Friday, February 20, 2015

Dreams and disappointments.


Ian

The ambient temperature in Denver was just slightly above freezing. Cold enough to still feel like winter (or at least, the end of it,) but warm enough that the mass of dark clouds overhead was just as likely to mean rain as snow. When Ian arrived at Washington Park earlier in the evening, the air was still dry. But the threat of precipitation loomed over the city like a blanket. He was running, like he often did on this particular trail. It was becoming a habit.

The path took him on a loop around the park before he cut inward toward the lake, loping past a handful of slower runners on his way toward the gazebo (where the girl with the odd resonance had been two days earlier.) That, of course, was then the rain hit. Slow at first. Delicate pin-prick droplets that left specks of wetness on the ground. Soon it built into a light rain. When a drop of it managed to hit the back of his neck and crawl icily down his spine, he exhaled irritably and jogged into the cover of the open gazebo. Once there, he stopped to catch his breath, hands on his hips as he looked out at the darkened sky.

Light rain tended to come in sporadic shifts. Possibly, if he waited a few minutes, it might let up.

(Possibly he'd be running back to his car in the freezing rain.)

Alexander

[Because he's been trying stuff out, and because he had time to kill... Sensing heat, Arete 1. TN 4, -1 for taking time, 2 succs to last.]

Dice: 1 d10 TN3 (1) ( success x 1 ) [WP]

Alexander

[Extending,

Dice: 1 d10 TN4 (4) ( success x 1 )

Alexander

There were a lot of reasons why people were in the park, and a lot of them tended to be shared. To exercise, running along the trails through the park. To meet, the occasional couple walking closely together through the early evening light. To walk the dog. Or just to pass through.

One figure, sat near the lake, is waiting for a friend. There are no plans to meet, no exchange of text messages or voicemails or phone calls. It’s just that this is the spot where they had met twice before, and it seemed like the most likely place for it to happen again. It had been months since that last time with no signs of a certain scarecrow appearing again. But, then, there hadn’t been any warning before. So he comes and he watches and he waits for his friend.

As he waits, he plays with a lighter. It flicks open, lights, close. Flicks open, lights closes. At one point, Alexander stops to feel the heat radiating off the flame before the same cycle restarts. Only afterwards he’s looking at more than just the lake. His vision glows with the sensation of heat – or the lack of it. So he sees the slight cooling in the air just before the rain starts and it suddenly seems like a good time to find cover. The single drops multiply into rain and he runs to the nearby gazebo. He’s not as prepared for weather today as usual – rain hadn’t been on the forecast – and so a little cover while the rain (hopefully) blows itself out seems to be a good idea. There was that gazebo not so far away.

So head ducked down, he runs under cover. And then he notices that he’s not alone. “Oh! Ian. Hi.” Awkward? Quite possibly.

Ian

[Awareness]

Dice: 6 d10 TN6 (1, 1, 1, 2, 6, 6) ( success x 2 )

Ian

How long had it been since the last time they'd seen each other? Not since that night when Ian had played Kiara on the basketball court. He hadn't spoken to Alex then - nothing beyond a brief greeting. The truth is, they'd seldom spoken to each other at all. At least not about anything that wasn't some immediate threat that they were in the process of eliminating. They'd played soccer once. There hadn't been a lot of conversation then either.

But that was probably just as well, as far as Alexander was concerned. They hadn't exactly started things off on the right foot.

Ian hadn't really expected to see him. But then, it was a public park. And with the rain, there were bound to be other people heading for shelter. He didn't notice Alex's resonance right away. At first it was just this quiet note of winter lingering in the background. But when he caught the sound of approaching footsteps, he glanced over his shoulder toward the sensation and matched it with Alex's face. It took slightly longer for Alex to notice that he wasn't alone. Ian's mouth twitched with amusement at the sudden greeting.

"Hey."

He'd clearly been out for a run, judging by his clothes. Drawstring sweats and a sleek black windbreaker. His hair was a bit damp from the rain. Absently he ran a hand through it, pushing the wet strands off his forehead.

"Enjoying the weather?"

Alexander

[Awareness too]

Dice: 4 d10 TN6 (1, 5, 5, 10) ( success x 1 )

Serafíne

AWARENESS!

Dice: 7 d10 TN5 (1, 5, 6, 7, 8, 8, 9) ( success x 6 )

Alexander

Alexander glances around the gazebo quickly, seeing if there was anyone else unexpected there, before returning his gaze to Ian. Their first meeting hadn’t been the best on record – Alexander coming away with an impression that he was being being played with in some kind of game that only Ian knew the rules to. But then there had been other times that they had encountered each other. Almost half of which involved fighting and shooting and, oh yes, someone getting decapitated.

It’s the little things that can make it hard to relate to someone, although the tide of chance had been remarkably reluctant in bringing the two of them together anyway. Who knows, maybe if they had gotten off on a better foot, maybe managed to be sociable a little more than the time stargazing outside the Chantry with Sera, maybe maybe maybe.

But that wasn’t the case, and Alexander still doesn’t quite get the other man. And so he steps back to lean against one of the rails running around the edge of the gazebo and crosses his arms across his chest. Maybe he’s cold? Or maybe it’s out of some unconscious statement of the barrier between them. But, then, our Alex isn’t all that metaphorical.

“It was better dryer. Cold I can handle. Wet when you’re not expecting it is just nasty. How about you? You don’t really look like you were expecting it either.”

He looks out into the darkening park, towards its closest edge, and nods in that direction. “Shame the sky isn’t clearer. The three of us could have looked tried to find those nuns on a carousel again.”

Ian

Ian made a low sound of agreement, following Alex's gaze across the landscape of the park. "I was hoping it'd be cold enough for snow."

Alex's posture was distant and protective. Maybe it was the cold, maybe it was the company. Either way, Ian let his eyes settle on him again, seemingly thoughtful for a moment. His own posture felt more relaxed, shoulders moving with the steady rise and fall of deep breaths. His pulse was still coming down from the run, beating a quick rhythm within his veins. He wet his lips as he settled next to Alex, leaning back against the railing with his palms propped up on either side. There was enough space left between them so as not to make Alex feel intruded upon.

He did smile though, tentatively, when Alex mentioned the night they'd spent stargazing.

"You left out the orgy." After a beat he asked, "How've you been?"

(Did he actually care, or was he just making conversation?)

Serafíne

The three of us?

Yeah, Sera's out there. She's not jogging in the park and she's not looking for the sending of a long-dead Archmage of the Celestial Chorus and she's not actually dashing to get in out of the rain and they can feel her: Alexander vaguely and Ian a little more sharply though neither can feel her as well as she can feel them. They are burning bright on the periphery of her senses, distinct enough that she shivers when her attention slips toward Alexander's chilly resonance, that the muscles flanking her spine tense when her heightened awareness slides to the sense of Ian in the air - bracing against the sensation of something - well, at the edge of the predatory.

--

See, ,there she is. Cresting this little knoll, which curves gently against the horizon, framing the view of the boathouse from the gazebo. The spare frame engulfed by a too-large leather jacket, cigarette a signal-flare in the gathering gloom, face turned up toward the sky as that light rain - that drove them both to seek shelter - continues to fall.

She's not really beelining in their direction, thought she is sort of wandering that way.

Alexander

“Maybe it will be, once the sun finishes setting.” Ahh, the weather. The nice, safe conversation topic used the whole world over when it’s not really clear what else should be discussed. Next up, so, any holidays planned this year?

Alex snorts, amused, when Ian reminds him about the missing orgy. “How could I have forgotten about the orgy? It would be a whole other constellation without that.” He looks Ian over, taking in the running gear and the slightly heavy breathing, and turns, still leaning on the railing but looking out – and up at the clouds and falling rain– instead of in. “I don’t think we’re going to be seeing any of that tonight though.”

How’ve you been? Now there’s a dangerous question. The answer starts, “I’ve been fine,” and is followed by a pause. Maybe a moment to consider whether to stick with that safe, stock phrase that lets the questioner gloss over things? He glances back to Ian, turning his head to do so. “I wasn’t. Now I’m ok. You?” His gaze returns to the park, looking to where a faint red glow – of the cigarette, or of Sera’s body heat – slowly comes into view.

“How’s Sky?”

Ian

I don’t think we’re going to be seeing any of that tonight though.

"Oh, speak for yourself." There was a wry lift to his tone, a cant of his head as he regarded Alex. And maybe he was being serious (it was Ian, after all - who the hell knew what he got up to on Friday evenings,) or maybe he was just playing to the obvious joke. He could feel the visceral pull of Sera's resonance moving steadily closer at his back, but he didn't turn to watch her approach. Waited instead for her to either pass them by or join them beneath the sheltering roof of the gazebo. For a moment the rain picked up, pattering more insistently against the wooden boards above their heads. It wasn't long before it lightened up again.

Alex answered his question with short, honest words. When he turned the question around by asking about Sky, Ian looked at him with what might have been surprise. He didn't immediately respond.

"I wouldn't know. Haven't seen him in a while."

(After all that? Interesting.)

"I'm doing fine though. Except when I'm not. I think that's true for all of us." After a beat he added, "Haven't had anyone try to kill me recently."

(Implied but not spoken: I haven't had to kill anyone either.)

Serafíne

I can intuit things about emotional states in this very gazebo!

Awareness-as-empathy?

Dice: 7 d10 TN5 (1, 1, 4, 5, 6, 7, 8) ( success x 4 )

Ian

[We shall see (subterfuge)]

Dice: 7 d10 TN6 (1, 4, 5, 5, 6, 7, 9, 10) ( success x 4 ) Re-rolls: 1

Serafíne

The rain is light enough that it never endangers her cigarette. The odd droplet hits the dark blue paper and the splashback is enough to make the cherry hiss sometimes, but never comes close to putting it out. Makes her smile, the sound, this smile that is somehow both contained and outflung, open-armed, tinged with -

- well, what the fuck would they know what it is tinged with, two dozen yards away in the gloomy, cloud-banked twilight.

--

By the time Sera reaches the gazebo, her face is wet. The scattered spatter of raindrops streaks down her sharply drawn features. The high cheekbones, angular nose, the fine jaw - even her elfin ears. And smiling like she's remembering someone or something she loves. Her hair is a damp, tangled mass of curls that she has pulled away from her face, twisted over her left shoulder. She's allowed some of the shaved fringe to grow in a bit - so the usual fine dark fringe has a bit more texture, the beginnings of a bit of a pincurl, which makes her look softer even though she isn't - ever - soft.

Sleeves of her leather jacket are pushed a bit up her forearms, revealing the leading edge of the tattoo on her right forearm - the angular crow's skull - and all the dark ink on her hands.

