armed group of mages."]

Lena Reilly

She's not ever seen one before, so she wouldn't know what the deal is (and thus didn't), but she's heard stories at least and of course familiars are not some obscure part of wizard lore. So when Red makes it clear, she nods a little bit and accepts it. "Noted. Red you are."

The little familiar may have hoped for a martially-minded group of Awakened but that's just not this group. Not unless they have the ability to projectile vomit or bleed on people, anyway. Historically they've been better in that sense. Though whether any of them would be willing to do that again...yeah. That was a different, more desperate time. They do have magic of course, so that's something. They'll make do.

"Spiders eat whatever they're big enough to eat, I think." She's no naturist, she only knows what little she's read or seen. So she's probably wrong; just making conversation. "I'm less concerned about the eating than the poisoning. But yeah, either way."

And then she gets the sense thanks to her magic, and nods in response to Sid. "Something was summoned, yeah. The wall between us and the spirit side is very weak here. Someone ripped it open hard. And that's where the spiders came from. I don't have the ability to send them back, that's some pretty advanced magic. But if the spiders are indeed Bygones, and it seems like they are, they may have more than just your garden-variety spidery-things so be ready just in case."

Grace

Sera is still acting weird, still not speaking to her, but giving these tiny smiles that are as confusing as they are welcome. She sighs, but continues on, gripping that stick when Sid says that she can feel Henry.

"So they're spirity spiders? Demon spiders? Fuck my life," she says, and whacks the palm of her hand with her pine stick.

"Kalen's going to just love it. I face down demon spiders now. Brilliant," she says, but the sarcasm, it drips off of every word.

Serafíne

"I can't send it anywhere," Sera, quiet, hands in the pockets of her hoodie again, her breathing sliding into a deliberate sort of rhythm, matched to the beating of her heart, away of the beat of the universe all around them. She is looking out, away, beyond. Holding herself the smallest measure apart, isn't she. Somehow on the trot over here the surreality of the hallucination has given way to something else and she follows that changing sense of the moment with a perfect quickening in her heart.

"But I can stop time around it. Long enough for someone to get him out."

Serafíne

[Mind 2 Scan: General disposition of spider. Dif 5 -1 practiced.]

Dice: 3 d10 TN4 (2, 6, 9) ( success x 2 )

Quicksilver

Red hopped up onto a dead log and looked out into the distance. They were close enough now to see movement between the trunks of the pines ahead, and the breeze carried echoes of some kind of... horrible shifting, liquid sound. Like something being drained. Whatever it was, it wasn't Henry (Sid would have sensed that.) Maybe the spider had caught itself some other prey.

"That's a tricky effect." Red spoke softly as he turned back to look at Sera. "But if you can manage it..."

He paused thoughtfully.

"The book. We need the book to send it back. If you deal with the spider, I'll find the book."

Lena Reilly

You deal with the spider, I'll find the book. Lena's come along to help without reservation, but there is a brief moment when her eyes narrow. That sounds almost a little fishy to her. But they really don't have a huge amount of options and so she hefts her stick, sighs.

"All right then, let's do this. I knew I should have brought some Deep Woods Off." Hey, she's got to keep her sense of humor up, right?

"I'll lure it out this way with a little mental gymnastics, get it out into the open and then we'll keep it busy?" She looks to the others to make sure they're in on the plan.

Sid

A book. It would be easy for Sid to locate the book if she had her knife, but it's back in her truck. She does not lament this. The fox will surely have his own senses that he can use to locate it, anyway.

Knowing that there will be a way to send these creatures away, back to where they came, it gives Sid the smallest sense of relief. Perhaps there won't be any death here today.

Sera will stop time, Lena will lure the spider out. Sid looks at Grace and the corners of her mouth, they flicker, just a touch. Grace can almost see the shadow formed as old, old laugh lines just barely begin to show. It does not resolve into a smile, or even a glimmer of a smile. This is a smile's ghost, a translucent, non-corporeal thing.

"That leaves us to grab Henry. Are you ready?"

Serafíne

"I can."

Spare and graceful, and this to the fox only, Sera unearths her hands from her pockets and reaches back to twist her hair back out of her face. Shakes her hands free then and gives Lena a glance that is quite nearly sharp.

"No. We don't need to lure it here if I do what I said I will do. And I will need time to make it work.

"Give them a hand with Henry, in case what I do goes wrong. You have to time this just right."

Grace

"Yeah, I can grab his feet if you grab his hands? Drag him out of here maybe?" Grace says, and she doesn't smile back. In concentration, she either looks extremely distracted or angry -- one of the two. Now, she just looks pissed off.

She drops the stick, because apparently it won't be needed. And besides, it might stand out to an angry spider. Attack the one waving around a weapon, right?

Instead, she slips behind the trees, trying to slip behind enemy lines, so to speak.

[Dex+Stealth = Sneaky sneak!]

Dice: 5 d10 TN6 (2, 7, 8, 9, 10) ( success x 4 )

Sid

"Something like that," replies Sid. Her eyes are on the movement. If the spider has found itself another meal its life has already fled, she would have sensed it just like she would have sensed the other two spiders mentioned.

Grace drops her stick and Sid pulls up the sleeves of her sweatshirt, one after the other, revealing the ink on her left wrist as well as the scratch she already started. Digging her nail into the wound again, she draws up her blood again, just a droplet, and she smears it down her forearm until it fades.

[Life 3 coincidental, increase Dexterity for a boost o' speed, -2 Quint to lower the diff, +Wp because no time to extend]

Dice: 3 d10 TN4 (2, 6, 10) ( success x 3 ) [WP]

Serafíne

Distort Time. Time 3: Vulgar Without Witnesses. Difficulty: 7 -1 (focus). -1 (quint)3

Dice: 3 d10 TN5 (3, 4, 10) ( success x 2 ) [WP]

Lena Reilly

Lena is a musician, but people haven't ever really seen her perform. A few have seen her spin, but that's different. She sings, but only very rarely and those tracks are for her and her alone thus far.

It's not because she can't sing, though. Only because she's a perfectionist about her Passions, and if it's not the best it's not for her. Today though, she's making due as she relies on her own heartbeat to provide her internal rhythm, raising her voice in a melody that lacks words, but tries to beckon to the spiders:

Come

[[Mind 2, Impulse: Come This Way. -1 For specialty focus, -1 practiced. WP and Quint to lower diff to 3 and gief suxxessors]]

Dice: 2 d10 TN3 (3, 9) ( success x 3 ) [WP]

Lena Reilly

[[And while I'm not asking for Abilities Enhancing Magic, this is just for flavor and because I wanna see how good she does, Performancing!]]

Dice: 6 d10 TN6 (1, 6, 7, 7, 9, 10) ( success x 6 ) [WP]

Quicksilver

Grace had the right idea, and seconds after she slipped silently into the trees, Red followed her, the fluff of his white-tipped tail disappearing into the undergrowth as he crept away.

As Grace drew nearer to the clearing, she'd be able to make out a clearer picture of what lay before her. A giant grey-furred spider, as tall as a small horse (and much more dangerous,) feeding on a doe that it had caught in its webs. The deer looked as though its neck was broken, its head hanging at an odd angle with the whites of its eyes showing. The spider's fangs were sunken into the deer's shoulder, draining it of blood as it fed. The forest here looked like something out of a dream: darker somehow, and coated with thick, silken strands of webbing.

And off to the side, wrapped in a cocoon of gauze-like silk, lay a human body. Alive, but unconscious. Henry.

Behind Grace and Red (wherever he was,) the rest of the group began to work their effects. Sera began to manipulate the strands of Time, focusing on the spider, trying to slow it down to lessen the threat of its attack. Meanwhile, Sid felt her body surge with a new-found agility, and Lena...

That voice.

She could beckon the fucking stars with a song like that.

And oh, it worked. The spider stopped feeding and looked up, its eyes glistening black in the evening light. And then it moved, and oh... it was fast. Sera and Lena would barely have time to comprehend the danger they were in before it was on top of them.

[Ok, Init time folks!]

Lena Reilly

[[Init +5]]

Dice: 1 d10 TN6 (9) ( success x 1 )

Quicksilver

[Spider Init +6]

Dice: 1 d10 TN6 (8) ( success x 1 )

Grace

[Init + 6]

Dice: 1 d10 TN6 (9) ( success x 1 )

Quicksilver

[Red Init +8]

Dice: 1 d10 TN6 (2) ( fail )

Sid

[+8]

Dice: 1 d10 TN6 (3) ( fail )

Serafíne

+6

Dice: 1 d10 TN6 (4) ( fail )

Quicksilver

And the order is:

Grace 15

Spider 14 (base +6)

Lena 14 (base +5)

Sid 11

Red 10 (base +8)

Sera 10 (base +6)

Serafíne

Sera [Extending Distort Time]

Quicksilver

[Red is off doing sneaky things and hopefully finding the book]

Sid

[1a: Bolt to Henry, 1b: Heft him. Reflexive (think she notices Grace by Life alone at this point): "That way," with a nod of her head in some direction that is away so that she and Grace don't accidentally try to pull Henry in half]

Lena Reilly

[[No guts no glory! But Lena's not interested in glory so she's trying to dodge.]]

Quicksilver

[Spider Declare: Split action

1st split: Close distance to Lena

2nd split: Tackle Lena]

Grace

[Sneaky-bolt to Henry]

Grace

[Dex3 + Ath1 = No get caught in web!]

Dice: 4 d10 TN8 (1, 3, 4, 7) ( success x 1 ) [WP]

Quicksilver

[Spider closes distance to Lena, second split Dex+Brawl -3, diff 7 for tackle]

Dice: 5 d10 TN7 (1, 2, 5, 5, 7) ( success x 1 )

Lena Reilly

[[Dodge!]]

Dice: 3 d10 TN6 (1, 4, 5) ( fail )

Quicksilver

[Str+1 bashing damage from the tackle]

Dice: 5 d10 TN6 (2, 3, 5, 5, 7) ( success x 1 )

Lena Reilly

[[Soak]]

Dice: 2 d10 TN6 (3, 6) ( success x 1 )

Sid

[dex+2+ath, -2 for split, diff 8, c'mon Sid you're a stag, be nimble!]

Dice: 6 d10 TN8 (3, 4, 4, 5, 7, 8) ( success x 1 )

Quicksilver

[Red does things]

Grace

As she swiftly slides her way to Henry, somehow always keeping a tree or log or what have you in between herself and the spider, Grace notes the webbing getting thicker and thicker until strong silk weaves its way in front of her.

And she almost gets wrapped up in it herself. It clings to her arms, and she wants to panic, but no, we must focus here. She powers through it instead, ripping at the sticky ropes of silk with her fingers until it releases. She has an unconscious person as her goal, and she's not going to let him go because of a spider's trap.

Serafíne

Extending. Vulgar Without Witness: 7 +1 (extending) (-1 resonance) (-1 focus). (-1 quint).

Dice: 3 d10 TN5 (1, 6, 7) ( success x 3 ) [WP]

Quicksilver

[Spider is now operating at 1/3 speed and can only take his turn every 3rd round]

Quicksilver

Sid and Grace barely managed to avoid getting stuck in the spider's webbing, but they made it safely to Henry's side. From what they could make out, the man was old, and weighed comparatively little for his height. When they grabbed him, the spider-silk stuck uncomfortably to their hands and arms, but they were able to lift his unconscious body enough to move him.

