Friday, August 8, 2014

SURPRISE!


Elijah

[I swear to god, Elijah, if you botch this we are done professionally]

Dice: 4 d10 TN7 (4, 6, 7, 9) ( success x 2 )

Kalen Holliday

[How awake are we?]

Dice: 7 d10 TN7 (1, 2, 3, 3, 4, 5, 9) ( success x 1 )

Serafíne

So see it is some night it is some weekend night but the week doesn't mean a goddamned thing to Sera, not the rhythm of it, and the week doesn't mean a goddamned thing to most of Sera's friends, not the way it does to Working Professionals, because they all got degrees in art or pottery or philosophy or film and are therefore now stringing together a living bartending or working in the food industry and waitressing on the side and putting together the odd event or three and Sera has perfect timing and Perfect Time and she does not know precisely when it is right not, because she has chosen to be ignorant of such minor details.

There is a bouncy castle in the backyard of the three-story blond-brick building on Corona Street and an extraordinary mass of people spilling out of every goddamned entrance and exit of the building, proper. Strings of lanterns and Edison lights everyplace and there's a stage wedged in somehow and sometimes there is a band.

Drinks of every sort (try the pitchers of Elderflower Collinses - gin and elderflower liqueuer and blueberries and rosemary and lime juice) and slightly more mind-altering substances always at hand. Sera is on the front porch, perched on one of the wide bannisters framing the steps coming up from the front garden and she has something colorful in a martini glass in one hand and an ice cream cone (a cake cone) in the other and she is in the middle of a very emphatic story about Vincent Van Gogh but she is sometimes getting it mixed up with a story about the time she forgot whether the mushrooms in her fridge were shitakes or psilocybins and didn't know whether to make tea or pizza with them.

Serafíne

(Perception + Awareness because everyone else is rolling stuff!)

Dice: 7 d10 TN5 (1, 1, 2, 4, 5, 6, 8) ( success x 3 )

Elijah

"Who's Sera?" Jenn asked as she parked the civic.

Someone had to be responsible tonight and it would seem that it would fall on the tiny tattoo artist to be the one who made sure that Elijah woke up in time to be dragged lovingly home by his diminutive room mate. She was excited, there was something palpable about it that mixed well with the unrest that Elijah brought with him.

"Sera is pretty much made of amazingness," Elijah replied as he got out. He'd acquired vodka and he'd acquired brownies, mostly because he'd acquired Jenn and she had procured brownies with enough pot in them to make sure a rhino was stoned. Jenn might not have drank terribly much, but when it came to thinks with herbs, the little woman who smelled faintly of dirt and rosemary was a connoisseur.

"Who's the party for?" she asked.

"I have no idea," Elijah informed her, "but whoever he is? He's probably going to be trashed by the time the night's over."

It was up the steps with them, Elijah dressed as he usually is (like the missing fifty third member of Mumfort and Sons) and Jenn wearing a pair of shorts that showed off the irises on her thigh and a shirt that hung off one shoulder. The top of a very familiar unicorn peeking down, though the red bull was nowhere to be found.

It was up the steps with them, and Sera got a wave hi, not wanting to interrupt her story.

Richard

There's a big leather sofa on the lawn. There's no real explanation for this: it simply is. Maybe someone brought it. Maybe someone dragged it from inside. Maybe it fell out of the sky. It's a pretty nice sofa, though, not rained-on yet, and right now it is occupied by a dreadlocked white girl who looks like she believes in granola and quinoa and free love and legalized MDMA, a college kid who's asleep, and a very tall ex-olympian who is smoking a toke meditatively, ruminatively, while the dreadlocked white girl lays her head in his and holds her hands up against the sky to see their shape.

Richard is listening to Serafine, even though she's a good ten or fifteen feet away. Most people are listening to Serafine, because most people know Serafine, and those who don't know of her, and those who don't know, at least, that she's the ringmaster of this nonstop party. Elijah passes by. Richard nods at him, nods in that sort of slowed-down stately way of people who have partaken. Granola girl waves. Sleeping boy sleeps.

Serafíne

The bass is thumping from somewhere inside. Early enough that they don't have to turn it down quite yet, and maybe they won't turn it down later, either. Maybe someone will breathe a spell and wrap the house in a bubble that dampens the soundwaves so that Sera can have the music as fucking loud as she fucking wants without getting arrested for public - for whatever the fuck she might get arrested for.

"And then - "

Sera is swaying. The world is spinning. The world always spins. The world spins on the strangest of axes and Sera feels like they are all pierced through her body, and Hello!

Elijah does not want to interrupt her story; Sera does not remember any longer what the story was about. She is Greeting People and flings open her loving arms and wraps them around Elijah (hands still full - drink in one, ice cream in the other) and inhales him and does the same for Jenn, whom she has never met, as if they were old, old friends. The oldest of friends. The sort of friends who might be more-than-friends.

Boundaries, Sera.

Other people have them.

Elijah has a gift in hand and Sera has a drink! she gives Elijah the drink and Jenn the ice cream cone and takes the brownies and turns around and hands them to Dan, who is of course close to her, to take inside.

Then she takes back the drink (it is her fucking drink) but not the ice cream cone and, her voice a slurry of intoxicants, tells Elijah and Jenn that there's drinks inside.

And everything else they could ask for.

They should come find her once they are well-provisioned.

--

The story does not resume. She's forgotten it, or perhaps that last bit before Elijah arrived was actually the end, or maybe she has just now noticed the leather couch in the front yard.

She has just now noticed the leather couch in the front yard.

And, still swaying, she totters over to investigate. The first thing she does when she gets there is to lean over the back of the couch and clasp hands with the stoned granola girl.

Kalen Holliday

Kalen looks like he should be sleeping. Of course, he looks that way a lot. He's dressed for a party, which means fitted jeans and a very, very soft moss green tee-shirt. Normally there would be weapons - there are not. Normally there would not be glitter or the lingering remains of a temporary tattoo of a butterfly on his face - there are. He's been other places today already. He hasn't bothered trying to get off the heart someone drew in red Sharpie on the underside of his left wrist.

He notes the couch, and then that Serafine and Richard are over there, and he wanders that way. He smiles for Sera, and that smile is a bit tired but brilliant, because Sera. He smiles for Richard who he recognizes but doesn't really know. He even smiles for the girl, because why the hell not?

"Hey," he says quietly.

Richard

"Heyyy," Richard says, sleepy-stately-pleased, as suddenly both Kalen and Serafine manifest in his immediacy. He reaches up as well, quirky-grinning, tweaking the ends of Sera's hair gently as she reaches over to clasp hands with his granola-girl friend. Which is not the same thing as a granola girlfriend, not at all.

"Which mushroom was supposed to be pizza?" he wants to know, then. Because he's honestly not too sure. Shiitake tea sounds pretty gross, but then: psilocybin pizza sounds pretty awesome.

Elijah

Richard got a wave and a grin, enough that it made Jenn's attention flicker to the random leather sofa outside, but it was off to be inside with them.

There were hugs to be had. Other people have boundaries. Elijah, it would seem, was not one of them, because he gave Sera a hug like he hadn't seen her in an eternity because it could have been, or he could have seen her yesterday. It could have very well been both, but comfortable. He smells clean, and a little like whatever fabric softener he used, because the man used fabric softener. Fuck wearing scratchy clothes.

Jenn doesn't seem to know what to do at first, but it lasts for all of a second, because Sera is freaking gorgeous and she smells nice, so she is more than content to hug the woman before sauntering on along inside with Elijah.

---

"Oh my god,was that Beth on the couch?" Jenn asked.

"Who's Beth?"

"Beth, you know. Beth." Jenn gave Elijah a knowing look. Elijah didn't place her. "The Beth I kicked you out of the house for last week?"

"Still not ringing any bells."

"Augh, Elijah."

"I don't keep track of your people-" he said while he poured himself a drink. Eldersomething Collins. He didn't know, but it was delicious. It was to chase down something with a dolphin on it. Jenn took a sip of his drink before getting a grown up vanilla Dr. Pepper.

"That sounds so racist," she replied with a laugh, "I can't believe you just you peopled me."

"I did not just you people you."

---

And it was back outside with them.

"Kalen!" Elijah called out, and it was off with the two of them to go be sociable animals.

Serafíne

"Kalen," Sera greets the Hermetic, please wrapped around the thread of her voice. She's standing behind the couch, leaning into it with a hip-centered sway, her torso cantilevered forward over the back of the couch to clasp the girl's hand with her left. The right holds the drink and even in her state of polypharmacological intoxication, she is not so far gone yet that she neglects to hold it upright.

it is a delicious drink.

"Do you know Richard? He's a fucking giant," and Sera means that literally. Though right now he's sleepy-stately-pleased on a leather couch in her front yard and she's leaning over it from behind which makes her taller! for the moment! and Sera is aware of that in the same way the granola girl friend in Richard's lap is aware of the sky and the hum of the party from the house and the drifting, secondary impressions of traffic from some thoroughfare a few blocks away, and that peripheral awareness gives her a kind of pleasure as she looks down at Richard and the granola girl, then up at Kalen and the remnants of his temporary tattoo and she wants to reach out and touch them because except she has two hands and both are occupied just at the moment.

Richard Kalen, Kalen Richard.

"Neither," Sera tells Richard, without skipping a beat. Her swimming attention drawn back to him when his hand skims her hair as it spirals and sways. Something about gravity or - fuck. Just another one of those laws meant to be broken. "There were black fucking truffles for the pizza."

Then, to Kalen, with a kind of surprised pleasure, as she if she had just noticed him (again) standing right there - "did you get your face painted?" And, more generally. "FUCK. We should've had face painting."

Kalen Holliday

Kalen laughs in response to Sera's question. "Temporary tattoo. I was in a tolerant mood. Also, I thought it would be less stubborn about coming off and she was very amused. I think she was disappointed I wasn't dressing up like I used to for parties, because then so much more glitter." There is something warm under the tone, but it vanishes quickly into a very good impression of being serious.

"There may have been the wanton destruction of glitter trees, back in my youth."

He lifts a hand to wave to Elijah and nods a little. "And I have met Richard, briefly. Next time I come to these parties I will try to remember facepaint. I'm certain it will end in stories, if nothing else."

Richard

"We have indeed met," Richard agrees, "and it was indeed brief. But I veto the facepaint." While he speaks, granola girl reaches up and borrows his joint. Richard doesn't mind. Emptyhanded now, he links his fingers behind his head, leaning back to look up at Serafine-looking-down. They are antiparallel to one another, upside-down in both their worlds.

"Do you like the couch?" he wants to know. "Clara bought it on craigslist. The guy selling it offered to deliver, so she had it delivered here. For now."

Clara -- granola-girl -- waves with her fingers. And blows out a smoke-ring.

"I think the guy's playing mariokart inside now," Richard adds.

Elijah

Jenn's eyes widen at the mention of Mario Kart-

"I. Love. MarioKart- Elijah? Elijah, I'm ditching you to play MarioKart with a guy who delivered a couch," which was about when she kissed him on the forehead and sauntered off inside.

Which, given that Elijah was in the middle of drinking something, he couldn't really protest that his room mate was running away to go play MarioKart with people and go enjoy herself, because, well, this was a party. parties were meant to be enjoyed. Elijah just grinned.

"This is a fucking amazing couch," Elijah said as he plopped down in the grass, "and Kalen? I'd intended on introducing you to Jenn, because Jenn's like oh my gawd, who is Kalen, but then Richard said MarioKart and now my room mate has left me to fend for myself."

Serafíne

"I think you would look," Sera to Richard. She's smiling. She's inhaling. She's looking down at Clara and sort-of-waving back at her, wiggling fingers, all finger wiggles and she wants to ask Clara if she can touch her again but she holds that question inside her with a million other mysteries. " - fucking amazing with facepaint. Hi Clara. The couch is brilliant. I think it looks just right, too.

"Like it's floating here. Like it's a boat you sailed up the street. Or like a fucking spaceship and you just appear and disappear like that dude on the BBC who rides around in a - what the fuck is it. Dee watches that show all the time. A fucking phone booth or some shit.