She smells (more than) a little bit like pot. Beneath the leather jacket, a damp white t-shirt clings to her torso - this hint of a black lace bra so clear beneath. She's paired that with a crushed red velvet micromini thigh-high lace stockings, seamed up the back, garters and combat boots, as you do.

Gives Alexander a little finger-wave and Ian a much more contained smile.

Doesn't interrupt. Does put out the cigarette before she joins them beneath the shelter of the gazebo.

She smells so fragrantly of cloves.

Alexander

The awkwardness that Alexander’s been feeling is still there, but it does seem to be less than it was a few minutes ago. So far he’s not feeling like something to be toyed with by the man with the air of the feline around him.

Alexander smiles and gives another amused snort, looking over to Ian again as he does. “Oh? You’re off to the planetarium later?” He knows what Ian was suggesting – and it wasn’t stargazing – but he tries to keep the joke going a little longer anyway.

The moments stretch out before Ian answers the question about Sky. Alex studies his face but can’t read anything more into the words than their own, simple meaning. “Oh. Ok.” The reaction – after the effort than Ian had gone through to find Sky, and to free him – was indeed interesting. “I got the impression you guys were close?” Their precise relationship had never been discussed – it hadn’t really been any of Alex’s business at the time anyway.

I think that’s true for all of us. Alex nods, looking back into the rain again. Then his smile fades as Ian adds on the part about nobody trying to kill him. There’s a moment followed by a breath. “I have. It wasn’t personal though. Just some bastard who thought he should have some peace to beat up his wife objecting to being interrupted.” There’s another snort, without the amusement behind it this time. “He’s learning the error of his ways.”

He turns, leaning back on the railing again, as Sera arrives. She gets a smile, warm if restrained. “Hey. We were wondering if we’d get to see nuns having orgies again tonight.”

Ian

"Closeness is a fluctuating state," Ian replied, somewhat cryptically. "He was just a guy I slept with a few times. I didn't want him to die, and I'm glad he didn't. But we have different lives." It was an honest, if overly simplistic explanation. Probably more than he would have given Alex (or Sera) a few months ago.

Had anyone ever mentioned to Ian that Alex was a cop? Surely someone did, at some point. Maybe he saw something. Recognized the gun that Alex carried. Maybe not. Alex himself had never mentioned it. As he related his story, Ian watched him - taking in the way that he spoke. The details of the circumstances. He made a soft sound in his throat. Ambiguous enough that it could have meant a lot of things.

"Lucky you were there."

(Lucky that the man didn't succeed.)

And there was Sera. Softer and quieter than Ian often saw her. His gaze turned to survey her for a while, returning her contained smile with one of his own. "Rain suits you."

And then, to Alex, "I'm pretty sure that's the title of at least one porn film."

Serafíne

Sera isn't precisely keyed in to the memory Alexander and Ian had been riffing on - the night stargazing, her one-off comment about nuns and orgies. Maybe she was high then. Maybe she's high now. Maybe she's always high,

always fucked up,

always celebrating something, somehow, somewhere, somewhen.

And she's wandered into the middle of a conversation to which she was not wholly privy, the details are lost in her current haze and that's okay. She's lets the cold drizzle and its dampening noise swallow them. The air feels close and strange.

"If someone's still a nun in this day and age she probably takes her vows pretty fucking serious. Or she had the world's shittiest home life." This near little shrug, strung through with the tension she forces into her shoulders to keep herself from shivering. "I could probably find you something, though. An approximation, at least. If all you wanna do is watch."

Then Ian tells her that rain suits her and she flashes him another glance. This one is rather more seeking than the last, and just as easily deflected. Sera smiles, to herself this time, and closes her eyes.

He's right. The rain does suit her. Paints a damp, gilded light over her sharp angles, folds her back into her skin. "I'm just stoned," she counters, or perhaps demures. Which is also true. She is just stoned. "I have another joint if you want some."

Alexander

“Tides.” Alex pushes himself up so that he’s say on the railing rather than leaning against it, leaning forwards so that his elbows are resting on his knees, before continuing his own rather cryptic statement. “We’re pushed together, then we’re drawn apart until we’re push together again.” He shrugs. “I’m glad he’s ok though. If you do happen to bump into him, tell him I said hi.”

Lucky you were there. Alex shrugs. “The neighbour called. Turns out the noise was drowning out America’s Next Top Model and they wanted it stopping. I get there with my partner, no answer at the door and the fight still going on. One broken door, one broken arm and a fair bit of bruising later and suddenly trying to assault officers doesn’t seem like such a great idea.” There’s another shrug and he meets Ian’s gaze. “Shit happens.”

But then he’s cringing at the thought of a porn movie about… “That has got to be the biggest turn-off ever. Or clowns. Are nun clowns a thing? Drifting around silently in their big shoes and red noses, just waiting to pounce on the sinners?”

He smiles, laughing quietly and looking at Sera after her offer of a joint. “You think I need a joint if I’m coming up with ideas like this?“

Ian

"Sure, if you're offering."

He probably shouldn't be smoking anything so soon after running. When his body was humming with endorphins and his lungs still pulled in breath at a slightly elevated rate. But it was Friday, and he didn't have anywhere to be except here. In a fucking gazebo at twilight in February with two people whose feelings about him were ambivalent at best.

It could have been romantic, in a slightly different set of circumstances. Instead it was cold and wet and a bit awkward. But that was alright. Sometimes cold and wet and a bit awkward wasn't the worst thing.

"You know I was on that once. Not as a contestant. Just... in the background. But I remember them shooting while I was doing a thing in Shanghai."

Apparently Alex found nuns to be about the opposite of attractive, and Ian glanced at him with a laugh. "I'd totally fuck a nun. If she was hot. Hell, I'd probably do it for the story alone."

(Of course he would.)

Serafíne

Sera gives Ian this lovely, vague smile when he accepts, if she's offering. Of course, she's offering, she's always offering, she has a bag slung beneath her leather jacket and over her t-shirt and slings that around and digs inside and pulls out a pack of Kreteks and finds within the kreteks a single joint, tightly and expertly rolled. Taps it out and offers Ian both: the joint and her lighter unearthed not from the little bag, but from the right pocket of her leather jacket.

Glances back at Alex as he cringes over the thought of a porn movie about... and gives him a neat little shrug. Sera doesn't really watch porn. It's way to impersonal.

Then Ian announces that he would fuck a nun. If she was hot. Or just for the story, and Sera gives him a sharper glance, sidelong. "That's a shitty thing to say. Is it true?"

Glances back at Alex, then. "Who's Sky?" Quietly, and still unexpected.

Alexander

Alex doesn’t make any move when the joint comes out and if it does happen to head in his direction he’ll just pass it on.

“A thing? A dancing thing?” He’s not really expecting much detail, even if there is an answer. It’s something to ask, something to talk about. Something to… if not draw them together, maybe not keep them apart.

Ian talks about sleeping with a nun for the story. Sera’s not sounding happy about it, and Alex? He stays quiet and looks back down at the floor of the gazebo. He agrees with Sera, but isn’t quite sure whether Ian is cracking a tasteless joke or not. The guy is pretty hard to read, after all. So he lets it slide and doesn’t comment.

Who’s Sky? Alex takes a breath and looks up at Ian, wondering who should answer. He can, at least, start the story. The short version, at least. He looks down at the ground again as he starts. “You remember the thing with the spirit down at the reservoir last year? Sky was caught up in the whole thing. We – and Alyssa – got him out.”

Alex looks back up at Sera – not even glancing at Ian now – as the last part goes unsaid. The first time I saw Ian behead someone.

Ian

"I've done worse things," he offered in reply to Sera, though to his credit, he didn't sound especially proud of it. He took the joint and the lighter from her hand, putting the latter to his lips. There was a low gust of wind that swept past, and he used his hands to shelter the small flame of the lighter. When he was done he handed it back to her, pulling in a slow, shallow drag of smoke. It'd been awhile since the last time he'd gotten even remotely high, and for a moment the taste of it distracted him.

"I probably wouldn't tell, if I did," he admitted. "At least, not like that." He didn't know if that was the part Sera was objecting to, but it was the part he personally found the most distasteful (the idea of violating someone's privacy.) "But would I sleep with a nun if she offered? Yes. Theoretically."

He let Alex relate the beginning of the story about Sky, going quiet for a while. He took another drag off the joint and offered it to first Alex (who passed,) then Sera, if she wanted it.

"He's a Verbena I used to know. Someone we helped once."

Ian

[Edit: putting the former to his lips. (Really, I know english.)]

Serafíne

"I don't remember that," Sera tells Alexander quietly, and it's true. She doesn't remember the thing with the spirit down a tthe reservoir last year. Maybe she wasn't involved. Maybe she was never told the story. Strange how the things that are absolutely central to our lives can be so peripheral to those we are close to or at least tied in to. She's watching Alexander when he looks back up at her, something significant beneath the weight of his gaze that she cannot quiet absorb, which makes her want to go and kiss him on the temple and murmur to him that yes, yes, he'll be okay, except that she does remember his reaction to her touch so she swallows down that impulse. It is just a momentary tension in her left temple: the urge and its erasure, or at least its burial.

Ian takes a drag of the joint and offers it to Alexander and then to Sera. By now she's leaning back agains the railing, one hand wrapped around its frame, head tipped back so she can see the leading edge of the twilight sky and she takes a hit from the joint and hands it back. Neither of them understand why she thinks that Ian was pretty awful just now, but that's okay. Sera hardly understands. It was just a reaction she had: visceral, gut-formed.

"What's worse?" she asks Ian. Some things, a person just needs to know.

Ian

"It was a modeling gig. The thing in Shanghai. I used to be a model."

Alexander

The joint moves and Alex just passes it between the other two, if it makes the movement easier. Drugs aren’t his thing – even this – so it’s all theirs.

At least, not like that. Alex watches Ian again at that point in his reply. Whether the privacy violation or the thought that the woman would be used simply for the amusement value of the story is worse isn’t quite clear in Alex’s mind, but does it really matter. In Sera’s words, both are particularly shitty things to do to a person. But then it seems that Ian may well have just been telling a particularly tasteless joke.

Alex meets Sera’s gaze for a few seconds. He’s not a particularly hard person to read most of the time. There was a time that he wasn’t ok. But then everything he’d been holding in had exploded when Grace and Eleanor had tried introducing him to the existence of Ginger. And didn’t that go well. But now? He is alright about what happened. “Not everyone survived.” He shrugged, water under the bridge. They had their peace now.

His gaze moves from Sera back to Ian again. “Thank you, by the way. For the advice.”

Next time, don’t hesitate. He hadn’t.

