Showing posts with label River. Show all posts
Showing posts with label River. Show all posts

Friday, November 20, 2015

Elephant


River

It is twenty-nine degrees outside. There is a light snow. There's a gentle breeze and it's starting to look a lot like an actual winter and not the kind of winter that people from southern California are accustomed to.

If winter is going to happen, they're going to do this right.

River's actually an old pro at setting things on fire in the most mundane of senses. She was the one who was in charge of the camp fire as a kid and she spent good chunks of her formative years burning various and sundry things outside in what she later determined was just what one did when you got cold and were bored and you didn't have an actual stove to cook dinner on. It's just a thing.

There's a ring of stones and pinecone-and-"you're late on the rent" notice kindling and whatever the fuck else one needs to start a fire. Text messages were sent out (recreating the Salem witch trials with marshmallows, want to come hang out?) and bags were set aside.

River took a hit off her flask and put it back in her gigantic purse. Exhales. Watches her breath take to the air. Tosses a sacrificial marshmallow on the pire to appease the camp fire gods.

Grace

Grace found out via Samir. Hanging out in the outside when it's below freezing isn't at the top of her list of great things to do, really. It's a good thing she likes Sam.

So she shows up, dressed in two pairs of jeans, her grey zip-up turtleneck on under her coat. Maybe overkill for 29 degrees, but you never know.

"Oh, nice. Fire's already started," she says, and rushes over, pulling her hands out of her pocket and warms herself at the fire.

"How's things?"

Sam Lakhani

Sam has been here for a few minutes by the time Grace arrives. That tendency of his to hemorrhage out of other folks' awareness is a pain in the ass sometimes. If he's going to be hanging out in the park when there's snow and it's colder than Hell then yes. Yes he did bring a bong inside of a backpack onto public transit.

The things he does for River.

He hasn't busted it out of his bag yet but it's sitting on a picnic table bench and unless he has a fully assembled clarinet in that thing there aren't a lot of objects that could drape the canvas like that.

"I told her we should wait until you got here to get it going," he says. Just because he's taken another step towards ascension doesn't mean he's going to stop busting Grace's balls.

Serafíne

Yeah, sure, alright, okay, thanks winter you fucking asshole, it is twenty-nine degrees outside and snowflakes are falling or not so much falling as drifting and drifting is okay too but: cold right? November and we've still forgotten how-to-be-in-the-cold, the things it does to us, body and breath, skin and blood and bone.

She must've forgotten. Little black dress that pretty much covers her ass and not-much-more. Long (the suggestion of length, the illusion of height) legs bare except for ripped fishnets and black heels wrapped in sharp metal studs, leather jacket framed in studs, zips, a marching line of oversized silver safety pins down the center of the back holds the damn coat together and suggests the elegant symmetry of a bare spine. So: not made for warmth any more than anything else she's wearing.

She doesn't seem to notice the cold though, or maybe each minute without shivering is another big fuck you to the cold front shivering flurries down over Denver at the moment.

--

Didn't get a text about a fire. Has: about a bazillion texts she has received and not returned but for god's sake her phone is working again which means every time it buzzes she can slip it out of her pocket and glance down at the screen and feel: alive, connected, earthbound, and strangely free.

--

And she's walking on the arm of a tall guy with blond hair and a trimmed blond beard and she's wearing those heels and he still has several inches on her, but there they are, walking together like old, old friends, this animated discussion back-and-forth between them. Coming from the city, circling the lake like it's a shortcut they know rather than a place-to-stroll.

Serafíne

(Awareness)

Dice: 7 d10 TN5 (2, 4, 6, 6, 6, 8, 8) ( success x 5 ) [Doubling Tens]

Serafíne

(Awareness -3)

Dice: 4 d10 TN5 (2, 5, 9, 9) ( success x 3 ) [Doubling Tens]

Ihsan Ghali

Ihsan was sitting nearer to River than anywhere else, with a blanket spread out on the grass beneath them both. She was from Los Angeles-- Southern California. She had been experiencing heat waves and drought for most of the time that she'd been in this country, and she'd spent the majority of her life in Cairo before that.

Ihsan didn't like the flurries because they made her chilled. She'd traveled, she'd experienced cold before, of course. She would just probably never get used to it. So she was bundled up with wool socks under her calf-high black boots, in dark jeans and a black coat. She wore a hat on her head and her hair was out in curls (flat, curling ironed curls) beneath it. No scarf, at least. No gloves either. She was warming herself near the fire, waiting to be able to shed the hat and open the coat.

She was leaned forward, toward the flame, reading some document or another off the screen of her iPhone with an expression of content-but-mild-boredom on her face.

When Grace arrived, Ihsan looked up and smiled fleetingly for a greeting to her. "Hey there, Grace. How are you? Any more murders for me to investigate yet?"

Because who the hell was eavesdropping on them out here, after all?

Kiara

[Spidey senses roll.]

Dice: 6 d10 TN6 (2, 2, 3, 4, 8, 9) ( success x 2 )

Grace

Grace squints at Ihsan. "No. I heard, finally, that your 'investigation' turned out well in the end, though. Good for you." There's a bit of exasperation in her tone, but she really means that last sentence. It turned out all right, at least.

"Oh, Sam, there you are," she says to him, gives a little wave. Truth be told, she didn't notice his presence until he spoke. Samir is like that, the fucking ghost... She moves over toward him, sitting on the opposite side of the obvious bong. At least there will come some good out of communing with nature or whatever the hell it is they're doing.

Grace can commune with some nature in the form of weed...

Kiara

So, here's the thing.

Kiara Woolfe, daughter of nature and walking manifestation of Spring (or so her presence feels like, so much pulsing, writhing life) actually rather enjoyed the coming of the cooler months. Less for the stagnancy of them, the way the world felt as if it slowed, preparing to enter a chrysalis before re-emerging on the other side of the dripping frost but for the progression of them. It meant change was (should always have been) coming. It meant that despite whatever happenings in the greater scheme - nature was not fooled, or halted.

She would (had to) find a way to survive.

Pattern and purpose to the cycle. An evening like this, after everything she's recently endured, felt cleansing. The air was crisp and flakes of snow are drifting in the air like a promise - landing only to melt in the Verbena's wild dark hair, the waves of which are loose and curling around her shoulders; over the (faux) fur lining of her coat. Hands folded into pockets, dark jeans and boots and that mouth, as ever, painted a brilliant, stark red.

She must have been sent an invitation - or perhaps River simply conjured her with the fire and mention of her ilk via text. Kiara Woolfe, a lean apparition leaning her weight against a tree with her eyes on the fire.

"If you're going to be faithful to the trials, that fire needs to be twice as large." Her voice curls out after a beat. "I could speak in tongues, though." A waspish tease. "To get things rolling."

River

[I totally notice people and resonances. Per+aware]

Dice: 5 d10 TN6 (1, 5, 7, 9, 10) ( success x 3 )

River

River has planted herself near Ihsan and, on occasion, gets up to poke the fire and check to make sure said sacrificial marshmallow knows it is in a place of honor- you must burn so that others after you may be delicious. Thus far, she's been pretty happy to just be around people, hair shoved under a hat and her coat isn't pretty but god damn it, it looks like the kind of thing that you would wear if you're going to go out and wander aimlessly through the wilderness.

Laughs when Sam pokes at Grace. Tries to laugh a little less at the bits of exasperation in her tone when Ihsan mentions wanting another murder investigation to paw through.

Then? Kiara is there- someone River hasn't seen in awhile and she waves- fingers uncovered but the rest of her hands seem pretty well shielded from the weather in what can only be described as mittens having an identity crisis.

"I tried to come up with something witty to say to that, but I've drawn a blank," she offers, laughs anyway, "nothing makes marshmallows tastier than the gross misappropriation of justice?"

And, with that, she offers Kiara a coat hanger.

Sam Lakhani

It's too cold for him to even think about sitting down. He may or may not have thermals on underneath his street clothes. He has swapped out the leather jacket for a peacoat and has a ski cap tugged over his hair. His fingerless gloves have a mitten-type option in the form of flaps. It's difficult to strike a lighter when you can't feel your fingers but it's even harder with wool covering your thumb.

"You should," he says to Kiara regarding using glossolalia. "Speaking in tongues is metal."

Ihsan Ghali

"Thank you," Ihsan answered Grace's congratulations in working with River and Mike to bring down the Nephandus that had been melding people into two and triggering a murdering spree from someone entirely different, in a surprise twist ending. She smiled and seemed pretty genuinely pleased with herself, then skewered a marshmallow and put it outside the reach of the fire to toast slowly.