Meanwhile, at the edge of the clearing, Lena found herself confronted with the sight of the spider's massive fangs, already dripping with venom in anticipation of its strike. It tackled her to the ground so fast the breath was knocked from her lungs, but the weight of its legs on her body weren't enough to cause any real damage (yet.) No, this was not the beast's intention. What it meant to do was immobilize her, and this it did rather effectively, but just before it could sink its fangs into her flesh, Sera's effect hit.

They'd all feel the surge as time warped around the creature. And it's movements slowed to a slow-motion crawl.

But it was still coming closer. Now Lena just had more time to watch the inevitability of her fate drawing near.

Quicksilver

[Also, Sera takes 3 Paradox]

Serafíne

[Extending. Spending one last quint.]

Dice: 3 d10 TN5 (5, 8, 10) ( success x 4 ) [WP]

Quicksilver

[Red continues to do things that no one can see]

Serafíne

[Declare: sera is extending her time effect one last time. But damn I wanna keep that roll.]

Sid

[Shuffle shuffle shuffle with Grace and Henry away from the dangerzone]

Lena Reilly

[[Try to get out from under Spider-Not-Man.]]

Quicksilver

[Spider cannot declare until two turns from now]

Grace

[Grab Henry's feet and moooove!]

Sid

[dex+ath, ALL THE DICE and a WP because that last time was scary]

Dice: 8 d10 TN8 (1, 2, 3, 6, 6, 7, 8, 10) ( success x 3 ) [WP]

Grace

[Dex3 + Ath1 = No get caught in web! And a WP!]

Dice: 4 d10 TN8 (1, 2, 7, 10) ( success x 2 ) [WP]

Quicksilver

[Grace and Sid be like, "pff, what web?"]

Lena Reilly

[[Dex+Ath, I'll put WP in here]]

Dice: 3 d10 TN6 (2, 3, 8) ( success x 2 ) [WP]

Quicksilver

[Lena wiggles free like a boss. Spider be like "waaaaaiiiit, come baaaaack...."]

Quicksilver

While Grace and Sid worked on moving Henry's body from the clearing, they'd be able to hear a sound coming from somewhere a few yards behind them. That sound? Was Red's voice.

He was... chanting something. The words sounded foreign. Nothing remotely like any mundane language they'd heard before. Something ancient and occult.

Either he was doing what he'd claimed, or he was doing something else entirely. Surely they'd find out soon enough, because as he chanted, a rush of coalescing energy began to wash over their skin.

Something was about to happen.

Serafíne

Extending Time 3 - Distort time effect. Dropping her last quint / WP.

Dice: 3 d10 TN5 (4, 4, 6) ( success x 2 ) [WP]

Grace

Grace grabs Henry's feet, as she promised earlier, and starts hauling him away with Sid's help. Between the sticky webbing and the dead weight of a man between them, they make slow progress, but it is progress at least.

The fox begins to chant in his strange tongue, and Grace raises her brows at Sid. "Hope he's telling the truth," she whispers, trying still to remain unseen and unheard.

Quicksilver

When Sera's effect went off, strengthening the power of her hold on the creature, it's movements almost seemed to freeze. It gave Lena enough time to wrench herself free from its grip and slide back along the ground. The plan had been a risky one, but they'd pulled it off in the end.

Beside them, the spider gave this slow, drawn-out hiss. The time distortion deepened it somehow - made it seem as though it came from some cavernous space.

Meanwhile, Grace and Sid managed to drag Henry's cocooned body free from the webbed clearing and onto the dry, clean pine needles of the forest floor. He lay slumped in their arms, unconscious but breathing steadily. Alive and reasonably well, all things considered. Sid would be able to feel the damage from the puncture wounds in his side and the paralytic venom that coursed through his body. It wasn't as bad as they might have suspected. She could heal him, if she tried.

And then - the air snapped. Everything warped for a moment. The very lines of reality blurred and dripped like the world around them was suddenly made of watercolors. Wind gusted around them, blowing pine needles and leaves and bits of rock and dirt and wood everywhere. The gauntlet opened up. And the spider? Vanished into it.

Then everything fell back into place. And the earth grew still and quiet.

Sid

Together, Sid and Grace manage to get the man out of the grip of the webbing. For some reason getting out of that place was easier than getting into it and getting to him. Something about desperation, the greater need to get the three of them to safety, perhaps.

Sid is trying very, very hard not to pay attention to what's going on behind her. It's not that she's any more afraid of a giant spider than a sane person should be, it's that something is attacking her friends. If she turns around she will act, just as she told Eleanor once that she would act. But in doing so she would break several promises that she made to herself.

One of which is helping others. That means getting Henry to the safety of the clean woodsy floor. When they're free of the webbing, bits of it stuck to their clothes, clinging to their hands where they hold onto Henry, some of it pinning a lock Sid's long hair down against her sweatshirt, Sid says, "Here."

Here is where she stops, and Here is where she crouches, lowering Henry and shifting her legs as she does so. Her body is still unnaturally agile, superhumanly nimble. It's not hard to shift so that the man is resting his head back against the cushion of her ample chest.

"Try to get the webbing off him," she says to Grace. She wraps her left arm around the man's shoulders, connecting herself to him by strength, and by that swath of blood that's dried to rust on her skin. Quietly she hums a melody to him, a lullaby from her youth. Something to soothe his Pattern and ease his injuries out of existence. Slowly, she starts building up the energy she needs to heal him of his injuries.

[Life 3+Prime 2: Vulgar as fuck, diff 7, will extend twice. WP all the way, baby.]

Dice: 3 d10 TN7 (2, 5, 5) ( success x 1 ) [WP]

Grace

Grace just stares around once the air snaps and reality shifts and melts like Dali painted the world. Sid says 'here' and she lets the burden of Henry's legs down slowly.

"Yeah, okay," she says in response to the request to get the webbing off, and she starts pulling away at the sticky mess. It ends up sticking to her, and she rolls it into a web ball in order to discard it. He'll be sticky for a while, anyway. She can't get it all. It's a horrible mess.

The earth shudders back to normality, and Grace looks around. No spider. Just forest. Forest, and a man, and a fox who is still hiding.

"Hey, looks like Red pulled through after all," she says, and manages for the first time since being shushed to smile for real. "I think he's going to make it."

He, and the rest of them too. But she doesn't dwell on the danger they all could have been in.

Lena Reilly

She was pretty sure she was--well, probably not die. She had less of a concern of that than she did of getting skewered, which would put her friends at risk because she'd be bleeding all over the place and THAT would not have been good. But luckily just as her magic had done its job, Sera's did its job and the book or someone made the spiders get sucked away as she skittered away (not un-spider-like herself in the way she back-crawled). Now they're all there without arachnid threats bearing down on them.

And then she gets up and brushes her off. She doesn't wait for the adrenaline to wear off; she revels in the feeling. She is an Ecstatic, and this is exactly the kind of thing that pushes her to her limit. She's not grinning like a madman or saying AGAIN! like an animatronic baby dinosaur, but that moment where endorphins are racing through her body is one that she doesn't dread or wait to wear off. She uses it to get into action, picking up her branch and keeping guard. We think the other spiders left, sure. But it pays to be sure.

"Everyone okay?"

Serafíne

Strange to come back to now when she is caught in the interstitial places between seconds; when she is multi-part and many-skinned and gleaming, when she is peeling the layers of the seconds apart to freeze them in place and -

- a breath, see, which is deep and sharp in the moment,

after.

--

The spider disappears before her eyes.

Sera makes a noise like a sob -

oh, yes, a sob, something short and wrench as she sags forward, the feeling the weight of what she did yawning behind her eyes. Hands on her thighs, shoulders hunched, she just - gathers herself for several long, spare seconds, remembering again how body and mind fit themselves together.

Then she glances up; this spare glance at Lena, finds the other woman fine, just fine, but her own her heart is pounding in her chest. Just pounding, see -

- and then Sera turns, rather blindly you see, and climbs away.

Sid

Just like that it's over. They helped like they said they would. Red helped as he said he would. But there is one more offering made without an exchange. Sid is not going to let this man be poisoned. She is not going to let him bleed out. She is focused on this task when reality trembles back into its proper place. Eyes closed, head dipped forward to press her cheek against the strange man's hair. An oddly intimate gesture from a woman who does not make contact with strangers. But Sid is going to stitch this man back together. She is Working around him and over him and through him. It doesn't get much more intimate than that.

Eyes closed, focused on this dangerous task, she does not see that Sera abruptly leaves. She wouldn't stop her even if she did. If Sera wants to go, Sera is free to go be elsewhere. Grace says something, Lena says something, but Sid isn't listening to them. She keeps pushing her Will onto the universe.

[extending: -1 Quint to reduce diff]

Dice: 3 d10 TN7 (2, 9, 10) ( success x 3 ) [WP]

Quicksilver

And then, there came Red, dragging this huge, weathered old tome along the forest floor with his teeth (and surely somewhere some old, stuffy Hermetic was cringing at that image.) His fur was fluffed and prickled with tension, and as he drew near, the source of all that Unstable resonance would become clear.

This wasn't just a book. It was an artifact. (And likely not one that anyone would be advised to actually use.)

Red dropped it nearby and trotted toward his friend. Henry, who now lay in a sticky mess against Sid's chest, looking oddly innocent and peaceful in his slumber. And it was clear in that moment that, whatever the fox's outward disposition, he clearly loved the man he'd bonded himself to. There was a soft expression on his face - one of worry and relief and gentleness - as he touched his nose to Henry's prone hand and wuffled a delicate, warm breath against his skin.

On the other side of the clearing, Sera was already taking her leave. Perhaps later the two would get a chance to thank her for what she had done. But for now, Red's focus was on Henry.

Grace

Grace watches as Sera sobs, picks herself up and leaves. She wants to go with, to provide comfort or even a hug if necessary. But she also remembers the last time she tried that. It wipes away the smile from her face to see.

"I think so, Lena," she says, and her gaze shifts to Henry lying there with his body in Sid's embrace.

"Hey, Red. I think he'll be okay," she adds, to the... fox. Which is still a little strange, even after watching the world melt at his command.

Lena Reilly

Lena sees Sera sob, sees her have to pull herself together. The DJ doesn't despair at the sight, because she knows what it's like. She knows that for them, Sadness is as important, as necessary as Happiness or Wrath or Envy. They all serve different purposes and they are neither good nor bad. They just...

They just are. And they all have their own uses, none more important than the other. It is falling too far into one that you ignore the others. That is the trap.

So she lets Serafine go and she looks back to Red, to Henry, to Sid and to Grace. And, tired but not traumatized (not even with a giant spider on top of her moments ago), she finally drops her piece of wood.

"C'mon. Let's see if we can get him out of here." A pause, and she looks to Red. "Or wherever you want him to go."

Sid

[final extension! go sid go go go! uh, dropping her final quint for diff purposessess]

Dice: 3 d10 TN7 (3, 4, 5) ( success x 1 ) [WP]

Sid

The magic builds all around Sid, and it's powerful stuff. It's nothing that these two haven't felt before, though. They've felt it at the Chantry, radiating slightly from the grass and the flowers the surround the house. A little piece of Sid even though she was away. They've felt it other places, too.

That desperation, that euphoria. The sense of fresh, vibrant, verdant growing things. The strength that holds the whole of her up, empowered. It twists around Sid until finally it releases, all at once, across the old man.

Who will feel the poison swept from his blood, and who will feel his injuries seal themselves up.

Sitting back, Sid sighs, relaxing her grip so that one hand drops to her side, hand falling into the drink. A blade of grass or two swell at the contact with her fingers, become a much brighter, newer shade of green. The other arm still supports Henry. Opening her eyes she looks up at those around her. She notices the absence of the other Disciple and a shadow forms between her brows but she doesn't ask after Sera.