"Like in London." Breathed out, all together, before she breathes in again, not remembering that one follows the next, inexorable and certain. "Have you ever been to London? I don't think Kalen has, because there aren't any goddamned glitter trees there."

Richard

"That's exactly why I vetoed it," Richard deadpans, "I'd look so amazing it wouldn't be fair."

Serafíne

"Fair point. There'd be a run on magic fucking beans." Sera tosses back to Richard. Without explication. Who knows how her mind works?

Kalen Holliday

Kalen starts laughing and then sprawls over the grass too. "Yeah. Best idea ever coming here tonight.

"Anyway, there used to be glitter trees in London but then I went to visit and now they're gone...."

Elijah

"Awww, where is the Lorax when you need him? Someone needs to speak for the fuckin' glitter trees."

Richard

"Fee fi fo fum," Richard replies, grinning. And granola girl snort-laughs.

"I've never seen that movie. The Lorax. Or whatever he's from."

Serafíne

"I don't know why they're talking about glitter trees," Sera is saying to Clara, and she's straightening now, trying to remember how to stand, if only because she would ike to drink a drink of her drink because she has a drink and it is a party and this is the yard and the music has changed inside and the door has swung open and a window has been closed and there is a couple making out at the edge of the porch, where the porch light goes dark and the streetlight does not reach, and there are little violins in the ground or crickets or something and her heart is beating and beating and beating and -

" - that's so fucking absurd Kalen. And I know absurdity. I'm wearing mirrors like glued to my fucking boobs."

Not that anyone can see them. Because over the mirrors glued to her boobs: a black hoodie. Zipped.

Kalen Holliday

He doesn't bat an eyelash at the knowledge that there are mirrors glued to her boobs. "Look. I can try to be less odd, but that just gets depressing." He still sounds more amused than anything,

He says nothing about the Lorax. Whether because he's as clueless as Richard or because he just is unmoved by Dr. Seuss is anyone's guess.

Elijah

"Whaaaat, you've never read the Lorax? It's, like, the world's saddest book written for, well, maybe not the world's saddest book, but it 's really freaking awesome and you need to read it, the end."

This was about the juncture that Elijah found himself really, really interested in the grass under him. Pupils dilating, heart beating steady, and there was a moment of glee because grass. Thank god for blue dolphins

Hawksley Rothschild

Last year he was going to throw a party for himself at his house (it's a mansion, Hawksley, let's be real) but he had to go East instead. This year he forgets it is his birthday until he receives a text message from Sera, a mass text message inviting him to her house for a secret surprise party at Dee's house. With a bouncey castle and ironically drug-induced signage and when he read that text he was charmed, and also confused, because surely it's not his b--

"Well fuck me," he'd said, realizing that the 8th was in fact his birthday. Though he can't be faulted for forgetting, given recent events.

When he got Sera's text message, he'd been standing with his head 3 inches from the double-height ceiling of his library, his feet resting on air. He's had his mind elsewhere these days. The pursuit of knowledge never stops. The pursuit of power doesn't, either.

--

Hawksley is coming late, as you do when it's your own surprise party. The party is already going on. Bouncey castle, drugs, drinking, so much music. But they can feel him, Elijah and Kalen and Richard and Sera can, long before they see him. There is no sensation of beating wings fanning the air but a lightness to the world, a lifting, as though they can all levitate if they think enough happy thoughts. Something is soaring over them,

towards them,

coming down Corona Street in a dark car that gleams with flecks like gold, like it's being hit by sunlight even at night.

Serafíne

"I never read the Lorax," Sera is telling Clara-and-Richard-and-Kalen-and-Elijah, and by now she has taken the sip she wanted to take of her drink and then another and she has folded her arms on the back of the couch and is sort of leaning forward and she's short but: couches tend to be shorter and she is also wearing Serious Fucking Heels although they are starting to sink in the grass, " the way it started off was so fucking sad and lonely, that guy and his weird finger-tip full of bullshit and the payment. I liked the Cat in the Hat."

Of course you did, Sera.

"And you - " to Kalen, "should be as weird as you fucking wanna be - and OH FUCK."

Sera is so happy she actually almost spills the last two drops of her drink.

"Feel that? He's coming. It's time to hide. Okay. Okay? Can you," this to Clara and Richard, "hide or do I need to get Dan to bring you an afghan to hide under? I'm gonna hide behind the couch," all rather stream-of-consciousness, this, while she is trying to text Dan one-handed, which means typing with a single thumb because she is also sipping her drink. "And then when he comes up we all shout surprise. See. Okay."

Sera is briefly quiet, concentrating on texting and then texting is done and she gives in to the sensation of her own glee. "Elijah and Kalen you have to come hide behind the couch you can't be in front of it. Afghans would be fucking obvious on the grass."

Sera - wriggles a bit, with pleasure. She'd stamp her feet but the heel have sunk a half-inch into the ground. So she's stepping out of them, instead.

"Heeeeeeeee."

Richard

"The Cat in the Hat was the best -- wait. What?"

People are hiding. Sera is telling them to hide! Richard looks mystified: is she for real? This is a surprise party? How can it be a surprise when there are bouncy castles and couches and music rolling out every window, door, and crack in the wall of the house,

but he doesn't argue with Sera's logic, which is sort of what you should do: not argue, that is, because it is futile. "Um," and he kind of slithers down from the seat to hide behind the couch, "okay. Should we yell surprise?"

Elijah

Oh, fuck! Right! This was a surprise party! Elijah scrambled to his feet, which was not a graceful thing, and made his way over to behind the couch, which was suddenly starting to get crowded and ever so suddenly starting to feel like a wonderful conspiracy and oh my god Richard smelled fantastic- wait, maybe that was Clara that sounded fantastic. Maybe it was Sera who smelled fantastic. Either way, someone smelled really good and his mind was starting to wander and he's just standing like a dork behind the couch before-

Oh, fuck! Right! This was a surprise party!

Elijah crouched, "of course we yell surprise, he's not going to know the party is for him unless we yell surprise."

Kalen Holliday

Kalen's eyes sweep the incredibly obvious party going on, and then, as though it had not registered to him at all, he says, "Indeed. We will fool no one that way."

He crawls over to join Sera behind the couch, because fuck standing up to walk like five entire steps, perfectly content to pretend that somehow Hawksley will be surprised.

"Of course, yell surprise," Kalen says, waiting until Hawksley is a little closer. "On three. One. Two. Three."

Richard

"SURPRISE!!!"

yells Richard.

Serafíne

How can it be a surprise party when she texted the guest of honor and said COME TO A SURPRISE PARTY, but here she is telling them to hide and she is so very excited about hiding and pleased to be hiding and when Richard slides his stoned ass off the couch and hides with her behind the couch she kisses him on the crown of his head (it is the only time in their respective lives that she will be able to reach the crown of his head) -

"That Sera is telling Richard as Elijah scrambles behind the couch in her front garden is what makes it a surprise. The yelling-of-surprise. See? The naming it -"

By now Sera has kicked off her heels and she is ready to jump the fuck up and yell SURPRISE and Dan has even had enough time to corral some of the girls from Dee's roller derby team to come on the porch and take part in the surprise-shouting from behind the supports so their SURPRISE will be not just a handful of hoarse, stoned, drunk voices, but - you know - a chorus of them.

Elijah

Three?

"Surprise!"

Hawksley Rothschild

There are lights and people and so many cars. There is music and noise and drugs and a couch on the front yard and people scrambling around. Hawksley, still driving, sees it and smiles. He sees it and thinks of the same thing that Serafine thought earlier: someone should create a Circle. Someone, maybe someone with the power to do so, should create a boundary between those noises and the rest of the world.

Hawksley's Porsche slides to a stop across the road, parked at the curb as though it's normal, as though it fits in here, as though he is normal at all. And he waits a bit, watching for the people on the lawn to hide themselves under afghans and behind couches. And then he gets out. And the car's lights blink and the car itself beeps a yes sir when he tells it to be locked, to be secure.

He comes across the black asphalt to the grey concrete and crosses those dark lines into everything colorful and ecstatic, smiling as

SURPRISE!

There are people! Oh, his stars! He had no idea! He throws up his hands, affecting a look of total shock. He is not surprised by the party but in fact he is a little surprised to see the mages he sees, Kalen and Richard who he has briefly met and Elijah who he can sense but does not know, and they all look... well. Stoned and high and amused, and then Sera, who looks REALLY FUCKING HAPPY OMFG. With disco boobs. And Hawksley is not surprised but he is laughing, his face in a grin, his eyes crinkled at the corners, because he is truly pleased.

And it's hard not to laugh when he's laughing, and it feels like the sun has come up again and it's high noon here, shining down on them. He has been using magic tonight. It clings to him like a bright, golden aura that he brings with him across the grass, right to the couch, kneeling on it and reaching for Sera across the back, arms around her waist. He gives her a kiss between her mirror-covered breasts and smiles up at her,

beatific.

The world hangs for a moment on that look, and then he's up again, he's grinning. "Is that the giant? Kalen, how've you been? Who is this? DEE!" Waving to everyone, saying hi.

He is a man who knows how to be the guest of honor.

Kalen Holliday

Kalen is laughing too, from pretty much the second he cues a little surprise chorus from behind their totally not inconspicuous couch.

"Peachy," he says. And that cannot be a real answer, because that isn't something he would ever actually answer, but he seems actually happy enough. "Happy birthday."

Serafíne

SURPRISE everyone yells and Sera does that with them. She pops up right along with them, a fucking foot and change shorter than poor Richard who really had to scrunch to hide behind the couch, and yes she looks so goddamned happy, and her hair is loose and (freshly) blonde and the undercut is freshly shortn and she's a little bit tipsy and a little bit more stoned and a little bit more something else and she is all caught up in the countdown and the compliance and it feels kind of magic to her, like a spell she's never heard the name of, to feel the world open and spinning around her and so many people and the way her heart beats in time with everything happening all around her and the way everything paces itself in time with her heart beats, and she feels swept along, as if she were caught in a rolling tide,

as she pops up behind the couch in a half-zipped hoodie over cut-off denim shorts so short that she had to cut out the pockets because they looked fucking stupid just kind of waving down below the hem so now when she puts her hands in the pockets, she can feel her garter belt. But she does not have her hands in the cut-out pockets of her cut-offs, she is reaching up to yank down the zipper of her hoodie and reveal disco-boobs! like, as a present see, so that by the time Hawksley has made it to the totally not inconspicuous couch they are revealed and he can kiss her between her breasts.

Her arms are around his neck and her hands are in his hair and he is smiling up at her and she is smiling down at him and -

oh, it feels like the sun is rising.

Then he's up again, and Sera lets him go and watches his pleasure as he greets everyone with pleasure of her own and she's feeling breathless and chatty and doesn't remember why she took off her heels and is kind of kicking her feet up and it telling both Kalena and Hawksley that, "Dan said I oughtta have a pretense like "Come open my mayo," but I told him that sounded like the shittiest innuendo ever and anyway you'd say tell Dan to open your fucking mayo.

"I bet you weren't expecting us to shout surprise though. Happy birthday. You want some molly?"

Elijah

"I have no idea who you are, I'm Elijah," he offers, and he smiles chipper and his pupils are blown out and he's fascinated with the texture of the couch, "happy birthday!"

Hawksley Rothschild

Kalen's peachy makes Hawksley's eyebrows hop, since that doesn't seem like the sort of word Kalen would apply to himself. Kalen is, after all, a Hermetic.

"You live with a baker who has stronger forearms than I do," this is not true, as anyone who can see his goddamn arms can guess, "and two dudes. I actually would have told you to have Dee open your mayo. But I was absolutely expecting you to shout surprise."

He leans over, kissing her cheek. It is a thank you, that's written all over him, but he doesn't say the words.