Where this bundle of Mages sat must have felt like a goddamn magnet to other magical forces out there. That many rifts in the hard laws of "reality" would make some waves for sure. It was astounding that they hadn't brought trouble down upon their heads already (knock on wood).

Ihsan pulled her hat from her head and smoothed her hair with her palms, then unzipped her coat some to show the top of a charcoal colored shirt. The fire was warming her and the boots and wool socks were starting to feel pleasantly toasty.

Like the marshmallow.

River

"I thought I was speaking in tongues once, but then it turns out I apparently knew Sanskrit at one point," she said with a shrug, as though this is a completely... no, she knows this is not a normal thing for people but she passes it off like oh, yeah, sometimes you just remember crap from a past life and have no idea why you know how to do something. Just roll with it, NBD. Sigh. Chakravanti problems.

Grace

"I thought yelling while you're simultaneously trying to clear your throat was metal. The things I learn..."

Yes, this many Mages might be a goddamn magnet. If so, let them come. There must be a few more royally stupid things out there who'd like to shove shadows down her throat or something. They could have an actual burning. Fun for the whole family.

Well, okay. Maybe not fun.

She laughs at River, thinking that's a joke she just made. Who doesn't know jack shit about past lives? This Elite.

"Hey, Kiara."

Kiara

The Verbena is still standing off a ways when River holds out that coat hanger, her lip curled up at the edge in a smile that verged on a few things but her eyes: they seemed wholly honed in on her. Watching River with a sudden, total, focus as if by staring long enough she'd be able to tease loose a beat on the other female's mental state.

This is the first time Kiara Woolfe has seen her since news came of Farrah's demise.

It's there, somewhere, in that look and the slow, stretching beat of silence - on the tip of her tongue, to say something of it. A heavy awareness lingers as the brunette eventually kicks off her leaning point and moves into the gathering proper. Ihsan receives a lingering tick of Kiara's eyes as she makes progress and comes close enough to receive the coat hanger.

"Thanks." She accepts it with, and studies River's face again, the firelight drawing gold patterns over the Verbena's neck. The warmth melting snowflakes in her hair. Then there's Samir - and there's Grace and the latter gets a quick, bright smile, but the former -

The regard lingers there.

"I'll keep it mind for a party trick later." She looks at Samir for another moment, then drops down to her haunches and her eyes return to Ihsan. "I don't believe we've had the pleasure yet."

Kiara

[Ahem. "keep it in mind," tyvm typo.]

Sam Lakhani

Just about any other person looking at him the way Kiara looks at him would normally have him wondering what the hell she was staring at. But Kiara is Verbena and he knows what she's staring at besides. His resonance is noticeable now. He is more of a presence than he was the last time they saw each other.

Granted the fact that she is Verbena means she could be staring at a pissed-off spirit hovering behind him or a blight on his aura or something and he wouldn't know until she said something but Sam has a pretty good idea what has her attention.

He throws up a set of rock horns with the hand not holding onto the backpack and drops into a crouch by the Chakravanti as Ihsan and Kiara get themselves acquainted. Time to light this sucker.

Ihsan Ghali

"No," said the North African woman to Kiara. She'd watched the woman as people answered to speaking in tongues-- how it was metal and could be confused for Sanskrit. Ihsan was busy regarding the new dark-haired woman with the bright red lips. Watching her like a lion-- relaxed and assured but watchful none the less.

"I am Ihsan." She smiled and lifted her hand to show her palm in greeting. Hey, that kind of a wave said. Her accent was dense and interesting, different to an ear that's grown accustomed to the Western United States especially. Still, she spoke clearly and had a strong grasp of the English language. She wasn't that difficult to understand.

The marshmallow was brought back and tested with a squeeze of her fingers. It was a little underdone, but apparently that was how she liked them, for she plucked it with her fingers and popped it whole into her mouth. She then pulled her hat back on and zipped her coat back up and rose to her feet.

"I'm going back to make a run to the store for hot dogs and buns. Anyone wanna come with me?"

And whoever did or did not want to come with, so it would be. Ihsan was set on getting hot dogs and returning later with brats instead ("yes, hot dogs, right?").

[Sorry, but I need to roll out early. Bedtime comes quick when your alarm is set for 4:30am]

Grace

Oh, nice, Sam. Abandon Grace over there. Whatever. She looks over at Sam and River and gives him a little smirk.

Well, she knows how it is.

She turns her hands back and forth to the side of the fire, trying to warm the cold side (which is, of course, the side not nearest the fire at that second).

"Hot dogs too? Awesome," she says to Ihsan, but doesn't move to get up. Not going with.

River

She has good days, and she has bad days. There isn't much of a baseline for Kiara to work off of but today? Today seems like a good day. She seems alert and engaged and content to be aware of people. She hasn't punched anyone at work (in fact, she still has a job. The other dancers at the Diamond Cabaret are convinced she must be sleeping with the hiring manager, but realistically River came up in a couple of very positive Yelp reviews. She's a classy lady; classy ladies change the atmosphere enough that you attract clientel who spend more.)

River concludes that Samir is close enough to lean on for a minute, and so she does- it's a momentary breach of space until she realizes oh fuck, Samir is lighting stuff and she stops attempting to assert her manifest destiny on his space.

There is, however, something that stuck on her senses. Brows knit for a second as she remembers that there's a presence that she can't actually place. Though, in the way, she does happen to place its source and finds-

"I'm gonna yell at people," she warns. And then, does raise her voice enough that it carries-

"Dan! Tenemos malvaviscos! Come say hi!"

Sam Lakhani

Living in a trailer by himself in the middle of goddamn nowhere must be doing him some good. A few months ago River would not have leaned on Sam. A slew of variables make today a different day than one plucked random from several months back. He doesn't seem like an individual who would react strong to unprovoked physical contact.

Ihsan takes off to go buy hot dogs and Sam doesn't offer to go with her but he does hand her a twenty out of his billfold before she leaves. Then River is leaning on him and he goes still a moment with the novelty of it. But then she pulls away again and he goes back to packing the bowl.

I'm gonna yell at people.

"Uh oh," he says before he plants the bong in the dirt and covers his ears with his gloves.

Kiara

I am Ihsan.

That ignites a flicker of recognition. Apparently, the name meant something to the brunette and she returns the greeting with little nod. An affirmative sort of gesture. Kiara's eyes follow the other woman when she rises to her feet and makes her declaration of a store run. The coat hanger is still being held between Kiara's fingertips, her nails are painted the same shade of red as her lips.

The firelight reflects in the varnish as she twists the wire hanger around in her grasp.

It's a habit, perhaps, watching other people. It's certainly one that the brunette seems to be making an attempt at, the way her dark eyes follow Ihsan and then return to Samir long enough to catch the gesture he makes, long enough to witness the way he positions himself by River.

The way she leans into his space.

The Verbena's gaze drops away, then. This brief constriction of her brows and she drives the edge of the hanger into the hardening earth below, wedging it there as she rises to her feet. Drawing the hood of her coat up so her features all but vanish beneath the furred lining. "I'm going to make a quick circuit for more kindling. There's bound to be some leaves around here.

I'll be right back."

Hard to tell what the pagan's expression is in the moment before she starts moving again, leaning over periodically to kick up leaves being buried by drifts of snow. Shaking loose the less saturated ones.

Sam Lakhani

[challenge accepted]

Dice: 7 d10 TN6 (1, 1, 1, 4, 5, 8, 10) ( success x 3 ) [Doubling Tens]

Kiara

[I have a mighty 3 dice now. What? I'm inscrutable.]

Dice: 3 d10 TN6 (2, 7, 7) ( success x 2 )

Serafíne

Of course she's caught by the wild tangle of resonance surrounding the slow-growing (probably illegal but hey: world of darkness) campfire down by the lake and of course she stops, hooked (fish hook/open eye) right? and sometimes it makes her want to breathe: in and in and in and in like she could inhale the world, feel it bubbling in her lungs. Tonight, instead, she feels skewered like those marshmallows on that coathanger and that hook is an odd little interregnum in their coming-from-someplace and going-to-someplace, an arrest, if you will, an institial moment that feels quite as between-things (places, deeds, names, definitions) as she does.