Vaguely, she realizes what Lena said, like an echo of a memory from another lifetime. "He should be able to move himself," she says quietly. Shifting behind him, if he's mobile and awake at least, Sid will try to help him up.

That is, if reality doesn't crack her one and lay her low first.

Sid

[PARADOX GO]

Dice: 3 d10 TN6 (2, 2, 6) ( success x 1 )

Sid

[YOU CAN SOAK IT SID C'MON]

Dice: 3 d10 TN6 (2, 5, 6) ( success x 1 )

Quicksilver

Sid's effect did its work well. She held the old man in her arms and pushed her will into the threads of his pattern, knitting his body back together until it was whole. Red kept his nose in the man's hand throughout - silently offering this comfort as though Henry would be able to sense him even in his paralyzed state. And perhaps he did, because moments after Sid finished her healing, the man's eyes fluttered open and he said, to the sky, "Red, your nose is wet."

And the fox sneezed with grateful amusement.

"Welcome back, Henry."

The old man gradually pulled himself to a sitting position, and it was then that he finally seemed to comprehend the other faces around him. He looked first at Grace, then Lena, blinking, and finally turned his head to regard Sid.

"Why hello. I seem to have gotten myself in a bit of trouble." He glanced at Red, who looked about as deadpan in that moment as fox was capable.

"Yes, Henry, you could say that."

But Henry? With all that Ardent and Imaginative resonance. He just smiled. Like he'd known all along that someone would come by and save him.

"Why, what marvelous creatures you all are. Thank you for saving me."

He got to his feet then, and attempted to brush some of the dirt and detritus from his clothes and skin, but it was a hopeless task and he soon abandoned it. The man was a proper mess, but nonetheless he affected a dignified pose and cleared his throat. "My name is Henry Alexander Calliergi, of House Jerbiton in the Order of Hermes. I owe you all a debt of gratitude. Are the spiders...?"

"I sent this one back where it came from," Red answered. "We need to go find the other two. I should think, probably, right this moment? You know, before they wreak havoc on the unsuspecting citizens of Morrison Colorado."

Henry's expression deepened into a grave look, and he nodded. "Very well then. Where is the book?"

"It's on the gods-damned ground where it fucking belongs," Red muttered.

And then goodbyes were made, and names were exchanged if those gathered wished to share them, and a promise was made to return soon with a reward - though who knew if it was a promise they intended to keep.

Then Henry and his talking fox named Red made their way into the woods with the sunset at their back, leaving the others to marvel at the fact that they were all still alive and relatively unscathed.

It was, as they say, a long, strange evening.

11:57 AM 5/18/2014

Tuesday, February 25, 2014

Dinner Party


Shoshannah

Shoshannah's 'kosher' is not entirely so, these days - there's only one sink in the kitchen, only one oven, only one set of pots and pans, and so on. However, all her ingredients are and she doesn't mix dairy with meat, nor does she drink grape juice that hasn't been prepared in the proper way (and marked with the appropriate seal - one imagines this would extend to wine as well if she were to start imbibing). To the girls credit, she's a better than mediocre cook - not great, no, with no cause to be so, but she was well taught at some point. The spread! Amongst her teaching, it seems, was not how to temper one's meals to the size of one's audience. There will be leftovers for days, even if she can convince her guests to take some home.

Upon entering the house, the senses are assaulted; there's music from the living room there, to the right and down a step or three, turned into a common, true living room with its television, game console, couches and beanbags, bar. In the dining room, the table is set and a buffet along one wall is set with appetizers - a trio of dips (tehina, hummus, baba ganouj) and an array of crackers and flatbreads to go with them, a fatoosh salad, falafel, tabouli. And from the kitchen? Such smells! Freshly baked bread (challah, as they'll all find out soon enough), herbs and spices, everything. This girl, ill tempered as she is, apparently has learned how to entertain somewhere along her journey. There, though, she's singing along with the music that plays in the living room, just loud enough to be heard (or maybe is ported through a fancy speaker system in this fancy house, who knows?) as she puts the finishing touches on various dishes so she can be ready for her guests.

(And Sid, who isn't really a guest at all.)

Outside, though, that's first. The house is difficult to find even when one is provided with an address, as far back as it is, as much as it blends into the countryside around it, but once one sees it! It's a gorgeous modern-classic affair, all wood and glass and metal ranch-lodge, lots of windows, lots of space. There's a large field in front, and an arc of a driveway that allows people to park all along it and not have to mess around with backing up and all that. There's a door. And a bell. And all those house things . . .

And when said bell rings, there's Shoshannah. Her feet are bare, and she wears some sort of pretty-conservative (as in of good aesthetic, not an addendum meaning 'very') skirt and blouse outfit. It really is a party, to her. Even knowing that she invited these people here, and who (or what, or both) they are? She's wary, defensive. Her eyes are heavy and sharp, and while her voice is sweet? Her tone never is.

"Hi. Come in - there's food."

Alyssa Solomon

It isn't a particularly common sight to see Alyssa Solomon at the Chantry. Denver's most prevalent (and perhaps only) Hollow One isn't one for communal houses so far; she's told others that she has bad luck with them (meaning that they have a tendency to get blown up or burned down). Still, she has been by before and a recent conversation with Sid had revealed that the place isn't exactly the center of most of the mages' universe. That intrigued her, and so she makes a decision to stop by and get yet another lay of the land. She isn't here for a party, it absolutely MUST be pointed out. She just

The woman's car can be heard before it's seen. The red 1989 Acura Legend Coupe isn't the flashiest or most stylish of cars, and it's nearly as old as she is. It runs loud and some might wonder of the battered old vehicle is about to break down, but it's reliable and runs without problems. Still, it's announcing her presence with a barely muffled engine roaring along as she pulls up into the driveway of the building. She kills the engine and slips out of the car. Her style of dress is casual, with a black tee that sports a raven in a cage on the front. Her leather jacket has a print of blood-spattered angel wings on the back...her own little joke, since it fits perfectly with the Resonance that travels with her (the coppery taste of blood at the back of your tongue and the rustling of feathered wings on the edge of your hearing). A pair of black jeans and steel-toed boots complete her clothing, with a spiked bracelet on one wrist. Makeup today consists of a purple theme, around the lips and dusted into the eyeshadow. There's a bit of intricate black lattice work on the corner of her eye. And of course, she never goes anywhere unarmed if she doesn't have to.

She pauses as she stands outside her car, looking the place over. She's been here before, and she has met with Callisto. She was regarded by the bear Guardian spirit, then given leave as most are. She runs a hand through her midback-length hair and then makes her way toward the front door, knocking before she enters. It's just polite, after all.

And then Shoshannah opens the door, and says Hi. Come in - there's food. The Hollower blinks at that, and raises an eyebrow. "Wow. A girl could get used to that greeting. Did some little spirit spy say I was coming or something?"

Alyssa Solomon

[[Addendum to last sentence in first paragraph: "She just happened to come by at the right time."]]

Leonhard/Proclus

"Well then," says the Jerbiton, and nothing more, dropping the keys on the dashboard.

The heavy-set Ford had pulled up with a polite pace, delivering the two magi with a firm pull of the handbrake. Noting the large window, Leonhard had killed the truck's lights during the final yards of their approach, all the better for anybody inside to see them clearly and without dazzle. They park around a space or two from the Loupe and any other Fellows' cars.

Exiting the driver's side, the dark-haired magus delves into the rear door briefly, retrieving a tan leather drawstring pouch. From his handling of it and its dimensions, yes, that would be the bottle he promised. He smooths himself briefly, looking to The House for a wistful moment, and then to Adam.

"Colorado Camelot," he ruminates, referencing their conversation and taking in the sight as he makes to move towards the place.

Alyssa Solomon

[[Oh, and just because! Magedar! Per+Aware]]

Dice: 5 d10 TN6 (4, 6, 7, 8, 9) ( success x 4 )

Adam

[Also Mage-dar! Pre-post, take that!]

Dice: 8 d10 TN6 (1, 2, 2, 3, 4, 6, 9, 10) ( success x 3 )

Adam

His basic mysteriousness is touch-and-go with other willworkers but just in case and for now he remembers to suppress it when he climbs out've the passenger side of Leonhard's truck. He is still: a not impressive figure, gangling young man with a dark tousle of hair, which was, prior to a long drive, somewhat tamed (relative to usual) but is now sticking up more on the left side than the right. He could've modelled for Gaiman's Dream of the Endless with that hair. Or possibly been shown by an up-and-coming bird realtor to just-starting-out bird newlyweds trying to beat the spring rush for housing as a 'cozy fixer-upper.' He's wearing a warm woollen coat of some indeterminate but dark gray, a scarf also of grays, maybe he went wild and threw in a black, and he's pale with cold when he's getting out of the truck, reaches into the back of said truck in order to grab one of those little gift-bags you get at a grocery store on your way out. We do mean little: it's tiny, not much longer than hand-sized. He did not bring booze, but Leonhard already swore to bring some amazing wine (does grey wine count as kosher wine?), and that's Adam. He trimmed his beard so it's a dark lick of a thing, perfect for blackguards, although: he does not give off the impression of a blackguard, does he? Too soft. Too slouch-y, that bookreader's hunch like he'd be the illuminated manuscript illumination for 'C' in any Magi of Denver Alphabet Book for Novices. He tried to be presentable. He didn't do terribly.

And so. Adam has not been here before. He is as a matter of fact shamelessly hopskotching over Kalen's promise to take him. He looks at the House and its surroundings with curiousity, of course, because he truly does not know what to expect of it.

It's an adventure.

A quest.

Adam likes adventures and quests quite as much as any Peter Pan ever did, and so: there's Alyssa at the door, there's Shoshannah opening the door to invite Alyssa in, and here's a brace of Hermetics (slouching towards Bethlehem? Adam is slouching, anyway), the younger of the pair cocking his head at the Hollower's back and resonance and he recognizes her but doesn't yell her name or Shoshannah's name or anything that might approach jubilance or rudeness or holy shit some guy is yelling behind me --

Adam is also quiet

-- but when they're near enough he says, "Hello again!"

Leonhard/Proclus

[[More incidental than active: Mage-dar]]

Dice: 7 d10 TN6 (1, 4, 4, 5, 6, 8, 10) ( success x 3 )

Shoshannah

"Oh!" The girl says when she opens the door and it's Alyssa rather than someone she'd expected, invited - she's not bothered by this at all, obviously (except that she is for reasons that have little to do with the woman herself and more to do with the resonance that sets everything about Shoshannah to nervous, on edge), but rather surprised to find the Hollow One rather than someone else entirely. "No. I . . . Some people are coming over. For dinner."

It takes her a moment to realize how harsh and inhospitable that sounds, and to attempt to recover.

"There's plenty, if you're hungry. Adam, Lenny," she is capable of nicknames!, "and Sid are coming. And I cooked . . . well, a lot of things."

And then, not far behind Alyssa, the aforementioned Hermetics have arrived. It's Adam who speaks, all greeting, and him she smiles at first, not-quite-shyly, heart breakingly. "Hello. This is Alyssa. And hors d'ouvres are out."

Alyssa Solomon

She's always keeping her senses alert. The occultist has known since before she even had her supernatural sixth sense that you should always keep an eye out for Resonances; the result of a good Hermetic education. And so she feels Adam and Leonhard before she sees them. One of the two she knows--and she is far better at placing names to Resonance than she is names to faces, anyway. Faces can be changed. Resonance...that's not as easy to fake.