"I'll wait," he tells her, and turns to Elijah, to Kalen, grinning. "Thanks, man," this is to Kalen, and "I'm Hawksley, the birthday boy. Thanks for coming," to Elijah. He glances over their heads, between them, spies some of the roller derby-ites and the normals, the plebs, the sleepers, so he adjusts his tone so only those Awakened, who are nearest him in both esteem and proximity can hear, "I'm going to take care of the noise level real quick. Kalen," who is the only one he assumes has the necessary powers to help him, "want to help a brother out?"

Richard

"It's the giant," Richard, who was smooched atop his head and is now clambering back to his feet dusting grass-blades from his knees, affirms. Belatedly. "Happy birthday. I had no idea, or I would've brought you something."

Which is the truth. But this also is the truth: he doesn't seem terribly crushed by his own inadvertent lack of manners. He drops back onto the couch, long limbs akimbo, reaching over to Clara-the-granola-girl to pluck his toke back.

Kalen Holliday

Kalen nods, lets his voice drop as well. "Sure." There isn't any hesitation, but there is a pause afterward because he doesn't know how Hawksley Works and almost nothing he does is exactly to a proper Hermetic paradigm. He slid into Sera's Working as if it were nothing, but he doesn't know Hawksley.

"How?" There are only so many clues to give here, only so many things that can work with company. But he waits, watching Hawksley with steady eyes that don't entirely match the smile.

Serafíne

Sera accepts the kiss-on-her-cheek, the thank you with a tilt of her small chin that feels at once both precise and precocious and loving. Because her eyes close as he bestows it. Because she savors it, all quietly, lets it wash over her.

Hawksley and Kalen are going to do magic! and Hawksley turns down molly (for now) and Sera closes her palm around the drug and tucks it back into the kangaroo pocket of her hoodie and sits her hot ass back on the spine of the couch and asks Richard, genuinely curious,

"What would you have brought him?"

Grace Evans

Because the word got out, because Grace remembers from last year what the occasion might be, and she knows he likes books, Grace decides to show up (even though it is a party with a massive number of people and it's going to be noisy and crowded and all).

A little Toyota rolls up, getting added to the pile of cars (one of which glitters with sunlight and looks like it costs a hundred Toyotas or more).

Wait a minute... Is that a bouncy castle? Of course, Grace's brain goes immediately to an encryption framework called BouncyCastle, because that's how she rolls, and then it goes to Sera. Of course there would be a bouncy castle.

She steps out of the car carrying an (unwrapped) book. Wrapping paper is wasteful, and it's not like he wouldn't know what it is anyway. Book shaped. Book weight. What else would it be? But there's something else that goes hidden, for now.

Richard

"I don't know," Richard says. "Something bright and flashy, maybe." He gives his smoke back to Clara. "I doubt there's anything I could get him that he needs, but he might like something like that."

Hawksley Rothschild

"I don't need anything," he says, which is true.

His watch cost seven thousand dollars.

There is an anniversary edition 911 across the street in a color that car was not offered in, because he wanted them to make it in that color.

Only Sera has been to his house, and seen how many of Dee's houses could fit inside of it.

No Hawksley: you don't need presents.

Kalen says he will, and this pleases Hawksley, who -- it's true -- does not adhere to most Hermetic paradigms and patterns, who has told at least one Hermetic that they're all -- self included -- assholes, and he drops a kiss on Sera's head this time, about to head off with the other member of the Order. That's what he's doing, walking towards the side of the house with Kalen, when Grace arrives. He's telling Kalen, though his voice is pitched not to carry,

"Just a Circle," as though Kalen should know automatically whatever Hawksley means by Circle, "as a boundary between the rest of the neighborhood and the house and grounds. But then another circle, just inside of it -- maybe a few inches, it's easier the farther the gap is but more noticable, which I'd like to avoid. Just making a field, see, of soundlessness. Everyone inside the inner circle can hear everything inside the inner circle, and everyone outside can't. Keeps the cops from getting called because of the noise level in here. Granted, we can't hear tornado sirens if they go off, but it's not like we won't get alerts on a million phones anyway."

He's blathering. "Anyway, to save time I was thinking you could draw the inner circle while I draw the outer circle. I think your resonance is more attuned to the chaos of the interior, anyway."

He glances back, and that's when they hear him again, brightly: "YO, GRACE!" He waves.

Kalen Holliday

It is easy enough to draw him off, and considering he needs to hear Hawksley there is nothing uneasy about the fact that they are close. Or course, he did fucking ruffle Hawksley's hair that one time. He might have been fine anyway.

Kalen nods to Hawksley, more a lowering of his eyes than any real movement of his head. He doesn't need there to be circles, but he can make circles. He takes a breath, closes his eyes, gets ready to draw a circle with nothing but power.

And then it occurs to him Hawksley might want an actual visual circle. "You don't need it to be chalk or myrr-infused wine or anything?" He asks softly. "Just present?"

Serafíne

"It's Grace," Sera, pleased, when Grace is a block or three away because of course Sera can feel Grace and she is happy that Grace is out there ad happy that Grace is here and very, very happy. She is supplying the name to Richard and to Elijah and to Hawksley and to Kalen, you know, just in case, and she does it as if it were a prophecy, even though it isn't. Sera is just in tune with the world in a way few people ever are.

And Richard is telling her that he doubts he could get Hawksley something he needs and Hawksley is saying that he doesn't need anything at almost the same time and Sera is smiling, and anything ironic about her smile fades to pure and unadulterated pleasure when Hawksley kisses the crown of her head. She echoes Hawksley to Richard, because he doesn't need anything, and tells Richard, "He likes books.

"And working out.

"And me."

By now she is thoroughly perched on the back of the couch, her legs drawn up, her arms wrapped around them.

"Richard were you a wasp growing up? Yacht clubs and all that shit? Or did you just swim. Did they just throw you in the fucking ocean."

Grace Evans

Hawksley is so exuberant, and he doesn't seem to worry about anything, least of which being the loudness of his voice. It easily carries across the street, and Grace gives him a wave back as she walks the distance up to the front yard with the leather couch and assemblage of mages.

She greets them all with a smile and a wave, and maybe Kalen gets some special warmth at seeing him all covered in face paint and glitter. Somebody's getting out of the office a lot lately. Somebody's trying to get over things. She knows.

Grace has been pretty much stuck to her own end of the office, working. Someone else has other ways of getting over things.

She perches herself upon an arm of the couch, because sitting on it would probably entail sitting on someone, and that's just not cool. To her anyway.

Richard

"Maybe I'll get him a bright, shiny book, then," Richard says, his grin lazy. Clara reaches up. That neverending toke smoking between her fingers: Richard parts his lips and she slips it between his teeth like it belongs there.

A moment later he has to take it out of his mouth because he laughs, bright and open and happy: "Oh, god, no. I wasn't a wasp. I was a hippie. My parents moved to Berkeley when I was three. They might've thrown me into the Bay, I don't know."

Hawksley Rothschild

"Well, it won't get in the way if you want chalk or wine or sacred smoke or seat salt or whatever. You could piss a circle out but that's a lot of ground to cover and you'd probably run out. But no: it doesn't need to be physical, concrete; sound is measurable but invisible to the naked -- and sleeping -- eye. So it makes sense for a circle of this nature to be the same. But like I said: you won't get in my way if you make a physical one."

Sera is telling truths about him, around the time that Hawksley is noticing Grace and waving. That he likes books. He likes working out, which is partly true -- he likes the effects of working out, he likes the effects of books. He seeks self-perfection. This is one thing he has in common with the Order of Hermes. But too many of them neglect the body in favor of the mind, and Hawksley refuses to believe the two are distinct.

And yes.

He also likes Sera. If the way he smiled at her when he embraced her, kissing her over her heart, was any indication, he is positively devoted. But Sera knows better.

Sera knows what it takes for him to leave her behind.

--

"Hold up," he says to Kalen, and jogs back across the lawn to Grace, throwing an arm around her and crushing her to his side. He is firm and warm and he is, simply, the feeling of the sun sinking into your skin on a long day doing nothing but lying on the beach. "Graaaace," he says. "Grace with the eyes," which has been his favorite part of her since the moment he met, when she was new and when Sera was fasting and they were all in Mutiny.

He looks at the book, and looks at her. "Do I have to make grabby hands at you?"

Kalen Holliday

Kalen leans into the side of the house. He does not go bounding back to the others, but he does lift one hand to wave to Grace.

And he waits.

Serafíne

"Hi Grace," Sera, all lazy affection and mirrored breasts and afterglow as Grace arrives at the couch and perches on the arm. "Do you know Richard?"

Then: Hawksley. Hawksley bounding back and Sera stretching her toes like she was bathing in - baking in - the sun, on some beach. When is is this close she cannot help but watch him, and - well - she does not pursue introductions while Hawksley is hauling in his birthday booty.

"Fuck. I wish I'd had hippie parents. I'm from the goddamned Hamptons. How hippie were your folks, anyway? Cloth diapers, crystal deodorants? Fucking yoga? Jim's into that, man."

Grace Evans

Grace is attacked by a Hawksley, and okay -- she manages it with just a little tension and tries not to look as shocked as she really is. Which, let's face it, she's not at all shocked that Hawksley hugged her.

"Grace with the eyes?" she asks, not really knowing that the man had rated her body parts and placed her eyes at the top.

"You are already making grabby hands at me, man," she says, and hands over the book, which announces itself as a copy of Ancillary Justice.

"It's a story. I brought you that because I thought you might like at least a physical book, and I've already digitized that one. It's about a person who is a former starship made up of many minds linked into one being."

She then reaches into a pocket of her jeans and obtains something else -- a black, nondescript flash drive.

"This contains some more stuff. I put some interesting pieces on this one. So it's encrypted. Password's 'Happy Birthday'."

Hawksley Rothschild

"Grace with the spectacular eyes," he clarifies for her. "I never told you this? I told Sera. I kept telling her your eyes look like nebulae. Like galaxies, universes, starry clouds of space... stuff." A handwave, here. And then he grabs the Ancillary Justice from her, grinning toothily, taking his arm from her to examine the book with both hands. Then she hands him a drive! And 'interesting' which means intriguing. And,

"That's a horrible password," Hawksley says, cheerfully. But he's distracted: "You mean you wrote this?" He waves the book in the air. "You're a writer? What the hell, why didn't you tell me!"

He rarely sees her.

He leans over, plants a big comic cartoonish kiss on her cheek. "You're too kind," but he's already looking at the book again, peering at it, and he's not really a big sci-fi reader but Grace writes books apparently and he is so intrigued he can't contain it. He looks at her, then across at Richard and Sera and smiles, because he sort of likes the mental image he gives himself of those two fucking, then back to Grace. "You want to help Kalen and I make a sound-dampening field between the house and the rest of the neighborhood? I don't know if that sort of thing is your jam, but my style is pretty open, you could probably jump in if you know the basic premise."

By which he means: if she studies Forces. If she can do things like repel certain kinds of energy.

Hawksley Rothschild

[DLP, rewriting]

Richard

"Protests on Sproul, marches on City Hall. Pretty sure we had disposable diapers, though."

Richard looks up at Grace. He keeps quiet on whether or not they've met before; frankly, he isn't sure. The side effect and downside of meeting a lot of people, making a lot of friends: sometimes you forget. Sometimes you also call out a name at a supermarket and everyone turns and stares but the person you were trying to call wasn't who you thought it was at all.

Anyway:

"Wait; so what you're saying is, you're actually a wasp."

Hawksley Rothschild

"Grace with the spectacular eyes," he clarifies for her. "I never told you this? I told Sera. I kept telling her your eyes look like nebulae. Like galaxies, universes, starry clouds of space... stuff." A handwave, here. And then he grabs the Ancillary Justice from her, grinning toothily, taking his arm from her to examine the book with both hands. Then she hands him a drive! And 'interesting' which means intriguing. And,

"That's a horrible password," Hawksley says, cheerfully. "You're too kind," but he's already looking at the book again, peering at it, and he's not really a big sci-fi reader but he is so intrigued he can't contain it. He looks at her, then across at Richard and Sera and smiles, because he sort of likes the mental image he gives himself of those two fucking, then back to Grace. "You want to help Kalen and I make a sound-dampening field between the house and the rest of the neighborhood? I don't know if that sort of thing is your jam, but my style is pretty open, you could probably jump in if you know the basic premise."