It's a long-ass walk cutting through the park and the sun has set and the sky has that pillowed, shifting, dead-orange tinge from all the ugly lights reflecting off the close-cropped clouds, the fitful swirls of snow and in the midst of that walk is an exchange between them, all statement and query. Her statement; his query evidence in the way he pauses and glances down at her, face on to her profile, sharp against the darkness. Maybe it is that turn of his head that catches River's attention. The beard and hint of tattoos on his ungloved hands. Some lumpen shadow at his back that will resolve itself into a guitar case when he gets closer.

Which he will soon.

Because: River warns that she is gonna yell at people and then she yells at people and Dan lifts a hand by way of greeting (open palm, mildly ironic twist of his mouth) because what else can he do? Drops his mouth to her ear and bumps his forehead against her temple as he does so: so familiar, so close, so careful with her right now.

--

Takes them longer than you might think when they leave the path. Four inches of melting slush on muddy ground that has not yet been settled into a solid winter freeze and, you know, heels and bare legs do not mix very well but whatever. She's solid on those long legs. Knows how to walk on almost any surface in those heels, but here and there, he gives her a hand.

"Hey folks," Dan, when he gets there. Just a glance and a flash of his palm, as his attention returns to the girl-who-yelled, his mouth curves wider. "River." And his attention hangs there for a lingering beat. "I don't think you've met Sera, have you?"

Grace

"Hey, Dan," Grace says, through the fire's heat. He's a wavy-lined Dan to her. "Hey, Sera."

She smiles with her eyes at the newcomers to the circle of fire, but then returns her attention to the flames.

"You going to play for us?" she asks the fire. Obviously it's more for Dan than anyone, but who knows. Maybe she really does mean to ask the fire.

Sam Lakhani

Last time Sam saw Sera and Dan he was in Quiet. Which means the last time he actually remembers seeing them was at a house party. Which means he was stoned when he showed up and not in much better shape when he left around three o'clock in the morning.

Something in Kiara's gaze has him checking his own expression. He lowers his hands after River has yelled about marshmallows to the Cultist and her consor and lifts one to wave but it's an awkward sort of wave. A not-knowing-how-to-act-in-this-situation wave.

The bong is packed and ready to go. He is not the first one to light it. It sits like an offering beside the fire and then Sam stands from his crouch and takes a few steps back from the circle to light a cigarette.

River

"I have not," she carries things like she is used to carrying things because, well, this is just another social situation and River is a social creature. Sees a man with a guitar and his friend who is a spindly but striking creature.

She offers them a coat hanger, like this was a worthwhile offering.

"I told everybody that we were reenacting the Salem with trials with marshmallows, but I don't actually know how to hang a marshmallow so, uh, morbid joke completely lost."

Kiara

She does, in fact, return after a while with a handful of leaves cupped in her hands (trust the earth witch to deliver on such a promise) and carries them dutifully to the small fire; dropping them in a drift of crumbling pieces into the flames where they are greedily consumed and send up the vague, earthy aroma of foliage as it crackles and curls in on itself.

She's brushing her hands off when Dan and Sera make their approach and the Verbana's dark eyes, dramatized more-so by the liner she's applied to them turn to regard both, her hood pushed back far enough now that strands of dark hair are visible where they slither and curl at her neck, the thick waves of it half tamed by her coat.

"Good to see you, Dan. Sera." The latter's name offered with this quiet, delicate touch of meaning. The Verbena's supple mouth pulled into a little half-curl. She tosses the last handful of leaves toward the fire and and nudges at a stray, escaping one with a boot. Urging toward its demise.

A flicker of some darker, answering humor dawns in the Verbena's eyes as she watches the flames. "Burning them alive has always been a crowd favorite." There's this tiny shadow that falls over Kiara's face as she turns it into the treeline, as if searching for the source of a noise.

"Or so I've heard."

Serafíne

"Hey Grace," Dan-to-Grace, through the flames. This quirk, like a smile but checked a bit, framed by the beard. "We could, if you wanted. Couple songs, maybe. We've got a gig though, so we can't stay too long. Sort of a welcome-back thing for Sera, so it'd be pretty shitty if we didn't show. Any requests?"

--

Dan didn't see Sam when Sam was in Quiet. He was waiting in the van, engine off but still ticking in the heat of the day. Watched her leave and come back and knew something was hanging over her when she climbed back in the passenger door. Didn't know how bad it was until she collapsed. Took him forever to scrub the blood out of the upholstery, but he managed it.

Dan gives Sam the self-same quirk-of-a-smile-thing that Grace received and there's nothing awkward about it. Something: prompting, quiet, solicitous in the way he handles Sera in the moment though, cutting a lashed glance down at her profile.

"River this is Sera. Sera, River. So, now you've met."

Sera takes in this: bright, crisp inhale then. "Hey." And it is all very, strangely self-contained, though River has no real context for this, but maybe she's simply: stoned, already, somehow. When Kiara returns with her promised leaves, something a little more animate: warm, less constrained gets woven into her name, "Kiara."

"What about you, River. Any requests?"

That's Dan, he seems to think music is necessary right now and he's letting go of Sera long enough to lift the guitar case over his head and shoulders.

Sam Lakhani

As he traipses further from the fire he puts his back to it and the people around it. He meets Grace's gaze quick and continues his traipsing. They're all sitting around a fire that is giving off a good amount of heat and no small amount of smoke but he wants to keep his carcinogens to himself. What a guy.

He ends up over by Grace again anyway. She's the furthest away from the fire and she's sitting down and he's taller than her when she's standing up.

"You see that thing on Jitbit," he asks, "about the guy who would write cron-jobs for anything that took him more than ninety seconds?"

Grace

"Uhhh. No? Sorry. I'm terrible at music-y things," she says. "Something you like."

Her favorite 'song' at the moment is a guy screaming at people to install Gentoo over a throbbing beat, and there's no guitars in it. And if there were, you couldn't play it without a computer.

Samir saves her by talking nerdy at her. "Nope. Sounds fun though."

River

"Ukelele anthem!" because something with four chords was totally worth Dan's prowess as a musician. She has managed to piece together though that the bearded man is to music what she is to dancing.

River has made her way over to the communal bong, started on with the necessary prep work because she has no problems being the first person to take a hit for the evening.

"I have full intention of getting ripped and asking people to dance, so- does that inform your decision?"

Sam Lakhani

"You need to get a coffee maker with an SSHD. Then you could figure out how long it takes you to walk from the library to the kitchen and, like, have it start brewing and then wait before pouring it into a cup. The guy called it fuckingcoffee.sh or something equally poetic."

It's way colder over here than it is by the fire what the fuck Grace. He finds it difficult to bitch about the cold after the other night though so he digs his smartphone out of his jeans pocket and starts tapping buttons.

"Hang on, I'll send it to you."

Kiara

She moves a little closer to the Cultist, Kiara, her hands finding her coat pockets.

It's a dark navy form fitted thing that hugs in around her narrow waist with a zip and a hood that's lined with a mottled fur trim along the edges and sleeve-ends. The lining was synthetic but it cast the brunette with that twinge of something a little wilder none the less - something she seemed to be manifesting tonight. A certain aloofness in the way she held herself away from the others.

Standing rather than sitting as if her presence were as limited as the two en route to a gig.

She's watching the fire again, the pagan and there's something to that, the way the flames licking and curling into the air, the smoke and the tiny snaps and pops of burning debris, contain and hold her focus. They spoke enough of the Spirit Mages to allow for some assumptions to be made regarding the distraction of the Verbena. Perhaps she was meditating on the way the fire feels to her or senses some fluctuation in the Park itself.

It's the stillness, though. That makes it singular. Her eyes don't leave the fire to comment wryly: "As long as it's not Kumbaya."

Serafíne

Empathy + Perception - aloofness? Empathy Spec: Seeing Past the Mask.

Dice: 7 d10 TN5 (4, 5, 5, 6, 7, 8, 8) ( success x 6 ) [Doubling Tens]

Serafíne

"Couldn't even begin to compete with Amanda Palmer." Dan tosses back to River with another supple, subtle expression rising to the surface and sinking back beneath. "Plus I misplaced my goddamned ukelele somewhere between Raleigh and Denver - "

" - you left it in fucking Macon," Sera interrupts and Dan isn't expecting that and he cuts a sort of searching glance back down at her face and she's giving him a mildly pointed smirk that subsides as quickly as it arose in the first place, dark eyes cutting away from him. Lingering on Kiara as the Verbena circles the fire and starts watching the flames: that singular stillness.

"Apparently I left it in Macon, which isn't between Raleigh and Denver at all. Point is: never replaced. Closest I have is a mandolin and that's back at the house. How about a country song, since we've got a bonfire. Ever heard of Jason Isbell?"