Ian

Ian's eyes cut to Alex when he thanked him for the advice. His eyes had a distant expression. Remembering, maybe. (Or maybe it was just the pot.) And then he made this soft sound, and for a moment he almost looked... pensive? Sad?

"It's a shitty lesson to have to learn. I didn't want you to die. I don't want any of us to die."

When his attention traveled back to Sera, his mouth quirked into a slight grin. There was an edge to it that didn't feel entirely humorous, though perhaps that was a holdover from the other parts of their conversation.

"Would you like a list? Because I think that would take all night." After a moment he slid down to sit with his back against the gazebo wall.

"I cheated on my first girlfriend with my foster sister. That's a pretty shitty one."

Serafíne

"Alexander," Sera murmurs, voice quiet, her body language still and contained but away. There is a rhythm to the way she smokes the joint, the puff, puff pass is familiar and meaningful if one impbues it with meaning, like communion. Believe giving gravity to the ordinary.

The thought passes through her stoned head like a zipper and makes her smile. Her eyes close and threads her fine fingers through the slats of the railing framing the gazebo, leaning back and back and back until the rain hits her face aain. Long coils of damp blonde hair spill backwards.

When Ian offers her a list she straightens - stands upright, the end the elegant curl of her arched spine - and looks at him, this damp and quiet flicker of her eyes, dark in the rainsoft evening.

"When did you decide monogamy wasn't for you?"

Alexander

“We didn’t.” It seems a little strange to Alex being the one telling someone else the equivalent of it’ll be ok, but it was true. If he’d hesitated, maybe Victoria would have been able to hurt or kill her hostage, or any of the others who had been there to stop her. Much like the unknown Hermetics who had made their attempt not so long before theirs. “We’re all alive.” Had they known each other better – had Alex known whether Ian would appreciate touch or not – Alex might have moved to make contact.

But they don’t, and he doesn’t, so it ends with the words.

Something there may have been more of, except for a buzzing coming from one of his pockets as his phone springs into life. Mouth open, just on the brink of speaking again, it closes again as he pulls the phone out and checks the screen. “Excuse me, I need to take this.” With that, he steps out of the gazebo – resting a hand on Sera’s shoulder for a moment in passing – and finds cover behind one of the supports of the gazebo, under the overhanging roof, where he would keep relatively dry.

[And fades into the dark, as it’s early and I think I need to sleep.]

Serafíne

WAIT. IAN ARE YOU MAUDLIN!

Dice: 7 d10 TN5 (1, 3, 5, 6, 6, 7, 8) ( success x 6 ) [WP]

Ian

[Subterfuge +2 cause high and also depressing conversation topics]

Dice: 7 d10 TN8 (2, 4, 6, 7, 7, 9, 9) ( success x 2 )

Ian

There was so much more to that story that he'd left out. So much that would have made it sound... different. Sadder. Less callous. Sera, perceptive as she was, felt the weight of it hanging in the air. All of those things that he hadn't said.

Maybe he wanted to sound callous, though. Maybe that was why he said things like I'd fuck a nun if she was hot. Which had not been a joke at all, actually.

There was a heaviness to him that settled in. This deep, abyssal thing that he could not have opened up at that juncture even if he'd wanted to. He didn't have the stamina for it. But Sera noticed the way it pulled at him. The way it threatened to engulf him for a moment, the way that old memories sometimes do. The way it just made him so fucking sad. There was a stark note of guilt there, making his chest tight. (Making him want to say more callous things.) But he was high, and the mood didn't quite settle. Slid off of him a little - the way the rain beaded up and slid off of his jacket.

When did you decide monogamy wasn't for you?

Something about that question - maybe the way she'd phrased it, maybe the fact that it came so close on the heels of his last revelation, maybe just the fact that the pot was slowly starting to sink into his system - struck him as suddenly, strangely funny, and he uttered this odd little laugh. For a moment, it almost sounded like he was about to fucking unravel. But then the laugh mellowed - became this warm, amused thing. And he looked at her with softer eyes.

"I don't know, high school? I think relationships in general aren't for me."

Alex bid his goodbye. Offered that simple point of reassurance, which Ian accepted silently. If they'd known each other better, maybe a lot of things would have been different. But... they didn't. So Alex left to go answer his phone, leaving Ian and Sera to their own devices. Ian passed her the joint and leaned back against wooden beams again, resting his head as he listened to the sound of the rain on the roof.

"What about you?"

Serafíne

Sera makes this noise some noise behind her mouth, beneath her tongue. Wrapped up in her throat and it isn't anything, precisely, just a noise, like a click, like a lock, like a key. She's watching Ian through half-slitted eyes (he's below her now) but lifts her chin, tilts her head backwards ass Alexander has to take a call and has to take his leave, offering Ian reassurances she really does not understand either the eight or the gist of.

Strange how that happens. Strange strange strange.

The joint. She takes a hit, passes it back, and bends down briefly to offer Ian this drunken benediction, kissing him on the crown of his head. There's magic in the air: her own. Her awareness of place and heartbeats, of moving minds and they way they tangle. Nothing sharper, nothing directed at him no. Strange how someone who feels the way she feels can be so thoroughly, entirely tender: her hand curved behind his skull, her mouth tangled in his hair before she lets him go again.

Sets him free. Straightens and takes the joint and leans back, bracing the palms of her hands on the railings.

"I think relationships in general are absolutely for me. Just not way other people inhabit them, you know? I guess I think -

"I don't know what I think? I've never really had, a boyfriend though. Or a girlfriend. Not like that."

Ian

Sera bent over to kiss the crown of his head, tender and reverent. Ian closed his eyes and exhaled a long cloud of smoke. It dissipated into the cold air, curling up to wind its scent into the damp tendrils of Sera's hair. When she pulled back, he turned his head to look at her, neck craned at a slight angle.

"What would your version of a relationship be?"

Serafíne

"I dunno," she returns, with this quick, darting little smile that makes her cheeks curve, sure. She's feeling bright and flushed and open and that I dunno comes from the place in her that refuses definitions and refuses labels and perhaps even refuses language in favor of -

of -

of -

everything else there is.

"Mmmm." She inhales. She's stoned, the world's lovely. The rain falls, attuned, syncopated. Cars rush passed, all those strangers, all those kindled lives, all those living flames, each one blood and bone and muscle wrapped around a beating heart. "I have alot of them. Friends, who are lovers, who are family. Strangers who aren't strangers for a night. I don't like when it changes, sometimes -

"But it's gonna change. Sometimes that hurts.

"But I'd rather hurt than - " Stops. Arrests herself there. " - never open myself up in the first place."

Pause, quiet as she hands the joint back to Ian.

"Did your girlfriend every find out?"

Serafíne

Manipulation + Subterfuge, also. (To conceal tears.)

Dice: 3 d10 TN6 (5, 7, 10) ( success x 2 )

Ian

"Yeah."

He didn't elaborate. Didn't say if she found out because someone told her or because she caught him or just because she was perceptive enough to know that something was wrong.

"I think that's a good way to be. Letting relationships just be these... organic things. People come and go. You relate differently to each. Everyone has something different to offer. And it's all constantly evolving. Trying to box it all up in these predefined categories... and all of the fucking rules and expectations that leads to... is so self-defeating. It's just a lot of people walking around trying to conjure up their dreams in another person and inevitably being disappointed."

Ian handed Sera the last of the joint, passing it off in a way that felt like he was done with it. "I probably don't know what the fuck I'm talking about though."

After all, he hadn't been in an official relationship since high school.

Serafíne

"That's not really what I mean, Ian."

Sera takes the joint back.

Pinches off the cherry and glances at the bit of pot left in the roach and decides to leave it somewhere, in some nice dry ashtray, a present for whoever combs through looking for half-smoked cigarettes to augment whatever they manage to bum or the loosiest they buy for a quarter.

She manages to hum, thoughtful, stoned, the words alive in her and the park too. Open, and it is gentle the way she corrects him. She's smiling around the words, though he cannot really see that. It's dusk maybe, or dark, and he's below her and she's standing, leaning back, rain on her face, in her lashes. That smile is rather immoderately sad.

"There are always expectations. And dreams, and disappointments. I wouldn't wanna be closed to any of those things.

"That's where love comes in."

Sera looks away. The rain hasn't lightened, it has intensified.

"I'm gonna go. It was nice getting high with you."

Ian

Ian hummed gently. This low, thoughtful sound. His eyes slid away from Sera to take in the exposed beams of the gazebo's roof. Briefly caught up in the way they fit together. The pattern of the wood. Noting the places where cobwebs formed.

"I don't know shit about love."

Because that was all he could say, really. It came out sounding gentler than usual - maybe just because he was stoned. But he didn't try to debate the matter, whether or not he agreed.

"Try to keep warm. You don't take care of yourself enough."

That part sounded gentle too. This flicker of worried affection that might not have showed if he'd been paying more attention to how he spoke. He watched her go with a little nod of goodbye. And after a while, he gave up on waiting out the rain and jogged back to his car.

Wednesday, February 18, 2015

In passing.


Ian

It was after sundown, but not yet late enough that Washington Park had cleared of visitors. Joggers ran in staggered numbers down the winding trails. A group of teenagers occupied one of the fields for a game of soccer, shouting rambunctiously over muted din of passing cars. A few couples were playing doubles in the tennis court.

Ian wasn't running tonight, as he often did. Instead he occupied a patch of ground beneath a couple of tall, overhanging trees. The grass beneath his feet was cold and brittle from winter, but the unseasonably warm temperatures had melted the last snowfall. It'd been like that for months, snowing and melting in sporadic bursts.

He was rehearsing something. Or at least, it looked it. Testing out how certain moves flowed and letting them settle into his muscle memory. Dancing alone in the park at night without music. Stopping and starting periodically with slow, measured movements. His expression was focused and withdrawn. With the temperature in the 40's, he had on only a sleek black windbreaker over his athletic clothes (the lower half of which consisted of running shoes and a pair of 3/4 length sweats with cargo pockets.)

Grace

The park holds a special place in Grace's heart. She knows she's not alone in coming to see the lake, just for the prospect of getting to talk to The Message again. But today has her wondering why...

Why did she decide to step out of the nice warm Inside and go to the Big Room? It's a refrigerator in here. Colder than a refrigerator, even. At least she had the presence of mind to bundle up in her coat, gloves, and that scarf Kalen bought her for Christmas. His gifts are practically the only vehicle through which Grace manages to show a sense of fashion. Underneath all that, she's got jeans and old sneakers on. It's a strange mix of upscale cashmere, wool, and grubby. Whatever, eh? It's not like she cares.