By which he means: if she studies Forces. If she can do things like repel certain kinds of energy.

Serafíne

"Shhhhhhhhhhhhh."

Sera shushes Richard, rather loudly. Shhhh. Shhhh. Shhhh.

"Only Hawsley fucking knows." And she looks at Hawksley because she just said his name and actually catches him looking at her and Richard and she smiles to him and waves a bit and has no idea that he is picturing her and Richard fucking for a split-second there, and her drink is gone. She wonders where it went. "And I'm only half a WASP. My mother was Miss Fucking Argentina, 1988. That's how she ended up in New York and met my father. What the fuck is a sproul. And you don't seem like a hippie. Maybe because you are so goddamned tall. Are you going to rebel and become an investment banker?"

Hawksley Rothschild

Hawksley waggles his brows at Richard. ONLY HE KNOWS. Also everyone else standing nearby.

Elijah

He'd been really, really fascinated by the texture of the couch at that juncture, by the sound of people's voices and by the world around him and the way the air felt and the way the moon seemed and oh my god clothing is the biggest pain in the ass in the world and-

Hawksley waggles his brows at Richard.

Elijah loses it and cracks up laughing.

Grace Evans

Grace with the spectacular eyes? She doesn't quite know how to react to that. Compliments on her physical self are rare things, and she regards it as one might regard a giant, rainbow-colored caterpillar. Not exactly unwelcome, but not normal either. She smiles, but it's a confused thing. Eyes like a universe. Does she really?

"I can try. Probably. It might work," she says, and shifts the laptop bag off her shoulder. The large (but lightweight) laptop slides out, and she boots it up like it's a thing that everyone does -- set up their laptop in approximately 10 whole seconds.

Kalen Holliday

Kalen does not come back across the distance that separates them, even though Hawksley is lingering. He stays by the house, watching them. Watching wandering party guests. Waiting.

He does not need to think of words while he is waiting. It is hardly the worst thing.

Richard

"Nah." Richard, at last, takes the last pull off that everlasting toke of his and bends down to crush it out against the side of his sole. "Maybe a mathematician. Maybe a theoretical physicist. Something nerdy so I can wear tweed jackets and do a post-doc at Berkeley someday. Maybe.

"And a sproul," he adds, "is the plaza where all the students protest everything ever. Did your mom watch the world cup?"

Hawksley Rothschild

"Cool," he says, of the laptop. "You come this way with Kalen and me. He and I need to actually make the circles because we're cavemen or something. I'll explain how we're doing this on the way over, but basically --"

and he is helping her carry the thing if she seems to need it, but otherwise it's time to move again, move with Hawksley back to Kalen, and on the way he's explaining how they mean to create the field, and his thinking behind it. He isn't asking how Kalen will do his part, or how Grace will contribute; he knows they will. That is all he needs to know.

--

Sera and Richard go on talking about hippies and WASPs, backgrounds, lives. Elijah is a bit lost right now, so stoned he can't remember he was going to give Hawksley brownies and vodka. Grace and Kalen and Hawksley are going to make sure that no one ever calls the cops on this party -- at least not due to noise.

This is how it is done: the drawing of circles, with whatever foci Kalen needs for the inner circle, with whatever parameters Grace helps them determine. His is the storm, his is the chaos and light inside. He is attuned to such things. Hers is the gap in between, the sharp boundary of soundlessness, the space between the noise of one sphere and the noise of another; truthfully, Hawksley trusts that solidifying that gap will not tax her. That's the thing: his expectation of their competence is entire, regardless of tradition, regardless of method.

The outer circle is his. This is the line where the sounds of the outside world must stop, halting before the gap, just as Kalen is creating a pocket where the sounds of the house and its grounds can live and run amok. Hawksley takes this one on. He has to work first: those outside the circle will notice the party suddenly going silent if Kalen performs his magic first, but the sleepers in Sera's house won't notice the lack of sound from the outside world right away. Still: you have to time these things closely.

Standing in the back yard, in shadows beneath some trees, beside a fence, he touches the sky on the other side of the house, the front of it. He knows the point where he wants it to begin, opposite the point where he stands. And his hands meet, thumb to thumb, index to index, a triangle of emptiness in the center. Spreads those hands, sweeping out and close to his face and together again, meeting seamlessly.

It's very simple, for Hawksley. It is sealed. He says nothing: no chanting, no Latin, no Enochian. He has no wand, no external foci at all. Later on, when it is time to remove the circle -- or even break through Kalen's magic -- he knows the gesture to break the seal and reopen the field.

For a moment, after Kalen is finished, he stands on the outside, watching a party that he cannot hear. Watching people laugh, unable to hear them. He smiles. Then he steps through, experiencing a half-second of profound silence in the gap between circles, and moves into the noise and laughter and music inside.

There are high-fives for both Grace and Kalen. Then there is booze, and maybe some molly, and he can go in the bouncy castle as much as he wants because it's his birthday.

There is a cake that Dee made.

There is a marijuana-fueled discussion between he and the swimmer about which one of them is taller. Hawksley keeps cracking up, insisting he's taller, he's taller, he's like, UP IN THE SKY, and Richard is telling him THAT'S JUST BECAUSE YOU'RE STONED and someone says the word 'high' and no one can stop laughing. Hawksley is fucking crying from laughing so hard. At one point, later, there is dancing in the living room, furniture pushed out of the way and lights off and so much bass.

There is perhaps a debate about the intrinsic nature of Forces between Kalen and Hawksley over some booze, until they realize they actually agree on a few things and then Hawksley wants to high-five some more.

Maybe they talk about Australia.

Maybe Hawksley tells them -- Grace, Kalen, Sera, Richard, whomever -- that they should just grab a jet and go, y'know, stop talking about it and just go and he's looking for his phone to tell Collins that he wants to go to Australia, but this is not the first time in the middle of the night that Collins has gotten a call like this and Hawksley forgets he's on the phone because someone named Emily -- a Denver Roller Doll who goes by 'Boo Boo Radley' -- is leading him away. He comes back later, missing his shirt and throwing himself back into the more social debauchery.

The party goes on all night, as you do. People fall asleep in the bouncy castle and on the floor and on the steps. Up in her room, Hawksley removes the mirrors on Sera's breasts piece by piece by piece, gently, gently. He isn't saying anything, but he is also saying thank you for something else about the party with each mirror. The book Grace gave him is nearby, sitting on a space of Sera's bookshelf that belongs to Hawksley, has belonged to him since his last birthday. There is a bottle of vodka there as well, but he can't remember who gave it to him.

Some people have gone home.

Hawksley goes home the next day, midafternoon. But only after he has gone to the front of the house, standing on the sidewalk, holding his hands in a triangle as before and then twisting, sharply, at the thumbs, one hand pointing up and the other down, breaking the seals that have kept the house silenced all night.

--

Roughly a week later, the four other magi who attended the party receive a small card, hand-delivered or mailed or left for them in the chantry, containing a thank-you note for their attendance and an invitation to, at their pleasure, visit with Hawksley at his house. For lunch, perhaps. Or tea. Or what-have-you.

Let no one be deceived: this is Collins's doing, though most of them don't know Collins exists.

Collins thinks Hawksley needs more friends.

Wednesday, August 6, 2014

Just assume debauchery [Forums]


SURPRISE PARTY!

--

"Is it really a surprise if you tell him ahead of time?"

They're in the backyard and Sera is kind of fucked up and phones are tricky or perhaps she just likes that pretense, when she's sitting outside on her cabana bed in the peculiarly lemony smoke wafting from a citronella candle sharing a pipe with her housemates, leaning against Dan, whom she missed while she was gone, puzzling over the simple things because there's pleasure to be had in that.

And he asks the question so guilelessly, like it is just rhetorical because fuck it, she is going to do what she is going to do and she laughs and hits [b]send[/b] on the second mass-text-invite of the week and lifts her chin and craaaaaaaanes her head back and kisses him under his jaw and his beard is scratchy! and she kinda punches him in the stomach but not at all hard because he's laughing silently, she can feel that, and oh movement, her arm swings. The night is all warm and swirling and that is lovely too.

"'Course it is," she tells him, informs him, see, all false-swaying-logic of someone well and thoroughly stoned. "What makes it a surprise is that you hide and jump out when they get there - "

"That doesn't make any sense!" Dee's logic is inexorable, even when she's high. She went to college, you see. She graduated. She has a fucking degree in the liberal arts and that is why she works in food service. "So you think that you invite someone to a surprise birthday party and then he'll like forget about the party or walk in with the lights off and be all oops must've gotten the wrong house/night and then you just jump out and they're like you got me! Man, you had me fooled. I think Davie's fucking smarter than that."

"And I think he'll notice," Rick interjects, "the bounce-castle in the back yard." He also has a liberal arts degree. He reads Latin. He is neither awake nor natively rich. Therefore, he works in retail."

Sera is ignoring them, not really pointedly, just because she can. She has decided to have a surprise party. There will be hiding and the shouting of surprise or there won't and she doesn't care. She is considering other important party-related topics, including:

"Do you think you can lace cotton candy with pot?"

Dan: "That seems like an odd combination."

"What about LSD?"

At some point, a mass text - or several - go out to anyone from whom Sera has a number, mundane and magickal alike, announcing a party (or a surprise party) on 8/8/14 at her goddamned house.

--

There are hand-printed or hand-painted or handprinted signs hung up around the chantry announcing a PARTY (one or two of them explain, with clip art! SHHH. IT'S A SURPRISE. but for fuck's sake darlings, there was some goddamned irony or at least Really Good Drugs involved in those particular design decisions) at 719 Corona Street on 8/8/14.

A few in the kitchen and one on the door to the library, RIGHT OVER THE PALM SCANNER, and others scattered around the rooms that have been inhabited and those that have not.

They appear on Monday or Tuesday, the 4th or the 5th.

They smell a bit of weed and a bit of clove cigarettes, which is a pretty distinctive combination.

Saturday, August 2, 2014

Love, in every iteration.


Kalen Holliday

[How awake are we?]

Dice: 7 d10 TN7 (6, 6, 7, 8, 9, 9, 10) ( success x 5 )

Kalen Holliday

[And how distracted by Resonance are we?]

Dice: 7 d10 TN6 (3, 3, 4, 7, 8, 9, 10) ( success x 4 )

Serafíne

It is evening-going-into-night and this local summer festival (which is called in all honesty and actuality SummerFest) has spread itself all over the northern half of Washington Park. There's a main stage and a not-main stage and a "No-Fi Porch" where people play acoustic sets of everything from old-fashioned honest to god bluegrass to Nirvana covers on mandolins and there are food trucks and craft stalls and the odd side-show attraction, the occasional games of skill and chance. The food trucks run the gamut from hipster to Minnesota state fair and there's alcohol for sale and it is Colorado so of course there's pot - legal pot - fucking everywhere, the musty smell wafting up to the goddamned heavens and it is a Saturday night and this goes on for not one but two fucking Friday-Saturday-Sunday weekends and the grass is already trampled into the earth and there are people on the lawn in front of the main stage who have been camping out there and getting fucking stoned since 11 a.m. watching the bands and the local belly dance troupes or hip hop crews who take the stage between the acts and during the long, sun-baked day, this mellow feeling of community has settled the park and everyone is more than a bit sweaty and a little bit dirty and a little bit sunburnt and a little bit high.

Serafíne has been back in the country for less than twenty-four hours. She is jet-lagged and high and hardly understands where she is right now. She told Dan some slippery tale about a nymph and her little dog and golden threads buried in the grass the goats eat at the Tuileries, and does he know what she did on the ceiling? which made Dan wonder if she was also tripping.

She was not tripping. She was happy to see him and now she's here and she may or may not have slept but she isn't the sort to follow any sort of conventional diurnal pattern so that's fine.