Grace

Grace pulls out her own phone, and now -- true to stereotype -- the two Mercurial Elites of the party are staring into their phones in the great outdoors, communicating to each other with them while the rest get all sociable.

And it's about a shell script named fuckingcoffee.sh.

It is fucking hilarious though, and has Grace laughing at her phone. "Ohh, man. Kumar-asshole.sh. Lol," she says. And yes, she actually says the word lol as if it were one. In-jokes are a thing over here.

"He had a cron job for hangover excuses. I think I want to try that. Not that I need to call in at work, hah."

Sam Lakhani

By the time Grace receives the link Sam has moved onto other things. On his phone. They are living the dream over there.

"Yeah but still. You see the words 'vampire' or 'Washington Park' or 'police' on Ginger, you can just have that bad boy fire off and not have to deal with it."

He's joking. Hangovers aren't an excuse when you're BFF with a Verbena.

Kiara

There's clearly something on Kiara's mind. A certain ... it feels like the lingering aftermath of something. An emotional bruising she's nursing. Some unspoken trauma. There's almost an edge of something sharp and dismissive in the things she says tonight. The humor is there as always but it's flavored with a sort of punctuation.

She looks as if she's deliberating on whether or not to stay. And as if looking into the campfire is soothing to her, for whatever the reason. Unsettled, edgy. The impression that Sera is getting from Kiara Woolfe right now is that whatever is on her mind, distracting her, provoking a sharper tongue - it's not anything she wants to discuss.

At least, not here. Not with the gathered.

River

She's holding her breath while he's talking, nods. Pays attention because, no, one can't compete with Amanda Fucking Palmer. No, she has not heard of Jason Isbell and eventually she exhales. It's a long, slow breath like meditation because why the fuck shouldn't getting stoned be like meditation?

"We lived outside of Macon for two months during peach season," River clarifies, "you would think that I would have picked up something about country music in Georgia but it was all Willie Nelson."

Which is weirdly appropriate.

"So, you guys are in the same band?"

Grace

Grace snorts. "Yeah, that's what I need. A 'Handle Emergency' cron job. Just fire it off, and it will do everything that takes more than ninety seconds."

Which, you know, includes taking care of whatever the latest thing to happen in Washington Park is.

"I have never heard of Jason Isbell," she says, into her phone. If anyone were thinking she wasn't paying any attention...

Serafíne

"Willie Nelson is kind of a badass," Dan tosses back to River as she is getting high. "He did this cover of Pancho and Left that is one of the most perfect things on the planet. If that's what you took away from two months in Georgia outside of Macon, you could've done alot worse."

--

There's work to be done. Like, you know: tuning. The overtones of fingers-on-strings, that strange, patterned language, the internal tones as he listens to the acoustic he was carrying-through-the-park and it should've been an electric but: maybe magick? There's a fire and no outlets and Sera doesn't even really quite understand that she knows Forces magick and she has been capable of it for two fucking years.

"Afterparty at my place," this to Kiara. Supple, subtle thing, the invitation a coil of smoke from the strangely-reserved creature. (Maybe: to River she will always be like this: first.) " - when the bar closes. Two, two-thirty? You should stop by."

--

"Yeah, we're in the same band." Dan, to River. "Don't usually do country but he's a killer songwriter and we always have a few off-the-wall covers up our sleeves." Glances sidelong at Sera. "Elephant, then Super 8?"

"Fuck, Dan, that's like tearing someone's heart out, shredding it, then smoking a bowl of the remnants, getting so stoned you wander into traffic and figure out how to make the stars shut down."

He favors her with a quick, quiet smirk. Likes that spark of animation in her eyes and voice.

"Used to be with this band called the Drive-By Truckers," Dan-the-hipster tells Grace. "It's more alt-country than country. He doesn't sing about how sexy girls are when they hang out in trucks or how fun it is to hang out in trucks and get drunk in corn fields so he's probably not gonna get on commercial country radio."

Serafíne

(Hey I can has dice. Dan - guitarishness?)

Dice: 8 d10 TN5 (1, 3, 3, 4, 4, 5, 5, 6) ( success x 3 ) [Doubling Tens]

Serafíne

(This is for mah next post, and oh Dan. :( Sera: singing?)

Dice: 9 d10 TN6 (1, 1, 2, 5, 5, 6, 6, 7, 10) ( success x 5 ) [Doubling Tens]

Sam Lakhani

"You do. You need this so hard."

Break from reality over. Sam shoves the phone back into his pocket and wanders back over to the fire. That's where he left the bong and his backpack anyway. When he comes to stand beside River it's almost as if by coincidence. It's easy to forget he exists when he isn't talking.

"Hit me," he says and holds his hand out for the bong.

Kiara

It's been lightly snowing tonight, as if the weather hadn't quite settled on what it desired but the drifts of it come down, every so often. Can't penetrate far where the fire is of course, melt before they're close to that emanating source of heat but they find placement in hair, on sleeves. Kiss the edge of cheeks and it's after one of these finds Kiara's that her fingers emerge from her pockets and she sweeps a hand up.

Suddenly alert to the surroundings, tipping her chin up to stare up at the dark skies, at the clusters of trees. Touching her face as if she'd forgotten, momentarily, where the source was of the sudden dampness on her face.

She brushes it aside and turns her face, just slightly, at Grace and Samir's conversation. Her attention captured by the mention of vampires, by Ginger and Washington Park and handling situations. The Verbena's eyes drop away and she bends down to find a leaf, lashed to the side of her boot, pasted there by the snow. Squats there and peels it off, carefully uncurling the edges.

"They're amazing. You should hear them play a gig sometime." This, almost absently to River at her question as the Verbena twists the leaf around, sets it open on her palm and curls her fingers around it. Finds the other woman's gaze through the flames. Holds there a beat.

Pulls up, opens her fingers and crumbles up the leaf, smears it over the flames. Glances at Serafine as she offers an after-party at Corona Street. "Yeah." Those red lips quirk, give over to one of her smiles, the pagan. Flash of teeth. Curl at the corner that makes it that side of crooked.

"I'd like that." She doesn't offer more, say they should talk. Just - studies Serafine's face for a moment as if committing it to memory and then returns her eyes to the campfire.

Grace

Grace follows Sam, her face still stuck in her phone though. Light from the phone paints her face with blue, battling it out with the fire.

Well, maybe she won't be their chaperone or anything. Grace just wants a hit.

"I don't even know a thing about commercial country radio. Girls hanging out in trucks?" she shrugs. Whatever, to that.

River

"I'm not a pretty crier," she tells Dan and his cultist-friend, "Sam and Grace can attest."

And it's true. though she isn't sure if Grace has seen her cry from underneath the mountain of blankets beyond the little giggling whimpter of a happy ending amidst the zombie apocalypse. River is pretty committed to her makeup staying on tonight, though, because it's cold and her face can feel it and somehow being freezing bakes on your foundation.

She's standing, has the bong in hand and hands it off to him like this is some sacred rite- like this was the passing of the Olympic torch instead of, you know, just hanging a guy a bong and calling it good.

"And hanging out of trucks and getting drunk in corn fields is fun if you can find a cornfield... does colorado have corn fields?"

Bonus points if it's not your corn field.

Serafíne

Sera isn't wrong about that pairing of songs and Dan needs space to move to play and she steps away from him, careful in her ridiculous goddamned heels but god she can move in them, even on the spongy, half-frozen ground.

The cold, the goddamned snow mean that Dan's bare fingers are stiff as they skim over the strings but he pulls the first evocative chords out of the instrument and there is something quite remarkably intimate about the way they balance each other; about the way they watch each other, rhythmic, familiar. This point where she takes in a breath like she's about to join him, but no, and he just repeats those opening bars, eyes on her face, the dance of reflected light in her eyes.

Elephant starts off all-quiet, reflective, nostalgic, but you get pretty early that the song's as close to a requiem as you can get for someone still alive. Unsentimental, ("If I'd fucked her before she got sick / I'd never heard the end of it") clear-eyed - goddamned sad. Sera sings it alternately watching Dan's hangs and staring into the fire and when her voice is supposed to soar, goddamned, it soars -

We'd burn these joints in effigy,
cry about what we used to be,
and try to ignore the elephant somehow.

I buried her a thousand times,
giving up my place in line,
but I don't give a damn about that now.