There's a trail of crushed crunchy grass behind her that meanders, because this free spirit does not enjoy being constrained by sidewalks. And then, she sees Ian. It's hard to mistake him, even at a distance. Few other people in the city are such graceful dancers. The meandering stops, and instead, she shuffles over to him in a straight line, hands in her pockets to keep warm.

Arionna de la Babin

[feeelsins the feels]

Dice: 5 d10 TN6 (1, 1, 3, 5, 7) ( success x 1 )

Arionna de la Babin

Arionna was not jogging. She was not playing soccer. She was not dancing or engaging in any form of physical activity. Instead she does what she often does, and she simply walks. Spring is coming, a season her mother would rejoice in, being her own embodiment of it. Odd how Ari took to winter; the season of death and slumber. With the last throes of winter so near, it seemed only right that she should walk and enjoy what little remained.

The moon would be peeking over soon, and she would feel the pull of it. But for now... she only walked.

The others slid into her perception soon enough, though the true intensity of it was deeply muted compared to their previous encounters. It might be her own ties with the moon, or perhaps...she was merely preoccupied in her thoughts. The cup of coffee in her hand expelled steam through the small hole, and Arionna took a moment to sip from it. Did she dare it? T hat was often the million dollar question. Was it worth it?

Ultimately, she decided on a small, and almost insignificant 'yes.' Her steps deviated, moving slowly towards the sensation.

Ian

[oh look, resonance]

Dice: 6 d10 TN6 (3, 4, 6, 7, 8, 8) ( success x 4 )

Ian

Temperature could be such a subjective thing. For someone from a warm climate, 40-odd degrees might seem like scarf weather. For someone used to the cold, it felt like spring.

He didn't look up at first when he felt Grace drawing near, keeping his focus on what he was doing. His awareness of her was an instinctive thing - the way he was aware of the trees and the wind. He heard the shuffle of her feet behind him. Felt her resonance shift and soar. She was something familiar. He never seemed to mind when she watched him.

Arionna was... less familiar. But her approach was slow and distant. Ian waited until she was within easy earshot before he stopped dancing and turned to regard first Grace and then her. Grace got a small, knowing smile. (It always seemed like he was keeping some kind of secret.)

"What, no basketball tonight?"

Grace

[Magedar!]

Dice: 5 d10 TN6 (2, 7, 8, 10, 10) ( success x 4 )

Grace

"I don't basketball," Grace says, in a complete lie. "I just sometimes crash other people's games when they beg me to. You must have me confused with someone who owns..." balls? No. That would be bad. Don't say that. "Sporting equipment."

She skips up, breathing in the cold. And she is cold, this southern desert creature. Phoenix is not known for its freezing temperatures, after all. She almost doesn't tie it to Arionna, but then... oh yes. Her.

Oh well. You shouldn't let people get to you, any more than you should the cold. Arionna is her Arionna's problem to deal with, as we all are. Still, one of Grace's hands pokes out of her coat, gives Ari a wave. It's a brief thing. Hopefully, it won't be seen as too fucking altruistic.

Arionna de la Babin

If Ari had felt supremely comfortable with the situation, and the people, she might have found Grace's demeanor amusing; in some way she still did. They both seemed to lack social capabilities, though in amazingly different ways. Perhaps that's (part of) the reason why they don't get along quite so well. The others were...self evident to those in the know of her person.

She pauses nearby, close enough to talk, far enough to give them all space from her, more for her than them. "You're doing better." Better from last they met, when he left rather quickly. Grace's small wave casts a glance her way and Ari....sips her coffee. Not an overly active individual.

Ian

Arionna surmised that Ian was doing better than he had been upon their last encounter, to which Ian offered her a look that felt blandly cryptic (almost dismissive.) He didn't humor the assumption with a verbal response. Instead, his attention slid back to Grace.

"Oh I see. That was a different Grace I played last time. Your more fun twin. Does that make you the evil one?" His aloof expression melted in a subtle grin. "You should give me her number." He trotted back a few steps, glancing at the tree overhead. There was an hint of animal energy in the way he moved. The ready way he rested his weight on the balls of his feet, like any moment he might spring into motion. And sure enough, a moment later he jumped up and grabbed the overhanging branch, hanging there experimentally to be sure the tree would hold his weight before he swung and landed closer to Arionna.

"Arionna, right? From the Pho place?"

Grace

"I have to grow a goatee before I can be considered the evil one. Duh. I though everyone knew that," Grace says, totally dry.

She watches him do his little jumps and swings, and rolls her eyebrows. But there's a little smirk there too. She's only slightly mocking his showing off. After all, if you've got it, flaunt it, right?

"Arionna and I, uh... at least share one thing in common. We both have an appreciation for noodle shops."

Arionna de la Babin

"They also cackle. Villains cackle. Terribly. Sometimes they have a mustache that they twirl. A sort of Dali-esque, though hardly as grandiose. " She cast a glance towards Grace. "I think the mustache would suit you. But now the usual goatee. Far too tame and boring." Though Grace wasn't on her list of most entertaining people. She only seemed less of a mundane, and more of the sort of person who might twirl their mustache, if given one.

Maybe Ian was showing off. That was typical of men, was it not? A youthful male, in his reproductive prime meets a youthful girl in her reproductive prime, and naturally one must woo the other. So does the dance go. So when he hangs, and jumps, Arionna takes a step back and gives a small cant of her head. Mostly his actions are interesting (though it didn't help that he did have a very nice figure and face).

"Yes. I enjoy food. Culturally different. Noodles is part of that. "

Arionna de la Babin

[ARE.. noodles ARE. holy crap english]

Cala

Doors open for her.

They always have.

Small doors and large doors, locked doors, every door she has ever encountered. Some of the doors are more metaphorical than others, but even the most literal ones - they click.

Open.

--

Here's one of the arts a refugee learns: how to disappear in plain sight. How to slip beneath the ordinary radar. How to seem like part of the room. How to drift with but not of the crowd. How to settle for a time - to alight - against a bench, on one's own haunches, meditative as the light sky darkens and the strangers start to desert the park. Time to go, which she knows with a glance at the sky and something else - something (distant) - that pulls her upright from the energy-conserving reverie, the slip-through-the-spaces determination with which she lives this life.

Across the lake, just on the other side of the boathouse, someone looks up.

Senses the skim of energy in the air. Closes her eyes to feel the beat of it against her senses.

And: gets up.

Walks the other way.

Cala

Too far away for Arionna to sense her, but both Ian and Grace feel the brief brush of a stranger's resonance against their senses. Distant, then gone. It feels like a key sliding into a lock. Simple, slight.

Cala

(That was just a cameo, guys. I've gotta get up early to hike through the neverending snowstorm and below 0 temperatures to get to work tomorrow, so need to get my rest now. :) night!)

Ian

"I would genuinely like to see Grace grow a Dali mustache," Ian mused, eyeing Grace's features in this sharply appraising way - as though he were painting the picture in his mind. "She wouldn't be the cackling type though. She'd be the kind who sneaks up on people."

Maybe he was showing off, a little. Maybe he was just finding ways to keep his body warmed up. Arionna was a good 6 years younger than he was, which... was not an insignificant number. (Though Elijah had been the same age, hadn't he?) Either way, the gesture was more playful than luring. And when Arionna stepped back to widen the space between them, he didn't follow.

"I prefer sushi, but Pho will do in a pinch..."

His voice paused and trailed off in a beat of silence, and he glanced over his shoulder as though he'd heard (or felt) something that distracted him. A brief skim of his eyes across the lake. Hunting. But whatever he was looking for, he turned away a moment later.

"You go to school?" (This to Arionna.)

Tuesday, February 17, 2015

Trinity


Trinity

[So I figure you guys can intro your characters and then I can jump in with the NPCs when appropriate. :) ]

Serafíne

Awareness!

Dice: 7 d10 TN5 (1, 1, 3, 5, 6, 7, 8, 10) ( success x 5 ) Re-rolls: 1

Kiara

[Oh I should roll some stuff too.]

Dice: 5 d10 TN6 (3, 4, 6, 7, 8) ( success x 3 )

Serafíne

A week or more since she was last here but: a certain chilly Tuesday night, the skies studded with clouds that open up now and then to the brilliance of the ate night stars has her back. The van, up the gravel drive. Dan in the driver's seat, Sera somewhat moody on the passenger's side, knees drawn up, chin resting on the apex of the left. It's Fat Tuesday, Mardi Gras, Carnival, and she's kinda sober (kinda, and doesn't plan to remain thus for long) and headed up to the oft-empty chantry.

There's something new in the air, though.

A helluva lot of somethings, and as they drive Sera murmurs her impressions to Dan, and when the van pulls up outside the garage, she gives him this spare little kiss on the apex of his cheek and unbuckles her seatbelt and sliiiiiiides right out, following that certain feeling through the chilly night.

Well, to be far, she does stop and grab a beer and a bottle of whiskey along the way.

But then, provisions secured, Sera goes seeking.

Kiara

When Dan and Serafine roll up in their van they spy a now-familiar car parked not too far off; fresh tracks in the dirt and the quiet ticking of the engine as it rapidly cools suggesting its owner had not long beaten them to the Chantry.

Kiara's been here on and off of course - tending to a small patch out near the Node she's attempting to invoke premature growth in for the season; cleaning surfaces; cooking food and storing it; bringing flowers in when she comes; settling and arranging them in vases to brighten rooms - but it's been a week, at least, since her last and there have been changes, to say the least.

New arrivals; new presences. The Verbena is outside in the fading light; all wrapped up in layers of earthy brown and grey; a scarf gifted to her at Christmas by Kalen tied loose around her neck; the ends hanging free over her shoulders; dancing as they're pushed to and fro by a breeze. It rustles the trees; what little are near and sets the brunette's hair shifting over her shoulders as she crouches; bag still slung over a shoulder to fuss with the edge of earth near the old, moss-covered fountain. There's shoots peeking out of the hard ground and there's a smile just edging into existence; curling up the edge of her mouth as she pushes to her feet again.

Sniffs against the chill and turns her body a little as if unerringly drawn to the sensation drawing near.

Perhaps she is.

"If we keep meeting like this, whatever will the neighbors say?"

Trinity

Whoever had cast the new defensive barrier around the property hadn't bothered wasting effort on trying to hide it. Sera and Kiara both felt the residue of the caster's unfamiliar resonance when they passed through it. The barrier slid over them like a ghost, illusive and whispering as it traced over their thoughts. But whatever it was looking for (whatever condition the caster had set,) it was a test that they easily passed. Sera, with her knowledge of the spheres involved, knew what the effect was - and what it was trying to prevent.

The question was: who had cast it?