There's a little lull on the stage at the No-Fi cabin. One act is done, they've gotta go, there's a bus to Provo, Utah they have to catch and the next singer-songwriter (one of Dan's friends) isn't here quite yet and the belly dancers don't grace this stage with their presence and anyway this is a porch, and the crowd is a little bit bored and a little bit restless so,

someone hands Dan a guitar and he drags Sera up with him and they do this laughing, lazy, infectious acoustic cover of the Pixies' Gigantic.

Sera seems like she's falling into the verses (lovely legs they are) and falling apart, but when the chorus comes, it is bright, shouted, assured, and everyone in the audience joins in ("gigantic, gigantic, gigantic/ a big big love") again and again and again, and the whole thing ends with the reappearance of the next act and Sera, bright and breathless, stumbling down the steps of the porch, telling someone that she wants a fucking beer.

Kalen Holliday

Kalen isn't sure exactly when he got here.

He's spent the last few days trying to let go of attachments or live in the moment, but has mostly succeeded in being the least focused person at most gatherings. Maybe not so much this one. He keeps meeting people, or at least encountering them, and he makes...well as much sense as the other people here who are stoned.

And there is Sera. Breathless and caught in some limitless, endless second of possibility. She could step out of it anywhere. She would like to step out of this one, or one very near this one, with a beer. He can help with that. He manages to secure a beer, and he isn't paying attention to what kind of beer beyond unopened. He showed up with nothing really, he's been getting handed things and usually handing people cash back. Or something back.

And so he offers Sera a beer, and his catch on the knotted hemp and bead bracelets someone has tied onto his wrist. There are a lot of them. Maybe more than one someone. He'll have to find out later. Hold them in his hands and breathe smoke over them and see where they came from. Or wait and see if he gave the person or people they came from his number. They might call.

Sera. Did Sera tie them onto him? Mo...that doesn't sound right. There is something about Sera.

About to step out into an impossible limitless second. No.

Yes, but no. He is handing her a beer. That is what is happening with Sera.

"Hi."

Serafíne

Sera arrived here wearing a black leather jacket over a bra (black lace in a simple, sea-shell pattern - extraordinarily fine framed in by a pink silk band) and a rather short, rather plaid, rather pleated madras skirt, and her usual fishnets and heels but heels are ridiculously things to wear on the grass under any circumstances but especially these: when the sun is failing and the night is gathering and the crowds have churned up a layer of mud beneath the grass and on and on and on and on,

so she has not got heels on anymore and is wandering around almost-barefoot (fishnets, you see), which means she is also shorter than anyone who knows her ever seems to remember or expect because she is so fucking insistent about wearing those ridiculous heels and somehow, somehow, you just expect her to be tall, to be towering.

And though she started out the day or evening or whatever with a leather jacket on it was so fucking hot that she shed the leather jacket some time ago and she's hot. There's sweat sliding down the hollow defined by her spine, damp all over her torso, darkening both the roots and the ends of her blonde curls, glistening over the sort fringe she always sports, and there's Kalen, and Kalen has a beer for her and she takes the beer (easily, naturally) in one hand and slides her other arm through Kalen's as if she had not been out of the country for two and a half months, and tips her temple to his shoulder and straightens and looks right at his profile and inhales,

happily. Present: everything.

"Hi." She says, and "Thanks," for the beer, you know, and she tips up the bottom edge of the bottle by way of example, then touches the cold glass to her temple because she's fucking hot, and "Didja miss me?"

Serafíne

Perception + Awareness-as-empathy. What is up with you, Kalen?

Dice: 7 d10 TN5 (1, 2, 2, 4, 5, 6, 9, 10) ( success x 4 ) Re-rolls: 1

Kalen Holliday

Sera links an arm through his and there is a second where Kalen, usually easy enough about contact, seems to hesitate about it. It's only a second, and then he relaxes into it, He even smiles a little, although the smile seems...not forced, just slightly disconnected.

"I did miss you." And that is true. There were moments in an alternate reality and moments after it where he would have given nearly anything to see her. He could not have brought himself to bring Sera out into the desert with him, Sera who could have and might have looked to see what happened there. But he still would have liked to have had her there.

For someone who spent about half the time Sera was gone in a coma, Kalen looks pretty good. He's thin, but he always has been. And pale, but he has always been that too. But there are, if you look (and Sera has), hints of something traumatic and lingering and heavy. Not the old echoes and scars he has always had, but something fresher. Newer. Still bleeding a bit.

And he is a bit stoned, but more than that, all the focus Sera has seen, all that training that forces his attention into something hard and sharp...he isn't doing that right now. And to Kalen, Kalen who gets lost in visions and nightmares and futures that might be...that lack of focus plays out in a dramatic contrast to all that control.

Serafíne

They are sliding into the crowd. Strange the way that works. People move around them - opening, see, then closing, in this way that feels both ordinary and wholly organic. It all seems linked and bound. The next act is on the stage now, a winsome young woman with a deep voice and a sure hand on the twelve-string acoustic guitar she is tuning up, and Sera was going to stay with Dan and watch her but she has forgotten that, or perhaps she has decided to remember Kalen instead. Maybe there's something more important here.

This is how they walk: her right arm through his left. The dark fuzz of her shaved fringe is closer to him than the wild mass of her long curls, which instead crown and frame her shadow against the shifting crowd and the painted sky. Sera is looking up at Kalen with that odd combination of fucked-up, tender, intensity she sometimes displays.

Notes his thin-ness.

Notes his pallor.

Notes the new cloud of lingering trauma.

The way he seems just out of sync, out of step with his usual watchful paranoia.

Sera - alas - does not check Ginger faithfully. Sometimes, she does not check Ginger at all.

She has no idea Kalen was in a coma,

but, she sees the rest of it. Breathes it in, the cloud over him, and she would greet all that distraction, the lessening of his usual-guard with the humming pleasure with which she would greet the relaxation of any of her friends' ordinary walls, but this feels new and dis rather than connected and Sera rises up to the balls of her nearly-bare feet and closes her eyes and plants a kiss on the apex of Kalen's cheek. She stays close a moment. Close enough that her lashes brush his skin when she opens her eyes to take him in from this distance, perspective flattened to the immediate, so close that her brain refuses to resolve the vision of two eyes into one, so she sees him piecemeal. In pieces.

"Two options," Sera murmurs to him, "One, I get you so blind fucking drunk you forget about it so one brilliant night. Or, two. You take me somewhere and we talk until dawn. It's all up to you. I don't care which you choose, but you're picking a goddamned one of them."

She's already been awake for more than twenty-four hours.

She doesn't fucking care.

Kalen Holliday

Kalen studies her, and for a second there is a lingering echo of all that control. So much training. He smiles, this time sad but slightly more present, and he says very softly, "I can't be that drunk. There are things I have to remember.

"So...the second one. This is still Washington Park, right?" He glances around. "I haven't ended up at some completely different music festival already?" He is mostly joking. Mostly. But he also glances around to check. He left his house to go to a party in a warehouse and then...well and then he got back in touch with sixteen-year-old Kalen who had a different Name and a different life. Which means he hasn't been home since Thursday, though he has been in other people's homes.

"Do you need anything before we leave?"

Serafíne

"if you ever wanted to get that drunk," Sera returns, voice low, her eyes dark - first on his profile and then on his own pale eyes, as he studies her. "I'd remember all that bullshit for you. I'd build a wall or a fucking moat or a bridge or whatever the fuck you needed, you know? To let go."

Then she drops her chin, drops her cheek to his shoulder and turns, quick-made, quick-formed, glances back over her left shoulder and raises her left hand by way of farewell, to poor Dan who only just got her back, and will have to spend the rest of the evening without her.

"This is still Washington Park. I don't know what festival you meant to attend but I recognized the fucking boathouse and the goddamned lakes. There's nothing else I need. Let's go."

Kalen Holliday

As Sera puts her cheek to his shoulder he drops his head so that it touches hers. "I...left for the night on Thursday, and crashed somewhere with people coming here. I didn't exactly mean to come here. I just...got here."

He does not tell her that she cannot remember those things for him, that those things are less true memory and more reflex. That he needs to know where the entrances are, where danger might come from and what his avenues of escape might be. He needs to remember where his weapons are. The Words that, if everything else fails, can be used as weapons. And Sera, for the same reasons he could not bring her to the ruined chantry, cannot be the person who remembers those things so that he does not have to. Not because he does not think she is strong enough, but because he knows exactly what it costs.

He won't let her do it for him.

"Let's go," he echoes, and he leads her toward the street to hail a cab.

Serafíne

"I didn't precisely mean to end up in Paris for two fucking months," Sera returns, and Kalen does not tell her that it is the vigilence he must remember, the Names of things, and how to turn words into weapons, and Sera does not understand what such vigilance entails, or how one even begins to cultivate such habits, and the truth is she would be terrible at it, fucking terrible, she would be - well and truly - on the absolute border of incompetent at anything that required such care, such precision, such guarded vigilance.

This is what she does instead. Drink down half a beer at a go and gasp, coming up for air as Kalen steers them toward a street and come up laughing, lifting the index finger of her left hand, explaining to Kalen drunkenly as they walk, thread their way through the crowds, " - it was supposed to be three days but then fuck if I could leave. You know?

"That time you lost from Thursday 'til now. Was it good time?"

Then they're on the sidewalk. Sera stands in the grass behind the curb while Kalen hails the cab, having untucked both arm and body from his to give him the space and freedom to perform that particular party trick. But soon enough a cabbie sees him signaling and a yellow cab slides over in the darkness backgrounded by the strains of music from the main stage.

They get in. Sera first; if Kalen feels like handing her in to the cab she allows herself to be handed in. If not, well, she's perfectly capable of climbing in on her own. When the cabbie asks them Where to?, she lets Kalen answer.

Takes over only if he doesn't.

Kalen Holliday

Kalen nods, partly because he knows what it's like to be unexpectedly somewhere longer than intended and because the time has been good. "I ran into Ian and Elijah on Thursday, but mostly just new people." New people he will probably never call. Some of them might regret that, and (in places of his mind that he so rarely goes) Kalen might regret that. But what would he bring them but danger? Blood and darkness are too drawn to drawn to him. Or he to them. Or each to the other, like magnetic forces. Kalen doesn't know exactly how or why his fate and death and violence and tragedy are so entwined, but he knows that they are. At least the other Magi know enough to protect themselves a little. Mundane people.....

Kalen lets Sera climb into the cab, gives the cabbie an address not far from the chantry, and then settles beside Sera. "This one time," he says. "I went to spend the night with this couple and stayed with them for like two years. That was kind of incredible. This was...pretty great, but a lot less...." He frowns. Because there are a lot of words that are wrong, and few that seem right. "Permanent."

Serafíne

And Sera nods like she knows precisely what he means, though she doesn't, not really, but there's something about being more than a little bit stoned and more than a little bit jetlagged and perhaps a tiny little bit drunk on top of that (she still has the beer he brought her, handed her, really, more than half-drunk now, nestled between her thighs) that just makes you understand what someone else is saying, vibe on it, find the horizon point where their truth can become your truth, even if it is just momentary.

Sera in the cab is - just a bit restless, too. That's the jet lag. The exhaustion crawling all itchily through her limbs that she's ignoring. The crown of her head against the back of the seat, then her brow against the glass.

"Sometimes you don't even fucking know, you know? What's going to say with you or where you're going to stay or how they work together or how you pull them apart. I'm glad it was a good lacuna, though."

Then, she's beckoning him over to the window, pointing out the pointillist impression of the park, both lit-up and peeled back, all those strangers, the blasted wash of lights from the main stage, starting to dwindle as they drive: past, then away.

The taste of something on her tongue.

--

The ride out to the chantry - or the address near the chantry - takes a solid half-hour even at this hour, with traffic light-to-minimal on the feeder roads and expressways. Sera makes a kind of smalltalk, enthusing to Kalen about Paris and listening to whatever stories he might tell her in turn. Clean stories, right, safe and simple ones in the cab, where the cabbie can overhear. So Sera tells Kalen about the Eiffel Tower and the Seine and Laudure and the hot tub boat and Sacre Couer and shopping and Hawksley is regularly featured in these stories except in the hearing of the cab driver, Sera calls him Davie.