Leonard's helpful, supporting inspiration is new to her though, and it causes her to turn her head and snap those intricately made-up eyes to him. There's nothing suggesting wariness in her stance or posture; her muscles don't tense up. She just quirks that painted eyebrow again, head tilting to the right. "Well, lucky me. I stop by and get to meet someone new." She quirks a little half-grin and raises a hand, wiggling her fingers to the two before she nods to Shoshannah and steps inside. Introductions can wait until they're at least not all standing on the porch.

Leonhard/Proclus

"Snap," quirks Leonhard (Lenny...) in response to the half-grinned greeting from Alyssa, his accent in full evidence but his tone quite pleasant, even jovial for a second. His eyes quickly shift from the building at to hers as he says it.

He brandishes the bottle-bag for Shoshannah's benefit, this magus of three-quarter-lenght moleskin and denim and even a smile. Yes, as promised, within must be Marcusio's grey.

"Shoshannah," comes the warm nod as he enters, pulling off his scarf with the spare hand.

Adam

A woman without a reflection and a resonance of blood-drenched wings, a man without a shadow who feels valiant and relentless, a man who's a criminal served-his-time but has a magical signature like he's inspiring like he's supportive like he's somebody's Muse: of course, in Denver, they'd be hosted by an angry [defensive (riled)] girl who feels like creepy midnight ghosts running their fleshless bone-needle fingers in a tender caress up the back of your neck (witch, witch, witch). Ladies and gentlemen: The Principal Players.

In they go! It's cold outside! Adam looks cold. Adam, who is cold, wants to get inside, so there's no lingering, Alyssa then Leonhard then Adam, all inside now! And of course, Shoshannah's not-quite-shy smile is returned with smile of his own, having forgotten all about his little gift-bag. Skin around his eyes crinkles.

"Lucky us, you stop by and I get to see my prospective partner-in-crime less smoke and brimstone. Work treating you all right, Alyssa?"

"Shoshannah, erm," Adam, reach into your history, think about what you would have said if this were one of your mother's friends, "I'm faint with hunger, so lead the way. I implore you."

"Er! Proclus Vaduz bani Jerbiton, meet Alyssa Solomon bani... I do not know. Oh." The 'oh' is him mentally going 'whoops,' because Shoshannah's the hostess and he probably should've let her start the introduction ball go rolling. The 'whoops' is a muscle memory spasm of politeness.

Adam

ooc: WITHOUT THE SOLOMON

Adam

ooc: Because I don't think he knows that *grin*

Alyssa Solomon

[[No worries! Yeah, he doesn't have the last name yet. They didn't hit the "last name" stage of their relationship yet. =D ]]

Shoshannah

"Alyssa bani Hollower, isn't it?" Shoshannah squints a bit, sure she'd heard it at some point - the summer evening they first met, perhaps, or the fall afternoon she'd appeared at the Chantry for the first time. Or maybe it's just a good guess based on stereotypes and assumptions, who knows? Either way, this 'bani' stuff is a lot for the tall, thin, witch-ghost (or ghost-witch, except she's not dead . . . just Death's handmaiden) to remember and keep straight. Some types of formality come easily, naturally, but that isn't one of them. And she doesn't seem put out by Adam performing introductions in the slightest - it's fine, it means she doesn't have too.

And so, to the [sinister] left, into the dining room, they go; there, she indicates the buffet and names the dishes she's prepared. "Tehina, hummus, baba ganouj, tabouli, falafel, and fatoosh salad." The breads and crackers, she feels, are self explanatory. "I have a chicken matzoh ball soup, some Lokshen Kugel, some zucchini pritti. A challah loaf. Fig and cheese blintzes." She shrugs, as if to indicate 'no big deal'. "Sid's bringing cake, when she gets here."

Now, that series of pleasantries seen too, the girl is a bit awkward, uncertain. "You know each other, then?" She means Alyssa and Adam, obviously.

Alyssa Solomon

It's introduction time now, and Adam introduces Leonhard. The goth woman shows some recognition in the mention of the Liechtensteinian's House, and she seems a little surprised. "Jerbitron? Jesus, I haven't heard of many Jerbitrons this side of the Atlantic." She gives him a nod; there's no offered hand, though she will take a hand of one is offered to her. "Alyssa Solomon, bani Hollow Ones. Occultist by trade. Private Investigator to pay the majority of the bills, though."

Her attention turns to Adam now, her arms crossing over her chest. "We'll get to how work's treating me in a second. First, though...if we're doing bani this and what I have to assume is a Craft Name and such, what do I get to call you outside of just 'Adam?'" It's said with a little sparkle of tease in her eye, though the rest of her has the facade of You think you can get away with not introducing yourself, hmm? to it.

Shoshannah asks if they know each other, and Alyssa gives a little shrug as she follows along to the dining room. "We had a brief dalliance, I guess you could say. Not enough that I got more than a first name, but hey...that's the way it those strangers in the night things go sometimes, right?" There's no way she can't be unaware of the innuendo, but it's all part and parcel to the tease for not yet introducing himself.

Leonhard/Proclus

It is not Caer Moelis. There is no cell awaiting him. It is not Valnastium. It is not a burnt wreck in memory. It is not Cad Gadu. It is not Camelot. It is, however, pleasant enough, and it is certainly warmer by far than the truck.Hollower. He thinks of Gustav, wherever he is trudging, hopefully in the cold, and certainly better there than here. Ruining things...He pulls the bottle from its home. So often over the past years, he had taken it out. Held it to the light, watched it as if it might sing or perform. But, no, it is not Magick as such, simply different. Near extinction, rare. Unconsciously, he again holds up a little it to the light in the dining room, examining it, as if he hadn't done so earlier that evening before leaving. It is a splendid bottle, indeed, the work of the craftsmen of Trinite, but Mundane. Mere glass and the beautiful sweat that went into blowing it. Blown with the air of Concordia, a remnant in itself. Textured like an orange, it is the rival of Earth's best, but the work of consors, the Aware perhaps, but not a Master.That distinction lies within its clear skin. A grey wine beneath the textured glass and the label. Marcusio, 1976. Plain writing, plain message, surly Master. No doubt, it was written by one of his many suffering vineyard peasants. Marcusio, for all his divinity in matters grape and grain, was a bastard well known... but his wines... almost gone from this world, or any other... his wines!

His muted reverie at the sight of the wine is shunted from him by manners. He turns back from the bottle, though it remains aloft for the others to see.

"Oh, I expect, then, you've met about all of us in me, Alyssa," he smiles, more pleased than curious that somebody knows what a Jerbiton is. Meditate later, ask later, speak now. "Occultist. I'm more a... well, I suppose you could say I'm a professional interferer in the aesthetic Arts, but it's not so far removed, is it? It's very good to meet you and, Shoshannah, that certainly looks a filling feast. It looks lovely. If I wasn't hungry before, which I in fact was beginning to be, then I certainly would be now."

He passes the bottle to Adam, whether the Bonisagan expected it or not. Here, seems to be the message of passing it, enjoy this for yourself for a moment, Frere.

Adam

He has awkward moments. (We're about to witness one.) But he is far too self-possessed (or - proud? [arrogant?]) to feel awkward in social situations. Thus: Shoshannah's not quite sure what to do next. Adam knows what to do - or isn't worrying about it. He's looking at the table with rather wide eyes, and remembering that his stomach does exist and that he hasn't been feeding it as often as it would like. Were it a snake, it'd break through the glass and devour some hapless house-pet (like Ruse). Thankfully it is not a snake. It is a stomach. And it is not sentient. It is just growly.

First: he grins when Alyssa calls him out. It's coupled with a heh, the presentiment of one've his little inward slouch-shoulder laugh, animated by it, but his eyes are all for the food now, looking over the spread with polite (ravenous) interest, a cypher for his keen interest at the conjuring up of the Fake Tradition. Still. What do I get to call you outside of just 'Adam'?

"I do prefer," wait. He starts to look a little absent-minded, cocking his head to the side, just so, brow a-furrow, or the shadow of a furrow-to-come, and - wait. Did she - ? He - er. He drags his eyes away from the food and over to Alyssa - and he scruffs one hand through his hair, ruining the eastern view for any bird's looking to nest. He's a serious young man, Adam, in spite of the occasional banter. "…er…" yes, prefer became prefer---er--

"--prefer Adam. But it's Dominic Adam Julian Gallowglass bani Bonisagus, Initiate Exemptus, at all manner of service."

Brief self-reflective eye-squint there, too. Did that? No. There was no innuendo there. Damn you, ears. You better not be pink.

"We in Federal near the tarot reader Sibyl's shop." Yes. That saved it. Good job, serious Hermetic. He clears his thr--hey look, a bottle of wine. "Oh, er, did I seem to be needing this? Thank you, Proclus."

Adam

ooc: ahem, met in Federal. god damn, the typos and words.

Shoshannah

Shoshannah is just Shoshannah, at least as far as anyone knows - anything else is shoved down, back, inside somewhere behind those prickles and walls, behind that temper and aggressiveness - and so this talk of multiple names and fanciness is an amusement to her. It tinkles like wine glasses and chandeliers, like masques and laughter, and so the Dreamspeaker listens, watches, but doesn't participate. While she fully knows how to assert herself in most situations, this is not one and so she lets them banter around her.

Adam eyes the food, though, and so she gently nudges him (and her hand feels like the grave whether it touches cloth or skin - it seeps through, sucks away) towards the small plates she's set out for the appetizer spread. The touch is brief, but there, and only reinforces that general death-chill she puts out - unwittingly, for the most part. Certainly unwillingly.

"Eat. I'll bring out the soup in a little bit, if that's okay - what kind of wine is that, Proclus? My grandparents and mother are connoisseurs with extensive collections, but I've not seen that sort of bottle."

Alyssa Solomon

She can't lie (well, she can, but she can't at this moment): Alyssa is enjoying Adam's being flustered. It's a fairly good-natured mirth on the Hollower's part at this point; she's not taking it to a malicious level. There's just something about setting the Bonisagus on his heels that seemed like a fun thing to do at the moment, and it makes for a good ice breaker in her estimation to boot. Not many would use the false implication of Yeah, we totally boned in opening introductions as an ice breaker. Alyssa is one of those rare few. Poor Adam.

But he weathered through it well, or at least as well as can be expected. So she chuckles a little and nods, to confirm what Adam said instead of saying Oh, is that what Hermetics call it these days?. "It was a brief meeting, but an interesting one. Adam was trying to be subtle, as you do when sitting down to enjoy some good pho and have the ability for said subtlety."

Proclus says he's a professional interferer in the aesthetic Arts, and Alyssa's lips quirk in amusement at that, and the suggestion that it's similar to Occultist. "I suppose that depends there, Proclus. That's an impressive wording for a job description but doesn't say a lot about what exactly it is." It's not said with an intentional rudeness, though of course it may be taken that way. "After all, I could intepret that to imagine you get paid to do things like run up to peopple doing sculpture and break the work with a lead pipe, then run off. Or paint over graffiti art. Or stop people who try to use Mentis on others to their own gain."

The food certainly does catch her attention and she is impressed by the amount and specifics of it. She's not a connoisseur of food though; any chance she may have had to become such was cut off early in her youth. "Damn, Shoshannah. That's a lot of food." Of course, Shoshannah isn't just Shoshannah. She's a Dreamspeaker. Alyssa knows that much. That she doesn't use bani or her last name doesn't mean she's just her first name.