When Sera and Dan arrived at the end of the driveway, they found Kiara already there. There were no other cars within eyeline, but there was a closed garage behind her and the lights in the Chantry were on.

Someone was there.

Serafíne

"We don't have any neighbors," Sera corrects Kiara, unerringly, as the latter rises. There's an edge to her mouth that is also the leading signal of a curling sort of smile. Sera in her heels and cocktail dress, her thigh-high black lace stockings and her battered leather jacket, which goes with nothing else that she wears and smells - divinely - like a dive bar. Waits until Kiara is fully upright before she adds, " - and neither of us would give a fuck what they think, anyway."

Over Sera's head: Dan gives Kiara a faint little wave and a welcoming smirk.

He's wary, though. That's evident, beneath everything.

"You just got here." Dan noticed the ticking engine, the recent arrival. Glances at Kiara's car and then back to Kiara. "I take it the new arrivals aren't friends of yours?"

Kiara

There's a noise that crawls up the brunette's throat at that, Serafine's correction - her awareness that if anything, neither of them would really give a fuck - and Kiara's dark eyes shift from Sera to Dan when he comments -

"No. I don't recognize them." Them. The feeling. The unspoken as she glances rather sharply at the house; dragging her eyes over the lit windows; the flood of warmth at once inviting and ominous. "I got here and I was contemplating going in to say hello, but - " There's a real hesitation, then. A particular uncertainty that creeps over Kiara's delicate features. It doesn't twist them, per say, but the sense of unease seems to be with her as well.

Perhaps there's reasons for it, the sense of trepidation of the unknown; the potency of magic hanging in the air casting the Verbena's expression into distrust.

She'd come upon a house once before, lit up, the residue of casting in the air - still - her mouth flexes with a warmer smile. " - three seems better odds than one."

Serafíne

This moment where Sera's eyes (which are dark and sometimes - as tonight - strangely still, perfectly aware) snag on Kiara's profile. The smallest threads of microexpression slipping across Kiara's features. The hesitation. The sense of trepidation. The awareness: all these things Sera absorbs with a care of her own that inflects her own mouth with a tenderness both transient and rooted.

"Three's much better odds than one," Dan echoes, coming up behind Sera and squeezing her shoulders - affectionate, familiar - as Sera bites her inner cheek hard enough that the bright bite of pain explodes in these tiny sunburst somewhere inside her skull.

Just enough.

Dan's opening the door for them, then, and Sera gives Kiara this brazen, lovely smile. The hint of blood at the corner of her mouth.

"C'mon. We'll say hi and maybe welcome and maybe what the fuck do you think you're doing here, depending on how things go. It's all good."

And she ducks beneath Dan's arm, heading inside, following the complex of resonances in the air.

Serafíne

Prime 1: watch ze weaving. Dif 4 -1 (focus)

Dice: 3 d10 TN3 (4, 8, 10) ( success x 3 )

Trinity

There was a chance that whoever was inside already knew that they had visitors. Maybe the delay in greeting was intentional, or maybe they just had their hands full. The first and most obvious resonance - the one they'd all felt when driving up the road to the house - was unfamiliar to them both. But the other two?

Wild and unbreakable (Pan used to compare it in his head to a mustang.) Sera felt it brush up against her senses as she stood speaking to Kiara. Maybe she recognized it, maybe she didn't. It had been... a long time.

And there was something about the third one that was both familiar and new. This underlying note of cyclical energy, coupled with scorching heat and regeneration. Like fiery rebirth.

"Sera!"

They opened the door just in time to catch sight of the girl as she bounded down the steps into the foyer. She was tall and lanky (taller than she'd been at 16,) with dark hair spilling over her shoulders. And young. Too young, really, to feel as powerful as she did. But then, that wasn't altogether unheard of.

Leah.

Her expression was a thing of tentative warmth. Hesitant of strangers, but clearly happy to see Sera. She jogged toward them, but stopped before she invaded their space, glancing toward Dan and Kiara. There was a pause... maybe a second or two. Her fingers fidgeted with the edge of her shirt. Then she stepped forward to put her arms around Sera's light frame (if she allowed it.) It wasn't an exuberant hug (Leah had always been very sensitive of her physical space,) but it was a heartfelt gesture nonetheless.

"I didn't know if you'd still be here."

Kiara

There's a moment where Dan's pulling open the door and Serafine's smiling her bloody smile - c'mon - that it almost seems as if the Verbena will refuse. That she'll remain outside with cheeks tinged pink and dark eyes full of unrevealed hesitations; ghosts swimming in the expression that knits her face somewhere between fragile and furious. Kiara does linger for a moment, does catch Dan's eye and keep it and there's a hitch somewhere; a snagged breath she catches and holds for a beat before she nods.

Before she steps inside in Serafine's wake; the house draping over her with warmth; with presence. The Disciple already searching for the source of potential casting and then - oh. Kiara draws back a step; draws to one side as a young girl bounds toward the Cultist. The uncertainty melts, though. The tension in the Verbena's frame easing as it becomes clear -

"Friend of yours?"

- Kiara's voice warming to relief. She unwinds the scarf from around her neck; her mouth suggestive of mirth; at their hesitation; at her own. Dark eyes observe the girl and she tilts her head just so, curious now that the potential threat seems - less.

Now that she can breathe out.

Serafíne

"Christ." Sera mutters beneath her breath, the crawling half-smile carved across her mouth growing wider by the minute. By the moment, by the breath. There's Leah - taller now, changed but - oh, Sera shivers from the sensation and opens her arms to the younger girl and pulls her in, one hand cupping the back of Leah's head, mouth seeking the girl's temple, where her pulse beats, and for a thoughtful, lingering moment - Sera just inhales.

There's so much in that gesture. So much that she pulls inside of her, so much that she lets go of altogether, all at once, each piece framed by the other one to create this moment.

When they pull apart, Sera's eyes are... damp, shining in the ambient light.

"Leah. I didn't - " and Sera's half-smile spreads wider then, "I didn't really think I'd see you again, you know? It's good to see you. You remember Dan, right?"

This glance toward the tall guitarist. Maybe Leah does and maybe she doesn't. Dan was mostly the designated driver back then. Around, in the background.

"And this is Kiara. Kiara, this is Leah. And yeah, you could say we're friends. It's a long fucking story."

Haven't seen each other since a funeral, but isn't that how some things go?

Trinity

There were sounds coming from the kitchen. Shifting pans and the high, digital beep of a timer. Someone was cooking dinner. It smelled absolutely delicious and more than likely Mexican (corn tortillas and a spicy tomato sauce, with hints of citrus and jicama.) Leah, who had barely been able to stand being touched (let alone hugged) the last time Sera had seen her, closed her eyes and leaned into the embrace. Let out this soft breath when Sera kissed her. For a moment, her expression betrayed the weight of the memories they shared.

The last time they'd seen each other had been at a funeral.

When she pulled back, she nodded to Dan, who she did vaguely remember (though not nearly so clear as she did Sera.) When her attention shifted to Kiara, she offered a tentative smile. After a beat, she seemed to remember her manners and held out a hand. "Nice to meet you."

That was when Annie finally appeared from the dining room, wiping water from her hands with a fresh towel. She stopped when she got to the foyer and saw the three visitors. And here too, there was a second's pause for the recollection of memory while she watched Leah interact with their guests.

"It's good to see you again, Sera."

Annie was older than Leah, though not by enough of a margin to be her mother. (Older sister maybe? But they didn't look alike.) Annie's hair was strawberry blond, verging slightly into the reddish hue. Her skin was lightly tanned despite it being winter, with visible freckles on the bridge of her nose. She was average in height, shorter than Leah by about two inches, and muscular in the way people who do a lot of manual labor.

Once she had her hands dried, she draped the towel over her shoulder and reached out to offer her hand to Kiara. "Annie Pierce. I own the house. Leah and I are with the Verbena."

Kiara

It's a long fucking story.

Kiara's generous mouth curves into a fuller smile at that. "Isn't it always?" She offers in easy agreement and loosens the ties on her coat; shucking it and folding it over an arm along with her scarf. Beneath she's in dove grey on brown, some soft knitted cardigan that folds and tucks around the hip of her jeans. There's boots on her feet that give her height but she is still, by all true accounts, a slender figure. A little wilder perhaps for the way her hair falls in heavy waves around her face; bangs cut low over expressive eyes.

There's a familiar (to some) jumble of necklaces around her neck tonight; silver and stone and crystal; hoops in her ears; her wrists are bare, though. There's nothing but a blue stone ring on her index finger when she takes Leah's hand; closes her fingers around it; keeps it; just for the barest moment.

"Likewise. It's been so quiet here, we were - " The smells and sounds from the kitchen overtake Kiara for a beat; Annie does, too. Then: "Kiara Woolfe. It's nice to meet family. It's been a while." Another press of hands together; Kiara's eyes drop to where she's touching Annie's hand before she withdraws her own with this slight; suggestive give to her mouth.

"If the wildflowers didn't give me away - I'm with the Verbena too."

Serafíne

"Hey." This is how Sera greets Annie: less enthusiasm, perhaps even a touch of strange self-conscious that slides off her shoulders as easily as it slides over them. "You cooking dinner?" Lilting inquiry, the cut of Sera's dark eyes past Annie's shoulder. Pan spent far more time with the Verbena than Sera ever did, and she is conscious of his absence, suddenly. Conscious of Jim's absence. Conscious - suddenly, breathtakingly conscious - of all the absences in her life.
"Uhm," and well, she was about to introduce Kiara again but Kiara introduces herself and Sera - who looks like she is about to paint the town crimson and then burn it the fuck down kinda shivers because it is COLD, segues into, "Let's get inside, it is fucking freezing - "

before she slips off, away, within.

"I gotta pee," Sera announces, sotto voce, to Dan not longer after. He makes her excuses as she slides off toward the bathroom.

Later Sera will tell Annie and Leah who is left (no one) and who is gone (everyone) and whom she saw last and when and where, if they want to know. Later Sera might even tell Kiara the story of it all, though probably not in Leah's hearing.


Serafíne

(got to sleep, lovelies. nini!)

Saturday, February 14, 2015

Elijah, striving.


Elijah

He didn't leave the apartment. Luckily, he did actually have clothes there that did not consist of him having to go out and leave and change clothes because, truth be told, he wasn't sure if he was going to come back. He wasn't sure if he was going to lose his nerve or talk himself into having a conversation other thant he one that he started and now... now he had to explain. A lot. More than a lot.

He had to explain everything.

So, there he was, showering up, clothes in some neat little pile washing his hair with someone else's shampoo and contemplating how he was going to go about this. He even practiced.