--

River is committed to keeping her make-up intact tonight but by the end of that there are tears in Sera's eyes and on her cheeks, and both her mascara and her eyeliner are waterproof but there's the eyeshadow too, which isn't. Maybe it just adds to her rock-star vibe and there's no time to dwell on the chord that strikes up in her or how deeply and feelingly she sings or whatever is happening in her or anyone else because: Super 8's a honky-tonk barn-burner and yes, River, you can dance to it. You could probably take off all your clothes to it, and there's not enough time to catch your breath between them:

Having such a sweet night
Audience is just right
Drinking like a pirate do
Don’t want to sleep yet
Buddy it’s a good bet
I’ll raise more hell than you -

And the song keeps going. There's paramedics, pedialyte, and maybe a defibrillator. Haven't we all had nights like that?

So, yeah. That's the impromptu concert. When it's wrapping up, Sera-and-Dan aren't hanging around for hits from the bong, they're packing up. Have somewhere to be: and soon.










Serafíne

(The songs:

Elephant: https://www.youtube.com/watch?v=Dg1oYRo9yVk

Super 8: https://www.youtube.com/watch?v=3Fr2Gv3HyqA )

River

[I'm totally good. Manip+sub]

Dice: 5 d10 TN6 (4, 5, 7, 7, 10) ( success x 3 )

River

She's a good audience member, though halfway through the first song she determines that she's going to need a second hit. There's silence, because she knows it isn't polite to applaud but eventually she does because it was really fucking good and she can appreciate a good performance regardless of the responses that it provokes out of her.

"Go have fun!" is what she says out of haze, eyes back to the fire for a moment.

Kiara

[Per + Empathy on River: is she?]

Dice: 5 d10 TN6 (1, 2, 3, 4, 6) ( success x 1 )

Kiara

Music has that way about it, of course. Good music can lift you. Inspire you. Tear you to pieces with nothing more impressive than the slow build of a guitar, a note sculpted and held. The Verbena's been witness to Serafine and Dan performing before - she knows they're that good.

She'd said about as much to River, only moments before.

Music has that way and at some point during the first song the Verbena's dark eyes place River's face again and she watches it; watches the way the firelight plays over it. Watches her the way she had when she first turned up, leaning against that tree in the shadows as if she were an interloper rather than one of the invited.

Whatever Kiara Woolfe does or doesn't see it takes until the end of the song for her to look down, to tip her chin down and draw her hood back up and bury her hands deep into her pockets. She's not inscrutable, the healer. Not accustomed to trying to be, to concealing whatever thoughts or feelings skim across her face.

She's only beginning to understand the ways she can protect her own mind from infiltration.

So maybe there's that glimpse before she draws it up, after she drags her eyes from River's face, where that's clear. What the music does to her. How it presses down on that bruise she's wearing, however deep it runs, however she's attempting to disguise it. A twist across her mouth, a haunted quality to fine dark eyes.

She stands there, hood drawn while the second number happens. That stillness settling back in. She doesn't applaud at the end of it but she does draw her hands out of her pockets, does move to press a hand against the Cultist's shoulder as she makes some bid for departure might not even understand how to articulate.

"You sounded great." She affirms and there's this brief glance back at the gathered. "I've gotta go guys. I'll catch you later."

Serafíne

Per + Empathy, River.

Dice: 7 d10 TN5 (2, 3, 3, 3, 5, 6, 10) ( success x 4 ) [Doubling Tens]

River

"See ya," she says. Smiles and gives a wave and she seems fine. She seems fine and of course she is fine, because River has never given any indication that she is not anything other than fine, even when she has to turn off large portions of her brain to keep up the ruse. She is committed, you see. She is committed to any number of things, but right now she is committed to the idea that she is not going to be emotionally wrought over the fact that there was a song that moved her in such a fashion that she's waxing close to nostalgic.

She wears it well, that denial. She wears it like it's a shield and she carries a sword and in some other life she was some brave gladiator. still is.

she'll process later.

"Graaaaace," she says, offers her a hand, "do you know how to tango?"

Grace

Grace gives River a squinty-eyed look, and then makes a grab at the bong. Tango? The fuck, River. Going to break the poor woman. She takes a hit, holds it, lets out a smokey, creaky "No."

But still, she adjusts herself, hands the bong over to Sam, and stands rather stiffly as she holds her arms out -- one of them positioned like it might hold on to somebody, the other in the air above her head like it might be holding another's hand.

She's never really cared about looking ridiculous, Grace.

"Show me?"

River

River looks at Grace and the look on her face can only be described as delight. She steps in, holds her up arms and preens like she's an instructor because, at her core, she can be an instructor of sorts. She's a good enough that she doesn't seem to have a problem.

She beams.

Moves her arms down a little.

"This is probably going to come up again with me. Just for reference."

Serafíne

"Stop by later, yeah?" Sera to Kiara, as Dan is packing up the guitar. A longer glance at River, then, sharper. This almost bruising awareness about her that gets honed in that moment until it gleams, and that's what she was made to be right there, bright, aching, in the moment. A hitch of awareness that hooks, catches, dissipates.
Lovely as the edge of an ever-elusive rainbow.

--

Had she been aware of recent history, she might not have chosen that song. She wasn't. Isn't. Couldn't've gotten on Ginger if she'd wanted to: her phone didn't fucking work. Dan checks it anyway and he couldn't see her, and he kept it up but mostly he was looking for anything from anyone about her. No dice.

All of that etches the air around them. Frames out both the intimacy of their interactions and that strange reserve that Sera breaks out of only in these odd flashes of awareness.

--

"You should drop by too."

And she could be saying that to anyone or everyone, but she's not. Mostly, she means River. Unspoken in there: no more sad songs tonight. "The Edgefield."

And off they go.


Thursday, October 8, 2015

Bittersweet


Dan

Bittersweet is a slow pour coffeehouse / mixology bar tucked away on a corner of LoDo, with a changing 'gallery' of local art on the walls. This month, the featured artist is Tish Evans, a local weaver / textile artist whose work spans the functional and the fantastical. The largest piece is a wall-hanging the size of a small buffalo like a sunset woven in negative: shadows where light should be, and light where the shadows belong.

Leonard Cohen on the soundsystem (Nevermind) and a low buzz of noise from the small crowd. They do a bang-up business mornings and weekends, but mid-evening - when local bar/restaurants are crowded enough to spill out onto the street on a warm October night - the coffee bar / bar bar (and that is what the sign outside says:

bittersweet

coffee bar / bar bar

) - is sparsely populated. Among the denizens: a bearded blond guy with a button-down flannel, the sleeves rolled quite neatly up to his elbows revealing a variety of intricate tattoos, portfolio open on the table, frowning at his Macbook, drinking coffee from a ceramic mug.

River

River was doing as River is want to do right now- which was exploring.

She knew the lay of the land, for the most part. Kept an ear to the ground so she would know which gang was where and whose turf she needed to stay out of. Where people dropped dead bodies in the event she needed to go and be an investigator. In the event she needed to stand on her own two feet. River's had her fill of dead things- she wants coffee. Contemplates being a barrista instead of a dancer and there she goes, pushes the door open with a jingle and she's got on a pair of shorts paired with cowbox boots. The shirt is a little long for her, button down and probably belonging to an ex-boyfriend.

She's got on a vest and carries a purse that is the size of a small duffelbag. It houses a world of wonders and her dakr hair is worn down. This place was a coffee bar and an actual bar. She contemplates mixing both before she sees the man with the blond beard. Hasn't she seen him before.

River makes a tentative approach, tries to act cool, like she's not trying to check Dan out. Maybe failing. Probably failing.

Aidan

[nightmares]

Dice: 6 d10 TN6 (2, 3, 3, 7, 7, 9) ( success x 3 )

Dan

What's the point of checking someone out if they don't notice and return the look? Maybe there's a certain aesthetic appreciation there. Maybe some folks don't want to get caught. Most do, though. How else do you know if your regard might be returned?

--

He glances up. Blue eyes framed with slight crinkles that deepen when his mouth moves, as it does not, in a brief skimming grin. Notes the bag.

"That thing looks big enough to carry around three cases of beer or a side of beef."

Wry.

He looks tired, though.

He is tired.

Kiara

One of those days. That's what it is.

The weather doesn't offer a backdrop for it, not really. It's been cloudy all afternoon but the Denver wind hasn't taken up the mantle some locals have; pumpkins starting to dot porches with their garish, grinning smiles cut wide across their sides. It's not freezing, it just feels - a little heavy. Dull and gritty where the sun slides away and even when it returns - Denver today - feels like a city with secrets. It doesn't always.

Sometimes, on evenings like the one it's settling into, it feels - promising. Those secrets, the unknowns, they feel like an enticement to come along (come find us).