Leonhard/Proclus

He thinks, Adam, that would be its own answer. Oh, oh, no, don't blush; I met your Mater, and there stand Shoshannah, otherworldly in beauty. You're surely more used to women than that! The thirty-something elder Hermetic almost winks at his fellow guest, his manner towards him clearly (to the others) akin to that of a friendly cousin, but refrains. There is, after all, the drive back for any ribbing. (As well as the rest.) He does, however, smile to Alyssa. A "see what you've done" smile, a quiet smile, almost a wink in itself. Nothing sustained, nothing so much as aloof, but there, gentle, friendly.

Bonisagans. All genius, no caress. All work, and the wrong play. He imagines that, at a push, the Pointy Hat could name the grape but not the taste...

"That, Adam, ladies, is one of the very last bottles of Marcusio '76 in existence. At least, it was ten years ago so it may be the last. I have been saving it for... something like tonight, I suppose."

"I have burnt the odd canvas," he says in response to Alyssa's talk of smashing a sculpture, "But mostly my own. Fair point, that, though. I help others find their better intention, as artists. As souls, perhaps. Certainly, it's... Rewarding. Or, at least, can be. Finding those occluded invitations to the Muse that they might otherwise miss in themselves. The Occult, explored, shared."

He is quite happy to be told to eat, even clapping his hands and rubbing them agreeably. Helplessly drifting towards the food, he smoothly explains that the vineyard (and Master Marcusio bani Verditius) were, of course, lost along with the rest of Horizon, that the bottle had been a gift upon reaching the Fifth Degree (some time back before the Crimean War, he jokes, pinching at himself in words) and something that shall taste like a song. Although, he concludes, it is not Marcusio's '78 which could bring about temporary synaesthesia and literally taste like a song, "I expect it will taste quite, quite sublime. Marcusio was a... well, he was an oaf, a sour old shit by all recollections, who disdained red-with-meat, white-with-fish snobbery as he called it, so he created the grey to suit almost any meal. (Allegedly, the mauve he started with gave him the most appalling rash, so he went with the grey.) I'll miss it, but it has to be drunk sometime, doesn't it?"

Although he talks at some length, it is a smooth address, an inclusive cascade of words. An effusive sharing of things beyond himself with those around him. Shoshannah. Alyssa. Adam. They are all included in the enthusiasm with which he delivers his words of the wine. His words of pleasant company. Shoshannah certainly has her answer but he adds, "So, long to the short, grey wine, bit odd, good with this."

Adam

Grave-touch, warmth-leeching, la belle dame sans merci cold. That'll get Adam's attention sharped up. See? Any hint or danger of blush there-by fades (thank you), and there's a curious flick of a look for the Dreamspeaker. Natural response to a gentle arm-touch: attention drawn up. Makes some 'of course bringing the soup out later is fine' gesture.

Adam, being the current keeper of the wine, being bid to eat again, searches among the plates for a wine-bottle opener, but if and when he finds one hands it off to Proclus with an:

"The honor of opening this should be yours; it's your gift, and thank you." Even, that: even and steady and with an edge of curiousity again, sublimated, and subtle. Read it in the way he looks at the seal.

But there is also: heaping a plate full of food, and picking a seat at the table, and taking it for his own. Let's say it's right by the head or the foot, whichever's nearest the food. The little gift-bag of whatever has been abandoned next to the baba ghanouj.

Shoshannah

It does her good to see people eating - perhaps there's some truth to the stereotype about Jewish folk feeding people, though she's made no reference to Judaism beyond the fact that she keeps Kosher. She doesn't ask for prayer, or dress as an orthodox Jew might, no. And there is, indeed, a wine opener on the sideboard, along with a bottle of wine that may have been brought by Kalen, or Sera, or Hawksley, or Sid, or . . . well, by anyone, really, other than the girl who doesn't leave all that often, now, and isn't old enough to buy even if she did. There are also glasses of the generic sort - white or red or anything in between.

"Thanks for bringing it, My grandfather was insistent on red-wine-red-meat, but Nona always said life was too short to stand on such ridiculous ceremony. She'd be fascinated by this, I think, something that wasn't either and also wasn't that sacrilege called a blush or a rose." She says the last with audible quotations; it's clearly something she's heard many times before, and it amuses her.

"Can I get anything for anyone? There's a water pitcher there, on the table, and there's quite the selection of beers and sodas in the refrigerator. I need to stir and check, but can bring things back with me, if you'd like."

Alyssa Solomon

The discussion of the bottle of wine is heard, but disregarded. If she has any knowledge of fine vintages, she doesn't show it nor interest. There are more important and interesting things in the world than that. The important part is that it's the last. But then, it's not the only last of its kind here at the house today, so it isn't even unique in that, to Alyssa's mind.

"Ahh, musing." She nods a little bit to Leonard. "I guess that makes sense with your House. There are certainly worse things to do in this world, I suppose." It's a part of the world that Alyssa is aware of, but doesn't do much work in. Generally the only time she needs to go investigate the artistic side of the world is when a painting is cursed or a sculpture is haunted by its owner. Or, a little more commonly, someone stole a favorite art piece of book from their ex-spouse in a divorce and they need proof in order to sue.

"To be honest, I'm not hugely hungry, but thanks Shoshannah. I'll definitely hang and share some wine though. I'm good otherwise."

She makes a move to sit down somewhere near where the others are, taking the jacket off and settling it along the back of the chair just before she does. The others may take note of some things as she does so; first and foremost is the Smith & Wesson .45 ACP pistol toward the back of her beltline, on the right-hand side. It's a dark polish, kept in pristine condition in a clip holster. The other thing--which Shoshannah and Adam already know, but which may be noticed by Proclus among the reflections of the silverware, perhaps the window or other mirrored surfaces--is that she doesn't cast a reflection. Everyone else is there of course, but not her. The chair pulls itself out in that reflection, for no one to sit in even when Alyssa is there. And the last is the small collection of light scars and one or two still-healing scabs along her arms. One could accuse her of being a cutter--one of those emo teens who hurts themselves in order feel something--but it's different for her. She certainly doesn't seem like the morose, emo type at least.

Leonhard/Proclus

He aims himself to sits in clear view of (or, rather, for) Shoshannah. She of the Defensive resonance, but moreso she who invited them. Getting comfortable, he pauses, something catching his eye. Or not. Yes, he stalls for a moment, but it is the thinnest of moments. The glass. The silverware. Nowhere is Alyssa to be found but in the looking at her. Yet, it is to Adam that he glances, animated again as quickly as his stalling had hit him. Adam. He of no shadow. Alyssa. She of no reflection. Perhaps that's a hint of pleasure in his eye as it carefully oversees the opening of the possibly-probably last Marcusio '76. A pleasure. So long away from such company as have no shadows, no reflections, no Sleep in them...

However, shortly after sitting and receiving the bottle back from Adam, he gets up again and with bodily grace stands to deliver the first glass of the wine to the side of the Dreamspeaker. Hostess. Chef. Mage. Invitation. Chantry. Thankyou.

"I won't tell the police if you don't," he says spryly, returning to his seat and passing a glass to the others before pouring a fourth, almost the last the bottle will allow, for his own glass.

He smells the wine. Diligently, delighted. Transported, his eyes closed. Something on par with a sensory serenity sweeps across him.

"If I may, a toast..." he says, sharply adopting a pomposity and stiffness quite at odds with his previous manner. He raises his glass as if in the presence of monarchs and generals. But it doesn't last. He smiles. Grins, even, relaxed. His manner almost immediately loosens again, and the smile goes to Shoshannah. A warmth; an absolute lack of prim pomposity. "To Nona."

Adam

Can I get anything for anyone? I need to stir and check, etcetera, gets by way of reply from Gallowglass: "This is enough. Except for... You. Sit down, when the stove's not demanding." It's a gentle enough request, not jovial, not, hah hah, sit down, sit down, just: sit down. We're here for the company too, eh? That could be the subtext. "Or if you want help..."

He can stir. That thread's left dangling to be taken up and made into something, if Shoshannah wants. And onward. Scars and two healing scabs. Were she Verbena, he wouldn't wonder for a moment. His gaze wouldn't grow meditative, catching those signs of blood-letting, or not so deeply.

Leonhard's glance is met, of course; and Adam's response is a minicsule lift of an eyebrow, and then let that moment pass on. Adam's still meditative. Takes a bite of something delicious (tabbouleh, maybe), while wine's being poured, then gets up a half-a-beat after Leonhard in order to join in the toast.

"To Nona."

Shoshannah

"To Nona," she says with a sparkling smile that's genuine and startling all the same; it's not often people see her this way, see, all pleased and shimmering in her role as hostess, as chef du jour. Most often, when people are here, she's tucked into a corner of the Library, or her room, or the office, our outside somewhere, or generally out of the way. It's not that she minds being around the others terribly or anything, just that . . .

Well. We'll blame it all on stunted social growth, which is changing - slowly, though. These things take time.

"Oh, most things are done. It's just maintenance now, until we're ready to eat the meal. It starts with soup, you know? Then there's the main dish, then salad, then Sid's cake for dessert." And, if the amount of appetizers she's made is indication, the meal itself? Will be enough filling enough to keep them sated for a week, at least. "I can turn everything off, now, and it'll keep warm enough long enough. But it needs that last little bit of attention, and . . ." Here, it's her turn to blush a bit, flustered. Clearly, she's not accustomed to this much interaction, or this sort thereof. "You can help. If you'd like. It will only take a moment."

Leonhard/Proclus

[[Hi there. Good to 'see you' IC again. Maybe you've already got it sorted for bringing Serafine into the scene but... I think it's Alyssa next post before me but I'd be more than happy to hang back until after you bring Sera in if you'd like.]]

Serafíne

(hee, it is good to see you again too! and aww, thank you! I am working on a post / working out how she needs to react to alyssa's resonance and I appreciate the welcome and offer. (grins))

Leonhard/Proclus

[[Superb! Shall go after you, then.]]

Shoshannah

[And this is the point where Shoshannah deals with things in the kitchen for an hour and a half-ish of real time because I have choir. Back after that!]

Alyssa Solomon

Alyssa has no problem with the toast, and she raises her glass when she gets it. "To Nona, indeed." She titls her head a little to the side, watching Leonhard curiously when he interacts with Shoshannah. There's a slight raised eyebrow, but she doesn't say anything, just takes a drink of her wine.

"So, Proclus. What's a Jerbitron doing in Denver? Don't get me wrong, it's not a bad thing by any remote stretch. I'm just curious, it's not the place I would expect to find one." She sits back in her chair, smiling a bit to the Dreamspeaker as she heads off her own way and then looking back to the two Hermetics she remains in the dining room with. There's something curious and slightly amused to her about the three of them being in each other's company right now.

Adam

You can help. If you'd like. It will only take a moment.

This is what happens, then.

Adam, standing for the toast, takes a quaff of that rich and sweet wine out've some old Lord Dunsany tale, salt-sea wine, maybe, and he blinks in surprise. Mm.

"Don't forget," he tells Alyssa. "Your work stories. I think you said something about we'll leave how work is doing for now, and now's long, erm, since passed, and you seem to have such good stories..."

He has very little shame. Adam Gallowglass.

And then, as Alyssa asks Leonhard the question which will (perhaps? To a Hollower? Hmf) bring up the old story, he excuses himself and follows Shoshannah to help.

He reappears very, very shortly after, while the din and clamor kitchenwards becomes somewhat frantic, shrugging. Perhaps Proclus is still replying to Alyssa's question as he slips back into his seat, and perhaps he'll explain the kitchenward disaster afterward, but perhaps not.