"Okay," he said as the water started to go cold, "Jenn, magic is actually a legitimate thing and I didn't tell you about it because I was afraid you would have me committed."

The water was still getting cold. And it sounded dumb. He rinsed, let his conditioner set, and tried again.

"Jenn, I didn't tell you about this first because I didn't know what was going on and-" he has to pause there, amidst waiting and feeling the water grow cold, like a reminder that he was running out of time, and he muses that maybe... he doesn't have a good reason to have not told her. Kalen said it might be a bad idea?

"Ugh, since when have I listened to anything," he grumbles to himself, leans back and finally gets the damn conditioner out so he can get out of the shower and dry out before Jenn came home.

--

Elijah was laying in the floor, staring at the ceiling. The coffee table had moved, but mostly because he'd finally actually broken the coffee table. It was a cheap IKEA thing, so now he had something else to explain aside from magic.

Mostly, that magic was real, and they needed a new coffee table.

radiant

Jenn comes home later. The door swings open and there is the usual ritual whereby she divests herself: of keys and of coat, of gloves and scarf. Of the messenger bag - heavy - slung over her body. The quiet thunk of her laptop as it hits the hardwood floor. She has brought back a brown paper bag of take-out, the cheapeast sort. A large container of hot and sour soup and another of vegetable fried rice from the Chinese take-out place on the corner. That plus the vegetable spring roll she ate on the walk home (because it was hot and fried foods are always best fresh) cost four bucks. The soup has spilled a bit and the brown paper bag is damp and fragrant with it.

She grabs the Brita pitcher out of the fridge and pours herself a glass, walks around the small apartment until she can seat herself on the edge of the couch, near where Elijah is laying down, staring at the ceiling.

"You know, I didn't think I'd find you still here."

Elijah

"We're having big, earth shattering conversation of doom. If I left, I was gonna chicken out and just avoid it for another-" he waves his hands to approximate some period of time that he hasn't quite figured out how to say in words, so hand waving was appropriate.

"I even stayed sober," he tells her. Something smells delicious, so he sits up. He still has no idea where his shoes are, but knows that they're somewhere in the apartment. Has faith that they will turn up eventually.

"How's class?"

radiant

Jenn is watching him, her attention somewhat sidelong, her mouth compressed and perhaps pulled into a mildly sardonic expression when Elijah announces that they are having a big, earth shattering conversation of doom.

Something sober about her then, too.
Something a little bit sad.

Sad enough that she looks away and gives Elijah a one-hooked shrug of her right shoulder.

"It was alright. Professor Wayburn lectured the whole time and did that thing where he never looks up from his fingernails while he's lecturing. I dunno, I feel bad for him but I think if you are that shy maybe you shouldn't go into a profession that requires you to speak in front of people every day."


Elijah

"Dude, that guy... The only thing I can think is that he tried that picture everyone is naked thing that they tell you to do when you're nervous, and his imagination went to some Lovecraftian shit and Things Can't Be Unseen," he goes from sitting to standing, meanders to his coat to acquire cigarettes.

He doesn't smoke inside, not often anyway. He never even finishes one or two before he concludes he's done for the evening. An uncommitted smoker, more interested in the smoke than the tobacco.

He offers one, polite as always. One does not smoke alone, not if they can help it.

radiant

"You're giving him way too much credit for imaginary potential. I don't think he takes things far outside the opinion pages of the Wall Street Journal, or maybe Forbes Business Weekly."

Jenn shakes her head quietly as Elijah offers her a cigarette: no. She doesn't want one. Not right now.

The scent of hot and sour soup slowly pervades the room.

She's tracking his every movement. There's something (self) protective about her tonight. She could ease him back into the conversation they started earlier. Pave the way. Make things smooth.

She's not, though.

He's the one who left.

He's the one who has kept her in the dark.

Elijah

He doesn't do things easily. Ripped off bandaids too fast and only counted to two when yanking hard on stubborn baby teeth or puling out stingers or stickers. He doesn't give much warning, doesn't know how to do anything other than stand back or dive in, so... he dives in.

"For the past three and a half years, I really, honestly thought I was going crazy. It would be a lot easier if I was going crazy, and I thought that I was seeing things and hearing things that aren't actually there and I wanted to move because I thought that... if I wasn't around a bunch of people who thought I was crazy, then I could be normal."

A second passes, he purses his lips and lights a cigarette, but he isn't smoking it. It's just... burning. Burning because he needs something to do with his hands. Elijah inhales deep.

"Then I met people who... like... saw what I saw and heard what I heard and I figured that I wasn't normal and I wasn't ever going to be normal and there was this huge pressure to... like... be separate. Because the world and, fuck, reality doesn't work like I've always been told it works, and it turns out people can define that for themselves.

"A lot of really messed up stuff happened and I thought that if I told you then you would either think I'm crazy and have me committed or you would end up in serious trouble. Both of these reasons don't have anything to do with the way that you actually think and reason, and they're pretty much just backed by me buying into a bunch of bullshit and being too afraid to face the idea that being honest with you might scare you off."

radiant



Jenn breathes out, deeply and all at once. It sounds like a sigh.

"Elijah," patient this, and perhaps a bit weary. "The only reason I would ever do something to have you committed to a psychiatric hospital is if I thought you were suffering from a mental illness and were a danger to yourself or others. Just being a little bit - " here she pauses, her mouth pursing at the sides, " - off isn't enough. It's not fair that you don't have that faith in me to do the right thing by you.

"And - being schizophrenic - it's just a disease. Like heart disease or It's not a judgment on you, you know? And there's, like, literally no one in the world who has any kind of imagination or any hint of self-awareness who thinks they're normal. And normal people don't even fucking think about it, that's how normal they are.

"And I'm glad you've found people that you like, that make you feel like you are okay the way you are, but I hate the way you left me and the way you've pushed me away. I've been worried about you and I've been lonely and I - "

Pause here, implicit.

This brief, outward sigh.

"I just want what's best for you, okay? But I don't even know where you live. And I - I mean, I don't know what to say. Like you don't really live here but you kinda do, and if I make your brownies though, where the hell would I take them if you didn't decide to bring them over? It's just - "















Elijah

"I've been a shit to you, Jenn. And it's not fair, you haven't done anything to make me think I can't trust you," he exhales, takes a drag off his cigarette because if he doesn't it will go out soon.

"I live in a warehouse, and it's kind of awkward. I don't actually know if Kalen is completely cool with me bringing people over, but I don't think I actually want to keep living there," he takes a moment and looks at her, "I've not been cool, and for someone who is an incredibly important part of my life I haven't been good to you. Like-"

He takes a minute again.

"If this is going to make sense, I have to explain that I-I'm not sick, there's nothing wrong with me. There's a whole other world out here, though-" he stops.

"What do you need from me to make things okay?"

Elijah

[Per+aware: go go gadget dont-suck-at-being-a-friend!]

Dice: 7 d10 TN6 (2, 3, 5, 5, 8, 9, 10) ( success x 3 )

radiant

"Elijah, if your boyfriend isn't really cool with you bringing people over that's not really okay, and if you don't want to live there you should stop living there." Jenn returns in a quick sling-shot, with a deep sigh of frustration as Elijah tells her that he's been a shit to her and he hasn't been cool and on and on.

"I don't need anything from you to make things okay. You know? I'm not spending my resenting you or disliking you or being mad or hurt because you've kept me in the dark. Things are okay.

"And I know that you have digested and encapsulated this stigma about mental illness and you've like tattooed that everywhere in your psyche and yourself and I know that has everything to do with your family and the shit way they treated you and the waay society is but I'd wish you'd stop thinking that or go to counseling or do something to break through that stigma. You know?"

Elijah

[C'mon spirit 1, that cigarette should be burning pretty well by now, yes? Calling it diff 6 because I'm not super sure if this is coincidental or not]

Dice: 1 d10 TN6 (10) ( success x 2 ) [WP]

Elijah

[and extending?]

Dice: 1 d10 TN7 (5) ( success x 1 ) [WP]

Elijah

(and again, because damn it all magic you need to work]

Dice: 1 d10 TN7 (7) ( success x 2 ) [WP]

Elijah

[Paradox, why you gotta do?]

Dice: 1 d10 TN6 (10) ( success x 1 )

Elijah

[Stamina: Oww.]

Dice: 2 d10 TN6 (2, 6) ( success x 1 )

Elijah

He took a long, hard drag off the cigarette.

Truth be told, he wasn't a big fan of cigarettes, but he was a fan of deep breathing. Inhaled well enough that he could feel smoke in his lungs and he exhaled and he was paying attention, or at least seemed like he was paying attention right up until he wasn't paying attention and, instead had repositioned. Flicked ash into his hand because he didn't have anywhere else to put it, didn't plan that far ahead but knew he couldn't very well ash all over the hardwood floor, not when he didn't intend on cleaning up.

And he thinks about people. Thinks about the things he's learned and how he's learned and thinks about Serafine. Thinks about how achingly beautiful the world is, thinks about Ian and how excited he had been to show him-

The stars. Every blistering, glimmering frozen light in the sky. Elijah got up, took a seat on the couch next to Jenn and wiped his hands off on his jeans. He's holding his cigarette like it's a formality, focuses on the way that the smoke curls and leans a little against her, like he needs to be aware that she is there because soon enough he knows something is going to happen.

Because he wants it to happen.

Because he desperately needs this to happen, and the idea that magic- with a c or magick with a ck isn't real. That the world isn't consensual, that it just is the way it is and there is a feeling in the air. Something that sparks and something that can't sit still. Can't rest, can't just be. No, it is a quiet upheaval, probably the same kind of upheaval that ruined the coffee table and he is determined.

"Just, close your eyes for a minute, this is important."

he sounds distracted. The kind of distracted that one gets when they are focused. Very... very focused.

It has to be perfect. It has to be real. He exhales again, and something nags and aches for a second, but he doesn't care. This is important.

And, at some point,t he world will yield, will do as it does and the tenuous strands that keep people anchored to this particular world will give way. The connections seem tenuous and the sky is alight with stars and half the floor is gone and there is something there. The colors are bright and dull. The walls seem gossamer, and the world seem smore itself. Unhindered by the things that are not strong enough as ideas to stand the testament of time. Only that which is forged by belief remains.

"Don't panic, okay? When you open your eyes, things are gonna be weird, but it's so fucking beautiful," he tells her. Insists, and speaks like this is reverence. Like this is sacred and perfect.

Elijah

(try this again)

Elijah

He took a long, hard drag off the cigarette.