-

She almost collided with another car earlier. Intersection. Palms slammed down on horns. Guy cutting her off (and nearly cutting a slice out of her car). Then her engine stalled. One of those days. She had to circle the block twice to find a park so she could make a meeting.

-

She passes a crime scene on the way to find this mixology bar she's wanted to try forever. There's police tape flapping in the evening air and the sight of the lights (cutting blue and red, blue and red) against the windows is a strange visual tattoo against the night.

There's a crowd milling around, curious stares and quiet chatter as an ambulance rolls around a corner.

Kiara picks up her pace. She's around the corner before it pulls to a stop.

-

One of those days, now - evening. The Verbena finds Bittersweet on foot. One minute there's no sign of her and then; the door opens; a swirl of perfume and energy and red lipstick. Kiara Woolfe, adjusting her bag over her shoulder and frowning at the menu.

Kiara

[Oh right! Awareness, just in case.]

Dice: 6 d10 TN6 (1, 3, 5, 6, 9, 9) ( success x 3 )

River

"Sometimes, I like to carry a keg with me," she adjusts her purse, switches it over to the other shoulder, "true facts."

She sounds like she's not from here, or at the very least like she's not one who speaks English as a first language. Truth be told, River is from here, was born in the United States but she's spent enough time outside of the standard English-speaking populace that she doesn't have the same cadence and timbre of a native speaker.

"Can I buy you a coffee?" looks at the mug, realizes he has coffee, looks back and offers a smile anyway, as if smiling would cover up the fact that she completely missed he was drinking coffee before, "I'm River."

Dan

"False lies," he rejoins, this quick skim of a smile cutting through his beard. It reaches - but only just - his dark blue eyes. Watching as she shifts that purse, his eyes cutting across her frame - hand to strap to hand again - with a light precision that strikes one as aware rather than observant. "Now if you'd said a half-keg I might've believed you."

And so. Mouth slides from that into a slight smirk as she offers to buy him a coffee and yes, he already has coffee. Wasn't simply here to steal their wifi and he thinks about telling her that, but he doesn't.

Cuts a glance down at his mug like: yeah. "I already have one. You're welcome to buy yourself a coffee and pull up a chair, though."

--

Then he's sitting back in that chair, this long spare frame, button-down and fitted jeans and leather boots. Sits back enough and tall enough to catch Kiara's eye. Gives her a wave that could be taken as an invitation, if she's looking for one.

Kiara

So, Bittersweet. She takes two steps inside and nearly collides with a young man on his way out. It's Kiara's fault this time, she's staring down at her phone and tapping out some (vitally important no doubt) message with the fall of all that long, dark hair tumbling over a shoulder and then - jostled. She looks up, startled and is reaching to apologize when he's doing the same; adjusting glasses up a thin nose and waving her apology off, because - well - it's probably the eyes and the hair.

It usually was, with the pagan.

Still, she's breathing out and pushing back all that hair with a bracelet-laden wrist when she spots (feels that resolute splash of radiance) Dan and the hand flowers out. He gets a smile and she nods toward the bar - universal I'm going to order first gesture - before she's moving. Kiara often seems to be perpetually doing that. In motion. Moving. (Running).

She's in jeans and boots and a calf length cream trench-coat, the brunette; the bag over her shoulder is old and worn and looks battle-scarred; it's stitched at one edge; there's a feather attached to the zip.

-

Returns to greet Dan and - "River, right?" - A gesture with her coffee, Kiara's dark eyes find the other woman. "Did your pants pull through?" Smilingly, a curl at the edge of her mouth.

River

She does take the invitation, does take a moment to order coffee- vanilla chai latte- waits with the kind of careful patience that one has to have when ordering nice coffee. It comes out in an avocado mug with a nice, open top. As though she were going to read tea leaves in her oversized beverage receptacle.

She turns around, catches a look at Kiara and smiles. Raises a hand and with a little wiggle of her fingers lets the woman know that, yes, she sees her. With the curve of her lips (full, unpainted, she lets the woman know that she is pleased to see her. The first person whose name she remembered in this city. A woman, most importantly, who wasn't going to hold a pair of ripped yoga pants against her because River can be a walking ball of embarrassment waiting to happen.

She sits down, "Aaaand... Kiara?"

Waits for confirmation.

Did your pants pull through?

And this is the part where her cheeks turn bright pink. She clears her throat, takes a long drink of her coffee-infused chai drink and she sets it down. Hands on her glass, "oh, uh... no? The yoga pants sleep with the fishes."

Dan

The tables are only so large, and his is more-or-less full. The open portfolio (leather, quite as scarred as Kiara's bag) is closed with a neat sweep of his tattooed hand. This glimpse of scrawled notes, a handful of suggestions of chord progressions, little more. Then he folds up the Macbook and tucks both away in his own rather indispensible bag. Battered black leather, a Ramones pin naturally skewered through one of the stresspoints to either hide or hold together the largest of the holes where the leather and its lining have worn-through.

Leaves his phone on the table, though, Dan. He's waiting for a call.

Still gives them both a quick-wry-smirk, more for Kiara in that moment than for River - but that's familiarity, more than anything. The function of it. "There some particular reason you are throwing yoga-pants into the river?" (Sleep with the fishes, see). Gets a glimpse of River's frothy coffee-thing, "Is it the coffee you like in that, or the rest of it?"

Kiara

River's embarrassed and Kiara's smile grows a little at the edges. She's taken her coffee black - perhaps that says enough. Still, when she says the pants sleep with the fishes, there's a flash of sympathy there. She makes a soft noise of it as she finds a chair - maybe hooks in one from another table if room is too cramped - and settles in this flourish.

Bag hung over the back, legs neatly crossing at the knee. Those boots, which have rather a tendency toward complicated laces that criss-cross up the length and a zip that runs along the side - those are black too.

"Technically, it's all your fault, Dan." She begins with a pointed little lift of fine dark brows. "We were playing the game you started and River here went for a spectacular throw," River gets the benefit of Kiara's eyes, then. They tick over to her and she delivers this little wink with her mouth still edging that little flux of teasing humor before continuing, raising her coffee to her mouth to sip from it when she concludes.

"And gravity took offense to her prowess. And Alexander's, as it turned out."

A beat, she swallows. Contemplates Dan for a brief pull. "Hey, how's Sera?"

River

"The rest of it. I like chai, but I like chai that lives dangerously. I don't like the coffee aftertaste- espresso lollipops, jelly beans, tiramisu-" she makes a face, nose scrunches up and she shakes her head, "-I like covert coffee."

But there was the question fo the yoga pants, realizing she didn't really carefully dodge that particular question well enough, River clears her throat. Tried to think of a witty reply but, at the end of the day, she's not the best with witty repartee; she's average. Honesty is the best policy and she meanders to her point.

Kiara covers this rest of the story and here she is trying to hide behind her coffee cup but it wasn't working. So! The Euthanatos, who was supposed to be bestowed with the kind of dignity befitting a wheel turner, cleared her throat and relaxed. Or tried to relax and ended up cross her legs to keep from figiting too bad. "When I got home they had unraveled to the point of being leg warmers so... they have failed me for the last time."

Dan

"When gravity fucks you over - " he is not precisely laughing, but there is humor in his lengthy frame, skimming over his underlying - what is it. Tension? Something like it. "Disbelieve."

Still though: the reference to the game, et cetera. His gaze slides from Kiara to River and there is a different note: first seeking, then recognition. One fits itself into the other, like a placing of puzzle pieces. "That's where I've seen you before."

River is confessing to enjoying covert coffee then: so Dan does not suggest that next time she's here she try a plain, slow-poured something. You're a coffee person on you aren't. River doesn't seem to be. Dan's so hipster it hurts, right? But he's not an ass about it.

--

Then Hey, how's Sera? flick of his gaze back to Kiara and something like hang-time there. A second really, no more. And it is not so much that tension asserts itself, as it is a lessening of his temporary ease. "Tan, I suppose. Last I heard from her, she was still in Thailand."

Kiara

The talk of coffee pulls at a thread of memory. Corona Street, not so long ago, but months, now. Kiara hadn't been in Denver so long and there was a party - Dan had quizzed her on her preferences and she remembers it now in that abstract, fuzzy-at-the-edges like an old photograph way:

(French press or drip?

Press.

Woman after my own heart)

There's some awareness of that time in Kiara's expression as she watches Dan and in the way her mouth adjusts itself into something a little less joyful. Just - aware. Not without concern, perhaps. Somewhere tied into it. "She does love the sun. Why am I not surprised?"