Serafíne

The door leading from the garage into the kitchen swings open and that's the noise that heralds Sera's arrival. The door-opening noise and the door-swinging back too fast because of the force of its outward swing and the girl-kicking-it-further-open-with-her-mad-heels-to-keep-it-open-for-the-dude-coming-up-behind-her noise. That noise, those noises. The echo of a conversation begun outside at the liftgate of an old conversion van and brought inside along with a few brown paper bags' worth of booze-and-beer. Sera does not come bearing the possibly-probably last Marcusio '76; just Stranahan's and Kanon vodka and maybe some 4 Copas Tequila Esposado and a case or two or three or god-knows-what of various microbrews.

There's no real conversation between them; they're actually pretty quiet for a Sera-and-Dan entering the chantry. The rattle of bottles and rustle of boxes and paperbags, yeah. Dan inhales deeply and probably comments on all the food, all, someone's having a dinner party and Sera is all yeah? and wouldn't know enough to notice because she does nothing cooking-related in the kitchen except occasionally wake up and wonder how she got there, hung the fuck over and stirring the strangest things.

Shoshannah disappears into the kitchen to find that the kitchen table and one of the counters are piled-high with bottles of booze and two tattooed musicians are having a rather close conversation. Dan's hand on Sera's shoulder, his mouth against the shaved fringe of her hair, right over her right ear.

Sera is remarkably drunk to look so sober but there it is. Something in the air tonight, you know? Dan apologizes to Shoshannah for the mess, tells her he'll clear off the kitchen table if she needs it for staging, and she must wave him off or maybe there's enough counterspace because both Dan and Sera appear in the door between the kitchen and the dining room, following Adam. Sera doesn't sit down quite yet and Dan still has a hand on her shoulder, warm and familiar.

Somewhere in there she'll slip in another introduction, probably after Leonhard has responded to Alyssa's question. What she'll say after that, to Dan, is "This is the other dude from the bookstore," and to Leonhard, "This is Dan, he's cool," and to Alyssa, or maybe at first more Dan than Alyssa, "We haven't met," and then more to Alyssa than anyone else,

a smilem but a spare one. Names et cetera will come later. Sera is a little bit sobered by the sensation of blood in the back of her throat, but she joins the party then and probably doesn't slip into an empty seat so much as decide to perch her ridiculous ass right on the table, at the head or foot, as if she belonged there.

Adam

[let's see. IS adam percept-y? i will say he is anyway if this is somehow a botch but i wanna see how much otherwise! which is kind of cheating, blah.]

Dice: 8 d10 TN6 (1, 1, 4, 4, 5, 6, 9, 9, 10) ( success x 4 ) Re-rolls: 1

Leonhard/Proclus

"Precisely why I wound up here," the Hermetic explains, though without yet explaining. "To be honest, Boulder interests me perhaps more than Denver. Still, I'm glad to hear your, ah, professional thought there. I chose Colorado as a place to hide."

He finishes a mouthful. Enjoying it. Not avoiding the topic, but certainly not avoiding a good feed, either. Finished with the mouthful that had punctuated the reply, though only as conversation over a meal might in any other circumstance, he sips from the wine again. (Oh, that is bloody wonderful..!)

Adam's departure might have provided an opportunity to tread a different path, but no. Open secrets and public knowledge... There is a dry look after Adam as the Bonisagan heads out. A mechanical look, a political look...

"Sorry. Not trying to avoid this," he presages with a direct look to Alyssa. "You see, since 2004, I was.... Actually, you know what? You seem familiar with the Order; I'll use... Oh." Interrupted mid-sentence by the arrival of the woman he nearly spike-danced with so recently, he flicks a polite glance at Alyssa. He's not avoiding the telling of some story or other but clearly it would be even more rude to bulldozer through with it after Serafine's entry.His soup finished, his wine in hand, yes, it's the other dude from the bookstore. "Hello. I see you found somebody to dance with now you don't have those spikes." It's warm, breezy, but a little surprised. Ah. Ecstatic, surely. Surprised and pleased.

Alyssa Solomon

Adam tries to hold her to her promise to tell her work stories, and the goth girl gives a little grin and a shrug, as if to say We'll see. She turns her attention back to Leonhard then, ready to listen to his tale. The tale, as it turns out, takes a few moments to come and her interest doesn't perk up anymore than it already is (which, to be fair, is at a certain measurable level--she did ask, after all) until he stars to talk about trying to avoid things and her familiarity with the Order.

That's when Serafine and Dan come in, and the Hollower turns to give the two a curious look. Sera gets that feeling off of Alyssa of the taste of sticky copper at the back of her tongue and the rustling of feathered wings in her ear; the latter matches the back of her leather jacket and the former matches the marks on her arm. Alyssa, for her part, is drawn in by that compelling nature of the Ecstatics, at least to a degree. Sera introduces Dan and herself; the Hollower gives them both a nod. There's definitely some curiosity there, and some presumptions being made. Alyssa has been around the Awakened longer than her twenty-eight years might expect, and she never makes her assumptions to a point of certainty but there are assumptions that can be made for sure.

"We haven't." She reaches up and wiggles her fingers, then reaches over to offer the hand to Serafine. "I'm Alyssa Solomon, bani Hollow Ones." She looks at the Consor and throws him a smile. "Nice to meet you Dan."

Serafíne

Dan - Sera's consor - is a tall, rather lean hipster with a full blond beard wearing black skinny jeans and a blue-and-purple check-striped button-down flannel shirt. He wears glasses, sometimes, and knit beanies and his button-down shirt is rolled up to his elbows revealing a plethora of tattoos, colorwork mostly, in contrast to Sera's visible ink, which is all black and gray, and he stands beside her, or really, sort of behind her where she sits at the table's end.

"Leichtenstein, right?" This is Dan to Leonhard. See, he heard the story. He also saw a text about gerbal tron but he doesn't say a goddamned thing about that. Favors Leonhard with a flash of a grin, over the crown of Sera's head, white teeth framed by his beard. He gives her shoulders a squeeze.

A small wiggle of her feet, just for Leonhard. He's right: no spikes tonight. Just a pair of battered Doc Martens, wrapped 'round with leather straps secured with tarnishing silver buckles. Still, Sera avers, "He doesn't fucking dance. He sort of bobs mechanically to the rhythm. Sometimes he does the robot and doesn't mean to, you know? But he's a kick-ass guitarist."

Then a flash back up to Alyssa; Sera plants the flat of her left palm on the dining room table as ballast and reaches across all the delicious hors d'ouevres and shakes Alyssa's hand. She's wearing a beaten gold ring on her right index finger, and a larger ring on her left, covering the ring and middle fingers both, with an iron spike in the middle. Truthfully it is hard for Sera to look at Alyssa. It's probably just as hard for her to shake Alyssa's hand, but she does.

"Serafíne. Call me Sera."

Adam

Adam is: hungry. The wine is: good. He slips back into position like the shadow he does not have might; quietly, absorbant, ready for cues on what he missed. Serafíne and Dan's arrival just-after-him probably gives Alyssa and Leonhard an idea of what Shoshannah is doing now. Do you see? He is there when Leonhard says 'a certain familiarty with the Order'; he is there to give Alyssa a reflective look, while - er - he is young and hungry and starving and not in danger of losing his temper over somebody sitting on the table. Thankfully, it isn't his desk. Serafine. And Sid. Perhaps it is something in the letter S. S for sitting.

Dan is a kick-ass guitarist. "Were those monster-shoes for some kind of 'rock' , 'concert', then?"

There is a certain deliberate invoking of the archaic ingenue there - not quite a deadpan. An archaic ingenue. He did make the finger quotations, and then he swallowed some wine. Swallow. Ahh.

"Bet you'd have liked them, Alyssa."

The monster-shoes.

Leonhard/Proclus

"Not enough lately but, yes, Liechtenstein," he says to Dan, standing up. Ecstatics. It would appear that Alyssa is not the only one with an interest in that Tradition, and he offers his glass towards Sera and Dan. It's what he brought the wine for, after all. "You've got to try this. It's from the other side of the Gauntlet. Horizon. Here."Yes, the glass is offered forward to the ass-perched Ecstatic and Cool Consor Dan. The lack of the monster-shoes is... politely welcome. It's safe to move near Serafine tonight, he thinks, not that he's getting too close. Only close enough to offer the glass. "Guitar. Always liked guitar," he mentions kindly to Dan. He doesn't dance, but he does nod at the Martens. Almost seeming to miss that Adam is, indeed, enjoying the wine himself. Good. Good.

Leonhard/Proclus

[[Well... the formerly ass-perched Sera, that is. :) ]]

Leonhard/Proclus

[[Oh, hey, just in case you thought I missed it... loving the Gerbal Tron.]]

Alyssa Solomon

Dan has heard the story, and Alyssa knows the lore. They're both missing each other's pieces of knowledge, but it gets to the same place. But that's happening as Serafine reaches over and takes the Hollow One's hand. She isn't immune to noting the Ecstatic's lack of comfort around her. She may even guess at it.

"Sera, okay. I've heard your name mentioned a few times. Nice to finally have a face to put to it." She's not gentle or nuturing, but she also has no need to throw Sera's discomfort back in her face. So she makes the handshake brief and pulls back. "Surprised it's taken this long for us to come into contact."

She listens to Sera describe Dan's guitar skill, and Adam say she would have liked the shoes, and chuckles. "I am a bit of a monster shoe connoisseur. Not so much that I'm obsessive about it, though."

And then she's completing the circle, looking back to Leonhard who has so tantalizingly stumbled over trying to explain why he's in Denver but has now stopped discussing it. The look on the goth's face suggests that she's not letting it yet, as she gives him an expectant look.

Serafíne

Adam says 'rock' and 'concert' in quotes and Dan gives him a bit of smirk over Sera's head, but not enough of a smirk to erase the warmth behind his eyes or in his voice. "Naw," the man is saying, in the cross-talk. "Those were coming-to-visit-your-shop shoes. Here's a secret, they hurt her feet too much for her to get through an hour or two on stage in them."

That earns Dan a impolite-in-the-ribs from one Sera, as she is drawing back from that brief handshake with Alyssa. Who has heard Sera's name and is surprised they haven't met before.

"I'm not surprised," Sera to Alyssa, as she reaches for the wine Leonhard offers her, "I haven't been out much lately," which has been on the other side of the gauntlet and which is enough to release Sera from whatever passing and spare melancholy darkens her eyes just then.

To Leonhard, "Shit really?" - and brief ghost of a grin. Sera's too young; she's a new-made Disciple and she does not know the War except in stories. She's what's left: after. "I know I've never had anything like that. That's fucking amazing. Where the hell did you get it?

"They have alot of that shit in Liechtenstein? Also, Dan's a fucking liar. Those shoes do not hurt my feet."

And she takes it; and she sips, and she holds it back to Dan to taste, too, and he untangles a hand from her hand and accepts the glass and unlike Sera, he savors the wine properly. Swirling the glass and breathing it in before drinking.

Leonhard/Proclus

The Jerbiton imagines his own Consor-of-sorts getting something in his ribs...

"Those shoes would've hurt mine," he smiles. Either wearing them or getting too close to them, it's all much the same. "But, no, I don't think there's a lot of it left anywhere. Finish it. I'm... Honestly? If I finish it myself, I think I'll only think it a sin to have done so."