TRuth be told, he wasn't a big fan of cigarettes, but he was a fan of deep breathing. Inhaled well enough that he could feel smoke in his lungs and he exhaled and he was paying attention, or at least seemed like he was paying attention right up until he wasn't paying attention and, instead had repositioned. Flicked ash into his hand because he didn't have anywhere else to put it, didn't plan that far ahead but knew he couldn't very well ash all over the hardwood floor, not when he didn't intend on cleaning up.

And he thinks about people. Thinks about the things he's learned and how he's learned and thinks about Serafine. Thinks about how achingly beautiful the world is, thinks about Ian and how excited he had been to show him-

The stars. Every blistering, glimmering frozen light in the sky. Elijah got up, took a seat on the couch next to Jenn and wiped his hands off on his jeans. He's holding his cigarette like it's a formality, focuses on the way that the smoke curls and leans a little against her, like he needs to be aware that she is there because soon enough he knows something is going to happen.

Because he wants it to happen.

Because he desperately needs this to happen, and the idea that magic- with a c or magick with a ck isn't real. That the world isn't consensual, that it just is the way it is and there is a feeling in the air. Something that sparks and something that can't sit still. Can't rest, can't just be. No, it is a quiet upheaval, probably the same kind of upheaval that ruined the coffee table and he is determined.

"Just, close your eyes for a minute, this is important."

he sounds distracted. The kind of distracted that one gets when they are focused. Very... very focused.

It has to be perfect. It has to be real. He exhales again, and something nags and aches for a second, but he doesn't care. This is important.

And, at some point,t he world will yield, will do as it does and the tenuous strands that keep people anchored to this particular world will give way. The connections seem tenuous and the sky is alight with stars and half the floor is gone and there is something there. The colors are bright and dull. The walls seem gossamer, and the world seem smore itself. Unhindered by the things that are not strong enough as ideas to stand the testament of time. Only that which is forged by belief remains.

"Don't panic, okay? When you open your eyes, things are gonna be weird, but it's so fucking beautiful," he tells her. Insists, and speaks like this is reverence. Like this is sacred and perfect.

radiant

Jenn is making noises at Elijah as he starts to work. He has to Work. His skills are small enough - his connection to the world is narrow enough that even the smallest changes require time, ritual, attention, focus. Jenn wants to tell him that she knows it is important, that it is okay, that everything will be alright and if he wants to move out of the warehouse but doesn't want to move back here, that's okay, she'll be there to help him figure it out.

That's what friends do.

But something about the way Elijah moves through the space, something about his distance draws her brows together in concern or curiousity. He sits next to her. He leans against her.

She leans back.

And closes her eyes.

Somewhere in the middle of all of this, her free hand finds his free hand.

Something strange and something small at the back of her throat. It reminds her of the last time she got high, the scratchy burn of the marijuana, the foggy halo of it around her head, softening the edges of her perception and making her feel both more settled in her skin and closer to its edges. She wonders if - perhaps - he has something more than tobacco in that cigarette he's smoking.

Then she opens her eyes.

And her breath goes all out of her, all at once.

Her hand grasps his, hard. Her fingers dig into his knuckles.

"What - What - "

--

Amidst the umbral reflection of the living room, the gossamer, half-real, half-substantial, half-unraveled building, the burning stars far above, the dark shadows that lurch and lurk on the streets, the buzzing hum of the electricity elementals skimming through the walls, faint and superimposed or sunk beneath the substance and reality of the world they inhabit there is one perfect thing, perfectly formed, in the middle of the reflection of the living room, which has no physical analogue.

A mirror.

A hallway. A corridor, long and dark.

At the end of the corridor:

an open door.

radiant

Jenn is making noises at Elijah as he starts to work. He has to Work. His skills are small enough - his connection to the world is narrow enough that even the smallest changes require time, ritual, attention, focus. Jenn wants to tell him that she knows it is important, that it is okay, that everything will be alright and if he wants to move out of the warehouse but doesn't want to move back here, that's okay, she'll be there to help him figure it out.

That's what friends do.

But something about the way Elijah moves through the space, something about his distance draws her brows together in concern or curiousity. He sits next to her. He leans against her.

She leans back.

And closes her eyes.

Somewhere in the middle of all of this, her free hand finds his free hand.

Something strange and something small at the back of her throat. It reminds her of the last time she got high, the scratchy burn of the marijuana, the foggy halo of it around her head, softening the edges of her perception and making her feel both more settled in her skin and closer to its edges. She wonders if - perhaps - he has something more than tobacco in that cigarette he's smoking.

Then she opens her eyes.

And her breath goes all out of her, all at once.

Her hand grasps his, hard. Her fingers dig into his knuckles.

"What - What - "

--

Amidst the umbral reflection of the living room, the gossamer, half-real, half-substantial, half-unraveled building, the burning stars far above, the dark shadows that lurch and lurk on the streets, the buzzing hum of the electricity elementals skimming through the walls, faint and superimposed or sunk beneath the substance and reality of the world they inhabit there is one perfect thing, perfectly formed, in the middle of the reflection of the living room, which has no physical analogue.

A mirror.

A hallway. A corridor, long and dark.

At the end of the corridor:

an open door.

radiant

STOP.

radiant

Jenn is making noises at Elijah as he starts to work. He has to Work. His skills are small enough - his connection to the world is narrow enough that even the smallest changes require time, ritual, attention, focus. Jenn wants to tell him that she knows it is important, that it is okay, that everything will be alright and if he wants to move out of the warehouse but doesn't want to move back here, that's okay, she'll be there to help him figure it out.

That's what friends do.

But something about the way Elijah moves through the space, something about his distance draws her brows together in concern or curiousity. He sits next to her. He leans against her.

She leans back.

And closes her eyes.

Somewhere in the middle of all of this, her free hand finds his free hand.

Something strange and something small at the back of her throat. It reminds her of the last time she got high, the scratchy burn of the marijuana, the foggy halo of it around her head, softening the edges of her perception and making her feel both more settled in her skin and closer to its edges. She wonders if - perhaps - he has something more than tobacco in that cigarette he's smoking.

Then she opens her eyes.

And her breath goes all out of her, all at once.

Her hand grasps his, hard. Her fingers dig into his knuckles.

"What - What - "

--

Amidst the umbral reflection of the living room, the gossamer, half-real, half-substantial, half-unraveled building, the burning stars far above, the dark shadows that lurch and lurk on the streets, the buzzing hum of the electricity elementals skimming through the walls, faint and superimposed or sunk beneath the substance and reality of the world they inhabit there is one perfect thing, perfectly formed, in the middle of the reflection of the living room, which has no physical analogue.

A mirror.

A hallway. A corridor, long and dark.

At the end of the corridor:

an open door.

Elijah

His fingers intertwine with hers, and he can feel her fingernails press into his skin and it hurts, but it isn't an unfamiliar pain. Isn't unwelcome.

"The first time I saw it, I thought there was something really wrong with me, because I thought the world shouldn't look like that but... it does. It's the reflection of our world- and they're near infinite. Our truth makes their truth, and their truth makes our truth. This is the umbra," he says, pulls her hand up to his and kisses the back of it.

"You're not high, you're not stoned, this is just... pushing past a barrier. It's true magic, not bullshit stage stuff."

But in the room there was something, a mirror, another reflection and he peers at it. A mirror that has no physical analogue. Nothing that matches up with it in the apartment, and he tilts a little at the corridor, the hallway long and dark and at the end that open door.

"Once you see things, once some doors are open, you can't really go back, ya know? Whatever happened back in high school opened that door for me."

Speaking of doors, he does start to get off the couch, not quite ready to depart from her side, not ready to let go of her hand, but interested in the mirror.

radiant

The mirror does not react to Elijah's interest.

It is a mirror, or maybe it is a reflection, or maybe it is a door.

It sits there. It does not move.

--

"Oh my god." Jenn murmurs, a low note of awe wrapped up in the skein of her voice. What else can one say to this: the world into which she has fallen. She half-turns, following the darting movement of some small spirit skittering up the gossamer wall, cranes her head to catch glowing blue lines of radiance skittering with small spiders creating and maintaining and repairing those highways of electric connection.

Her breathing is ragged. She knows that she isn't stoned. She turns and she glances at Elijah, her eyes dark on his profile, breathing - carefully - in and out, out and in and wonders if this will stop when she lets go of his hand.

Does not just wonder.

Lets go of his hand, then. Flexes her own against his - once - and kind of shakes herself free and stands up and starts this circuit, watchful, reverent, aware. "It's like a world of metaphors. Umbra means shadow. Is this like, inside things? Or some kind of exoskeleton? This is incredible. Do those - those things know we're here?"

"Can I touch them?" - but no.

No she can't. It's just a vision superimposed on her own vision, nothing like walking there, nothing like slicing through that barrier. Nothing like -

"You can do this whenever you want?"

Elijah

And thus, since it does not move, since he knows he can't touch it, it doesn't stop him from going up and trying to touch it. He doesn't expect anything, doesn't expect to feel cool glass against his hands or anything of the sort. But he has to, has to because he needs to know if it will yield, needs to know if he can pass through that particular barrier.

There has to be a way to move there.

"I don't know how to touch things yet, I haven't figured that out," he says.

"And it's like the inside of things and how they work as well as the framework for it. What we do in the physical plane impacts what happens there, what happens over there impacts how we work here- like, if I squished a whole bunch of those spiders- which I wouldn't do because that would be a dick move- the power might go out, or they would get angry and I don't know.

"I think... sometimes things know we're here. I've looked before and found stuff looking back."

He looks back at the mirror, repositions so he can inspect it closer. He is waiting for something. Waiting for his reflection to come back, to jeer, waiting for eyes that are not his own to look back at him.

You can do this whenever you want?
"And some other stuff, but this? This is my favorite... it's exhausting. Magic isn't easy."


radiant

There is no glass. It feels like smoke and his fingers skim right through.

He waits.

There's no reflection.

No other-self jeering.

Just a hallway.

Just an open-door.

--

Jenn has sunk back down onto the couch. Tipped her head back to watch the tracing lights criss-cross against the sky. "How? I mean - how do you do this. How can I do this. Why doesn't everyone?"

Elijah

"Reality is stuck together by the general belief that everyone holds, and it's kind of majority rule. But it's consensual like the consensus agrees and it's consensual like I consent to this being my reality. when I died, I think I kind ofmetaphysically tore up my "I believe this is reality" contract."

He paused.

"I don't know how to show someone else how to... like... get over that first step. That first big earth shattering moment of realizing the universe's, like, infinite potential. I think anyone can do it, it's a lot of will and that all the barriers in the universe are just temporary. I don't know how to help someone else get there, it's like some part of you just... well... wakes up."