Kalen Holliday

Kalen listens to her talking about Paris, about safe things that are not monsters or nightmares. He doesn't have memories like that, of just going to a mundane place and doing mundane things for months. Seeing places that normal people go to see. He imagines that once he probably wanted to visit Disney World or something, but that life was a long time ago. But he listens to Sera now, and now, when he's embracing moments more than duties and the way possibility seems to hover in some lingering space between what is and what could be, his expression softens into something wistful.

There are not many return stories, because Kalen had the wrong kind of childhood, the wrong kind of Awakening, the wrong kind of training for that. But he does tell her, quietly and almost shyly, about wandering through Santiago with Ramon. There is a cabbie there, and he can hear, so the parts about magic are left out, the parts about how he came to be barely able to walk so that Ramon had to half carry him sometimes are left out, and especially the part about Ramon being a priest are left out. He tries to leave out the part about being hopelessly in love, but really, you can't know Kalen and not hear that when he talks about Ramon.

They step out in the parking lot of two rectangular buildings, one an office and one a warehouse. Kalen leads Sera to the warehouse, which is not actually the entrance to an underground bunker. The part he takes her in through was offices and is now living space, full of used furniture in earth tones. "I have an actual house," he says, half-apologetically. "It's just that this girl is living there right now, and she doesn't know...anything." He shrugs.

"Do you want coffee or anything?"

Serafíne

Sera's chatter creates this bright, bauble-filled babble, really. There is Lauduré and fondue and hot French waiters and crepes and lights! and Le Grand Roue and Versailles and dancing fountains and swimming underwater aboveground, which is how she describes the eight huge Monets in the Orangerie. They went to the Moulin Rouge and all the clubs around Pigalle and the Moulin Rouge is a tourist trap to the Nth degree but there are dancing girls and Sera - who spent thousands upon thousands of Euros on artwork from the galleries in St. Germain de Pres and clothing and lingerie and jewelry at the shops up and down the Rue Royal or in the Haute Marais is still beautifully fixated on the cheap 15 Euro ceramic reproduction of the Moulin Rouge.

And she listens to Kalen's stories, the few he tells, about Santiago. Watches the supple softness in his features as he does so. The note of shyness, the echo of love.

Both make her smile, and her own smile is not wistful,

though it is lovely.

Fine, and sweet, and utterly lovely.

--

By the time they get there, Sera has finished her beer. She leaves the bottle behind in the cab. It's rude, really, and the driver will have to recycle it or maybe the next passenger with see it rolling around in the floor but she just doesn't think about such things.

--

Inside, that half-apology shot-through his tone. Sera gives this errant little shrug. The sweat on her skin dried in the cab - the driver was blasting the a/c - and her hair's starting to frizz, all tumbled and out of place, and she left her shoes behind somewhere at the park so she costume looks rather urchin-like if urchins paired expensive French bras with silk skirts and fishnets so, not especially urchin-like at all.

"It's cool." Sera assures Kalen, brows arched, looking around, taking everything in, "I don't know where I imagined you living but it wasn't a place like this. Don't really want coffee, but I wouldn't say no to a fucking beer.

"Or something harder, if you've got it."

Kalen Holliday

"There's a whole bar, but mostly everyone ignores it for the coffee. I'll get us a bottle of something. Do you have a preference?"

"I live...I don't even know. Sometimes here. Sometimes the office. Even before Kelsey, never really in the house. I stay other places sometimes. I haven't lived in just one place since I lived in a chantry. But that was a long time ago." Two entire years ago. It seems like lifetimes.

"Before that...I moved around a lot. And before that I had a place to live, but I never really was there. And before that...was a really long time ago." Many years and Names ago. "I had...a kinda unusual childhood. I never thought so. But...other people seem to." Other people think Kalen had a horrible childhood, not an unusual one. but if you trade out those words the statement becomes entirely true.

Serafíne

"Tequila if you have limes - " Sera tells Kalen, with this supple thread of a smile gracing her curving mouth. She's shaking a hand through her hair, circling the couches until she finds the one that feels right and sinks down, throwing an arm up over the spine and watching Kalen as he heads toward the bar. "Whiskey if you don't. Especially if you've got some fucking Stranahans.

"I don't drink coffee. Not much. Not really. Dan makes me tea in the mornings.

"Half the time I dose it with whiskey."

--

Head tipped back, Sera watches Kalen, quiet for a moment. While he tells her that he never really - lived - anywhere. That he doesn't really have a home.

"Is that because you need to move around to feel safe?" This, when he returns, and she's reaching out to accept whatever drink he has brought her. "Or because you don't want to feel safe? Or because you can't quite bring yourself to be vulnerable enough to know what home feels like?"

Kalen Holliday

Kalen returns with a bottle of tequila and a handful of limes and a knife. He offers Sera the bottle and starts to slice limes, unconcerned by the fact that lime juice is dripping onto the table or that he's slicing limes he's holding in his hand.

"I guess I had a home until I was like six. I remember it, a little. I only know it was then because I can remember my sister. It was me and her and my mom then. And I think we were happy. I remember being happy." He offers Sera a slice of lime and sets the other slices of lime on the table. "She drowned though. Just after I turned six. And my mother...." He shrugs. "Some ghosts still have a pulse, I guess. I stayed away as much as I could. I mean, I had to go back sometimes. Someone had to bring food and stuff.

"But then I Awakened and I went home with Kharisma and Jack. And I never slept there anymore. I would bring her things sometimes. But I lived with Kharisma and Jack and we moved a lot because we kinda had to. It was good though, I mean...they're really great. And then when they had to leave the country for awhile they broght me to the Hermetic chantry, and I lived there for a few years.

"And then it exploded. And I ended up in Santiago. But I couldn't stay there. I mean...there are people who want to kill me. I couldn't....

"And then I ended up here. I've just never really been in a place to have a home most of the time. And now I kind of am, except the concept is really alien to me. I think Kelsey likes the house house though. And the puppy. So...it's kind of like a real home now, just not for me. Which is good, I guess. I think it likes being a real home and not a house."

Serafíne

There's something disjointed about the way anyone remembers childhood. Everyone remembers childhood. Time had a different sort of meaning, then. Every day was fucking new and time gets measured by the strangest of milestones, and sometimes those milestones are simply: Before and

After.

--

Sera takes the lime slices and licks the back of her hand for salt and takes the bottle of tequila and belts back a shot-or-three at a go and comes up for air and bites down on her slice of lime, inhaling, deliciously bright, between pieces of the story Kalen tells her. The strangest juxtaposition but the tequila hits her blood quickly since she's had nothing to eat since the fucking plane and it all makes her feel warm and shivery or maybe that is something in the story Kalen is telling her - the shivery part - and there's just so much that he is saying and it is hard, almost impossible, for Sera to hear any of that without tears springing to her eyes so there are tears, unshed, all gleaming over her irises while it all goes on and on and one.

"Why can't it be a real home to you - because Kelsey's not awake? My housemates aren't either, but that's still my home."

Kalen Holliday

"What? Oh. Well. Maybe. One day." He settles onto the couch. "I don't really know Kelsey. I sort of just didn't know what to do with her. We kinda met while I was trying to her and her ex out of committing armed robbery. She listened. He didn't. He ran and she was standing there crying and I just...she had tried to grab a gun pointed at me which probably would have gotten her shot and I was kind of...I wasn't even thinking. I just took her with me. I didn't know what else to do."

He blinks. "Hey. It's okay. People get so upset but I had a really awesome childhood. I got to explore sewers and go on actual adventures. It was the best. Some pretty bad things happened, but most of it was incredible. Flagstaff...." He shudders. "Happened. And that was horrible, but...sometimes we live in a horrible world. While we're here, we try to make it better, yeah? I think we're doing okay. We got to help the Message and the spirit of the little boy, and there was that Umbrood spirit we stopped and everything.

"That's what we're for. Sometimes...sometimes that's what we die for. A better world. But it's worth it. It's okay." His voice only shakes a little as he pronounces that that is all okay.

Serafíne

Doesn't it all sound like someone reciting a mantra, like a man trying to sell himself before he sells his mark. Like a guy rehearsing for a fucking interview on the sidewalk outside, imagining the questions and answers, the call and response, the tricky bits strangers will -

Sera does another shot. Of course she does. The alcohol makes her eyes sting and she follows it with another mouthful of sliced lime and then lifts her head back, inhaling as the room spins, and slows, and stops. The back of her head is on the back of the couch, and her eyes are on him, still damp - he's not escaping that. Sera feels what she feels and she's not going to stop feeling it because Kalen has decided to tell her that all that awful stuff he just told her isn't that awful because there's amazing stuff in the world too.

She knows that. She knows that.

Sometimes it is the amazing stuff that makes her cry.

--

"It is okay," Sera echoes Kalen, and reiterates, and she means it and says it - not shakily - but with a fucking conviction that feels shot-through regardless of the tears in her eyes. She has reached out to take one of Kalen's hands, or maybe both, and she squeezes his palm between her thumb and the bent knuckle of his forefinger. "It's not a fucking math problem, either. The good weighed against the bad. It's just: who and what and where we are, you know?

"It's all okay. You're not, though. What's going on?"

Kalen Holliday

Kalen studies Sera for a few seconds. Her hands wrapped around his. The taste of their Resonance mingling into something electric and visceral and never still on the back of his tongue. Tears that aren't falling from her eyes. For a second he considers that this was a mistake, that Sera should not be here with him to feel this. That one of them experiencing it is enough.

But she chose, didn't he? She had looked at him and she chose. He can remember how certain she sounded. Determined. If he can chose to fight, and suffer, and almost certainly one day die for a world he approaches more as an abstract concept then Serafine can make her own choices about whose pain she'll let wash over her.

And so after that pause he smiles faintly. "Is this not alright? It seems...unsteady maybe. But I thought it was okay." The smile flickers, widens, fades. "I guess I wouldn't have any real idea. I don't have easy points of comparison to anything normal. Just...a lot of chaos and then a lot of training and then a lot of hiding.

"I don't know where anything starts. The past and the present and the future get tangled up in each other. They're not cleanly separated and strictly linear. Now is a weird jumbled mess of the scent of ink and the taste of smoke and the world blurring and spinning and shooting Seth and being bitten and the end of the world and a shotgun blast that didn't happen because it did but then I saw it and that changed everything. I don't know how to do this.

"I don't understand people. Not...I can manipulate their responses. But I don't understand how to connect with them and then stay connected. So...I don't really know what to do with your question.

"I sort of tried with Ian. That was beautiful in the way of tigers and cobras. Beautiful and intense and not warm. He wouldn't let me call him kitty-cat. He fought me every time I tried to just turn him into an idea instead of a person. He was the most real thing I ever really even almost had."

Serafíne

Sera listens and she listens in strange ways and she's breathing as she listens and she, herself, does not have any easy points of comparison to anything normal what does she give a fuck about normal but she's sitting there, tequila bottle resting on her left thigh, the fingers of her right hand wrapped loosely around its neck, the fingers of her left hand wrapped around the meat of Kalen's hand - not clutching at him precisely, but there's contact and there's connection and some things are always painful and a few of the tears in Sera's eyes have brimmed, you see, crested and spilled through her lower lashes and she hardly notices, really.

She even smiles - just a bit - this sad, lovely, curving half-smile, when he tells her that nothing is normal, nothing was ever normal, and he thought he was okay, right? even though he loses the thread of the present amidst those of the past and the future, that he does not tell the story he is going to tell front to back but also: sideways and inside out, and sideways and inside out come forth in a blur of images that she does not and cannot understand. She does not know where he was or what he went through - just that he doesn't know how to do this, any of this, whatever this may be, and as he goes on she's still quiet, he tells her that he doesn't understand people, the fundamental facts about how to connect and the stay connected so he just doesn't understand the question,

which was - basically - let me in.