And, so, he leaves the glass with the Ecstatic. An inch of regret in not finishing it himself but a foot of... relief... in it finding a home that thinks it fucking amazing. Not that Marcusio would think anything of the sort. He would probably have slapped him for giving it away, or at least for passing it after starting it, but he's dead with his vineyards and new vineyards are needed.

"Oh, oh, yes, Alyssa," the Jerbiton reminds himself, finding something to eat. "I was Interdicted. And Ostracised from the Council for good measure. Ten years. Time served. Here I am. So, nothing so malignant as would require Requital; Consorting with the Interdicted, though for mitigating reasons. The tribunal... these are really good, aren't they?" He picks up something else to eat

"The tribunal noted that those I consorted with where framed by the Janissaries. Which, since they were consorted with... recruited, to put a word on it... by me to help resist those bastards' treason, well... Rather difficult killing me, but the politics were a bit... heightened. So. Interdiction."

Straightforward enough. Better out than in, Proclus.

Adam

[I'm calling it now, ooc, by the by. There is no order! *grin* Adam is quiet until he jumps in, and so on and so forth. Food in his face.]

Sid

[*dips in toe* is it okay to join?]

Alyssa Solomon

[[Yes!]]

Adam

[The Facts, ma'am, and Nothing But:

Sera and Dan at table-head.

Shoshannah fixing things in the kitchen.

Adam and Lenny sitting, like polite well-behaved boys.

Alyssa, also polite and well-behaved, but less boy-like.]

Sid

[awareness because what the hay]

Dice: 7 d10 TN6 (1, 1, 2, 3, 6, 7, 9) ( success x 3 )

Alyssa Solomon

Sera comments on the wine, and that is an area where she has apparently much more interest than Alyssa. The girl is the one who horrified Connor by having Corona in her fridge and claiming that she actually preferred that to other, higher-end beers. There was a time, perhaps, but not any more. Her attention is looking more toward Leonhard and his explanation, which does in fact come.

She listens. And she sits up a tiny bit when he explains that he was Interdicted. She's familiar with all the terms that he uses, and her eyes narrow a bit. "Wait, so let me see if I have this bullshit right. They got you on consorting, but didn't stop to consider the fact that inaction could have endangered the Order? Or did that part of the code not matter to them at that point in favor of fuckin' technicalities?"

She snorts. The sarcasm is dripping in that last sentence. "Not to mention that you say they were framed by the fucking Janissaries, of all people? Which would suggest that their Interdictions were bullshit anyway? What kind of Tribunal jargon bullshit did they use to justify that crap?"

She's not exactly angry on Leonhard's behalf, it must be noted. She just hates Tribunals not doing their job right.

Sid

[and just for funsies: dex+crafts]

Dice: 5 d10 TN6 (2, 4, 5, 9, 10) ( success x 2 )

Sid

There was meant to be another joining tonight's little dinner party. She'd been there the day it was suggested and she'd said that she would come, she would bake something, she would be there.

Truth is, though, Sid is late. Food's on the table, the guests are taking refreshment, and the hostess is in the kitchen fixing things. It's around this time that the door to the garage opens and in comes a sweep of fresh, cool evening air and on that air comes a whiff of blissful happiness mixed round and round with a sense of frantic desperation, the whole twist supported by a quiet, steady [static] sense that whoever is walking through that door is empowered.

Of course the first person to notice this swirl of magical imprint is also the first one to see Sid enter the house. Shoshannah's in the kitchen still, fixing things. Sid pauses to look around the room before she closes the door behind her. She's carrying a cloth bag that sags heavily but somewhat evenly, the contents of which are revealed when she sets the thing down on an empty counter with a quiet thmpmp bmp and lets the fabric fall. There are two circular pans inside and a small container. Before Sid does anything more with these things, however, she goes into the office to put her bag and remove her jacket. Then it's back into the kitchen.

She shares some words with Shoshannah, voices quiet and low and private, lost beneath the sound of water flowing from the faucet as Sid washes her hands. There's an offer to help Shoshannah with what she's doing, but isn't pressed if the teen declines it. Sid has something else to do, anyway, and that something is this: finalize the preparations of a cake. She finds a serving plate from the cupboard and a knife and spatula from the drawers. One of the pans is dumped onto the platter, where Sid leans over it and carefully shaves off the top so that its surface is flat. The small container proves to be full of homemade icing, which she slathers on some frosting. She asks Shoshannah who's in there even though she knows. She sensed them all before she entered the garage let alone the house itself. But it's conversation while she carefully sets the cake from the other pan atop the first and begins covering all of it with frosting. The recipe? Carrot, organic and gluten free and low in sugar and so on and so forth, covered with buttercream frosting that probably completely negates all the steps she took to lessen the cake's impact.

"Should I leave this in here?" she asks when finally she's finished with her little contribution to the dinner. She's not a pro or anything, but the presentation is better than decent. At least it's not crooked, and the icing is fairly evenly distributed.

Leonhard/Proclus

"They got me on Consorting and I'm not gibbet-meat," Proclus offers as summary. Alyssa's reaction does elicit his sharpest attention, but he offers no more. Instead, he picks up the empty bottle from beyond the Cataclysm and, stubbing the cork back in, replaces it in the bag it hadn't really left for ten years...

Serafíne

Sera, loose, shares that amazing fucking wine with Dan. The back and forth about the shoes passes but she keeps rolling her ankles a bit and admiring the movement of light across the buckles on the leather straps. Nevermind the cold Sera's legs are still mostly-bare. She's wearing some high-low skirt that would seem more modest than most of her get-ups on first blush but on second blush it is see-through so, not so much with the modesty. She has on lingerie beneath it and a leather jacket over it, so. Yes: Ecstatic, though she has never so introduced herself. Somewhere in the middle of Leonard's story about his Interdiction, Dan rests a skinny hip against the dining table and a tattooed hand on Sera's shoulder and as Leonhard remarks on how delicious one of the little savories is Sera reaches over and takes one-two and shares that with her consor and gives Leonhard this edge of a spare smile.

She understands less than a fucking quarter of what he's saying but she's watching him more than she's listening to him. Brows drawn together, her eyes - dark in this light - tracing his profile.

"Hey," to Leonhard, and it is quiet but there's no ignoring it. When Sera wants her voice to carry, it carries, compelling, right? There's compassion there; the living sort. She still has that glass of wine - from Horizon, the other side of the gauntlet - in hand, back from Dan, and she lifts in a wordless toast to Leonhard. "That sounds like a long fucking time. Welcome back, yeah?"

Adam

The Hollower's reaction also drags Adam's gaze across the whettstone and sharps it right up. The eyes themselves don't change, of course, and there is a certain distance - just: water, shadows-on-water, that sort've stillness. His regard is questing, and light, and as often seems to be the case, Adam looks as if his thoughts are turned inward (like he is: abstracted [distracted]) when he is at his most attentive. He even rests his elbow on the table (whoops), rests his chin on his first (get your head out of the clouds, boy), like the posture of contemplation knows no boundaries.

Hmmm.

He chooses to say: "Yes. Welcome back. I'd toast again, but alas, we're out of the special stuff." Faint hint of a smile, followed by the realization his elbow is on the table. He does not take it off yet.

"Did you," and he sounds: perplexed, maybe, "want once to be a lawyer, Alyssa?"

Shoshannah

And, look, there's Shoshannah with soup. She'd heard new people arrive, maybe poked her head out to nod solemn greeting to Serafine and Dan when Adam went out to join everyone, but mostly she's been making herself busy in the kitchen for the last however-long. But there's soup. And a moment later, after a trip back to the kitchen, a loaf of challah bread to go with it, as well as extra dishes for Sera and Dan if they haven't already been provided.

"It's chicken matzoh ball," she says for those who didn't get the menu listed to them earlier, and perhaps it's noted that she's more uptight now, that she's on less solid footing, until her eyes light on Sid and she lights up again. "Oh, good. Hi. Cake can go there by the appetizers for now, if you'd like."

The outfit, a modest-but-reasonably-fashionable, pretty and fine, skirt-and-blouse thing, the feet bare, the dark maybe-black-maybe-deep-brown hair caught back just enough to not cause trouble in the cooking and serving. The eyes, as ever, are heavy, sharp, and a crystalline, piercing blue. The skin is winter pale, as may be expected, but shows hints of olive underneath. And the accent is a mish mash of herethereeverywhere that's a bit more heavy on the middle eastern and southern American than anything else.

Except that she falls quiet again now, watching as the tureen travels around the table, or doesn't. As the case may be - there's conversation, after all, and as well as that goes with food? Not everyone necessarily thinks the same way.

Leonhard/Proclus

Shoshannah returns as his voice cracks, breaks, he coughs, "Thankyou," to the toast. It isn't the toast. It isn't the phrase welcome back. It is, of course, the Empathy, and he thinks of the little he knows of the Cult's Sacred Passions.

Although there remains something compelling about Sera (as well, he expects, Dan can attest), it is to Adam that he finds himself looking. Briefly. "I'm sure we can find something to replace it, Adam."

Alyssa Solomon

Proclus defends the ruling, and the Hollow One isn't exactly pacified. "Yeah, fuck that. Just like any set of laws, the Code isn't a map but a globe. With mountains and valleys and some places that are just more important than others."

While Alyssa burns over Leonhard's story, Sera focuses on the important part...welcoming him back. It snaps her attention back for a moment but she's not able to snap herself out of her self-righteous anger. It's a definite fault in the Hollow One, her certainty of right and wrong in certain things. But it's not an uncommon fault, especially under those who can alter reality. Hubris has caused many a fall, and being certain of things is the first step to hubris.

Adam asks his question, and Alyssa looks at him. She regards the question a moment, as if she's not sure how to answer. It's that area between I don't want to make this about me and I don't want to stop being angry. She's talked about it before, but somehow this feels a bit different, because her outburst means that it's turned attention on her in a way that she didn't intend, as opposed to her talking on her own terms. "Is it so wrong to want Quaesitors to be able to do their job right?" is what she finally settles on.

Adam

[>.> A subterfuge roll.]

Dice: 5 d10 TN6 (1, 2, 3, 5, 10) ( success x 1 )

Shoshannah

[[Pfft, Per + Awarepathy -3 cos Arcane? Is that still a thing?]]

Dice: 3 d10 TN6 (5, 9, 10) ( success x 2 )

Alyssa Solomon

[[Arcane doesn't help against Empathy rolls or the like. Just FYI.]]

Alyssa Solomon

[[Awarepathy, rather.]]

Shoshannah

[[Well then, for good measure, here's the other three dice!]]

Dice: 3 d10 TN6 (2, 4, 5) ( fail )

Sid

Sid leaves the cake wherever makes sense for a cake to be left before finally walking over to the door that leads into the formal dining room. She pauses just inside of it, pushing the rolled up cuff of her shirt a little higher on her forearm. The shirt is white with blue watercolored flowers and butterflies all over it. The fabric is sheer, but it looks like she's wearing a camisole beneath it. Her jeans are dark-washed and slim-fitting and tucked into a pair of knee-high dark brown boots. Her long red hair has been pulled gently back in a loose braid that wraps around the curve of her skull. Those with a clear view of her standing just inside the dining room, taking in the atmosphere and also looking for the likeliest place to sit, can see a long straight scar on the outside of her left forearm.

If anyone greets her she responds with a wordless nod. Otherwise, she is weighing her options. Shoshannah is playing hostess and so may not get to sit for long periods of time. Between those remaining she would rather not sit next to Leonhard who she's only just met, or Adam who is also still fairly new (but so sweet, if the only place left is by him it wouldn't be a hardship). As it so happens, the closest empty chair puts her next to Alyssa, so that's where Sid goes.