He looks at the mirror a little longer, inhales deep and holds his breath and takes a few steps because he doesn't feel glass, expects to feel nothing on the other side, but hopes... hopes that maybe this is a door way.

radiant

It doesn't feel like anything, it doesn't feel like anything at all: walking through that glass. There is no shattering, there is no sundering, there is no undoing. Elijah is both here and there. He can hear Jenn's voice though by now it is more background than immediate, and something about the pattern and pace of his

heart.
beat.

suggests to him that he is somehow suspended here. Somehow between. Somehow -

else.

He is in a hallway. It is long, it is dark.

The air is cool and it has a low, quiet hum to it, and that hum changes with each moment.

There is light at the end of the hall: an open door.

Between there and here - a half-dozen others, all closed.


Elijah

He sees light, an open door, and he follows the path, though he keeps to the edge of the corridor. Idly, the young man puts his hands out to touch the sides, to feel the passing of it under his fingertips and he is at once here and not here, and his curiosity has gotten the better of him.

He can hear Jenn talking, but he knows that something about this isn't quite the same, this isn't like the usual world that he sees. A half a dozen worlds, and another ahead of him, far, far away but bridging the gap. The cigarette is forgotten, pocketed and shoes still forgotten because they hadn't been important enough to take on the journey but his lighter was.

radiant

Elijah sees a hallway lined with doors and imagines it a path. He reaches out and feels the walls beneath his fingers: warm and slightly viscous, perhaps, or perhaps merely warm. A wall.

Like a wall.

Then a doorway, humming, closed. Energy behind and beneath.

There are no echoes here, except perhaps the remnant background of his best friend's voice, not even the sound of footsteps.

The light is brighter in the center.

There is another doorway

humming,

closed.

He has a lighter in his pocket, and he walks, and the hallway lengthens and the door - ahead - which sheds light but offers no view of what is on the other side - is starting to close.

The light diminishes. Behind him, beneath him, beyond him: the world rumbles. He can almost make out what it has to say.

Elijah

There's another doorway, humming and closed, and his hands find a knob or some means that he thinks it may open, and he tries the knob. The world rumbles around him and he can almost make it out. Curiosity got the better of him, but the humming, the thrumming, the intensity around him-

All these options and he seemed intent on going for the most obvious one but... perhaps he could explore? Time was running out, there was a sense of urgency, and he could have turned around, talked to his friend, tried to answer her questions, but he needed to know what he's doing.

"I'll be back," he calls back, insistent because he would be back.

If the door doesn't give, he makes a run for the door that seems to be closing, the door he knows is open.

radiant

His hand on the handle and the handle is warm and the handle is molten and the handle is melting in his hands and the door swings open as if it were waiting for him, as if it were bursting at the seams or at the hinges, and the handle is warm, and it molds itself to the sharp of his hand, as if it were made for him, and the door gives,

inside is dark.

inside is the smell of salt water and sea-spray.

inside is the movement of the ocean.

Dark dark dark. Nothing to be seen but this low moving rumbling that is deeper than the shadows behind him. Jenn's voice is still everywhere and nowhere, slower than he came imagine (tick. tock.) beside him: the door he has opened.

Ahead: the rapidly closing -

Elijah

He wants to pull his hand back, wants to pull away because it is hot and it is molten and he can smell the sea spray and he can taste the salt water and something inside of him seizes because he knows, he knows he can't swim. Expects to step in and feel nothing. Expects to plunge into the darkness and be eaten up by whatever was there.

There was a light at the end of the corridor. The door that was rapidly closing, a place that he knows he saw his doppleganger come through. Poke him and prod at him.

"Fuck that guy," he grumbled. He drew in a deep breath, and took a step inside of the door, closed his eyes and closed the door behind him. He could have followed the light at the corridor, could have followed the rapidly closing door, or taken a path less marked. Something waiting for him, something unknown and dangerous.

I am not a coward, he thinks.

I will not be a coward, he thinks.

And through and into the darkness with him.

radiant

So much expectation. So much anticipation. So much bracing, as the handle molds itself to his hand and he steps through the door, into darkness -

- darkness which feels absolute. The sound has changed. Gone is the vaguely settled slow-roll echo of Jenn's voice (as if he were inhabiting not syllables, not even phonemes, but the broken down half-life of phonemes, or perhaps something even smaller than that). Gone is the rumble of the world upended, overturning, erasing itself: through the door and into the rush of an ocean.

He can't swim.

There are such forces here.

This moment where he is caught in the upcycle of a breaking wave, another where he is plunged beneath and half-a-second to gasp for air and then -

thrown under again.

Some glimpse of a shore then, the only light in the darkness the reflection of the moon along the strange but - he's plunging under, is being plunged under again, water fills his lungs.


Elijah

[Permanent willpower: because water is kind of a phobia]

Dice: 5 d10 TN6 (2, 4, 5, 6, 9) ( success x 2 )

Elijah

There was shoreline. There was the briefest of brief moments, knowing the moon was there, knowing there was shoreline, knowing that there was air at the shoreline, and he feels water, water everywhere. He feels water in his lungs around his body and his mind screams at him we're dying, we're dying- again and again!

And there are thoughts, and there are no walls, just water, just the world around him that seems so small and all he can think of is to spread out and try to be bigger in hopes of maybe floating to the surface, not flailing and just going with the current.

You're going to drown, his brain tells him. He's too busy trying to hack salt water out of his lungs to notice. He's doing his best imitation of a dead body. He might not swim well, but he has watched enough Forensic Files to know that they tend to float.

Elijah

[Do I get this? wits+enigmas, diff 8]

Dice: 6 d10 TN8 (1, 6, 6, 7, 9, 10) ( success x 2 )

radiant

There's noise in his ears, not just the surf but something else, that hum again, some low song like music-not-music. It has rhythm but also formlessness, it is made of chaos, it is meant to be overturned and upended, and Elijah has just walked through a mirror into a hallway and opened a doorway with a molten handle that molded itself to the shape of his hand and flung himself into darkness and found himself enfolded by a great dark sea with the vaguest evidence of light, with the promise and suggestion of a shoreline, and his first reaction is

oh god I'm dying,

and his second reaction is

Forensic Files and Dead Man's Float

and there's that noise, not just the surf but something else, that hum, and he's floating up to the surface, his conversation with Jenn echoing in his ear: reality is what you make it. Reality exists because we agree and because we consent. What happens when you stop?

Hmm?

Consenting.

"Christ, kid." That voice again, that hum, that voice from everywhere and nowhere. "Get a fucking move on. Just do something, why don't you?"

---

He's floating. He's floating.

If he keeps on dead man's floating, soon enough he will come to the sure.

radiant

(note: soon enough he will come to the shore.

Elijah

What happens when you stop consenting?

Well, Jenn, you walk into a random hallway in your living room and accidentally almost drown. Elijah has the presence of mind to try and roll over, maybe he could float on his back or something. He'd get to shore eventually, but eventually wasn't terribly quick.

"The shore's not going anywhere," he says, grumbles, but attempts to try and kick in the direction of land. There would be land, he just had to get there, he just had to ride the surf and get there, "I don't have to hurry."

Unless there are sharks. Were there sharks? Was there anything? It was so dark, and he has the presence of mind to pat himself down, try and feel his lighter and his pocketwatch to make sure he has all of his faculties.

radiant

"Why the fuck do you think you have to get to the goddamned shore?"

The voice, his voice? The voice that is always there.

Elijah grumbles and pats himself down in the midst of the churning of the violent waves, tries to find the lighter and pocketwatch but he is being thrown again, trying to swim.

"Why the fuck do you think there is a goddamned shore."

radiant

There's noise in his ears, not just the surf but something else, that hum again, some low song like music-not-music. It has rhythm but also formlessness, it is made of chaos, it is meant to be overturned and upended, and Elijah has just walked through a mirror into a hallway and opened a doorway with a molten handle that molded itself to the shape of his hand and flung himself into darkness and found himself enfolded by a great dark sea with the vaguest evidence of light, with the promise and suggestion of a shoreline, and his first reaction is

oh god I'm dying,

and his second reaction is

Forensic Files and Dead Man's Float

and there's that noise, not just the surf but something else, that hum, and he's floating up to the surface, his conversation with Jenn echoing in his ear: reality is what you make it. Reality exists because we agree and because we consent. What happens when you stop?

Hmm?

Consenting.

"Christ, kid." That voice again, that hum, that voice from everywhere and nowhere. "Get a fucking move on. Just do something, why don't you?"

---

He's floating. He's floating.

If he keeps on dead man's floating, soon enough he will come to the sure.

Elijah

"Because I don't want to drown-" he insists. He insists and there is intensity there and that is answer enough.

He has to get to shore because he doesn't want to drown.

No, strike that.

There is a shore because Elijah doesn't want to drown. Because he insists and it takes all of his energy and all of his thoughts to keep floating because he doesn't want to drown, and while it might take time, while floating might get him to shore, there is the curiopsity of what might be under the dark, dark surface. If the water was cold, if he could hold his breath for just a little while, if he could go down instead of up and maybe find some world there.

Find something miraculous before his body gives way. His eyes go to the sky, look for the moon and the stars. Something to orient himself by.

radiant

"You don't want to drown?"

The voice scoffs.

"Isn't that how you fucking woke up?"

Elijah

"I might not come back this time," he justifies.

And? some part of him thinks. Like it's a big important question. What would happen, what is the worst that could happen, he could pursue something different, could find the comforts of the shore, or he could chase something closer, deeper, lower. Elijah drew in a big breath, tried to push past that feeling of anticipation.

He didn't want to drown, he didn't want to die, but...

Elijah pushes the air from his lungs and takes another deep breath. The young man made a decision, felt the tide and the cooling sea breeze. He didn't want to drown, but he wanted to see what was beneath the waves more. He wanted to press further, see if there was something else. The shore was comfortable. The shore was constant, the shore would be there.

He didn't know how to swim, but he figured sinking couldn't be hard, just struggle downward. So, instead, he went... down. Into the water, into the feeling of what he feared, what kept him here, tethered, because he would not be a coward. He'd insisted, he'd been so emphatic. So intent that this would not be what defined him.

What was fear but an opportunity? What was death but a door?

radiant

Nothing.

Ev. Er. Y. Thing.

Three hours, four hours, seven hours, eleventy-seven days later he wakes up.

He's in his living room. Jenn's asking him How he does this and why no one else can, her head tipped back, her eyes hooded, watching the movement of the lights through the sky, against the sky, behind the sky. Elijah can feel the magic he shares with her and the way it strains reality, the way it deforms it, the way it remakes it.

Feels it shoving back at him.

Feels himself resist it.

Feels his heart beating, feels himself - well -

alive.