--

That's when she moves. This, you see, is an interruption. the way she rises, to her left knee - untangling her hand from his hand and reaching to cup the back of his skull - the fine, pale hair. The fine, pale skin.

Sera kisses Kalen's temple and it is not like a kiss it is like a blessing, the sort the gods bestow, except that it lingers, and her breath is humid and her skin smells like sweat and smoke and fucking Chanel Number 5 because the girl cannot bloody help herself.

--

Then she leans back, and this time her arm is slung across the back of the couch, and a few of her fingers linger in his hair.

"What is it you want from Ian - or think you want from Ian - that he's not giving you?"

Kalen Holliday

Kalen's eyes close when she presses her lips to his temple. He breathes in the scent of her. Of the tequila. He wonders if there will be the scent of her clinging to his skin in the morning.

"So, the first time I fell in love, it was a girl who was pretending to be someone else. And, I think that we still loved each other, still love each other really. She saved me. When the chantry exploded. I guess I saved her first, but she did save me. She left me after that, because she couldn't really run with me while I was unconscious, but she tried. And that might sound like a thing people do, but she...she didn't really save people at all. Not when it could cost her so much. Certainly not without having negotiated for something in return.

"But she wasn't exactly who I thought she was, so that was kind of strange.

"And then I started a thing with my first two mentors when they came back to town, and I love that. It's amazing. But...they're in love. They love me too, but...I'm something they do sometimes. And that's okay, I always knew that and they are really great about being around as much as they can be.

"I fell in love with this Catholic priest. And, that's...fucking beautiful. But he...vows, you know. So. That's...well, really kind of like Kharisma and Jack, except he's not in an open relationship with God at all.

"People love me. I know that. And it's ridiculous and selfish, but I just wanted to fall in love with someone who isn't pretending to be someone else or already in a life-defining relationship who could just...I wanted something that was real and not just at the edges of something else. And I know I have vows and oaths and all kinds of things of my own. It wouldn't even be a little fair.

"I just want it anyway."

Serafíne

Sera's eyes are dark and they are quick on Kalen's face, you understand, attuned. That glisten of tears still damp and visible in the gloss of her gaze, but after the first few christened her lashes, smeared a bit of her ever-present dark mascara, there have been no more. Kalen closes his eyes and breathes in her sent and tells Serafíne about love and a certain kind of love, a very particular kind of love and the many ways he has fallen into some version of that sort of love. A natural history of love: the girl who was pretending (and behind that: the painful story of which Sera is still but half-away, explosions against the darkness. Tragedy: loss); the other folks, already in love with each other, when they came back in town. The priest, and on and on.

Sera listens; just - listens. Creates a space where Kalen can speak and listens as he does so, and she watches him, not just his eyes but the smear of his profile around the background of the warehouse - this, his mildly impersonal homestead - with couches and the promise of coffee and a full bar, somewhere close.

"Who gives a fuck about fair." Sera opines, philosophical see, her mouth a still, lovely curve that is somehow just on the edge of haunted, though perhaps tonight she is haunted by his ghosts and not her own. "You wanted to fall in love with someone who was also falling in love with you.

"That's harder than it sounds. Why Ian?"

Her fingertips are still soft in his hair.

Kalen Holliday

Kalen laughs. "Because-"

"He's so present. Like he's anchored in the present and in himself. Because I thought that in any given crisis he'd leave me and get the hell out. Because he's beautiful and I won't lie, the sex is phenomenal.

"I'm not what he wants. I don't even know what he wants, but it isn't me. And that's okay." He smiles again, and for a second his eyes glimmer with tears that don't really spill. "I'm really good at not taking that so badly. People are other people or committed to each other or committed to God or they want things from you you can't give them and I understand all those things.

"I was crazy to want that anyway. I knew-" He sighs and leans into her fingertips.

He did not list her in the litany of people he has fallen in love with. Perhaps he doesn't want to let that lie between them. Perhaps he's not really entirely aware of it.

"Everything got really intense in that alternate reality. It was...horrible. I ran into him just after I had to shoot this kid who was turning into a zombie and everything was horrible and then Sid hated me and I just...it wasn't...and then the world was ending. And then we were here and he was so glad I was here and then everything got weird and at least he doesn't hate me and we're fine just not...." He shrugs. "Not in love.

"Which makes sense. I mean. I don't even know him, really."

Serafíne

"And that's okay." He smiles again, and for a second his eyes glimmer with tears that don't really spill. "I'm really good at not taking that so badly. People are other people or committed to each other or committed to God or they want things from you you can't give them and I understand all those things."

How okay, really? Perception + Awareness-as-empathy.

Dice: 7 d10 TN5 (1, 3, 4, 4, 4, 7, 8, 10) ( success x 3 ) Re-rolls: 1

Kalen Holliday

So, Kalen is weirdly sad that he has realized he doesn't know Ian, and therefore isn't in love with him. He's maybe a little sad Ian doesn't love him, but most of that sadness and loneliness is less specific. He isn't upset that Jenna was actually like three times older than he thought and a different person, he isn't sad that Kharisma and Jack have their thing, he isn't sad that Ramon took vows of celibacy; more, it's that every time he seems to end up on the outside of everything. He's more upset that he spends so much time alone, than directly upset about anyone in particular.

Serafíne

O.

Her mouth rounds with that worldless syllable, which is mostly unvoiced but still there is a strange little noise that Sera makes when Kalen is smiling, while his eyes glimmer with unshed tears.

She has never seen him -

No, she has never imagined -

You see she is so very much on the cusp of things and then he is on the cusp of tears and aren't there tears in her eyes, isn't she always just ready for it all - the pain and the loveliness and the places between them, which seem to be constructed of three-fifths of both, which makes everything more than whole. So,

O.

Serafíne is jetlagged and has not really slept in upwards of thirty-six hours now except for a fitful nap somewhere over the eastern seaboard. Yesterday she was across an ocean today she was across an ocean and here she is again and everyone is still here and she said goodbye to Hawksley and kissed Dan and Dee and even Rick and Emily Honey-Bunches-of-Chokes hello again and there was SummerFest, what a ridiculous fucking name geniuses, SummerFest, and the sun was setting but the air was still laden with heat and there was Kalen, not precisely broken-hearted, but

- lonely. A little bit sad. Beneath all that okay in a way that makes her a bit sadder, that makes her ache, you see, quietly for him, and Sera does not hide from that ache - when her heart hurts, she feels it, the same way she feels everything else.

"Oh, Kalen." Her bodyweight shifts. Sera lifts that bottle of tequila from her thigh and pulls her leg up onto the couch. "It's not crazy to want that. There's nothing wrong with wanting that." Knee beneath her, she half-rises and reaches for him. Cups the back of his skull and bends to plant a kiss on first his brow, then his temple.

"Tell me you know that." The last bit murmured into his pale hair.

Then she's sinking back down, though he can come with her if he wants. Lean against her shoulder, for strength or comfort or communion, feel her breath rise and fall. Hell, if he wanted to cry, she'd hold him until his shoulders stopped shaking. Until the ache of it all left his throat.

"And with someone like Ian, it's so easy you know, to paint whatever it is you want to see onto that surface, because he works so hard to stay aloof. How the fuck are you supposed to get to know him?" The smallest of shrugs, "I don't know. He's always seemed like kind of a dick to me."

Kalen Holliday

As before, his eyes close when she presses her lips to his skin. "I know it is very human," Kalen says softly, as though this kind of longing should be something he can just let lie somewhere quiet and out of the way, someplace full of light filtered through dust motes and a trackless layer of those dust motes over everything like unbroken snow. Hidden away and forgotten.

It is not a sentiment entirely out of place among the Order, this kind of resolve to focus on duty to the exclusion of everything else. Or power, Kalen would admit. Or pride. But Serafine has seen him Working, has been part of that of that his Will and her Will entwining and colliding and interweaving. He doesn't Work much like anyone from the Order, heavy on intricate rituals and symbols, because the world he sees isn't really theirs. He's caught between Traditions in that respect, for all you can't taste their edges and the space framed by it in his essence the way you can feel it rippling and drifting off Serafine, Tangling itself in his hair or her hair or the branches of trees like dew on spider webs that reflects myriad possible worlds.

He does settle with her and he shudders once, but he does not cry. There is a second where he wants to tell her what he told Ian, about people and crying, but that moment seems like something that needs to stay secret. Kalen might be willing to be that vulnerable before Sera, but he doubts Ian is. Instead he sighs.

"I gave up, you know. I was trapped in a place I knew wasn't real like here is real and I had had to do horrible things, and it didn't help that maybe those thing weren't real people because it was real enough and I thought they were real at the time. I had found Sid, but then that went terribly, and then I had a vision and I tried...." He sighs again. "All the specifics of it don't matter. I was just going to stay there, in the horrible other world ruined version of the House. He made me get up and leave with him. He's a lot of things, and not all of them are gentle or kind, but he could have left. He didn't. Sid just left, both of us, she didn't even say goodbye.

"But he's the one the one who tried to save me. Maybe he did, but I think the starlight creature would have saved me somehow."

Serafíne

Kalen settles against her and Sera wraps her arms around him. She still has the fucking tequila bottle in one hand and no, she's not putting it down, and yes, she takes a drink. A swig. No lime this time and no salt, just burn. The butt of the bottle is cold and solid and rests probably somewhere close to the middle of his spine, where her arms meet and Sera shifts her grip on the bottle from one hand to the other and drops her lovely and sharp little chin to rest it thoughtfully on the crown of Kalen's head, where he is clasped against her shoulder.

She smells like tequila and sunrise and jet fuel and cloves and sweat and - remember - Chanel No. 5 beneath it all and she feels smaller than you imagine she should be. Something about her, some gravitational pull, some shouting goddamned insistence - always makes her seem like she should take up more room in the world than she does.

Kalen tells her more about that horrible other world, fragmentary and elliptical but more and - and - that Ian made Kalen get off his ass and leave that place with him. Sera makes a quiet noise that Kalen can feel more than he can hear it.

"Well," and there is a low curl of irony serpentine around her voice. " - that's one point in his favor. So I'll say it like this, other than saving your life, he still seems like kind of a dick to me.

"You can't make him let down his walls, you know? If he doesn't wanna be vulnerable, which is such bullshit. We were made to be vulnerable.

"Love fucking hurts, sometimes. In every iteration."

Kalen Holliday

Kalen lets Sera hold him. He doesn't try not to relax against her, doesn't insist that he has to watch for monsters. This place is reasonably safe. There is a point beyond which that much fear seems ridiculous.

Beyond which living is more important than just not dying.

"Vulnerable...maybe. The separation between us is...an illusion. It seems like vulnerability I guess, when we let go of the illusion of distance. But it's not so much that we're at war and threatened as we're just a little lost. We're all creatures born of the same sacred breath. The same voice spoke the Words that formed us. That formed everything.

"However fucked up we might be, we're one perfect whole. Just...out of balance."

Serafíne

Once again, Kalen can feel more than he can hear the supple thread of her laughter. Which is more wry that it is humored, which is balanced beneath him. Her shoulders slide with it, and it is liquid in her, aware and alive and somehow at once lazy and intent.

She sort of hums in the background; thinks about what he's said the way she thinks about any of this fucking philosophy, which is to say: rather superficially and yet somehow: rather viscerally. Sera feels, she does not think, she does not care to think. She simply is, and she believes things, yes, on some level that is fundament that are not wholly dissimilar from the philosophy Kalen just offered her, but her belief in these things - this oneness - has little to do with Words or voices or first movers or perfect wholes. Hell, Sera probably believes a helluva lot more in imperfections than she does in perfections. The places where things change, where they fall apart, where you don't know what's coming next.

"Well," Sera says, incisive, "some parts of that perfect fucking whole are unbalanced enough that they still assholes.

"I wonder if there's a reason, though, that you keep falling in love with people who aren't available. Maybe it's a self-fulfilling prophecy, you know? Keeps you on the outside, where you can stand guard.

"I don't know. I hate that psychoanalytic bullshit. But it's a thought."