Just in time, apparently, for Adam to ask the Hollower a question and receive a reply. She has no idea what they're talking about, but she looks to Adam because the only place to look between volleys is from one social tennis player to the other.

[and I just got here but what's that Adam? Are you trying to be subterfugey??: awarepathy]

Dice: 7 d10 TN6 (1, 4, 5, 5, 8, 8, 10) ( success x 3 )

Serafíne

Truthfully in this moment, neither Sera nor Shoshannah receive much of Sera's attention. Dan turns and looks and maybe gives Shoshannah a hand with the soup tureen and the new brush of Sid's resonance against her senses is enough to make Sera lift her chin vaguely in Sid's direction. Adam receives an actual glance, which is rather spare and thoughtful for someone so instinct driven or perhaps that edge of reserve is instinct tonight.

Maybe it is just the new resonance about Sera. Which Shoshannah and Sid will know to be new-and-not-old, that sense of hallways; of thresholds, of windows and doors - liminal. No longer what-was, not yet what-will be.

"We brought booze," to Leonhard, or Adam, or Leonhard and Adam. They can find something to replace it, right? "Colorado whiskey, really great vodka and tequila and how much beer?"

" - two cases," Dan supplies. And Sera's already slipping from her perch and tugging him along behind her to find something to replace that brilliant vintage.

"Any preferences?"

Mostly to Leonhard. He is, after all, the man being welcomed back.

Alyssa Solomon

[[Ah what the fuck? Per+Subterfuge]]

Dice: 4 d10 TN6 (2, 4, 7, 8) ( success x 2 )

Leonhard/Proclus

"Oh, I'm driving," Leonhard explains quietly to Sera with his hands up as if in surrender, a little playfully but more regretfully. "But maybe I'll take you up on one of those beers, Dan, when I've had something to soak it up."He tucks in, with a warm nod to Sid, clearly pleased that she has joined them.

Adam

He will, later, absolutely blame the wine for being rather easy to read in spite of -- an effort. Let's call it 'an effort,' for it is not his best. Enter, Sid, who gets a nod and the faint suggestion of a smile he might remember to do when he isn't quite so distracted. Like this:

He looks to the side, eyebrows raised. He takes a last sip of his wine. The look to the side could have been constrewed as considering, but it isn't considering really; it's simply poised, simply, I shan't say anything bad about that House you just mentioned, even though I am thinking it.

"Suppose it isn't," he says, and then both forearms on the dining room table, a bright-eyed smile for Sera and Dan, then Shoshannah and Sid, who've come out with food foooood more foooood see how he breathes in the smell of that soup, thin chest expanding, sitting up again. "Guess we're saving that toast for later," to Sera, when Proclus demures on choosing.

"This does all smell really good Shoshannah. Hi, Sid! If I'd known you were going to make this much, I would've brought, erm, something more than what I did. How often do people eat big dinners here at The House? I mean, erm, are there rules I should be aware of, since here I am in its belly?"

Serafíne

"I never drive," Sera informs Leonhard, in an equal aside as he declines her whiskey and her vodka and her tequila and likely any and all of the other intoxicants she is likely to have on her person at any giving time. A jerk of her left thumb at Dan, though her fingers are drawn together in a way that mostly obscures the tattoo on her palm, the shark's tale does extend down to her wrist. "That's what he's for.

"You should get yourself a Dan. Or a Collins."

--

Then poof, Sera has not yet finished her wine but is determined to retrieve something. Beers all around and maybe a bottle of Stranahan's of her very own, or what the hell ever. "Hey Sid," in passing, and an echo of Adam's compliment to Shoshannah, " - fucking delicious, man." Not that Sera ate more than a morsel. Not that she looks like she ever eats more than a morsel. But hey, she's been harrowed, hasn't she?

And then Adam asks about the rules and Sera, like a goddamned anarchist hears him from the kitchen and shouts back, "Rules? there are no fucking rules. Don't be an asshole! That's the fucking rule."

Shoshannah

Sera pays no attention to newcomers in the room (except Shoshannah isn't new, not really - see, that's her barely-touched half-glass of wine there, her place setting, her spread of food, her decorations. There are many people in and out of the house, some who spend significant amounts of time there, or are only there sporadically, but Shoshannah's the one who lives there. It feels like her, this place, like it's curved its homey, modern classic bones around her to keep her well and warm.), and Shoshannah notes this; her eyes land on the Cultist briefly, her expression shifts, but then there's a nearly realized shrug and her own attention shifts to the other guests.

Two can pay no mind to each other, you see.

"There . . . aren't really big formal dinners or anything. I cook when I feel like it, and leave notes on things about when they were made and what's available for leftovers. And Kalen takes things to shelters and soup kitchens and places like that if people don't eat it fast enough." Then there's Sera shouting and Shoshannah doesn't even bother to try to ignore that; her face twists in distaste and disagreement, but she doesn't counter. Each to their own, different strokes. Look. Duck's back, no more water. "Sometimes we do things for solstices or equinoxes or holidays. There was going to be a Halloween thing, but then there was craziness going on and it got sidelined."

Sid

So, a nod for Adam and a nod for Leonhard, and a nod and slight but warm smile for Sera, and then Sid is settling into her seat next to the Hollow One.

Sid entered the conversation late enough that she's missed the story that causes Alyssa to burn so much, or explain why Adam is suggesting toasts.

Presumably she has a plate before her, and she fills it with a little bit of a few of the things that she can reach, whatever they happen to be. Anything out that she hasn't had before she goes for first, but just a little. Her appetite is not hardy, but she's not peckish, either, and not finicky about her food options. Once, when she reaches to her left, she exposes her own marks of black inked forever into the skin. Sera has sharkscissors that trail into her palm. Sid has words and a couple of circles.

"What are we toasting?" she asks, her voice quiet but her expression interested, first to Adam, then a brief shift of her eyes toward Leonhard before she turns toward Alyssa. These people are the ones still in the room at the moment, they're the ones who know what's going on.

Rules, Leonhard asks, and before Sid can answer (not that she was planning to, but she couldn't even if she'd wanted) Sera and Shoshannah supply him. There is a moment's pause between Sid lifting her hand and that hand resting on a fork when the Dreamspeaker mentions Halloween, but it's only a momentary thing.

Alyssa Solomon

Alyssa does pick up that specific neutrality from Adam and it makes her brow raise a little. The curiosity is enough to calm her down...that and the fact that the conversation appears to have been moved on. She frowns a little bit, the usually-confident and easy-going girl now looking and giving off a sense that is more similar to Shoshannah than the snarky, sometimes abrasive occult investigator that she usually projects.

There's shouting about rules and there's talk about the quality of food and the drinks available and more. These aren't things Alyssa has anything to contribute to, and she stands up, grabbing her jacket to throw back on. The wings on the back of the jacket settle against her back and smooth into place. "Going out for a cigarette." She says it with a bit of an affected smile, before she heads for the door.

Leonhard/Proclus

"Oh, dear, Adam," come the words between mouthfuls. "A laxity of rules at a Traditionalist Chantry. We'll clearly never fit in. You being so damnably stuffy and me being a... oh, this is lovely... Euro-trash."

Adam

"I am stuffy," Adam says, quite seriously, and without missing a beat. There may be a hint of a smile, one of those just-beneath-the-surface things, but that does nothing to the gravity of his answer.

"We were going to toast Proclus's return to civilization - Awakened, that is. Ta, Alyssa," when she gets up and heads out to smoke. He watches her until she's gone, thoughtful, or - well, perhaps he's thinking about something else. He begins to look vague, again, rubs the back of his neck, and then realizes he is still wearing his coat.

Adam, Adam.

"Anything on, erm, planned, for the next holiday?"

Serafíne

"Adam? He's not stuffy." This when Sera's back in the room; she misses Shoshannah's expression over her declaration that there are no rules, and maybe overhears Shoshannah's statement of the rules, about meals or something, about leaving notes on things, and deliberate or otherwise misses the lacuna around the idea of Halloween. Halloween was Denver's loss, really. The things Serafíne would've worn. She has three bottles of various microbrews caught between the fingers of her right hand and a bottle of whiskey she will be claming for herself in the left.

"Lured me upstairs the first day we met. Cheeky fucker."

Maybe she's needling him, assuredly she's needling him and she starts setting out bottles and Dan follows her back in with another handful.

"Pan has the deed to the place. You might wanna say hi to him. He didn't judge me for asking him to make-out in his confessional the first day we met, so I bet he'll keep his opinions on Euro-trash to himself, too. You can find him at the Church of the Good Shepherd, usually. Off Federal."

Sid

Alyssa is rising, leaving almost as soon as Sid sits. Some might wonder what they'd done to cause such offense (does Sid smell? does Alyssa not like the feel of empowered euphoric desperation? does she somehow sense the healthy choices Sid made when baking that cake and is leaving in disgust before it can be presented to her?) Sid only watches her go.

And then she's looking back at the Hermetics. They're toasting Proclus and for a moment Sid looks confused before she remembers. That's Leonhard's weird other name. The confusion returns, though, because Adam? Stuffy? That must be a joke, but Leonhard, Eurotrash? That has to be a joke, but Sid has obviously missed something there.

"What?"

Leonhard/Proclus

"Apparently," Leonhard... Proclus... whatever-the-hell says to Sid, amused, a napkin dabbed at his lip, "Adam isn't stuffy at all and I might get away with being from Europe. Not that you'll find me complaining."He smirks openly at Adam, if softly, before continuing to eat. "He is a cheeky fucker, though."

Shoshannah

"You're from Europe. I'm from Israel," she says with a smirk, and for some it's the first they've heard it, others know, she's lost track at this point who's in which camp. "I'll bring out the rest of the food, if we're done with soup. Ready?"

And, assuming answer in the affirmative, she does so - there are the fig-and-cheese blintzes, the whatever-she'd-called-it with the Yiddish name that turns out to be a sort of . . . pudding-souffle-casserole-thing with wide noodles and more cheese and raisins and eggs, and there's a different kind of salad than the tabbouleh and fatoosh that had been out with the appetizers. She wasn't kidding when she said she cooks a lot when she cooks.

From then on, for the most part, she's quietly observant. This isn't to say she doesn't answer questions she's asked, but it is to say she doesn't volunteer. Or butt in. She's very clearly there, but reserved and both in her element and completely out of it.

Shoshannah

[[Thanks for the scene, guys - sorry for the abrupt exit. Those of you who may want me in the future know how to find me! =D ]]

Leonhard/Proclus

Sabra. Prickly. Sweet. He smiles at Shoshannah, continuing, "And so am I, sitting here scoffing and not helping."He rises, bowing to Adam, demurely, and gently insists on helping Shoshannah. As he heads to do so, he pinches two fingers together as if holding a thought. "Thanks, Sera. I'll be down that way soon for some supplies. I'll be sure to introduce myself."

Serafíne

"Cool," Sera remarks quietly to Leonhard, as the full load of beer-and-sundries is distributed and the creature sort of leans back instead of reclaiming her corner of the dining room table, smiling up at Dan. "I get away with a helluva lot more than being from Europe. And Pan's fucking amazing." She does have an unrequited crush, doesn't she.

Tapping two fingers against her mouth to indicate that she wants a cigarette. The consor glances up in the direction that Alyssa took, his glance a kind of question, but Sera jerks her head a bit the other way.

She needs the burn of the cigarette to get the taste of blood out of her mouth.

"Ciao."