Then, simple: "If you hear from her, tell her I said I want a souvenir. Something cheap and ridiculous."

Maybe she's been letting River recover her dignity, but Kiara's eyes return to her, now. "How is your friend? I got the impression she wasn't totally sold on whether or not I planned to do something dastardly with you both the other night?"

Dan

His mouth quirks, Dan, this glimmer of affection, yeah, or maybe respect framing the edges of the expression, which is otherwise banked and closed but not shuttered. "Will do." is the only assurance he offers Kiara.

He appreciates, though, her circumspection.

And sentiment.

--

Hangs around a little while longer, more background than foreground. Excuses himself to take a call not long after. Steps away and outside, where he digs through pockets and pulls out a kretek. Not a habit he indulges in much, except when Sera's around, but now he smokes it while he chats.

Later he might return. If River or Kiara or both are still there, he might suggest that they meet up later. Friend of his is playing at The Black Sheep - the set'll start about 10 if they're interested.

--

Thursday, October 1, 2015

H O R S


Kiara Woolfe

[Yay, people! I'm going to go type something.]

Kiara Woolfe

Fall was settling comfortably into Denver.

The trees beginning to shake off their leaves and leaving drying shells scattered over footpaths and manicured lawns the city over; the mountains turning brilliant shades of honey-gold and deep crimson red on the horizon and the weather starting to subtly shift; breezes bearing the intention of cooler days to come. Thursday afternoon in the city limits had dwindled into a pleasant, breezy affair. It was still warm enough for layers to be disguarded under the warmth of the sun, clouds scattering across its path.

Still the weather for lounging on the grassy expanses Washington Park had to offer; littered as they were of recent days with curling, crumbling leaves. You still found the poets with their heads buried in books, stretched out on the ground with their shoes beside them; feet bare to the world. Still the mothers pushing strollers along the winding pathways, dogs chasing balls and the glinting promise of the lake, birds diving and settling on its surface to glide along, shaking their feathers and dipping their faces into the water.

The face of a city that changed and within it - the ones who saw the other side. The shadows that fell, the noises and the ugly.

Kiara Woolfe wasn't to be found lounging on the grass as late afternoon sunlight slanted across it, she was on one of the park's many basketball courts, seated on the side beside a chainlink fence, tying her dark hair back, a basketball housed between her feet. She was the sole occupant of the court aside from a lone bird; perched high on the fence, watching her progress with tiny, anticipatory movements of its head. When she rose, scooping up the ball, it startled and took flight with a rustle of feathers.

Kiara moved out onto the court, the sound of the ball echoing as she began a slow circuit.

Alexander

[Awareness?]

Dice: 5 d10 TN6 (1, 5, 7, 9, 10) ( success x 3 )

Grace

[Awareness?]

Dice: 5 d10 TN6 (3, 7, 9, 10, 10) ( success x 4 )

Grace

This place, man. This fucking place.

Last time Grace was here it was to inspect the remains of a woman-chimera with four arms who'd put a good friend into... let's say mental distress. Almost getting your face ripped off will do that to you.

Then, there was everything that happened after.

She doesn't even really know why she's here, other than perhaps something in her that wants to show the monsters who's boss. Don't show your face here anymore, right? We live here too, and we like this park.

Well, territorial, tribal ideology never sit well with Grace. She'll make an exception for dead things who like to reshape people into horrified and horrifying monsters. Call it the line beyond which Grace Evans will actually categorize a person.

Anyway, it's with that thought in mind that she's in the park today, dressed in her jeans and bite-proof grey turtleneck jacket, paying a great deal of attention to what's going on around her (while simultaneously shoving her head in her cell phone and walking). She hears the basketball. She feels the pulse of the world. She looks up, and starts toward the court.

Kiara Woolfe

[Awareness, perhaps?]

Dice: 6 d10 TN6 (5, 6, 6, 8, 10, 10) ( success x 5 )

Kiara Woolfe

[All of time and space is the Verbena's.]

Alexander

[Because I need to know if he fluffs or not for the post... Arete: Spirit 1, Entropy 1. Sensing the gauntlet, looking for weakness. Coincidental, TN4. +1 for trying something new, -1 for taking his time.]

Dice: 1 d10 TN4 (9) ( success x 2 ) [WP]

Kiara Woolfe

[Playin' some ball. Dex + Ath.]

Dice: 6 d10 TN6 (3, 3, 4, 8, 9, 10) ( success x 3 )

Alexander

Kiara may not have been drawn here to lounge on the grass, but Alexander? Well, that’s exactly where he can be found. Not so far away, at a familiar spot near the lake, he’s lying on the grass. It’s not particularly uncommon to find him here, although his visits maybe aren’t quite as frequent as they used to be. There’s still hope in the visits, though. Hope that he’ll meet someone again, hopefully in better circumstances. Until he learns how to do more than look into the spirit world, this is the best chance he has for that meeting.

He seems to be watching the lake, but that isn’t really where his attention is at the moment. The bottle of water that he’s slowly turning over and over in his hand might, to those who know him and how he Works, give the hint that his attention is elsewhere. There’s also a frigid, frozen chill in the air around him as his will bends reality just a little. Not enough to do anything obvious to those who aren’t attuned to such things. Just enough to deepen his awareness of the border of this world and its mirror. Scratching at the boundaries, looking for areas of strength and weakness.

He’s there for a while before other sensations start to make their selves known. The pulse of the world not so far away. The razor edge of fluttering wings. The gathering of Awakened. Letting go of the effect, he pushes up from the grass and heads towards the basketball court to meet the familiar – and not as familiar – presences.

Dan

Tall guy in black skinny jeans, a fitted flannel shirt open over a t-shirt. Blond hair, blond beard, hints of tattooes flashing at cuffs and collar like the evidence of ink on a scrivener's hand. He has a battered leather bag slung across his tall, spare frame and is walking with a long-haired brunette in a flowing, flowered skirt that billows in the wind. She, in turn, is walking this bright yellow-and-orange fixed gear bicycle along the path. Has a basket on the front and paperflowers woven into the weave.

He's smoking a cigarette. Well, maybe it's a cigarette, except she asks for a drag and he gives it to her while they stand at a cross-roads, looking not-at-all like park-people. He catches a glimpse of Grace or maybe of Kiara, though. Takes back the cigarette and touches the brunette's shoulder and says something low by way of farewell. She climbs on the bicycle, nevermind the way her skirt blows in the high plains wind, and keeps on going. He turns and lifts a hand toward - well, someone. Maybe a couple of someones. Maybe whoever will return it.

"Grace," Dan says, overtaking her with his long strides and lanky frame. Then, "Kiara," when they reach the basketball court. Listens to that peculiar ring of the ball against the court - elastic and resonant, all at once. Taut.
"Fancy a game of HORSE?"
Wry grin at Grace. Maybe a challenge.



River Vasquez

River doesn't know anyone here except Farrah. They haven't been to the park together but they have gone and gotten a new wardrobe. She's got a couple job applications tucked into her oversized purse and there she is, walking around the park with a pair of awfully high heels thrown into her purse so she can walk around and enjoy the feeling of the ground on her feet. It was starting to get cold, too. Or, at least, colder than the perpetually perfect San Diego.

Her hips swayed when she walked, exaggerated and like she was bopping along to some song that was playing in her head. The strut said it all: River was bouncing along to the Beegees Stayin' Alive. She doesn't really care where she's walking, just that she is walking and then this: she notices the sound of people on the basketball courts. She doesn't know who they are, but she is curious enough that she wouldn't mind seeing what tthey were doing.

A heel turn and redirection later, the dark-haired woman bops down the way to see people. She's got on yoga pants. Yoga pants and an oversized shirt and a sports bra that is more restrictive than a sportsbra has any right to be. No sir, nothing on River Vasquez was moving unless she damned well wanted it to.

And thus, the ball of sunshine bops over to the basketball courts.

Grace

"Neiiigh?" Grace says, flashes Dan a smile. "Oh, wait. That sounds like no. I mean, yes. Unless that means you want me to ride you, in which case -- no."

She quirks her head, though not at anything in particular. Maybe analyzing her own speech for its utter strangeness. "How do you play horse? Also, hi Kiara."

Hi, sunshine. Well, that's different. Grace turns away from the court, looks the new one up and down. There, a little tick of the head upwards, like 'hey'.