Kalen Holliday

[*dies* Thank you for that image, chat.]

Kalen Holliday

Kalen laughs, softly enough that Sera can feel it more than hear it. "I don't know what I would do in a perfect world. It seems boring, but I guess it would be less boring if I was also perfect? I don't know.

"We're a long way from that world. And yes, some parts of the whole we have are jerks. And monsters. But some of them are indescribably beautiful. A handful are all of those things.

"The world gets very complicated."

He considers a few seconds, and then says, "I think that the people I meet aren't really in a place for that on the whole. I tend to show up where I'm needed. Places I'm needed...they aren't very gentle. I don't have much time to just go looking for people who are more something or less of another thing. I don't even know what I'd do with them.

"I'm not really available anyway."

Serafíne

The noise she makes is a quiet hum, a supple thread of awareness that is live-wire in her body, that is somehow worked into the structure of her being - skin and blood and bone - as much subconscious as it is conscious.

Something that he says catches the wrong way on something deep inside her and Sera - she doesn't know what it is that is caught or where it has been captured, does not know why, does not know anything except that there is a moment where she is arrested, where she is between heartbeats, where she is suspended, you see. Abyssal as much as earthbound.

And then it passes.

Kalen can hear and perhaps feel the catch in her breath, and then it passes.

The dark things behind her are and will remain dark. But she thinks of them now, and kisses the crown of her head, and packs them carefully away.

And listens.

He tells her that he's not really available anyway. Quietly, Sera asks the only question she can ask him, after that, which is -

"Do you want to be?"

Available, she means.

Kalen Holliday

"I don't know." He lets more of his weight rest against her. Lets his eyes close and stay closed.

He stays quiet for a few seconds, considering. "I never considered that kind of life an option. I had never really been in love when I joined the Order. The first sense of having a stable place to be, the first sense of being safe, the sense of having a family...the first I remember of any of that starts there. With Marcelus and Jenna.

"Marcellus...." He takes a careful breath. There is a barely perceptible shudder. "He's gone, in the explosion. With the others."

"Jenna and I got out. She's alive, but...she was never a twenty three-year-old girl from New Jersey. Some of what we were had to have been real, but even now I don't know which parts. I'm not sure I care. I still love her anyway.

"I didn't really think about settling down in a place like this. I knew chantries like ours existed, but I expected to be in Hermetic chantries. Not because I didn't like other Mages, but because I did. The Order...well...there were a few very vocal opponents to my joining the Order. Marcellus...." He laughs, more warmth than amusement. "Marcellus was just not someone you could argue with.

"Being available would be...at the very least bending the vows I made. And I know that people change Houses they back down. But I don't know how. Everything I see, everything do...it's never enough now. I don't know how I could live with doing less. And to be really available for another person...I couldn't always put all of that first."

Serafíne

Sera soothes his shudders away and when she does so she does so both thoughtlessly and physically. A thumb against his temple, perhaps. The pressure of her chin against the crown of his head. The suggestion - without pressure - of her mouth against the tangle of his pale hair.

He tells her that he never thought about settling down and Sera huffs a huff that is without context. Sera does not now think of settling down. She doesn't settle. Even though she is here and this is home and in spite of so many other things she does not feel settled. Even when she is quiet she is wrapped in movement, or the promise of it. Some forward-motion - that sense about her of doorways and thresholds, not just the places, but the places-between.

--

"What vows are those?"

Kalen Holliday

"There are rather a lot of them."

Kalen takes a slow, soft breath. "The relevant ones here involve remaining in place where I belong, between people and monsters. And, however difficult it may be to believe, I am gentler in that interpretation than most of the others. Hell, I wanted Lucia Montanari from that thing. Even if we killed her after, and we may have, dying in the hold of a thing like that....

"Don't get me wrong. She threatened people I loved. She was trying to fight the Order. I was furious with her. I wanted to tear her apart. But we failed her father, we destroyed her family. Those things don't pardon what she did or what she formed pacts with, but she was hurt and she was angry. She deserved better than being shot like a rabid dog. By that time, there was only so much choice but there was so much time when saving her was a real option. No one ever took it, and when I tried...there nothing left I could do. And by then, she was trying to drag a powerful Umbrood spirit that fed on madness and horror across the Gauntlet. I couldn't just walk away from that."

Serafíne

"I think that's bullshit," Sera says, quietly, even mildly, although there is beneath that softness a sort of vehemence that is bodily, is visceral, is intense. He can hear it in her voice. Feel it in the whipcord tensions of her body as she holds him, in the way her arms tighten around his torso. "You're not just some fucking shield, you're a man.

"And you've got a right to be alone and you've got a right to fall in love with assholes who are all wrong for you and you've got a right to refuse to fall in love with them and you've got a right to want to fall in love and you've got a right to decide that it's all too much bullshit right now and you're just going to have as much goddamned sex as you wanna have with anyone you wanna fuck and you've got a right to get it wrong and a right to get it right and a right to stumble through all of this bullshit right along with the rest of us.

"You've got a right to yearn and a right to need and a right to dream and you sure as hell have a right to cry when maybe you've got it wrong and you've got a right to get it wrong because every fucking person in the goddamned world gets it wrong every day and sometimes even in the middle of all of that bullshit they're getting it right.

"And you've got a right to get it right too. And someday you will. Or you won't, or you'll get it right and then you'll get it wrong and then it'll be wrong-right or right-wrong or fucking everything, all it once. That's fucking okay too.

"Which means, I still think Ian's kind of a jerk, even if he saved your goddamned life in an alternate reality. And I think it's okay that you fell in love with an Idea-of-Ian that Wasn't-Really-Ian because you don't know Anything-about-Ian and I think it's even better that you figured all of that out and I think it's still okay to be sad after all of that work because goddamned, you wanna be in love.

"And I don't think you have to go looking for anything. I just think that you shouldn't close yourself off like this because of some goddamned vow. Sometimes you just open your eyes, and there it is. There are a million fucking ways it can be.

"But that's just what I think."

Kalen Holliday

Kalen laughs at that, and there is nothing mocking or dark about it.

"Serafine." He says her name like it some wondrous, sacred thing. "If I loved you less I would kiss you for that."

Serafíne

She does kiss him.

The crown of his head, the warmth of her mouth.

It feels like a blessing, because it is.

--

There's quiet, after.

--

She could take him to bed. She would take him to bed if he were someone else. Dan or Dee, finding their way back through the muddle of desire and danger and wish fulfillment and infatuation and maybe-sort-of something-like-love and something-like-heartbreak. If his love for her in that moment felt more profane, perhaps, and less sacred.

Less, let us call it, Platonic, with a capital P.

If she thought it would help him to lose himself in her. In her body, in her skin. If he had turned to her and kissed her, or perhaps - even - if he had wanted to, in a way that she could feel.

If there were not this strange thing in her chest sometimes, when she thinks of -

--

Time passes. Time has passed.

She is so very tired and is starting to - well, drift. Sera breathes in sharply. Exhales and kisses the crown of his head again.

"Do you still have nightmares?"

Kalen Holliday

He smiles a little when she presses a kiss to the crown of his head.

It would not be so terrible a thing to be lost in her. There was a second, before he remembered who he was, when he almost did kiss her. Imperfect and blazing and brilliant in all the ways that only a world like they have, sharp-edged and uncertain can offer. Kalen was not meant for a perfect world any more than Sera.

He is most awestruck by the things that burn him and the things which threaten to swallow him whole. He stared at the end of the world with more amazement than fear. Because life is some searing, holy, precious thing. Incandescent. Transcendent. And then ashes.

And then, a few breaths or a few centuries or a few worlds later, a phoenix. Searing. Holy. Precious.

He does not speak of any of those things, he just lets the opalescent weight of them slip out from under his skin and drift into her. Some things are not meant to be framed with sound. They are framed by light and the space between heartbeats and by the way he reaches out to let the tips of his fingers trace a strand of Sera's hair.

"Yes," he says quietly in answer to her question.

Serafíne

"I'm sorry for that."

For the nightmares and their persistence and whatever engendered them and what he suffers everynight and perhaps what he thinks he must suffer and all the rest of it. The interrupted sleep. The lack of peace. The sorrow revisited, and she is sorry for all of that and aware in some way that is - oh, liminal, right? between-and-becoming - of exactly where and whom and what they are.

Sera kisses him again, and it is quiet and it is thoughtful and it is not carnal. Her mouth in his hair, some apology embedded in the shape of it.

"Show me where you sleep. I'll give you some peace from them tonight."

Kalen Holliday

Kalen smiles a little. "I'm not sorry," he says softly. "Before I had them, I didn't know how to love anything enough that it could hurt to lose it. I'd been scared and I'd been outmatched, but I had never really been vulnerable. It's fucking haunting, but it's also beautiful in in the right light. I should learn to let go, but...at least I have things to let go of.

"I may have slept better before that, but I was never happy then."

He takes a breath when she kisses him again, like he can breathe in the warmth and the memory and somehow let it filter into his blood with oxygen. "I sleep in all kinds of places. Almost never in bed. Here is fine."

Serafíne

Mind 3. Calling it coincidental. -1 Specialty focus. -1 taking her time.

Dice: 3 d10 TN4 (4, 4, 7) ( success x 3 )

Serafíne

Extending, difficulty +1

Dice: 3 d10 TN5 (2, 7, 7) ( success x 3 ) [WP]

Serafíne

(Also: can sing?)

Dice: 7 d10 TN6 (1, 3, 6, 6, 6, 8, 10) ( success x 5 )

Serafíne

That makes Serafíne smile in a strange, sad way. She was named for the goddamned angels, wasn't she? But it isn't the name she was born with.

Still and strange and thoughtful the smile for all that she is not-precisely-drunk but tipsy and a little bit, lingeringly high and an awful lot exhausted, suffused in that dislocation that attends any long distance travel. The astonishment that naturally accompanies the return to the place-where-you-were, wherein you find that people have been living their lives without you.

The whole world is so goddamned huge and the Eiffel Tower and Red Rocks and Mount Everest and everyone in and on and under and around them all exactly at the same goddamned time whether you're looking at them or not, wherever you are.

--

What Sera does is: she sings.

And her voice should be a bit rusty, a bit stained with smoke and exhausted, shadowed by them and maybe the first bar or two are just like that but she must clear her throat or maybe her throat is always clear because she is quiet, because she is a choir, because wasn't she made to be one of the host of the Seraphim, doesn't she burn?

(No and no and no, and isn't that all bullshit, after all.)

--

She sings. The song is quiet and strange and worldless and is shaped by Kalen's confession that he welcomes the nightmares because he wasn't happy before that, because the nightmares are about what he can and has and will lose, and how much that hurts, and pain is preferable to so many things, isn't it: indifference, absence, silence.

The song is quiet and strange and worldless but it takes a shape soon enough beyond the shadow of his own thoughts and the shape is a shape her voice has worn before for him.

Sera does not give him a dream. She sings a song and she gives him the space for it. Her voice is a shield against the nightmares that come for him every night and the hollowed-out space, the vault of the sky and the ground underfoot, wherein he can dream without pain and without fear.

Kalen Holliday

Kalen lets himself float on her voice and then sink into it. It is as close as he gets to slipping back into oceans.

Sera sings a space into being and holds it there. Open.

She's sung him to sleep before. She's held space before too, though that was her presence. And Ian's. But Kalen had still taken that space and tried to let minnows nibble at the tips of his fingers.

This is new and the same and it is peaceful and it is like what he thinks oceans must be like if you do not fear them. Rising and falling and full of currents and deep enough for drowning or for gold gleaming in sunken ships or for mermaids.

And so he sleeps. Peaceful and without nightmares or murmurings or new horrors. Not even familiar horrors.

Just dreams in lilac and silver shades. Shimmering like dew on soft grass at dawn.

And maybe, though he does not breathe a word of this, though he breathes the awareness of the thoughts in as he breathes in the scent and the warmth of her and the richness of her notes as they color the air around them, maybe this is their perfect world after all. Searing. Holy. Precious. Incandescent.

Transcendent.