Kiara Woolfe

The brunette navigates the court at a slow jog, bouncing the ball between her hands. She's a lean creature, the Verbena, with finely shaped features and dark, expressive eyes. She feels a little like a fixed pulse to the world and a lot more like the first flush of exhilaration. Nature in perpetual motion, that's the sense Kiara Woolfe gives as she lobs the ball toward the ring and watches the neat arc it cuts through the air, watches it hit the ring and wobble inside.

There's a flash of teeth at that, a private (or so she believes in the moment) surge of satisfaction.

She's dressed as much for the occasion as the weather, the pagan, in a pair of soft grey sweatpants that are tied loosely at her hips; in a fitted shirt that adheres to the curve of her spine; her middrift is bear where it cuts off and the dark lines of a tattoo are visible, teased at the edges where the hem rises as she reclaims her ball and turns to sight the sensations creeping along her skin.

The bite of Alexander, the shifting, keen sensation of Grace. Others, too. Some Kiara can't instantly place, that has her pause. Raises a hand to cover her eyes and look across the rolling slope of a hill, beyond the fence and the dappling surface of the water. The ball is tucked under an arm and she's still in transit as Dan appears, as they're greeting her.

"Hey Grace, Dan." There's a flush of color in the Verbena's cheeks, it suits her alarmingly well. "Do something fancy, shoot for the hoop. Next in line has to copy you or create their own." She raises her eyebrows in Dan's direction, gently directs her ball his way with a dragging edge of a smile.

"You can lead us off if you want. Show us what you've got."

Dan

"I'm not one to insist on universalizing my own experiences," says Dan, and maybe he's smirking a bit behind the shadow of his beard, while also rather precisely pinching off the cherry of his cigarette(?) and then stomping the ember to ash beneath the heel of his Converse All-Stars. He's wearing them for fashion, not function. That smirk mingles with a vague, bemused grin. " - but, you've never played HORSE?"

A lift of his chin, wordlessly returning Kiara's greeting. Falls silent as she explains then game, then reaches out to take the basketball as Kiara passes it his way.

Those are musician's hands, not a ball handler's, but still. Can't be a lanky guy from middle-America without playing some basketball, someday, somewhere.

"You do a 'round, repeat the last shot. If you make it, great. If you miss it, you get a letter. Once you've spelled HORSE, you're out. Last person standing wins."

He takes a minute to lift his leather bag over his body and set it carefully aside, then gives the basketball a few experimental dribbles, hand-to-hand before shaping a drive toward the basket.

First shot is simple: a lay-up.

Dan

Dan retrieves the ball as it comes through the basket and passes it to Grace.

Dan

(Lay-ups are easy, dif 4 if you guys wanna roll!)

Alexander

Alexander wanders over with no great rush. There doesn’t seem to be any great disaster at this exact moment, nothing that needs to be rushed towards or away from. And let’s be honest here, he is more likely to be rushing towards it – partly in case anyone else is in danger, partly because he’d just want to know what was happening. Apparently he thinks the cat just got unlucky.

Yes, Alexander heads towards the court. He’s not dressed particularly differently from the others this afternoon. He wasn’t unfamiliar with colder climes, so the trousers favoured by the others are replaced by cargo shorts. The guy seems to like his pockets. Above that, a black sleeveless tshirt covered by a red flannel shirt, worn open and untucked and drifting vaguely in the breeze. Some walking boots and a rucksack, now shouldered, completed his attire for the moment. It wouldn’t be entirely surprising to find him with something tucked away for if the weather changes for the worse, though. He’s lived here long enough.

He pauses at the gate to the court to watch what’s happening, and to wait to be noticed. As if they wouldn’t have picked up on his approach any more than he picked up on their presence here. But he doesn’t want to distract anybody from their shot.

Kiara Woolfe

[I just like rolling to see how badly the dice roller crushes my dreams. Hup, hup. Lay up.]

Dice: 6 d10 TN4 (1, 3, 4, 4, 5, 10) ( success x 4 )

River Vasquez

[awareness: are these *gasp* unique people?]

Dice: 5 d10 TN6 (2, 3, 6, 7, 7) ( success x 3 )

River Vasquez

She is bright, a literal brightness that comes with warmth, that comes with the first rays of the sun that come back and fight their way through the vestiges of winter. There's a sort of determination that comes with those first sprouts of life that poke through the snow, something that is intent on becoming more than just grass.

But the other woman acknowledges her, the one who doesn't quite ping on River's senses as well as one would imagine, but we digress. She runs her hands over the rail, looks back when she feels the pull of something frozen on her senses. She turns around, regards the other stranger in a sea of them. She smiles, something bright and relaxed.

"The game just started," she said in a voice that has a fair bit of an accent. More Cuba than United States, but very familiar with English.

Grace

Ooh. Game. Some sort of sportsball game. Right. Horse.

Grace bounces the ball on the court, eyes flitting to the cold spire of Alex, and she smiles at him. Then, it's time to earn her letter. Or not. Who knows, she might just do the thing right.

She walks up to the spot where Dan shot from, and peers up at the hoop.

"Well, I didn't spend a lot of time outside when I was a kid. Jumping chollas and oppressive heat will do that to you," Grace says, and she doesn't follow that up with 'oh yeah, and none of the other kids would play with me', but there is that too. She has people to play with now, so. What does it matter?

[Dex + Ath = copying Dan's layup!]

Dice: 4 d10 TN4 (1, 1, 7, 10) ( success x 2 )

Grace

Not bad, nope. Went through the hoop at least. Grace assumes that counts, and picks up the ball to throw it to Kiara.

Kiara Woolfe

There are days when Kiara feels acutely connected to the world around her. Feels the way every tiny hair on her body reacts to stimuli: the sun, the gentle, curling breeze, the brush of fingers, the rough give of her basketball. The awareness of others, like her, who were at once a part of and more to all of it. She feels it today, beneath the afternoon light. The prickle of her senses - a hand raising to cup the back of her neck and she twists in a slight, fluid motion to watch Alexander's approach.

The edge of her mouth retains that same smile she'd offered Dan not a few heartbeats ago.

"Hey," she's studying Alexander now, her dark eyes absorbing a hundred tiny details about the man she knew by sight, by sense, but barely at all. The frozen lake in winter. She gestures at his rucksack, resting over a shoulder. "Unburden yourself and come join the game. I'm ambitious enough to want to see how I rank against everyone, today." Her smile widens and a dimple flashes into a cheek. "It's the day for it."

Then, warmth. Inviting and bone deep.

She turns to River, inclines her head. Her hand falling away. "It has," agreement, consideration. "You're welcome to join too, if you want." This briefest tick of eyes over her figure and she turns back in time to catch the ball lobbed her way by Grace. She moves across to take up the other woman's place, canting a little smile sidelong as she does. "Not bad, Evans."

Then, her face adopts a slightly more focused expression, eyes on the hoop, her entire body sings with it. The anticipation of landing the shot. When she makes it, her shirt lifts enough to reveal the full design of that tattoo on her lower back, a spiraling shape with a line cut through it. It gives the impression of something vaguely oriental, some designation or belief inked into the pagan's skin.

Her shot sinks into the hoop neatly and Kiara makes a tiny hop-step of satisfaction.

Dan

They're all Special People, resonant, the signature of their magic charging the air around them so distinctly and assuredly. All Special except for the guy with the roughly worked head of blond hair and the wallet chain and on and on and on. Him? He's ordinary.

Gives Grace an ordinary little grin/smirk in response to her ellipses of understanding. Then gives her a few beats of applause when she makes the lay-up. Watches the ball as she passes it to Kiara then his eyes cut back to Grace as she walks or maybe-jogs across the court and out of Kiara's way. Drops his mouth to Grace's ear and mutters something.

(Muttered: "It's all physics, Grace.")

Which he knows would never make sense to Sera, who does not believe in physics. He figures Grace does, though.

"Game just started," the guy affirms to River, either in echo of overlay of Kiara's statement. "No one has an H yet." Is: retrieving the ball from beneath the basket or maybe wherever it rolled after that shot - bending low and scooping it up with long-fingered and rather deft hands, tossing it back and forth like he's deciding whether or where to go when his phone rings.

Or rather: his phone starts playing the opening riff to The Breeders' Cannonball.

Which means: his phone rings.

He has the presence of mind to toss the ball in Alexander's direction (hey! join the game!) even as he's reaching for the phone in his back pocket. Pulling it out, putting it to his ear. Maybe he gives them a gotta get this but isn't that obvious?

"Hey. Where the fuck are you?" He might be overheard saying as he walks off, pausing only long enough to grab the bag he dropped off when he stepped onto the court.